Latest news with #postcolonial
Russia Today
3 days ago
- Business
- Russia Today
Fair trade is critical for Africa
Fair trade is essential for Africa's future, according to Irada Zeynalova, Russia's ambassador to Mauritius. She stressed that African nations must be empowered to build self-reliant economies instead of remaining dependent on foreign aid. In an interview with local weekly Bizweek on Sunday, Zeynalova stated that 'fair trade is critical,' as Africans should have the freedom to shape their own development, free from the constraints of post-colonial economic patterns. Reflecting on Africa's historical challenges, the ambassador said the legacy of colonialism continues to cast a shadow across the continent, adding that colonial rule stripped Africa of its people and natural wealth, and that today's generation deserves a chance at a better, sovereign life. 'The time of colonialism must end,' she went on to say. Zeynalova noted that poverty in Africa is not merely financial but deeply rooted in the lack of access to essential services such as education, clean water, and healthcare. Drawing on her experience in Sudan, where her son worked prior to the outbreak of conflict, she said sanctions crippled the agricultural sector despite the presence of the Nile, adding that 'People there survive on $2 a week.' People in Sudan, according to Zeynalova, have a clear demand: 'Leave us alone. Give us safety, medicine, education. We can develop our country ourselves.' The ambassador pointed to the role of the BRICS group as a platform for empowering the Global South. Unlike Western-led alliances such as NATO or the EU, BRICS promotes inclusivity and mutual respect without imposing strict conditions on its members. She characterized the group, which includes Brazil, Russia, India, China, and South Africa, among other nations, as 'an open platform where countries are equal and respected.' Zeynalova also stressed that Russia has always viewed African nations as valuable partners rather than countries to exploit. Turning to Mauritius, the ambassador affirmed Russia's enduring commitment to the island nation's sovereignty and independence. 'Russia was one of the first countries to recognize Mauritius' independence and freedom,' she said, adding, 'In Russia, we remember everything.'
South China Morning Post
28-05-2025
- Entertainment
- South China Morning Post
Kenya author Ngugi wa Thiong'o, one of Africa's literary greats, dies at 87
Kenyan author Ngugi wa Thiong'o, considered one of east Africa's greatest literary figures, died on Wednesday, his daughter announced on social media. He was 87. 'It is with a heavy heart that we announce the passing of our dad, Ngugi wa Thiong'o this Wednesday morning,' wrote Wanjiku Wa Ngugi. 'He lived a full life, fought a good fight,' she added. Messages of support and respect quickly poured in for the celebrated author, whose decision to stop writing in English and start using only his native Kikuyu made him a powerful symbol of postcolonial African identity. 'My condolences to the family and friends professor Ngugi wa Thiong'o, a renowned literary giant and scholar, a son of the soil and great patriot whose footprints are indelible,' wrote Martha Karua, an opposition leader in Kenya, on social media. A social activist, Thiong'o served as a distinguished professor of English and comparative literature at the University of California-Irvine for more than two decades and penned a number of plays and short stories in addition to his novels. His most acclaimed works include Petals of Blood, a 1977 book chiding Kenya's emerging class of post-independence elites for exploiting the poor, and Wizard of the Crow, which examined the legacy of colonialism and was published in 2006, more than two decades after he had moved abroad.
Associated Press
07-05-2025
- Politics
- Associated Press
At age 87, Kenyan author Ngũgĩ wa Thiong'o remains impassioned about the power of language
NEW YORK (AP) — At age 87, Kenyan author Ngũgĩ wa Thiong'o hopes he can summon the strength for at least one more book . He would call it 'Normalized Abnormality,' about the lasting scars of colonialism, whether in Africa, Europe or North America, that are widely accepted today. 'I will write it if I have the energy,' Ngũgĩ, who has struggled with kidney problems in recent years, said during a telephone interview. One of the world's most revered writers and a perennial candidate for the Nobel Prize, Ngũgĩ remains an energetic speaker with opinions no less forceful than they have been for the past 60 years. Since emerging as a leading voice of post-colonial Africa, he has been calling for Africans to reclaim their language and culture and denouncing the tyranny of Kenya's leaders. His best known books include the nonfiction 'Decolonizing the Mind' and the novel 'Devil on the Cross,' one of many books that he wrote in his native Gikũyũ. Ngũgĩ has been praised by critics and writers worldwide, and imprisoned, beaten, banned and otherwise threatened in his native country. Since the 1970s, he has mostly lived overseas, emigrating to England and eventually settling in California, where he is a Distinguished Professor of English and Comparative Literature at the University of California, Irvine. 'I miss Kenya, because they gave me everything,' he says. 'All of my writings are based in Kenya. ... I owe my writing to Kenya. It's very hard for me not to be able to return to my homeland.' Ngũgĩ has published a handful of books over the past decade, including the novel 'The Perfect Nine' and the prison memoir 'Wrestling with the Devil,' and was otherwise in the news in 2022 when his son, Mũkoma wa Ngũgĩ, alleged that he had physically abused his first wife, Nyambura, who died in 1996 ('I can say categorically it's not true,' Ngũgĩ wa Thiong'o responds). His U.S. publisher, The New Press, has just released 'Decolonizing Language,' which the author praises as a 'beautiful' title. 'Decolonizing Language' includes essays and poems written between 2000 and 2019, with subjects ranging from language and education to such friends and heroes as Nelson Mandela , Nadine Gordimer and Chinua Achebe, the Nigerian author whose 1958 novel, 'Things Fall Apart,' is considered by many the starting point for modern African literature. Achebe also helped launch Ngũgĩ's career by showing a manuscript of an early novel, 'Weep Not, Child,' to publisher William Heinemann, who featured it in the landmark African Writers series. In one essay from 'Decolonizing Language,' Ngũgĩ declares that writers must 'be the voice of the voiceless. They have to give voice to silence, especially the silence imposed on a people by an oppressive state.' During his AP interview, Ngũgĩ discussed his concerns about Kenya, the 'empowerment' of knowing your native language, his literary influences and his mixed feelings about the United States. Ngũgĩ's comments on subjects have been condensed for clarity and brevity. On language in Kenya 'In Kenya, even today, we have children and their parents who cannot speak their mother tongues, or the parents know their mother tongues and don't want their children to know their mother tongue. They are very happy when they speak English and even happier when their children don't know their mother tongue. That's why I call it mental colonization.' On speaking English 'I am fine (with speaking English). After all, I am a distinguished professor of English and comparative literature at the University of California, in Irvine. So it's not that I mind English, but I don't want it to be my primary language, OK? This is how I put it: For me, and for everybody, if you know all the languages of the world, and you don't know your mother tongue, that's enslavement, mental enslavement. But if you know your mother tongue, and add other languages, that is empowerment.' His personal favorites 'I very much like the African American writers. I discovered them at Makerere University (in Uganda), and Caribbean writers like George Lamming were very important to me. The writers of the Harlem Renaissance fired my imagination and made me feel I could be a writer, too. ... At the Makerere conference (the African Writers Conference, in 1962), I met with Langston Hughes, and oh my God it was so great!. Langston Hughes of the Harlem Renaissance! To shake hands with a world famous writer was very very important to me.' Mixed feelings about the United States 'On the one hand, I am grateful to be here and to have a job at a California university, as a distinguished professor. I appreciate that. But I was coming from a country which was a white seller colony, and I can't forget that when I'm here. People don't even talk about it here. They talk about it as if it were normal. So we talk about the American Revolution. But is it not Native Americans who were colonized? So I am very fascinated by this normalized abnormality.'
