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Antonio Marras Resort 2026 Collection
Antonio Marras Resort 2026 Collection

Vogue

time2 days ago

  • Entertainment
  • Vogue

Antonio Marras Resort 2026 Collection

What makes Antonio Marras a unique presence in fashion is his ability to tell stories imbued with visceral authenticity.'Flying over Porto Conte with Antoine and Consuelo' is a journey that begins and ends in Alghero, the Sardinian city where the Marras family has its roots. 'This land is an inexhaustible source of richness, always offering stories we can draw from,' the designer said. Antoine de Saint-Exupéry—the famous French writer and aviator—spent the final months of his life in Alghero, and Marras's resort collection was born from imagining that his beloved wife Consuelo Suncín-Sandoval Zeceña de Gómez joined him there by air, flying the very same aircraft her husband used during his missions. A Salvadoran writer, painter, sculptor, and artist, she studied art in San Francisco. In Mexico, she met Diego Rivera; in Paris, she spent time with André Breton, Marcel Duchamp, Balthus, Max Ernst, and Picasso. Salvador Dalí was one of her dearest friends. In the United States, she opened her home to Ingrid Bergman, Jean Gabin, Greta Garbo, Marlene Dietrich, and Jean Renoir. She was the inspiration for The Little Prince, and in this collection, Marras imagined the wardrobe she would have packed for a journey to an island where the wind tousles your hair. Embodying the romanticism of a vaguely dandyish femininity, the collection takes shape through embroidered pinstripes, damask fabrics, and plaid cottons; rubberized flowers and aged-effect leathers; sculpted silhouettes, hidden pleats, and balloon volumes; faded denim, kimonos, and sheer fabrics. Faux furs are made of silk, knitwear is adorned with appliqués evoking a starry sky or worked in jacquard depicting a postcard of the dome of San Michele in Alghero, while patchworks of floral prints recall the island's wild flora. The colors reflect a landscape seen from above, where nature spreads across the warm tones of the earth and the airy blues of the sky; a bordeaux shade stitches it all together.

Monse Resort 2026 Collection
Monse Resort 2026 Collection

Vogue

time2 days ago

  • Entertainment
  • Vogue

Monse Resort 2026 Collection

Fernando Garcia and Laura Kim are gearing up to celebrate the 10th anniversary of Monse in September. Their tightly edited resort collection looked back at favorite Monse-isms, both their own and those of their customers. The focus was on 'topsy-turvy staples.' A two-in-one puffer jacket was constructed from separate jackets joined at the waist (the bottom jacket was thinner to eliminate bulk). This same approach was used on colorblocked cardigans, a deconstructed fair isle sweater, a classic businessman striped cotton poplin shirt, and a two-toned denim jacket with a suede collar. The outerwear was certainly one of the collection's strongest elements. A trench-style cropped jacket in chocolate suede or black leather came with a double lapel and could quickly become a staple in anyone's closet; while another trompe l'oeil style, this time a hoodie 'underneath' a blazer but with the hoodie's scrunched arms layered over the jacket's sleeves, was especially successful in a black leather and heathered gray construction. Elsewhere, there were party-ready pieces in the form of slinky sequined gowns and a studded mesh shirt and easy flared pant—all in shades of chocolate-copper, which added an unexpected allure. Studs were also used to embellish knits, including a colorblocked turtleneck which, if you looked closely, turned out to be two turtlenecks in one. 'We didn't have the front of one and the back of the other, so we just married them,' Garcia explained. 'That's usually how the best little experiments come to life. It ended up being one of my favorite pieces.'

Victoria Beckham Resort 2026 Collection
Victoria Beckham Resort 2026 Collection

Vogue

time20-05-2025

  • Entertainment
  • Vogue

Victoria Beckham Resort 2026 Collection

It's been seven years since Victoria Beckham has been in New York with a new collection. She's not giving up Paris, where she's staged her runway shows for the last few years, but the Big Apple has been on her mind. It wasn't far from today's presentation on the 55th floor of One Vanderbilt that she held her first appointments with editors and buyers back in 2008, and she'll be back again in the fall for the premiere of the Netflix documentary series about the making of her fashion and beauty businesses. Beckham wore pieces from the new resort collection she's in town showing: a baby pink fine gauge knit polo tucked into the slimmest of midi skirts in army green. A matching tailored jacket with a raw-edged lapel was tossed over a lounge chair, where an XL Victoria tote in burgundy leather was also perched. She noted that this season's palette was pulled from a 1979 Francis Bacon painting, Study for a Portrait, that was briefly exhibited in her London flagship as part of a Sotheby's curation. The graphic floral print on silk slip dresses and on the lining of a raincoat made in collaboration with Mackintosh, meanwhile, was inspired by a Gary Hume canvas. As for silhouettes, Beckham took her design cues from dance, an early passion of hers, and the very real, everyday demands of dressing for her high-powered career and life, which is often spent in front of cameras. Where the fall collection she presented in Paris in March leaned experimental with its fabric roll hems and pants tucked into high-heeled shoes, resort's strong suiting and soft, fluid jersey dresses wear their user-friendliness like a badge of cool. 'The first drop is around October,' Beckham said, 'so it's a real opportunity to do what we do with our tailoring and our gowns and Christmas party wear, always remembering my brand codes: of things being really considered, really flattering on the body, and giving a great silhouette. On both the suits and the dresses, the nipped waist was a primary focus, accented with a cummerbund on the former and nipped by body defining seams on the latter. Most surprising was the weekend wear; chenille sweatshirts, sporty bombers, moleskin pants, and jeans in a nubby, no-stretch Japanese denim aren't the kind of things typically seen on Beckham's runways, but they looked good here. A black flight suit paired with a little pointelle knit looked particularly New York-ish.

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