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Jess Cartner-Morley on fashion: High heels never really work in summer – it's the season to rock fabulous flats
Jess Cartner-Morley on fashion: High heels never really work in summer – it's the season to rock fabulous flats

The Guardian

time30-07-2025

  • Lifestyle
  • The Guardian

Jess Cartner-Morley on fashion: High heels never really work in summer – it's the season to rock fabulous flats

Wearing high heels in summer never worked. We must have been mad! Pretty much everything that is lovely about summer is incompatible with wearing heels. Being outside in the garden or the park, where the grass is soft underfoot! Delightful, but hopeless if you have to balance on tiptoes to stop your heels from sinking into the ground. Walking instead of getting the bus, because it's so nice out! A seasonal treat, but only in comfy shoes. Summer weddings that start at 3pm and go on until the small hours! The absolute best, but murder with blisters. The beach! OK, we weren't ever sufficiently insane to wear heels on sand or pebbles. Still, you get my drift. The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more. I haven't sworn off heels for good, by the way. I think there was a time when lockdown broke my habit, but in the end I missed them. So when autumn comes around, I will relish pulling on my heeled boots for the first time. Come party season, I will hold fast to my belief that a really good night out starts with a shoe that gives a rush of visual pleasure and makes no concessions to being remotely sensible. But for the next couple of months, I have a strict flats-only policy. What's that? What about wedges, you ask? For some people, these represent the perfect compromise: they are steady on uneven ground, and comfortable to wear because your weight is fairly evenly distributed. But, look, can I be honest? They are just not very elegant. They make your feet enormous, which knocks your whole silhouette off balance, like wearing a comedy hat. They are also a bit of a weird shape, because that's what happens when you try to fit a square peg in a round hole. No. There is a flat shoe for every summer occasion, and there is an art to matching the shoe to the look. Not all flats are created equal: some elevate, and some don't. Because we are so accustomed to seeing heels as the glamorous option and flats as the practical alternative, we tend to lump all flats in together, and fail to notice that there is a world of difference between styles and shapes – both in the vibe they bring to an outfit and how they affect your silhouette. Bare and strappy looks casual, while enclosed is more formal – think of the contrast between a Birkenstock and a loafer. A minimal flat sandal can be fabulous for a summer party, but it needs to be elegant – good-quality leather with a nice pedicure reads very differently from plastic flip-flops and gnarly toes. If the toe is enclosed, the shape matters: a round toe is cute and girlish; an almond toe is more sophisticated. A flat shoe that has a sturdier construction and covers the top of your foot will read as masculine (a brogue, a loafer), while one that is flimsier and more cutaway gives femininity (a ballet pump). I like to think of myself as open-minded, but we all have our red lines, and one of mine is an ankle strap on a flat shoe. This cuts across your leg at the wrong place (visually, I mean; otherwise you've got it done up too tight, which is another matter entirely). This is not about your legs looking fat or short or whatever – we're not having that conversation any more, remember – it is just about what looks pleasing to the eye. If there is a Mary Jane-style strap across the top of your foot, then this will look best if it's closer to the toe than to the heel. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Snazzy embellishments that might look gaudy on a high heel look brilliant on a flat, because a flat shoe needs to show some ambition. It can take detail or colour, shine or eyelets. An element of elevation, if you like. What it boils down to, really, is this: flat shoes don't have to be basic. Sometimes we make the mistake of thinking that the choice is between dressing up nice – in heels – and 'just' wearing flats. When, in fact, the only sensible way to do summer is no heel, but all glamour. This is the season to be flat-out fabulous. Model: Amaka at Milk. Hair and makeup: Sophie Higginson using Ouai and Dr Sam's. Dress, £79, Nobody's Child. Necklace, £142, Ottoman Hands. Bag, £36, River Island. Pumps, £59.99, Zara

Jess Cartner-Morley on fashion: High heels never really work in summer – it's the season to rock fabulous flats
Jess Cartner-Morley on fashion: High heels never really work in summer – it's the season to rock fabulous flats

The Guardian

time30-07-2025

  • Lifestyle
  • The Guardian

Jess Cartner-Morley on fashion: High heels never really work in summer – it's the season to rock fabulous flats

Wearing high heels in summer never worked. We must have been mad! Pretty much everything that is lovely about summer is incompatible with wearing heels. Being outside in the garden or the park, where the grass is soft underfoot! Delightful, but hopeless if you have to balance on tiptoes to stop your heels from sinking into the ground. Walking instead of getting the bus, because it's so nice out! A seasonal treat, but only in comfy shoes. Summer weddings that start at 3pm and go on until the small hours! The absolute best, but murder with blisters. The beach! OK, we weren't ever sufficiently insane to wear heels on sand or pebbles. Still, you get my drift. The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more. I haven't sworn off heels for good, by the way. I think there was a time when lockdown broke my habit, but in the end I missed them. So when autumn comes around, I will relish pulling on my heeled boots for the first time. Come party season, I will hold fast to my belief that a really good night out starts with a shoe that gives a rush of visual pleasure and makes no concessions to being remotely sensible. But for the next couple of months, I have a strict flats-only policy. What's that? What about wedges, you ask? For some people, these represent the perfect compromise: they are steady on uneven ground, and comfortable to wear because your weight is fairly evenly distributed. But, look, can I be honest? They are just not very elegant. They make your feet enormous, which knocks your whole silhouette off balance, like wearing a comedy hat. They are also a bit of a weird shape, because that's what happens when you try to fit a square peg in a round hole. No. There is a flat shoe for every summer occasion, and there is an art to matching the shoe to the look. Not all flats are created equal: some elevate, and some don't. Because we are so accustomed to seeing heels as the glamorous option and flats as the practical alternative, we tend to lump all flats in together, and fail to notice that there is a world of difference between styles and shapes – both in the vibe they bring to an outfit and how they affect your silhouette. Bare and strappy looks casual, while enclosed is more formal – think of the contrast between a Birkenstock and a loafer. A minimal flat sandal can be fabulous for a summer party, but it needs to be elegant – good-quality leather with a nice pedicure reads very differently from plastic flip-flops and gnarly toes. If the toe is enclosed, the shape matters: a round toe is cute and girlish; an almond toe is more sophisticated. A flat shoe that has a sturdier construction and covers the top of your foot will read as masculine (a brogue, a loafer), while one that is flimsier and more cutaway gives femininity (a ballet pump). I like to think of myself as open-minded, but we all have our red lines, and one of mine is an ankle strap on a flat shoe. This cuts across your leg at the wrong place (visually, I mean; otherwise you've got it done up too tight, which is another matter entirely). This is not about your legs looking fat or short or whatever – we're not having that conversation any more, remember – it is just about what looks pleasing to the eye. If there is a Mary Jane-style strap across the top of your foot, then this will look best if it's closer to the toe than to the heel. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Snazzy embellishments that might look gaudy on a high heel look brilliant on a flat, because a flat shoe needs to show some ambition. It can take detail or colour, shine or eyelets. An element of elevation, if you like. What it boils down to, really, is this: flat shoes don't have to be basic. Sometimes we make the mistake of thinking that the choice is between dressing up nice – in heels – and 'just' wearing flats. When, in fact, the only sensible way to do summer is no heel, but all glamour. This is the season to be flat-out fabulous. Model: Amaka at Milk. Hair and makeup: Sophie Higginson using Ouai and Dr Sam's. Dress, £79, Nobody's Child. Necklace, £142, Ottoman Hands. Bag, £36, River Island. Pumps, £59.99, Zara

Shane Lowry and Tyrrell Hatton express frustration during second round of US PGA
Shane Lowry and Tyrrell Hatton express frustration during second round of US PGA

South Wales Guardian

time17-05-2025

  • Sport
  • South Wales Guardian

Shane Lowry and Tyrrell Hatton express frustration during second round of US PGA

Lowry slammed his club into the turf and loudly exclaimed 'F*** this place' after being denied relief for an embedded ball on the eighth hole and dumping his second shot into a greenside bunker. The resulting bogey left the former Open champion battling to make the halfway cut and came hours after the latest outburst from Hatton, who was within a shot of the lead after covering his first eight holes in two under par before a costly triple bogey. After pulling his tee shot on the difficult par-four 18th into the creek which runs the length of the hole, Hatton could be clearly heard shouting 'piece of s***' at the face of his driver, followed by another word – seemingly beginning with the letter C – which was not 100 per cent clear. Following a penalty drop, Hatton hit this third shot into the rough short of the green and failed to find the putting surface with his fourth, before seeing his fifth shot trickle back off the green. The Englishman almost holed his next shot and tapped in for a seven before covering the front nine in 36 to complete a 73 which left him one under par, seven shots off the clubhouse lead held by Venezuela's Jhonattan Vegas. Asked to clarify what he had said on the 18th tee, Hatton said: 'You tell me, you've seen it.' Told the first three words were clear but the fourth was not, Hatton replied: 'OK. Well either way it wasn't my finest moment on the course but I mean yeah, running hot in the moment I'm pretty good at sometimes saying the wrong thing. 'So yeah, I'll leave it at that.' It is far from the first time Hatton's explosive temper has been seen on the course, with the world number 20 labelled a 'terrible influence' by Sky Sports commentator Ewen Murray after snapping a club and complaining about course conditions during the DP World Tour Championship in November. Hatton reacted angrily to missing a short birdie putt on the 11th hole at Jumeirah Golf Estates, exclaiming clearly 'F*** you, f****** s*** greens' and banging his putter down on the green. The LIV Golf player then broke one of his wedges after missing the green with his approach to the par-five 14th. Clubhouse leader Vegas, who enjoyed a slice of luck when his tee shot on the 17th hit a rake and kicked onto the green, looked set to enjoy a sizeable lead before taking four to get down from a greenside bunker to make a double bogey on the last. The resulting 70 left him two shots clear of France's Matthieu Pavon, with Max Homa another stroke back adding a 64 to his opening 73. 'I feel like finishing so late yesterday, not getting a great sleep, and having to come back early kind of put me not in the best mood all day,' Vegas, who completed an opening 64 at 8pm on Thursday, said. 'Every chance you get to lead a major and play with the lead is never easy, so I feel proud of a solid round today. Even though it's never easy to give two shots away right at the end, [there's] a lot of golf left, so got to keep remembering the good stuff.'

Shane Lowry and Tyrrell Hatton express frustration during second round of US PGA
Shane Lowry and Tyrrell Hatton express frustration during second round of US PGA

North Wales Chronicle

time17-05-2025

  • Sport
  • North Wales Chronicle

Shane Lowry and Tyrrell Hatton express frustration during second round of US PGA

Lowry slammed his club into the turf and loudly exclaimed 'F*** this place' after being denied relief for an embedded ball on the eighth hole and dumping his second shot into a greenside bunker. The resulting bogey left the former Open champion battling to make the halfway cut and came hours after the latest outburst from Hatton, who was within a shot of the lead after covering his first eight holes in two under par before a costly triple bogey. After pulling his tee shot on the difficult par-four 18th into the creek which runs the length of the hole, Hatton could be clearly heard shouting 'piece of s***' at the face of his driver, followed by another word – seemingly beginning with the letter C – which was not 100 per cent clear. Following a penalty drop, Hatton hit this third shot into the rough short of the green and failed to find the putting surface with his fourth, before seeing his fifth shot trickle back off the green. The Englishman almost holed his next shot and tapped in for a seven before covering the front nine in 36 to complete a 73 which left him one under par, seven shots off the clubhouse lead held by Venezuela's Jhonattan Vegas. Asked to clarify what he had said on the 18th tee, Hatton said: 'You tell me, you've seen it.' Told the first three words were clear but the fourth was not, Hatton replied: 'OK. Well either way it wasn't my finest moment on the course but I mean yeah, running hot in the moment I'm pretty good at sometimes saying the wrong thing. 'So yeah, I'll leave it at that.' It is far from the first time Hatton's explosive temper has been seen on the course, with the world number 20 labelled a 'terrible influence' by Sky Sports commentator Ewen Murray after snapping a club and complaining about course conditions during the DP World Tour Championship in November. Hatton reacted angrily to missing a short birdie putt on the 11th hole at Jumeirah Golf Estates, exclaiming clearly 'F*** you, f****** s*** greens' and banging his putter down on the green. The LIV Golf player then broke one of his wedges after missing the green with his approach to the par-five 14th. Clubhouse leader Vegas, who enjoyed a slice of luck when his tee shot on the 17th hit a rake and kicked onto the green, looked set to enjoy a sizeable lead before taking four to get down from a greenside bunker to make a double bogey on the last. The resulting 70 left him two shots clear of France's Matthieu Pavon, with Max Homa another stroke back adding a 64 to his opening 73. 'I feel like finishing so late yesterday, not getting a great sleep, and having to come back early kind of put me not in the best mood all day,' Vegas, who completed an opening 64 at 8pm on Thursday, said. 'Every chance you get to lead a major and play with the lead is never easy, so I feel proud of a solid round today. Even though it's never easy to give two shots away right at the end, [there's] a lot of golf left, so got to keep remembering the good stuff.'

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