Latest news with #Chic
Daily Mail
5 days ago
- Entertainment
- Daily Mail
Mariah Carey reveals the unlikely requests she has for King Charles when she performs for him at Sandringham
Mariah Carey has shared what she plans to ask King Charles when she performs for him at Sandringham later this month - and the answer may surprise fans. The singing icon, 56, will play at one of the monarch's homes for the Heritage Live concert, which will also feature Nile Rogers and Chic and Eternal. During a radio appearance on Capital Xtra, Mariah revealed what requests she had for the king, which include sorting out tax and congestion charges. Mariah, who said she has never performed for King Charles before, initially said she didn't have any requests for the royal because she 'didn't want to bother him'. However, when pushed by the show's host Manny Norte to make some pleas on his behalf, she agreed to ask the questions when she performs. When asked if there's anything she wants to ask him, Mariah said: ''No, because I just want to leave him alone. I don't want to bother people.' Manny suggested: 'I'll ask him a few things. Like, no tax, no congestion, straight away, you know?' Mariah admitted she didn't really understand because she's not from this country, so Manny said: 'Okay. Fair, fair. That's what I want: No tax, no congestion, no parking [fees] for the rest of my life. You know what I mean?' Mariah quizzed: 'And you think he's just going to give that to you?' Manny then asked her: 'Well, if I was performing or DJing, I'd ask that. Would you ask for me?' Mariah suggested she would, but would be pinning it on Manny, saying: 'I'm going to say you told me to ask.' Mariah concluded by saying she was 'serious' about asking him. The American star also appeared on Capital Radio, where she admitted 'never knows what day it is' and has never experienced 'that Friday feeling'. Mariah revealed that this is because of her dedication to not acknowledging time. Chris Stark asked: Mariah, last time we chatted to you at the Ball, you confirmed to us that you don't acknowledge time. 'Now this clip went everywhere after that. But it really got us thinking, does that mean you don't get that Friday feeling?' She replied: 'I don't because I never know what day it is'. Chris added: 'That's such a shame.' While Jordan said: [Laughs] This is so good. We honestly love having you on the show! Right now, many of our listeners have got that Friday feeling. Mariah then asked the hosts if they had personally made up 'the Friday feeling' for there show, completely unaware it is globally known. While staying in the UK, Mariah reportedly paying over £250,000 for her hotel stay during her time here. She headlined Brighton Pride over the weekend after arriving on her private jet earlier in the week. And now The Sun has revealed she is staying at one of the top-floor suites at the Corinthia hotel on London's Embankment. Featuring a large terrace, wine cellar, private spa and living room lit with a real fire, the room costs around £20,000 per night. A source told the publication: 'She blocked out two weeks in the best suite. It's only the best for Mariah. 'Her royal gig is a huge deal, so naturally she is living like a queen.' Daily Mail have contacted Mariah's representatives for comment. After performing in Brighton last weekend, Mariah is taking to the stage at Sandringham's royal estate as part of the Heritage Live's large outdoor music concerts on August 15. And it seems Mariah is one of the Corinthia's best guests after Beyoncé reportedly 'bowed down' to the singer in June and 'packed up her £25k-a-night London penthouse for the diva songstress to move in.' Beyonve had booked a 12-night stay at the Corinthia while performing at London's Tottenham Hotspur Stadium. But she allegedly moved out at the weekend when self-confessed diva Mariah touched down to play at Capital's Summertime Ball. A source told The Sun: 'Superstars as big as Beyonce and Mariah want to stay in only the best hotels. 'Beyonce had been staying in Corinthia's penthouses. 'But when Mariah flew in, Beyonce packed up so Mariah could take over her suites. It was like Beyonce was bowing down to another music queen.'
Yahoo
05-07-2025
- Entertainment
- Yahoo
Chaos at Essex Duran Duran concert as ticket holders stuck in queues
THOUSANDS of music fans faced chaotic scenes at Chelmsford City Racecourse today as admission delays hit the Chelmsford City Live event featuring headliners Duran Duran. VIP ticket holders, who paid hundreds of pounds for premium access, were still queuing to enter the venue at 2.30pm despite gates being scheduled to open at 2pm. The delays created significant bottlenecks at security checkpoints and ticket verification points, causing knock-on effects for general admission ticket holders due to enter at 3pm. One frustrated VIP ticket holder described the situation as "an utter shambles," telling reporters: "We bought these tickets to beat the chaos and now we're in the middle of this." The entry problems come just 24 hours after traffic gridlock around the racecourse left some Justin Timberlake fans missing the start of Friday night's concert. The traffic chaos prompted Essex Police to implement emergency measures including rolling roadblocks on the A131. The admission delays highlight ongoing logistical challenges at the venue, which is hosting back-to-back major concerts as part of the Chelmsford City Live series. Tonight's event features support from Nile Rodgers and Chic alongside headliners Duran Duran. Long queues of ticket holders were seen snaking around the racecourse perimeter as security staff struggled to process the volume of people arriving for the popular 1980s band's performance. The delays particularly affected those who had paid premium prices for VIP packages, which typically promise expedited entry and exclusive facilities. Many expressed frustration at being caught up in the same queues as general admission ticket holders. Event organisers have not yet responded to requests for comment about the admission problems or what measures are being taken to prevent similar issues at future events. The problems cap a difficult weekend for the venue, which has faced criticism over its handling of large-scale events. Friday's Justin Timberlake concert saw some fans reporting waits of several hours to exit the car parks, with police forced to intervene to manage traffic flow. Essex Police confirmed they will continue to maintain their presence around the racecourse this weekend to support traffic management and public safety operations. The venue regularly hosts major music events as part of its summer concert series, attracting thousands of visitors to the Essex location.
Scotsman
04-07-2025
- Entertainment
- Scotsman
Nile Rodgers talks kilts, Kazakhstan and why CHIC belong to Glasgow
After a triumphant Glastonbury set the legendary band return to Scotland for more Good Times Sign up to our daily newsletter – Regular news stories and round-ups from around Scotland direct to your inbox Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Nile Rodgers is buzzing to be playing Barrowland in Glasgow next month with his band CHIC as the Glasgow venue has a special place in the heart of the 72-year-old musician, songwriter, guitarist and record producer. Fresh from a triumphant Glastonbury performance and gigs elsewhere in the UK, the Netherlands, Ireland and Italy, Rodgers will be strapping on his signature hit-maker Fender Stratocaster with Chic as they lead the audience through a dance-fuelled set of hits such as Dance, Dance, Dance, Everybody Dance, Le Freak, I Want Your Love and Good Times. Advertisement Hide Ad Advertisement Hide Ad Over Zoom from the US Rodgers is his usual smiling self, complete with hat and long locks, straight away telling me how much Chic love playing Barrowland, having played there multiple times. So what is it about Glasgow's legendary venue that gets the icon into the groove every time? Nile Rodgers and Chic perform at Glastonbury festival last month. | Getty Images 'It's the vibe of the Barrowland. It's all about the people. The reason I love coming back is because of the sense of appreciation and fulfillment we get. You can't really compare that to anything else. It's like when we finish a show we're basically done, we're exhausted at the end of our shows, but the crowd there, they're ready to go again, they wish we could do another one. It's insane.' 'We're spent but they're revved up and ready to go and that energy is incredible. I said last time we played there, 'man, you guys are louder than Concorde taking off!' The decibel level was just insane,' Like Barrowland Rodgers' has legendary status, his life and musical trajectory forged through his tough upbringing on New York's Lower East Side. His parents, an interracial couple, were hippies, high-functioning heroin addicts and music lovers and the extraordinarily musically talented young Rodgers became the family bread winner early, landing his first professional jobs as a guitarist in the Sesame Street band when he was 17 or 18 as well as playing in the house band at the famous Harlem Apollo. Having learned to play flute and clarinet in school, among other instruments, he loved jazz, classical music, rock and fully embraced the DJ and club culture of New York in the 1970s. Advertisement Hide Ad Advertisement Hide Ad Chic was born in 1972, co-founded by Rodgers and bassist Bernard Edwards and their disco hits featuring the former's distinctive chop chord chucking style filled the world's dance floors. He also created songs for Sister Sledge, Diana Ross, David Bowie, Madonna, Daft Punk, Beyonce and many more with Chic's Good Times hit illustrating his musical reach by influencing The Sugarhill Gang's breakthrough hip hop single Rapper's Delight, Queen, Blondie, Captain Sensible and Daft Punk and beyond. Nile Rodgers performing with Chic during TRNSMT Festival at Glasgow Green, July 2022 . | Getty Images Given how many times Chic have played in Scotland does Rodgers have any tartan in his wardrobe. 'I do, obviously because I've been there too many times to not. But what was really interesting is that I'm doing a private party and they want me kilted up in their family garb, so I said 'well, whatever, I'm down, you know?'. Will he be donning a kilt? 'That's what they want me to do, so I said OK. Not at the Barrowland but yeah, we're doing a couple of private gigs.' Advertisement Hide Ad Advertisement Hide Ad Unfortunately Rodgers and Chic won't have any time to hang about in Scotland this time round as it's straight on to the next gig. 'This tour, almost every show is in a different city the next day. Typically, because of my charity work, I don't like to travel by private aircraft because that same money I could be spending on the kids in my programme, but it's the only way to do this tour because we're in one city and the next day in another country and the following day another. It's crazy. This is going to be the most cities that we've hit in one summer in my entire career,' he says. It's a schedule which is remarkable given that Rogers is now 72 years old. 'Yes, thank you for bringing that up,' he says and laughs, then I tell him he's in great company as Herbie Hancock, now 85, was in Scotland tearing up the Edinburgh Festival in 2022. Advertisement Hide Ad Advertisement Hide Ad 'Yeah, he's a great friend of mine. I just saw him a couple of weeks ago,' says Rodgers. Both men have achieved legendary status that sees them revered across the whole music industry with their influence felt far and wide and down the generations. How does that feel? 'It's amazing but I don't think of it like that,' says Rodgers. 'I'm just doing my job. 'But as a composer, as a creator, as a producer, an orchestrator and arranger, whatever you want to call me, guitar player, to be able to create and have that creation become meaningful to other people's lives, that's an extraordinary feeling.' Advertisement Hide Ad Advertisement Hide Ad 'I don't know how to explain it. Well… near the end of the first leg of this tour, at the last show, I said 'I want to do this for the rest of my life until I can't do it any more'. You know, that's just how I feel. I love the feeling that we're giving back because the crowd seems to be SO appreciative. My god, the last few shows we just did in South America were over the top!' Having been on the road for decades Rodgers has played 'every country in the world', some of them multiple times, but last year's visit to Kazakhstan made an impression. Nile Rodgers at the 2025 Songwriters Hall Of Fame Induction Ceremony in New York. Rodgers was inducted in 2016. | Getty Images for Songwriters Hal 'Before we went I kept thinking to myself the only thing I know about Kazakhstan is the character Sascha Baron Cohen plays in Borat and that horrible song he sings all the time, and I get to Kazakhstan and people were awesome. We had so much fun. I couldn't believe the way that the vibe felt walking down the street. I didn't seem to look peculiar to people, even though I know that I don't typically dress like your average Kazakhstani but man, we had so much fun. 'And we were making a joke, me and the girls in my band, and I said you know, for the last couple of years of Prince's life he always played Le Freak, stuck it in the middle of a song, and I said we're going to stick in Jungle Love, and we started doing the dance and the client who brought us in jumped right in with us and started doing the Jungle Love dance. It was incredible. We were in Kazakhstan and he knew exactly where we were coming from culturally, and I thought to myself, that's the beauty of music and that's really what the world is. People are beautiful. Government's pretty much stink,' he laughs, 'but people are awesome.' Advertisement Hide Ad Advertisement Hide Ad Rodgers agrees that the beauty of music is that it transcends politics. 'When I go to a country that's supposed to be awful, the promoters say 'oh you don't want to go for a walk out there' and I hear 'Nile, ha ha, take off', because I love meeting people. I love other cultures and I'm fascinated.' He traces his love of travel right back to his early years when he had no money but explored anyway. 'When I was a kid it was very common for people like myself who were very poor to do what we call hostelling, and you go to these very, very inexpensive little, you can't even call them hotels, they were just little rooms, rooming houses set up for basically teenagers to go around and explore the world. I don't even know what's happened to that,' he says. No, hostels are still very much a thing, I tell him. Advertisement Hide Ad Advertisement Hide Ad 'Oh, OK. I guess I'm not a teenager anymore! I'm 72 years old and I can actually stay in a real hotel. But that was like the thing. So meeting new people and going to different countries was a normal thing. I remember my girlfriend turned me on to this and there was no such thing as stranger danger. I never heard a bad story, like now it seems that's all we hear. And I know mathematically that there are no more bad people now than there were then, so I just take it as mostly people are good, and every now and then you meet jerks, but most of the time people are really cool.' With the extensive touring, producing, writing and charity work that Rodgers is involved in, is he ever able to go and watch other musicians play? 'Rarely. I love to, but it's rare. I saw Esperanza Spalding and Adam Lambert at the Polar awards [The 2025 Polar Music Prize ceremony in Stockholm last month], and that was great, that was cool and fun, but that's not my normal life. 'My normal life is I'm going from one place to the next. I rarely have leisure time because I'm working on other projects. Doing live gigs is not my life, that's just one small part of it.' Advertisement Hide Ad Advertisement Hide Ad With Barrowland ready and waiting does Rodgers have the playlist ready for the gig, and is it a set or does it change? 'It changes all the time because we have an idea of the amount of time that we have on stage. As a person, I'm very cognisant of other artists and I never go over time. Chic is incredibly prompt. We're like a machine. And what's really interesting is that we're not a machine, we're a completely live band. Almost every band you see has click tracks and secret backing tracks and stuff like that, and believe me I know, because I know almost every band out there, but we're completely live. 'But we're very prompt. I have my stage manager saying 'OK, you've got five minutes, three minutes, two minutes, you've got to be on stage'. We're very, very, very cognisant of the other acts, and because we're live, we're not locked to a clock, so we have to be aware of how much time we're on stage because sometimes I'll talk and just go off the rails and start telling stories and that's not really what we're there for. We're there to play music. But sometimes you can't help it. The vibe is so great. And because I've been to all these countries so many times I have nothing but great memories that sometimes I want to share, so I tell them.' And will he be playing his trademark white Fender Stratocaster with the maple fingerboard? Advertisement Hide Ad Advertisement Hide Ad 'Of course. It's the only guitar I play. If I break a string the audience has to wait for me to change the string.' Does he not have a spare, or other guitars? 'I have tons of them, but I only play that one.' Nile Rodgers performing with Chic at TRNSMT Festival, Glasgow, 2022. | Getty Images Looking back over his lengthy career, of what is Rodgers most proud, some of the hits, his influence on other musicians, his longevity, his success, his charity work? 'That's really high on my list,' he says, referring to his We Are Family Foundation, set up in 2008 and which has funded schools in Malawi, Mali, Nepal and Nicaragua, created a diversity and tolerance curriculum that was sent to every elementary school in the US and is dedicated to create programmes that 'promote cultural diversity while nurturing and mentoring the vision, talents and ideas of young people who are positively changing the world'. 'What we're doing now, it's beyond anything I ever thought we could accomplish and now I know we gotta be doing SO much more because the people in my life now, and just what's going on in America now, it drives me to work in other situations and it opens my mind to developing programmes in other countries because now I really see that… God, you know, there's so much going on in the world that really governments don't address, and we really deal with young people who are addressing those problems and actually making a change. Advertisement Hide Ad Advertisement Hide Ad 'And when I was a kid, that's what my life was like. It was not only discovering the problem or becoming aware of the problem but it was actually working on the problem, helping to mend the problem, trying to fix it. On a previous occasion Rodgers told me how when he was a child he had fallen behind a sofa pushed against a wall in the family home and was stuck there for hours, unnoticed. What would he say to that child now, a scared little boy who has no idea how his life will unfold? 'It's going to be amazing.' He pauses and thinks back. 'I thought I was dying. I couldn't breathe. I had asthma. I can't believe that you know that story. Yeah, I fell behind the sofa, and I was a skinny, skinny, skinny little kid and had really bad asthma, and who'd ever have thought that I'd go on to make music for a living? 'Actually I thought that then, believe it or not, but I never would have imagined that it would get to this level, that I'd do songs and video games and theatre and pop records and classical records and jazz records, I mean just anything that artistically comes my way that I'm interested in. It's amazing.' Advertisement Hide Ad Advertisement Hide Ad Which just leaves time to wish him all the best for the Barrowland gig and the rest of the tour. 'Thank you. I hope I'll see you all at the show.'
Telegraph
04-07-2025
- Entertainment
- Telegraph
Nile Rodgers: Music saved my life ... and David Bowie's too
Nile Rodgers has said music saved his and David Bowie 's lives. The Chic star, 72, made the comments while guest curating a display for the new David Bowie Centre, which features personal correspondence between the two musicians. Speaking about their friendship, Rodgers said: 'My creative life with Bowie provided the greatest success of his incredible career, but our friendship was just as rewarding. Our bond was built on a love of the music that had both made and saved our lives.' The centre, put together by the V&A Museum, will feature a bespoke Peter Hall suit worn by Bowie during the Serious Moonlight tour and chosen for display by Rodgers. It will also showcase photographs of Bowie, Rodgers and the guitarist Stevie Ray Vaughan recording Bowie's hit song Let's Dance in New York. Rodgers produced Let's Dance and the 1983 album of the same name, as well as the 1993 album Black Tie White Noise, with personal correspondence on display relating to the latter. Costumes worn during Bowie's Ziggy Stardust period, and those worn by other musicians including Sir Elton John and PJ Harvey, will also be on display. The centre will open within the museum's new East Storehouse in the Queen Elizabeth Olympic Park, in Stratford, east London, on Sept 13. The Last Dinner Party, the Brit Award-winning indie rock band, have also curated part of the exhibition, describing Bowie as a 'constant source of inspiration to us'. Their items include Bowie's elaborate handwritten lyrics for his song Win, and notes and set lists for his 1976 Isolar tour. The band said: 'David Bowie continues to inspire generations of artists like us to stand up for ourselves. 'It was such a thrill to explore Bowie's archive and see first hand the process that went into his world-building and how he created a sense of community and belonging for those that felt like outcasts or alienated – something that's really important to us in our work too.' Access to the David Bowie Centre will be free, with tickets released nearer its opening. The David Bowie archive, which boasts more than 90,000 items, was acquired by the V&A with the help of the David Bowie Estate, the Blavatnik Family Foundation and Warner Music Group. The centre will be spread across three zones which will include curated displays, audio visual installations and quieter study areas, allowing visitors to view the Bowie archive on their own, from musical instruments to stage models. Small displays will tell the stories behind the singer's albums and also look at his multidimensional creative approach, including unrealised projects, collaborations and influences. The East Storehouse opened at the end of May, and features the Order An Object initiative, where visitors can pre-book to see an item from its entire collection. The V&A will also open the V&A East Museum, in an area named East Bank, in spring 2026.
The Guardian
01-07-2025
- Entertainment
- The Guardian
Nile Rodgers and Chic at Glastonbury review – pop's most reliable band bring the party to the Pyramid
Sunday at 6pm is a point in the Glastonbury experience what you really need is something dependable. You are sunburnt. The heat is still brutal. You are exhausted. The state of the toilets is unspeakable, and you crave a certain straightforward reliability. And, despite his attempts to reboot the Chic brand with a new album a few years back and a handful of fresh production gigs, Nile Rodgers seems largely content to see out his days in the business of straightforward reliability, simply touring the world playing his old songs. In fairness, if you'd written the catalogue of material he has, you might be inclined to ensure people don't forget about it. The initial shock you may have felt at seeing a reconstituted version of the greatest disco band of all playing Glastonbury's West Holts stage in 2013 has long disappeared – Chic have become a ubiquitous live presence in Britain in the ensuing years – but the meat of their set remains preserved in aspic, more or less the same as it was 12 years ago. That said, anyone who quibbles with the quality of said meat – Everybody Dance, I'm Coming Out, Upside Down, He's the Greatest Dancer – is the kind of person who shouldn't be allowed to express any opinions about music whatsoever: this is unequivocally some of the greatest pop ever made. There's an argument that it's too good to be rattled out at such speed, crammed into medleys and interspersed with faintly corny interludes in which Rodgers encourages his vocalists to hit ever higher notes and discusses 'maximum funkosity' – stuff that's all a bit at odds with Chic's original ultra-sophisticated image, the self-styled Black Roxy Music – and his triple-tested patter about his career ('You may not know that I also produced records for other people including Diana Ross, Madonna and David Bowie': you're joking, why have you never mentioned this before etc etc). It also might be nice if they didn't cut out the breakdown from Sister Sledge's Thinking of You – arguably the most exquisite 30 seconds of music in Chic's entire oeuvre – in favour of a section where the audience is encouraged to clap along. But given the sheer frequency with which Rodgers and Chic perform live, becoming a little cavalier with your material is probably inevitable, even when your material is as good as this. Besides, you can't argue with the efficacy of what they do, or indeed the sheer profusion of hits, so many that you barely notice that they don't play Lost in Music or My Forbidden Lover: this is a set in which Daft Punk's Lose Yourself to Dance counts as a deep cut on the grounds that it was only the second single from Random Access Memories and shifted a mere 1.3m copies as opposed to Get Lucky, which sold 8m in America alone. The huge crowd go nuts, and understandably so: in the face of such widespread delight, it seems a bit off to nitpick. It's the second time Chic have been played the slot immediately after the Sunday afternoon legend. Their appearance in 2017 was simply a matter of extending the elated atmosphere created by former Bee Gee Barry Gibb; following Rod Stewart feels more like a salvage operation. Straightforward and reliable, Nile Rodgers and Chic are clearly up to either task.
