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‘Don't feel like you have to stop at one': the shiny, thrifty brooch revival
‘Don't feel like you have to stop at one': the shiny, thrifty brooch revival

The Guardian

time2 hours ago

  • Entertainment
  • The Guardian

‘Don't feel like you have to stop at one': the shiny, thrifty brooch revival

The white gold and diamond brooch set like a moving snake was not the first time Zendaya wore the jewellery category most associated with grandmothers. But due to its placement, it might have been the most talked about. In attendance at the Met gala, the Dune actor pinned the Bulgari brooch to the back of her white Louis Vuitton suit. 'The Met Gala really was prime time for brooches,' Melbourne stylist Stuart Walford says. While fashion critics have heralded the brooch's return to menswear for several seasons, lately it has found its way to women's lapels too. Also at the Met Gala, Sarah Snook pinned a cluster of silver brooches from Rahaminov Diamonds and Saidian Vintage Jewels to her blazer, Aimee Lou Wood and Doja Cat both wore brooches in the shape of flowers covered in tiny diamonds (by Cartier and David Webb respectively), while the event's host, Anna Wintour, complimented her pale blue suit with an antique brooch by Lydia Courteille. At the SNL 50th reunion Tina Fey wore an art deco T-shaped brooch, Cynthia Erivo wore several to the 56th NAACP Image Awards and, more than once, the fashion writer Leandra Medine Cohen has featured a 1930s Jean Cocteau fish pin on her Substack, The Cereal Aisle. The brooch also remained the accessory of choice for men at the Oscars with Kieran Culkin, Adrien Brody and Colman Domingo prettifying their suits with ones shaped like tear drops, feathers and ribbons – in that order. Perhaps unsurprisingly given their prominence on the red carpet, it's hard to find a major fashion house that doesn't have a brooch in its recent collections, from Gucci to Loewe and Schiaparelli. In Australia, designers Carla Zampatti, Edward Cuming and Mimco are also selling brooches. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning For Sydney jeweller Lucas Blacker, a brooch is 'almost like a tattoo'. 'It is a sign from the wearer to show their personality,' Blacker says. At his studio, Black Cicada, he is seeing more clients wanting to repurpose inherited jewellery or pieces they aren't wearing by turning them into brooches. Olivia Cummings, the jewellery designer behind Cleopatra's Bling, says: 'Brooches require care in their placement and a sense of ceremony in their wearing. I think people are craving that now.' The personal statement brooch has deep roots, evolving from simple pins used to hold garments closed in the bronze age to intricate adornments that communicated class, religion and marital status in ancient Rome. In the 18th and 19th centuries, brooches became the original Instagram-holiday-post, featuring micro mosaics of the European tourist towns they were bought in. More recently, the brooches of Madeleine Albright and Queen Elizabeth II were rumoured to carry coded messages. 'Brooches are conversation starters, that's what makes them so special,' Walford says. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion In some ways the brooch's rising popularity is consistent with the lipstick indicator, which suggests when economic times are tough people cut back on big purchases and turn to small, affordable luxuries – such as lipstick or, according to Walford, brooches. The financial appeal is twofold: they are a great item to thrift and they help the wearer freshen up their existing wardrobe without buying an entirely new outfit, he says. When styling brooches, Walford recommends balancing the proportions with the size of your lapel. 'If it's narrow, keep things small and delicate. For a large and oversized 80s-style lapel, you could go big.' 'Don't feel like you have to stop at one – if we learned anything from this year's Met Gala, it's that a brooch can be layered and stacked.' Alternatively, take a leaf out of Zendaya's book and fasten one to the back of a coat or dress – just watch out for your handbag strap if you do it. 'There are no rules,' Cummings says. 'I also love to wear them over the top button of a shirt or pinned to a straw hat in summer.' A brooch is a great way to break up an all-black outfit, to fasten a scarf thrown over the shoulders or to add some sparkle to a basket or handbag. If you're looking to start, or add to, a brooch collection, try searching for vintage brooches on secondhand sites such as Vestiaire Collective or online marketplaces such as Etsy, eBay and 1stDibs – the results page feels like rifling through a wealthy, bohemian grandmother's jewellery box. Antique stores and vintage markets also often have extensive brooch collections, if you prefer to peruse in real life. From gold nose-and-mouth sculptures by Salvador Dalí to 1980s Lanvin flowers and enamel and rhinestone sea shells – each pin contains the possibility of another, fancier world. At their best, brooches should feel like small sculptures – striking from afar but still full of detail when you come closer, Cummings says. 'Weight and balance are important but above all it should carry a sense of story.'

Jason Momoa insists his actor son isn't a nepo baby
Jason Momoa insists his actor son isn't a nepo baby

Perth Now

time2 hours ago

  • Entertainment
  • Perth Now

Jason Momoa insists his actor son isn't a nepo baby

Jason Momoa insists his actor son isn't a nepo baby. The Aquaman star's 16-year-old son Nakoa-Wolf Momoa has landed a key role in Dune: Part Three, but his famous father says the teenager got the part without any help from him. Jason told Extra: 'He's into the workforce for the first time. It's going to be good. 'He did it on his own. I don't want to help him, and he's done it all on his own, and good for him.' Nakoa-Wolf, the son of Jason Momoa and 56-year-old actor Lisa Bonet, has been cast in Denis Villeneuve's third Dune instalment alongside Silo star Ida Brooke, 17. The two young actors will portray the twin children of Paul Atreides (played by 29-year-old Timothée Chalamet) and Chani (27-year-old Zendaya.) The film, which follows the events of Frank Herbert's second novel, Dune Messiah, continues the story of Paul Atreides as he becomes emperor. Jason, 45, originally played Duncan Idaho in Villeneuve's 2021 Dune film but did not appear in Dune: Part Two, which was released in 2024. He is confirmed to return in the third instalment, though details about his character's reappearance remain unclear. In the original book series, Duncan is resurrected as a clone – known as a ghola – following his death. Jason added to Extra about Nakoa-Wolf's achievement: 'You want your children to be better than you, and I really, actually believe he is. I couldn't do what he's doing at his age. 'There's no way I could sit in a room with Denis Villeneuve and hold my own. I was on Baywatch at 19. He's 16 and holding shit down with Denis Villeneuve. 'We raised him beautiful. We raised our children… it's just, you know, being loved and being confident in themselves… that is what he is. He's very confident.' The actor was speaking at the premiere in Hawaii of the Chief of War, at which he appeared alongside Nakoa-Wolf and his daughter, 17-year-old Lola Iolani. The historical drama series, which explores the unification of the Hawaiian Islands in the 18th century, marks one of Jason's major projects outside the Dune franchise. In Dune, Jason's Duncan Idaho character was the loyal swordmaster and mentor to Paul Atreides. His character was killed near the film's climax while defending Paul and Lady Jessica (portrayed by 56-year-old Rebecca Ferguson) from Sardaukar forces.

Hans Zimmer joins ‘Euphoria' Season 3 as composer alongside Labrinth
Hans Zimmer joins ‘Euphoria' Season 3 as composer alongside Labrinth

The Hindu

time15 hours ago

  • Entertainment
  • The Hindu

Hans Zimmer joins ‘Euphoria' Season 3 as composer alongside Labrinth

Acclaimed composer Hans Zimmer has officially joined the music team for Euphoria Season 3, HBO confirmed this week. Zimmer will work alongside returning composer and producer Labrinth, marking a significant shift in the show's already influential sonic identity. Zimmer, known for his powerful film scores in Interstellar, Dune, and The Lion King, said in a statement, 'It's an honor to join this incredible team of storytellers led by the visionary Sam Levinson. Labrinth's music has shaped the show's identity, and I'm looking forward to contributing to the ongoing story and helping shape this new season through music.' Labrinth, whose genre-defying compositions have been central to the show's tone since its debut, welcomed the collaboration. 'Another chapter in the Euphoria universe! So great to join Hans, one of my heroes in film score, and bring some new magic to this new season,' he said. Series creator Sam Levinson, who remains at the helm for Season 3, expressed his enthusiasm for the collaboration. 'It's a true honour to be working alongside Hans,' Levinson said. 'I wrote this season to the score of Interstellar and True Romance, so he's been ingrained in the creative DNA since the beginning.' Production on Season 3 began earlier this year after multiple delays. Much of the original cast, including Zendaya, Sydney Sweeney, Hunter Schafer, and Jacob Elordi, is set to return. New cast members include Sharon Stone, singer Rosalía, and former NFL player Marshawn Lynch, among others. Euphoria is expected to return in 2026.

"I don't want to help him...": Jason Momoa talks about nepotism; opens up about not being involved in casting of his 16-year-old son
"I don't want to help him...": Jason Momoa talks about nepotism; opens up about not being involved in casting of his 16-year-old son

Time of India

timea day ago

  • Entertainment
  • Time of India

"I don't want to help him...": Jason Momoa talks about nepotism; opens up about not being involved in casting of his 16-year-old son

The 'Nepotism' eye rolls have been part of the entertainment industry, and Hollywood isn't any different. Jason Momoa , the 'Aquaman' actor, opened up about how he wants his 16-year-old son, who was recently cast in 'Dune 3,' to create his own path in Hollywood, without getting the recommendation calls from him. Jason Momoa talks about his son, Nakoa-Wolf Momoa In an interview with Extra, the 45-year-old denied being involved in Nakoa-Wolf Momoa landing the precious role. 'A rude awakening is what he's in for,' he said, before adding, 'He's into the workforce for the first time. It's going to be good. He did it on his own. I don't want to help him, and he's done it all on his own, and good for him.' Jason further added that one would want their children to be better than them, and he believes that Nakoa-Wolf actually is better than him. 'I couldn't do what he's doing at his age. There's no way I could sit in a room with Denis Villeneuve and hold my own,' he said, continuing that he was 19 during 'Baywatch' while Nakoa-Wold is 16 and is working with Denis Villeneuve. What role is Nakoa-Wolf Momoa playing in 'Dune 3'? The 16-year-old is reportedly playing the role of Leto II, against Ghanima played by Ida Brooke, in the franchise's triquel. Leto and Ghanima are the twin offspring of Paul Atreides, played by Timothee Chalamet and Chani, played by Zendaya, as given in the third book. The Momoas have a legacy of playing a role in 'Dune,' as Jason played Duncan Idaho in 2021's 'Dune: Part One' and will be joining the team in the third instalment after sitting out in the second, according to The Hollywood Reporter. Momoa concluded, 'We raised him beautiful. We raised our children… It's just, you know, being loved and being confident in themselves… That is what he is. He's very confident.'

‘Dune' VFX House DNEG's Immersive Experiences Unit Names NBCU's Jeff Lehman Exec Producer (Exclusive)
‘Dune' VFX House DNEG's Immersive Experiences Unit Names NBCU's Jeff Lehman Exec Producer (Exclusive)

Yahoo

timea day ago

  • Entertainment
  • Yahoo

‘Dune' VFX House DNEG's Immersive Experiences Unit Names NBCU's Jeff Lehman Exec Producer (Exclusive)

DNEG, the London-headquartered VFX and animation house that has won Oscars for the likes of Dune and Tenet and has also worked on The Last of Us and season 4 of Stranger Things, has named Jeff Lehman executive producer for its Immersive Experiences division, DNEG IXP. He joins the company from NBCUniversal, where he served as assistant director, media production for Universal Creative. 'Lehman brings over 20 years of experience to his new role at DNEG IXP, including a decade leading large-scale global projects for Universal Destinations & Experiences, where he oversaw media creation from blue sky development to facility installation across Universal's global parks,' the company said. 'Key projects include Harry Potter and the Battle at the Ministry, Transformers: The Ride 3D, Despicable Me: Minion Mayhem, Hagrid's Magical Creatures Motorbike Adventure, Jurassic World: The Ride, and many others.' In his new role at DNEG, Lehman will get to 'further develop DNEG IXP's digital production services offering' and 'guide the company's clients and partners through the creative process for experiential entertainment with a story-first focus, managing the full lifecycle of projects from concept through on-set direction, visual effects and post-production, and on-site integration,' the company said. More from The Hollywood Reporter Ava Phillippe, Sam Morelos Cast in Tommy Dorfman's 'Laura Dean Keeps Breaking Up With Me' (Exclusive) Charli XCX Starrer '100 Nights of Hero' to Close Venice Critics' Week 'In the End, Everything Will Be Okay' With 'Money Heist' Star Esther Acebo Boarded by Citizen Skull (Exclusive) DNEG IXP utilizes 'DNEG's Academy Award-winning visual effects capabilities and the AI-driven technologies developed by fellow Prime Focus Group company Brahma, to deliver breakthrough creative experiences across theme park experiences, location-based entertainment, advertising, gaming, music, and more,' according to the firm. 'We're breaking the boundaries of traditional screens and bringing storytelling into the physical world,' said Lehman. 'With DNEG's legacy of award-winning artistry and technological innovation, this is a rare opportunity to redefine how audiences experience narrative – blending the cinematic with the tangible to create fully immersive, location-based worlds. It's an exciting new frontier in experiential entertainment.' Added DNEG president of VFX Rohan Desai: 'We have worked closely with Jeff over a number of years on some truly outstanding experiential attractions for Universal's global theme park portfolio, and I have always admired his knowledge, clear creative direction, and drive. As a filmmaker himself, Jeff brings a unique perspective to the creation of narrative-driven media for experiential attractions, which complements his technical expertise and extensive hands-on experience.' Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire Solve the daily Crossword

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