Latest news with #Lip
Time of India
6 days ago
- Time of India
Man charged in fatal shooting of ‘American Idol' producer and husband allegedly used couple's gun, called 911
Suspect accused of using victim's gun, making 911 call A man charged in the double homicide of an 'American Idol' executive and her husband is accused of using the couple's own firearm and calling 911 after the incident, according to authorities. Explore courses from Top Institutes in Please select course: Select a Course Category Operations Management Degree Leadership Finance Management MCA Data Analytics Data Science Public Policy Project Management MBA others Digital Marketing Data Science healthcare PGDM Others Cybersecurity Technology Design Thinking Product Management CXO Artificial Intelligence Healthcare Skills you'll gain: Quality Management & Lean Six Sigma Analytical Tools Supply Chain Management & Strategies Service Operations Management Duration: 10 Months IIM Lucknow IIML Executive Programme in Strategic Operations Management & Supply Chain Analytics Starts on Jan 27, 2024 Get Details Raymond Boodarian, 22, has been charged with murdering Robin Kaye and Thomas Deluca at their home in the Encino neighborhood of Los Angeles. Police believe the couple interrupted a burglary in progress when they returned home on July 10. During the encounter, Boodarian allegedly used a gun registered to one of the victims to fatally shoot them. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like How Much Does It Cost to Rent a Private Jet - The Prices May Surprise You! Private Jet I Search Ads Learn More Undo Also read: American Idol music supervisor Robin Kaye and husband Thomas Deluca killed in Los Angeles double homicide Los Angeles police initially responded to a 911 call about a possible burglary at the residence on the afternoon of July 10. However, after finding no signs of forced entry or suspicious activity, officers left the scene. Four days later, during a welfare check, officers discovered the couple's bodies. Both had sustained fatal gunshot wounds. Live Events At a town hall meeting on Monday, July 21, Los Angeles County District Attorney Nathan Hochman told local residents that Boodarian was the individual who made the 911 call on July 10, as reported by ABC7. Authorities believe he remained at the scene after the shootings and contacted law enforcement before fleeing. Boodarian was arrested on July 15, the day after the bodies were discovered. His attorney, Brad Siegel, has not responded to media inquiries regarding the charges. Victim had extensive career in television production Robin Kaye had worked in the music department of 'American Idol' for more than 15 years and was actively working on the show's upcoming season at the time of her death. In addition to her role with the long-running singing competition series, she contributed to numerous television productions, including 'The Singing Bee,' 'Hollywood Game Night,' 'Lip Sync Battle,' and several Miss USA and Miss Universe pageants. Kaye and her husband, Thomas Deluca, were both known in the entertainment industry and the Encino community. The investigation into their deaths remains ongoing. Also read: Who is Robin Kaye, American Idol music supervisor found shot dead along with husband at LA home? Read all Authorities continue to examine the timeline of events and the suspect's potential connection to the victims. Anyone with additional information related to the case is encouraged to contact Los Angeles Police Department detectives.
Arab Times
16-07-2025
- Entertainment
- Arab Times
'American Idol' music supervisor and her husband found dead at LA home
LOS ANGELES, July 16, (AP): An "American Idol' music supervisor and her husband were both found dead in their Los Angeles home Monday afternoon. Officers were conducting a welfare check at a home in the Encino neighborhood when they found the bodies of a man and woman with gunshot wounds. An "American Idol' spokesperson confirmed the deaths of Robin Kaye and her husband, Thomas Deluca, both 70. The couple owned their home, according to public records. "Robin has been a cornerstone of the Idol family since 2009 and was truly loved and respected by all who came in contact with her,' an "American Idol' spokesperson said in a statement. "Robin will remain in our hearts forever and we share our deepest sympathy with her family and friends during this difficult time.' Los Angeles police said Tuesday afternoon they arrested 22-year-old Raymond Boodarian in connection with the couple's deaths. Boodarian was allegedly burglarizing their home while the couple was away July 10. He is accused of shooting and killing Kaye and her husband when they returned and then fleeing on foot. Boodarian has not yet been assigned a public defender and could not be reached for comment. Police responded that same afternoon to reports of a burglary at the Encino home, but said in a press release there were "no signs of forced entry or trouble.' Kaye, an industry veteran, has also worked in the music departments of several other productions such as "The Singing Bee,' "Hollywood Game Night," "Lip Sync Battle,' and several Miss USA and Miss Universe pageants.
Perth Now
15-07-2025
- Entertainment
- Perth Now
American Idol boss killed inside LA mansion
American Idol music supervisor Robin Kaye and her husband, Thomas Deluca, have been killed inside their Los Angeles mansion following an alleged double homicide. Police reportedly saw blood at the front entrance of the couple's $AU7.5 million Encino home on Monday afternoon after they arrived to conduct a welfare check. After breaking a window to enter the six-bedroom property, officers discovered the couple with possible gunshot wounds to their heads, according to TMZ. Paramedics rushed to the scene and declared the couple dead. The disturbing development follows a previous incident in which police were called to the residence after reports of an attempted break-in. It remains unclear whether that case is connected to the double homicide. Ms Kaye was the music supervisor on American Idol for at least 15 seasons and won several Guild of Music Supervisor Awards for her work on the popular show. She was also the music supervisor on Lip Sync Battle. More to come...
Yahoo
15-07-2025
- Entertainment
- Yahoo
If ‘The Bear' Season 4 Premieres Without Promotion …
The Bear is out of hibernation. FX premiered the fourth season of its hit fine-cuisine dramedy on Hulu on Wednesday, June 25, which may come as a surprise to you. Ahead of the first season of The Bear, you could not take New York City mass transit without being bombarded by ads for the unknown cooking show starring the guy who played Lip on Shameless. But even commuters couldn't fathom that the billboard they were staring at would turn into the new show of the year, let alone the summer. Ahead of the fourth season, anecdotally, it felt like there were fewer ads on the street — but there sure were plenty on our TikTok feeds. (A spokesperson for FX told us the marketing campaign was as robust as ever.) More from The Hollywood Reporter 'The Bear' Review: FX/Hulu's Culinary Dramedy Stalls Out With a Muted Fourth Season 'Very Young Frankenstein' Comedy in the Works at FX, Mel Brooks Exec Producing How to Watch Emmy-Winning Series 'The Bear' Season 4 Online You've probably also read little season four promotion in the press — like in The Hollywood Reporter, for example — and there are multiple reasons for that. FX had initially set up a junket for The Bear for Monday, June 9. The virtual press conference had a dual purpose: 1) to promote The Bear season four, and 2) to act as an FYC (For Your Consideration) awards campaign for season three. The junket was canceled — a scheduling issue, we were told at the time — and it was not rescheduled. Though we were told that talent would still be available for individual interviews, the show's three leads — Jeremy Allen White, Ebon Moss-Bachrach and Ayo Edebiri — were still 'mostly unavailable due to scheduling,' FX said. (White has the Bruce Springsteen biopic from 20th coming later this year and Moss-Bachrach stars in July's Fantastic Four.) Series regular and executive producer (and former culinary consultant) Matty Matheson was also unavailable, as were other show producers, presumably including series creator and showrunner Christopher Storer. At least they all had time to enjoy a meal at Musso & Frank. OK, so that was just a little spirited ribbing. Of course they should celebrate the premiere for themselves — and this group has to go fine dining. For those not in the entertainment-media business, it is rare to not have producers and major castmembers made available to the press ahead of a new season — and exceedingly rare during awards campaign season. FX won the most Emmys of any network in 2024, so it's not exactly amateur hour for the brand; they known what they're doing and they clearly do it well. TV journalists are usually granted access to screeners ahead of a new season's release. A smaller pool than usual was sent screeners for The Bear season four (and for seasons two and three). FX shared screening links with only a select group of critics, which included (one at) THR. An FX spokesperson told THR that more than 219 critics and reporters were given early access at 108 publications. To be fair, curating a tight list of critics and publications is not a wholly uncommon practice for the highest-caliber of series — HBO does it, too. It is network PR's job to control access and avoid leaks. Screeners are a privilege, not a right — it's just that usually more people are in on that privilege. What critics could and could not do — or rather, when they could or could not do something — with those screeners is a bit weirder. Reviews of The Bear season four were embargoed for publication until 11:15 p.m. PT Wednesday night (which is 2:15 a.m. ET on Thursday), or a seemingly random six hours and 15 minutes after premiering (8 p.m. ET/5 p.m. PT on Wednesday). It wasn't random at all, THR math found. The collective runtime of all 10 season four episodes is precisely — you guessed it — six hours and 15 minutes. So in theory and in practice, a super fan could watch and finish (exactly) the entirety of The Bear season four before the moment a TV critic's review could influence their opinion and action. But that wasn't the point of it, the FX spokesperson said. The embargo was simply an attempt to not spoil information about the season's guest stars or how the season ends. Review embargoes are a very common logistical practice in TV and film, though one's exact timing can sometimes speak volumes about the internally perceived quality of the product. For example, in the movie world, a day-of-release embargo on reviews is often a sign the studio knows its movie sucks. In TV, it is much more nuanced. For example, it has become common for a platform — especially a streaming one — to embargo a review until 12:01 a.m. on the day of a TV premiere. You have to pick a time, and in an industry that barely programs to time slots anymore, the literal first minute of the day on which a new show or a new season is released is as good as any. The embargo for The Bear season four, however, is rare. But it's not the craziest we've ever seen. It's not even the craziest we've seen in the past month or so. For its feature film Ballerina, a spinoff from John Wick, the studio Lionsgate (basically) asked critics to adhere to one embargo for positive reactions and a later one for negative takes. That did not go over well, nor should it have. And we're not suggesting that FX believes The Bear season four stinks — they don't — our belief is that the strict rules surrounding this one reflects the seriousness Storer feels for shielding fans from even the smallest potential spoilers on his show. Again, we have receipts. On the night of the season four premiere, an FX rep emailed media asking that a 'spoiler alert' be issued 'at the top of all detailed reviews/recaps/coverage.' Generally that's just good practice if there are semi-significant spoilers. But FX (and Hulu) didn't even release the episode titles and descriptions for The Bear season four until Thursday. That's maybe a bit much. This precedent here was set well before the new season. For season one, when The Bear was a totally unknown summer show, a combination that rarely results in a flood of Emmys, the 'do not reveal' spoilers list even included the guest casting of Oliver Platt as Carmy's (Jeremy Allen White) uncle. No offense to Platt, but reporting his role is not exactly akin to breaking the next James Bond. We're not saying that's a crazy-egregious example of what goes on inside The Bear's PR machine, but it is an example. FX is generally very press-friendly, which is why much of this feels particularly unusual (and makes it easy, correctly or incorrectly, to presume that Storer is the applying a particular level of pressure here). But FX is also fan-friendly, a job the spokesperson said it must take as seriously as it does its interaction with the media. That can often be a delicate balancing act, the spokesperson said. And they don't always get it right. You know who else doesn't always get things right? The media. But the media loves FX, and we do feel that, typically, it loves us back. Since we've been talking inside baseball throughout this whole story, here's a recent very inside baseball example of the love-fest: When FX's longtime publicity boss, John Solberg, internally announced his plans to retire, many entertainment publications (like THR) covered it as industry news. That's not exceedingly rare, but it is a tip of the cap to Solberg's impact on the business, both professionally and personally. Most (if not all) of us genuinely like John, but John earned the coverage through his accomplishments. As has Solberg's boss, John Landgraf. Landgraf is considered one of the most reputable executives in the business. When he speaks, we cover. Landgraf is a TV genius who has shepherded FX to the top of most critics' lists. (Solberg is the one who fostered those reviews, and the one who oversaw the rules related to The Bear's season four publicity campaign.) Landgraf also famously coined the phrase 'Peak TV' — and in 2024, he declared it over. So none of this is a shot at FX — not from us, at least. We see the experience with The Bear's publicity machine to be a one-off. But it is still just … off. The Bear needed season four to be good — while the first and second seasons were beloved by both critics and everyday viewers, audiences turned their backs a bit on season three (the critical reception was also down, but not as dramatically). The restrictive embargo has now lifted, the season four reviews are in, and they're … pretty good, to be honest. Yes, the new season has endured the show's worst critical reception thus far, but the sentiment from TV critics is still generally positive. Well, not all TV critics. THR's Angie Han didn't love it. In her review, Han wrote that 'the latest run has the feel of a show burnt out from the effort of trying to outdo itself. Rather than push forward or drill deeper, it retreats into familiar territory as it prepares, maybe, to wind down for good. 'The spark that lit up earlier volumes has dimmed significantly,' Han wrote. Of course, by now, you've had more than those six hours and 15 minutes to decide what you think for yourself about The Bear season four. If, that is, you knew it was even on. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Miami Herald
26-06-2025
- Entertainment
- Miami Herald
Meet the tap dancing queen from Fort Lauderdale who made a splash on ‘Drag Race'
Before she was lip syncing for $50,000 on national television, Suzie Toot was an up-and-coming drag queen in Fort Lauderdale performing for free. She'd show up to open stages at bars that don't exist anymore and leave smelling like cigarettes. She worked hard as a cast member at Lips, the iconic Fort Lauderdale drag venue now rebranded as Aquaplex. And she'd perform her favorite number, a Liza Minnelli-inspired lip sync, sometimes for crowds of just 10 people. But things have changed for Toot, the drag persona of 25-year-old Ben Shaevitz. After a memorable appearance this year on season 17 of MTV's 'RuPaul's Drag Race,' Toot performed the same Liza number in front of an audience of 2,000 in London. Toot is not known for the flips, dips and splits that South Florida's drag scene specializes in. She prefers 1920s flapper dresses and tap dance shoes over glamorous evening gowns and towering heels. She's more likely to perform to Lady Gaga's niche jazz records than her pop hits. Her drag style stuck out in South Florida and on 'Drag Race,' where her fellow contestants weren't sold on her aesthetic — that is, until she outlasted most of them in the competition. 'I love being talked about, whether it's positive or negative,' Shaevitz told the Miami Herald, laughing. 'It's funny how my 'Drag Race' experience, in a lot of ways, reflected my experience coming up in the drag scene in Fort Lauderdale because I was so different and I looked so crazy. I'm a polarizing figure, but I love it.' Shaevitz's Toot went from underdog to semi-finalist, nearly making it to the end to snatch the $200,000 grand prize. Though she didn't win the crown, the drag artist still feels like a winner. And she loves the attention, even when she's the butt of the joke. She won $50,000 during the show's 'Lip Sync LaLaPaRuza Smackdown.' She endeared fans with her comedy, like tap dancing the Gettysburg Address in Morse code. She's touring the country with her cabaret-style act. And her feature film debut, a camp horror flick filmed in Fort Lauderdale, is now streaming on Hulu in time for Pride Month. Toot, alongside season 17 co-star Lucky Starzzz, is among a growing crop of South Florida drag queens who have been elevating the local drag scene to international acclaim, like fellow 'Drag Race' alumni Morphine Love Dion, Mhi'ya Iman Le'Paige and Malaysia Babydoll Foxx. In the pantheon of South Florida drag legends, Toot emerged as an unlikely reality TV star, a fan favorite and an internet meme. But for her friends back home, the Suzie Toot success story is no surprise. From theater kid to tap dancing drag queen Born in New York and raised in Wellington in Palm Beach, Suzie Toot's creator, Shaevitz attended Lynn University in Boca Raton for its 'tiny but mighty' musical theater program. He'd often joke with friends about what they would be like as drag queens, and during the pandemic, 'we had all the time in the world.' That's when Suzie Toot — with her Betty Boop-esque makeup, curly red hair and niche musical theater antics — came to be. 'Weird stuff, the old classics. This big melting pot of my loves and my interest became the Suzie character,' Shaevitz said. After dropping out of college, Shaevitz moved to Fort Lauderdale to pursue a career in regional theater and, eventually, drag full time. 'This is where everything is. There's theater. There's drag. It just pulled me over,' Shaevitz said. 'And it's my favorite place in Florida. I'll say it. Sorry, Miami. Sorry, Orlando. Fort Lauderdale is where to f------ be.' Shaevitz worked tirelessly developing a tap-dancing, live-singing cabaret act. He found friendship — and his first drag gig — with fellow Fort Lauderdale cabaret drag artist Eric Swanson, who performs as Miss Bouvèé. It all started with a message from Shaevitz on Instagram asking for a guest spot at a show, Swanson said. '[Toot] was brand new on the scene then, and I was giving love to anybody who wanted to sing and come share the stage,' Swanson said. 'And she was exactly as she is now. She has not changed. She is an old soul in a little, young person's body.' Swanson and Shaevitz applied their musical talents as the stars of 'Big Easy Queens,' a campy, raunchy, bloody horror movie musical set in New Orleans and filmed in South Florida. The independent film premiered in Fort Lauderdale in 2023 during Popcorn Frights, South Florida's largest genre film festival, and is now available to stream on Hulu as of Saturday. Swanson, 42, recalled a conversation he had with Shaevitz in their dressing room about where his career may go. 'I said, 'This is good. You're going to get calls from people,'' Swanson said. Soon after, Shaevitz got the call from 'Drag Race.' 'And the rest is history,' said Swanson. 'A win for the weirdos' When Kai Gomez met Shaevitz at a drag competition in Wilton Manors, he had a feeling he couldn't shake. 'Before the competition started, I was like, 'OK, you and me are going to the end,'' said Gomez, who performs in drag as King Vyper. Sure enough, they both landed in the top four, and the hosts were about to announce the top two finalists. King Vyper was called. Suzie Toot was called. 'And they tell us both that we didn't make the top two,' Gomez said. They've been friends ever since, supporting each others' careers and performing together. One of Gomez's favorite moments with Shaevitz was their 'Cuban Pete' number for a Halloween show. He dressed as Jim Carrey's 'The Mask' and Shaevitz was dressed as Lucille Ball. While Shaevitz and Gomez's alternative styles of drag are unique in South Florida, Gomez said it's validating to see how well Toot has done on and off 'Drag Race.' 'It makes me so proud. It's a win for the weirdos,' Gomez said. '[Toot] wasn't very favored because she was the artsy fartsy girly. She was the theater girly. But as soon as she started getting to those challenges, she was knocking them out the park.' And it's a win for South Florida's drag scene as a whole, Gomez said. Toot's success underscores drag's continued popularity in South Florida, despite the state government's anti-drag policies and rhetoric of the last few years. 'We really do have heavy hitter performers here,' Gomez said. In April, drag fans packed R House, a popular Wynwood restaurant, to watch Toot on 'Drag Race.' Though she was eliminated that episode, the mood was celebratory. At midnight that night, it was Shaevitz's 25th birthday. 'Once again, I love attention,' Shaevitz said. 'So hey, people are saying 'so sorry.' They're still talking to me.'
