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Time of India
01-07-2025
- Entertainment
- Time of India
Don't miss these 5 Thai dramas dropping in the second half of 2025: Tentative release dates and where to watch
Thai dramas are no longer underappreciated; instead, they are setting the standard for powerful, passionate storytelling around the world. From twisted romances to thrilling thrillers, the forthcoming 2025 program delivers unforgettable characters and captivating plotlines. Whether you're looking for recognized stars or new debuts, these are the shows to watch. Only You Tentative release: July 18, 2025 Tentative streaming: Netflix Cast: Lingling Sirilak Kwong, Orm Kornnaphat Sethratanapong View this post on Instagram In the drama, rising star Ira finds herself under the protection of Tawan, a composed and skilled bodyguard. As they spend more time together, professional boundaries begin to blur. Starring Lingling Sirilak Kwong and Orm Kornnaphat Sethratanapong, this romance unfolds slowly but deeply - asking whether love can grow where danger also lingers. Somewhere, Somehow Tentative release: August 8, 2025 Tentative streaming: YouTube Cast: Fay Kunyaphat Na Nakorn, May Yada Watcharamusik View this post on Instagram Based on a beloved web novel, the series introduces Kee, a fiery engineer, and Peem, a soft-spoken corporate vice president. Played by fan-favorite pair Fay Kunyaphat Na Nakorn and May Yada Watcharamusik, this series explores the gentle chaos of two opposites falling in love, with emotional slow burns and quiet moments that speak volumes. Roller Coaster Tentative release: August 13, 2025 Tentative streaming: YouTube Cast: Neko Naerunchara Lertprasert, Aom Pundao Panyabaramee, Shelly Phetsai Chanrueang View this post on Instagram Years after separating for an arranged marriage, Air and Pure meet again - but neither has truly moved on. Starring Neko Naerunchara Lertprasert as Air and Aom Pundao Panyabaramee as Pure, Roller Coaster dives into the ache of unresolved love. With Shelly Phetsai Chanrueang joining as Loft, expect a story packed with longing, heartbreak, and second chances. Shine Tentative release: August 2, 2025 Tentative streaming: WeTV Cast: Apo Nattawin Wattanagitiphat, Mile Phakpum Romsaithong View this post on Instagram Set during the turbulent years of 1969 to 1971, Shine pairs Apo Nattawin Wattanagitiphat and Mile Phakpum Romsaithong in a historical drama filled with idealism and conflict. Apo plays Trin, a principled economist, while Mile portrays Thanwa, a carefree hippie. When they cross paths with Moira, an eccentric widow living without apologies, their lives begin to change in unexpected ways. Deep, lyrical, and politically charged, Shine is one of the most anticipated series of the year. Clairebell Tentative release: November 1, 2025 Tentative streaming: One31, OneD, YouTube Cast: Pangjie Paphavarin Sawasdiwech, Mable Siriwalee Siriwibool View this post on Instagram


Extra.ie
26-06-2025
- Entertainment
- Extra.ie
Richard E Grant takes emotional tour of Barry Island in late wife's memory
Richard E Grant left fans teary eyed this week after he shared an emotional video of his trip to Barry Island, a holiday location made famous by the hit TV show 'Gavin and Stacey'. The star made the pilgrimage around the Welsh town alongside the show's co-creator Ruth Jones, who is best known for playing Nessa. The filming location had a particularly poignant meaning for the actor, as he revealed he watched the series alongside his late wife in the final weeks of her life. Richard E Grant left fans teary eyed this week after he hared an emotional video of his trip to Barry Island, a holiday location made famous by the hit TV show Gavin and Stacey. Pic: Richard E. Grant/Instagram In 2021, Grant announced that his wife Joan Washington had died, just eight months after she was diagnosed with stage four lung cancer. Now, the Saltburn star has paid tribute to his longtime love, giving fans a brief insight into her final days and a ritual they shared. It so happens that Jones and Grant are both filming a new drama called 'The Other Bennett Sister', taking a brief break from shooting to visit the iconic location. In 2021, Grant announced that his wife Joan Washington had died, just eight months after she was diagnosed with stage four lung cancer. Pic: David M. Benett/Sharing his excitement, Grant exclaimed 'Oh my God' as he stood outside Stacey's family home. He then made his way across the road to Uncle Bryn's before visiting Marco's Cafe and the beachfront. 'It's really emotional being here,' Grant said, sharing the motivation behind the trip. The star made the pilgrimage around the Welsh town alongside the show's co-creator Ruth Jones, who is best known for playing Nessa. Pic: Richard E. Grant/Instagram 'The last months of my wife's life, we watched Gavin And Stacey on repeat – and it just cheered us up endlessly.' On 3 September 2021, Grant revealed his wife's death, sharing a video of the pair dancing together to the song 'Only You'. He said: 'Since her stage four lung cancer diagnosis two days before Christmas, she was accepting, clear sighted, sanguine and totally without self pity.' He praised the oncology team at the Royal Marsden Hospital, NHS nurses, Price's Mill Surgery and Longfield palliative carers from their 'beyond exemplary' work. He continued: 'It's been my privilege to be by your side, sharing our last eight months together, enabling us to say everything we possibly wanted and needed to, so that when you asked Olivia and me two weeks ago 'to let me go', we unequivocally said 'yes.''


Forbes
03-05-2025
- Entertainment
- Forbes
Alison Moyet Celebrates Her 40-Year Solo Career At N.Y.C. Concert
Alison Moyet When the British singer Alison Moyet released her debut solo album Alf in 1984, it initially appeared daunting. At the time, she had severed her musical partnership with keyboardist Vince Clarke in Yazoo, which had achieved major U.K. success with their first two synthpop albums Upstairs at Eric's and You and Me Both and such hits as 'Only You' and 'Nobody's Diary.' But any concerns or questions of whether Moyet could succeed on her own after Yazoo's brief career were immediately allayed: Alf became a hit and kick-started an acclaimed career incorporating genres such as sophisticated pop, jazz and blue-eyed soul in addition to synthpop. To commemorate her 40 years as a solo artist, Moyet released her 10th studio album, Key, last October. That record featured reworkings of her well-known songs and deep cuts as well as new material. As Moyet indicated in a press statement about Key, she wanted 'to look at the trajectory of those decades and explore songs that, in their original form, were never fully realised or have had their relevance to me altered by time.' Alison Moyet at Webster Hall pn May 2, 2025. Alison Moyet at Webster Hall, May 2. That was also the focus of her current Key tour, which included a sold-out stop in New York City's Webster Hall on Friday. Supported by musicians Sean McGhee and Brendan Cox, Moyet presented a satisfying 90-minute overview of her solo music and a few Yazoo classics. Die-hard fans in the audience likely recognized certain songs from her rich catalog that were reimagined, such as 'Is This Love?' (which was rendered as a slow and smoldering ballad that contrasted with the very poppy original studio version from her 1987 Raindancing); 'Love Resurrection' (originallly from Alf and reinterpreted as a pulsating dance number); and 'It Won't Be Long' (a standout pop track from 1991's Hoodoo that was presented as an acoustic folk-country song). In addition to those popular songs, Moyet performed two new tracks from Key: the reflective 'Such Small Ale' and the eloquent 'The Impervious Me.' Alison Moyet at Webster Hall pn May 2, 2025. Of course, the only material not reworked for this show was from her time in Yazoo; they were in their original form from the lovely ballad 'Only You' and sublime 'Nobody's Diary' to the banging hypnotic dance numbers 'Situation' and 'Don't Go.' the latter closing the night on a high. Certainly, time had not diminished Moyet's rich and soulful voice since her Yazoo days—her performance of the anguished and haunting ballad 'This House' was a showstopping moment, in particular. Overall, she was in fine and commanding form at Webster Hall for a night to celebrate one of the most durable careers in pop music. Setlist: Fire More Such Small Ale Nobody's Diary The Impervious Me So Am I Can't Say It Like I Mean It This House Changeling Beautiful Gun Only You It Won't Be Long Dorothy Is This Love? All Signs of Life Footsteps All Cried Out Whispering Your Name Encore: Situation Love Resurrection Don't Go


Toronto Star
03-05-2025
- Entertainment
- Toronto Star
Electric Six, Alison Moyet, MJ Lenderman and more play Toronto
Horseshoe Tavern, 370 Queen St. W. Electric Six (Sat., 8:30 p.m.) Since releasing 'Fire,' their classic debut, in 2003, these ironic garage rockers (with early help from Jack White) have quietly — well, maybe not that quietly — released another 15 studio albums, comprising a fantastic, and often hilarious, body of work. Danforth Music Hall, 147 Danforth Ave. Alison Moyet (Mon., 7 p.m.) The venerable concert venue welcomes the voice behind Yaz's synth-duo classics 'Situation,' 'Don't Go' and 'Only You,' who's a terrific solo artist in her own right. MJ Lenderman and the Wind (Thurs., 7 p.m.) The indie-rock singer-guitarist tours his latest album, 'Manning Fireworks.' History, 1663 Queen St. E. Sharon Van Etten (Tues., 8 p.m.) With her backing band the Attachment Theory, the acclaimed American singer-songwriter purveys her brand of folky alt-rock. ARTICLE CONTINUES BELOW Phoenix Concert Theatre, 410 Sherbourne St. Lambrini Girls (Tues., 7 p.m.) The shouty British punk rockers deliver their abrasive, riot girrrl-inspired hits like 'Homewrecker' and 'Help Me I'm Gay.' Axis, 722 College St. Cheekface (Weds., 7 p.m.) The Los Angeles trio bring their quirky-cute indie pop to Little Italy. Lee's Palace, 529 Bloor St. W. Death From Above 1979 (Thurs., 7 p.m.) As part the club's 40th anniversary concerts, Toronto's legendary dance-noise duo celebrates nearly a quarter-century of making a racket.


Telegraph
12-03-2025
- Entertainment
- Telegraph
Alison Moyet: the trailblazer who beat a path for Adele proves she's still in the game
Toward the start of her appearance at a sold-out London Palladium on Tuesday night, Alison Moyet laid out her intentions for her show. Although the evening's entertainment, she explained, celebrated her four decades as a solo artist, the material picked for inclusion in the 21-song set would sound 'as if it was written in the same period'. There would be no succumbing to the easiest trappings of nostalgia here, thank you very much. There then came a dash of the kind of defiance – spikiness, even – that has distinguished her career. With barely a smile, the audience was told that it 'might disagree' with her description of the show – 'but it don't matter'. At its inspirational best, the 100-minute concert showed exactly why a superstar such as Adele owes Alison Moyet (at the very least) a lavish dinner and a spray of flowers. Now 63, her resonant voice – by turns towering and fibrous, strange and pliable – still possesses the kind of force that people flock to hear. Time and tide has not diminished it, or her. Displaying presence and authority, between songs, her informal and conversational manner was yet another quality that might well have provided an element of inspiration for a certain Tottenham-born singer who found fame via a trail blazed by this forebear. Without seeming to work up a sweat, her sense of control was impeccable. But there were problems, too. Backed only by a two-piece band (guitar and bass, mainly), the canned drums and numerous backing tracks used to fortify the live instruments lent the sound a brittle and thin quality. In a room such as the Palladium, the lack of wallop that could have been easily, and beneficially, provided by a full compliment of musicians was at times glaring. As well as sounding one-dimensional, at its worst, the swamp of electronica served to smother the very voice that more than 2,000 people had come to hear. Another thing, too: while no one in the stalls, or on the two balconies, expected the kind of racket served up by Motörhead, the volume was a bit too low. Sometimes, though, it worked. Having made her bones alongside former Depeche Mode songwriter Vince Clarke, as one half of Yazoo, the chilly minimalism of early-day bangers such as Only You and Don't Go (both raucously received) were served well by the sparse and metronomic nature of the arrangements. Elsewhere, too, hits such as Love Resurrection and All Cried Out, from 1984's more-than-million selling Alf album, proved that even partial facsimiles of live music can't keep a good song down. Neither did the technical chicanery prevent the evening as a whole from being charmingly breezy. Chatting away to the crowd, joking like a ditz, and baring teeth that remain pleasingly sharp – 'I do have a heart,' she said in the introduction to The Impervious Me. 'It's just that I don't care all that much' – Alison Moyet was easy to like and even easier to respect. There is of course a reason that every concert on her current 24-date UK tour is sold out, and why, unlike other female artists from the eighties (Hazel O'Connor, say), she is still held in considerable esteem. It's just a shame that in London the humanity of this most vivid of singers was obscured by synthetic adornments.