New TV Shows This Week (June 8 - 14)
Welcome to another edition of New TV Shows. This week, a father-daughter spy duo returns to Netflix. Mexican singer Lucero stars in Our Times , Nick Mohammed joins two Hollywood stars in a Prime Video movie and the continuation of To Barcelona, With Love comes to Hallmark Channel. Some exciting series, including one about journalists and exposure, are premiering this week. Get ready because things are about to get good. Here's what's new on TV for June 8-14. NEW ON TV, JUNE 8-14 June 10 – The Kollective
After a plane crash, a group of young citizen journalists known as The Kollective get together to uncover what truly happened. The group believes the crash wasn't an accident, so they decide to investigate and discover a global conspiracy that includes government corruption. Hulu's newest series, The Kollective , stars Natascha McElhone, Celine Buckens, Felix Mayr, Grégory Montel, Karel Roden, Cassiopée Mayance, Martha Canga Antonio and Ralph Amoussou.
The Kollective premieres Tuesday, June 10 at Midnight/11c on Hulu.
RELATED: The Premise and How Star Trek Fans Created Fanfic as We Know It June 11 – Our Times
Mexican singer Lucero stars in Netflix's newest Spanish-speaking movie, Our Times . The film tells the story of two physicists who, in 1966, discover time-travel and land in 2025. While Nora is happy because she can thrive in a world that celebrates women, Héctor can't find himself in this new reality. Now, Nora must decide if she goes back in time with the man she loves or stays in a time that empowers her.
Our Times premieres Wednesday, June 11 at 3/2 am on Netflix. June 12 – Deep Cover
Prime Video is releasing a new movie that includes Bryce Dallas Howard, Orlando Bloom and Nick Mohammed. The film, written by Derek Connolly, Colin Trevorrow and Ben Ashenden, follows three improv actors who are asked to go undercover in London's criminal underworld. Can they complete the task?
Deep Cover premieres Thursday, June 12 at 3/2 am on Prime Video.
RELATED: On Location: Es Saadi Marrakesh Resort on The Night Manager Season 1 June 12 – FUBAR
Arnold Schwarzenegger and Monica Barbaro are back for FUBAR Season 2. After the ending of Season 1, Luke and his team will have to figure out who the rat is among them since their identities have been exposed. The cast still includes Travis Van Winkle, Fortune Feimster, Milan Carter, Scott Thompson, Fabiana Udenio, Andy Buckley, Jay Baruchel, Adam Pally, Tom Arnold, Aparna Brielle and Barbara Eve Harris.
FUBAR Season 2 premieres Thursday, June 12 at 3/2 am on Netflix. June 13 – Echo Valley
Julianne Moore and Sydney Sweeney star in Apple TV+'s newest film, Echo Valley . The movie tells the story of a mother and daughter with a complicated relationship. Things get more tense when Claire shows up at her mother's house covered in someone else's blood. As a mother, Kate pushes the limits to find out how far one can go to protect their child.
Echo Valley premieres Friday, June 13 on Apple TV+.
RELATED: Stranger Things : Netflix Announces Premiere Dates for Epic Final Season June 14 – To Barcelona, Forever
If you enjoyed Hallmark's To Barcelona, With Love , you are bound to love its sequel, To Barcelona, Forever . This new film finds Anna traveling back to Barcelona to celebrate Erica and Nico's engagement. That is where she meets a farmer and ends up in a complicated engagement herself to save his family legacy. Alison Sweeney and Ashley Williams return for this movie.
To Barcelona, Forever premieres Saturday, June 14 at 8/7c on Hallmark Channel.
Check back next week for What's New on TV for June 15-21.
Natasha Romanoff vs. Yelena Belova: The Value of Well-Written Women Characters By day, Lara Rosales (she/her) is a solo mom by choice and a bilingual writer with a BA in Latin-American Literature who works in PR. By night, she is a TV enjoyer who used to host a podcast (Cats, Milfs & Lesbian Things). You can find her work published on Tell-Tale TV, Eulalie Magazine, Collider, USA Wire, Mentors Collective, Instelite, Noodle, Dear Movies, Nicki Swift, and Flip Screened.
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Climate Change Hell, Military Coups, Big Industry Pollution, Fractured Families: Guadalajara Gives a Bracing Latin American Take on World Collapse
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'Here Be Dragons' ¡s described as a 'dystopian thriller told from a Latin American perspective.' Six of the seven Works in Progress are directed by female filmmakers in a Latin America where they are seizing opportunities to make movies as if there is no tomorrow. Titles in this year's Guadalajara Works in Progress competition, running June 9-11. 'Genesis,' ('Genésis,' Magaly Ugarte de Pablo, Mexico) During Earth's final days, Alma must conceive with an imposed partner to earn passage to humanity's last refuge. A pragmatic pact unexpectedly transforms into passionate attraction but rejection shatters their bond and their hope. Confronted with impossible decisions, their reality begins to fracture. 'Genesis' sheds light on what it truly means to be human in a world in the face of collapse,' says Ugarte de Pablo. The latest from Mexico City-based Filmaciones de la Ciudad, founded by Juan Sarquis, also an executive producer and development manager at El Estudio. 'Girls Ground,' ('Tierras Niñas,' Zara Monardes, Chile) Luz spends her last summer of childhood in Chile's Ventanas, a heavy industry coastal town, accompanied by her half sister and pet rabbit. Written by Monardes and producer Catalina Aguilar, a Ventana Sur entry which won three industry prizes last December. The film 'highlights the complex journey of personal identity and the challenges women face as they navigate a world that shapes and often limits their development,' says Monardes. Set up at Chile's Cine UDD educational facility, whose to date 16 graduation features to date include 'La Madre del Cordero' and 'Sariri.' 'Here Be Dragons,' ('Aquí Hay Dragones,' Iria Gómez Concheiro, Mexico, Chile) The biggest title playing this year's Guadalajara Construye, marking the third feature from Gómez Concheiro, behind Sundance title 'The Cinema Hold Up' and Guanajuato winner 'Before Oblivion.' After a military coup, Candelaria, 18, searches for her missing brother and the truth about the so-called 'barbarians' and her own father. Produced by Gómez Concheiro's label Ciudad Cinema and Machete Producciones ('Leap Year,' 'La Jaula de Pro,' 'Huesera'). 'We are very pleased with the results so far and truly believe we have something special and unique to offer Mexican and Latin American cinema,' says Machete's Edher Campos. 'The Monster,' ('O Monstro,' Helena Guerra, Brazil) As she realises an ex-girlfriend has stolen her idea for a film, an obsessive, frustrated film editor spirals out of control, becoming what she always feared: a pathetic monster. 'At the heart of the film are the gripping performances by Estrela Straus and Victoria Rossetti,' says Guerra. 'Together, they embody the same character at two pivotal moments: a woman in her 20s, bold and brimming with desire, and decades later in her 40s, disillusioned and haunted by memories she cannot escape.' 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More from Variety Climate Change Hell, Military Coups, Big Industry Pollution, Fractured Families: Guadalajara Gives a Bracing Latin American Take on World Collapse Guadalajara Highlights Hits, Notable Debuts Among Recent Spanish, Portuguese-Language Movies, Plus a Film About a 'Hell of Naked Depravity' Leading Mexican Post-Production Houses Chemistry and Semillero Join Forces in Guadalajara (EXCLUSIVE) 'It's a significant boost for the selected projects,' Urrutia tells Variety, adding: 'We have approximately 20 projects participating in the Co-Production Meetings. We work closely with each of them, identifying their specific needs and matching them with the right industry professionals to help move their projects forward.' 'These are often early-stage projects—some come to us as mere concepts or story outlines, without even a completed script. That's all we require for submission: a clear narrative idea. From there, the development process begins,' she notes. The selection includes three projects set in the boxing world, while a few are LGBTQ+ themed with one, 'Diamonds are Forever,' featuring a gay boxer. Coming-of-age, music and identity stories abound. Acclaimed Chilean actress-helmer ('Chile '76') Manuela Martelli co-directs and acts in the film-within-a-film drama, 'Cupid's Arrow.' Running parallel to the Co-Production Meetings is Episodio Cero, a program focused on series rather than films. This follows a similar format, supporting the development and realization of serialized content. Titles in the Co-Production Meetings: 'This Bolero is for Ita' ('Un bolero para Ita,' Writer: Camila Caballero, Colombia) Produced by Sebastian Caballero and Vanessa Gómez of Red Collision Studios ('The Judge's Shadow'), Gustavo, an elderly radio host, is stranded at the Venezuelan-Colombian border while trying to repair his mixing console. As the sudden closure deepens the rift with his wife back home, he makes a final attempt to reach her—broadcasting the first bolero he ever dedicated to her. 'There are almost no films that tell the story of the border crisis through love, especially with two elderly protagonists. This film captures the heartache of being torn apart overnight from the person with whom you've shared a life.' Project has tapped Colombia's Film Development Fund and will participate in the Bogota Audiovisual Market (BAM). No director attached yet. 'Rebellion of Memory' ('Rebelión de Memoria,' Joël Jent, Switzerland, Peru) Documentary. Between 1980 and 2001, Peru's Andean highlands were ravaged by conflict between the Shining Path guerrilla and state forces. A former child soldier and his parents – once on opposing sides – now struggle to confront their past and seek reconciliation in the shadow of memory. 'This is the first film to include decision makers of both sides of Peru's civil war,' says Jent ('Eating the Silence'), who attends FICG. Project has tapped several Swiss incentives and participated in various labs including the IDFA Project Space, DOK Leipzig Co-Production Market and EsoDoc where it won the Pitching Award in 2023. 'Rebellion' ('Rebeldia,' Maria de Medeiros, Portugal, Brazil, Luxembourg) Based on the true story of Annie Silva Pais, daughter of Portugal's secret police chief, who abandoned her life in 1965 to join the Cuban Revolution. A devoted revolutionary and Fidel Castro's translator, she returned only after the Carnation Revolution – to fight for her father's release. Produced by leading Portuguese shingle, Fado Filmes, and to be directed by actress Maria de Medeiros ('Pulp Fiction'). In development, the project already has 50% of its budget in place and seeks to cover at least 20% from a Latin American partner. 'First We Take Anillaco' ('Primero tomamos Anillaco,' Paula Martel, Argentina, Chile, Brazil, Uruguay) Coming-of-age road movie and standout at March's Malaga Festival Fund & Co-Production event. It follows a gang of teenagers who set out across northern Argentina on a wild mission: to assassinate the country's most corrupt and reviled former president. Producers Colectivo Rutemberg, Filmes Sem Sapato, Color Haus and Circular Media are seeking to connect with distributors, sales agents and platforms. To date, 25% of the budget is in place. Producer Francisco Novick has participated with his films in Fulgor Lab, Cartagena Production Meeting, Tallinn Black Nights, DOK Liepzig and the BR Lab, among others. 'The Young and the Broken' ('Los Hijos también lloran,' Lorena Maza, Mexico) Dramedy produced by Traziende Films and Tejuino Ent., turns on an actor who reconstructs his 1980s childhood in order to understand the trauma of his father's sudden death. Between theater, film and television, he retraces his life through the very forms that taught him how to feel, tell stories and endure. It is lead produced by Monica Vargas who founded Traziende 25 years ago, and whose multiple credits include Netflix's first Mexican series, 'Club of Crows' ('Club de Cuervos'). Writer-lead Actor Andrés Zuno ('Señora Acero') adapts his autobiographical novel and play. 'Blurring the lines between what is factual and what is imagined, this one-of-a-kind film involves experimental forms of writing and storytelling, pushing the boundaries of traditional narrative structures,' says Vargas. 'Cupid's Arrow' ('La fleche de Cupido,' Ernesto Meléndez & Manuela Martelli, Chile) Produced by Olimpo Films which aims at creating elevated queer cinema. Antonio, a little-known foreign actor, arrives in Santiago to star in his partner Millaray's new film—an erotic gay drama set in 1973. Fiction blurs with reality when he falls for his co-star, and brother-in-law, Lautaro. 'This is a project that takes the soup opera genre to create a meta-proposition in which a film director films a movie that unwittingly reflects her reality. The film within the film will actually be directed by the actress who plays the director (Manuela Martelli), creating an interesting (or unprecedented) performative co-directed film,' says writer, co-director Meléndez. Participated in the 2023 ValpoLab and has tapped Chile's film fund to finalize the script. 'God's Favorite Girl' ('La favorita de Dios,' Diego Ulloa Alvear, Spain, Ecuador) From Barcelona-based Funicular Films, founded in 2021 by Aina Clotet, Jan Andreu, Marc Clotet, and Marta Baldó. Its first production, 'This Is Not Sweden,' premiered in 2023 and received the Prix Europa for Best European TV Fiction, the Ondas Award for Best Comedy Series and recognition at Canneseries. At Guadalajara, the company is represented by Baldó and director Diego Ulloa, who co-wrote the screenplay with Marina Parés. Pic follows 16-year-old Pachi who claims to receive messages from the Virgin Mary after her parents announce their divorce—an act that escalates into a national controversy. The project won First Prize at ESCAC's Opera Prima Lab. 'This is a project with soul, humor and a deep sense of humanity wrapped in a hyperlocal story. A teenager eager to please, a perfectionist mother, a deeply hypocritical society and a lie that ends up shaking an entire country,' says Baldó. 'The Insignificant' ('La Chaucha,' Alfonso Gazitúa Gaete, Chile) Coming-of-age drama turns on Marina, a shy 15-year-old girl struggling with panic attacks, who dreams of competing in female freestyle. With the support of a musician and an unconventional band, she learns to face her fears and find her own voice. Produced by Chile's Ciudad Cultural Prods, led by Alexis Sánchez, a company dedicated to telling authentic Latin American stories with creativity and technical excellence, creating original content for film, television, and digital platforms with global reach. 'Inspired by my teenage kids, I explore youth mental health, self-worth and the struggle to express oneself—what my parents called 'la chaucha,' a symbol of unrealized potential,' says Gazitúa Gaete. 'The Beam' ('La Centella,' Nicolás Gutiérrez Wenhammar, Mexico) Documentary described as a captivating journey through the mysterious phenomena that traverse the Mexican skies, told through the eyes of those who have witnessed them. Produced by Cauce Prods. and El Relicario Cine, led by Jorge Diez Maza and Gutierrez, project has nearly 25% of its budget in place and seeks co-producers as well as development and production funding. Cauce, a transmedia conception, production and distribution organization founded in 2015, has produced and distributed two features ('Mientras la prisión exista,' and 'Sísifos') and two transmedia projects (' 'La Noche sin sombra'). ''La Centella' is a poetic documentary that blends science fiction, oral storytelling, and Mexican folklore to explore luminous phenomena in the sky. Its hybrid form and dreamlike aesthetic celebrate mystery as a source of imagination,' says Diez. 'Juliette & Camille,' (Paloma Zapata, Spain) Documentary follows two ethnically diverse musicians as they come together to create the soundtrack for a documentary. But their collaboration transforms into a journey of self-discovery, as both delve into their pasts in search of their place in the present. Produced by La Fabrica Naranja and Indigena Films with Sara Horta leading the production. Project has nearly 70% of its budget in place and seeks a sales agent and distributor. Horta previously founded the company Pixel Films which produced short films 'La niña azul,' 'Ainhou' and 'Restart.' She produced the drama 'Dhogs,' which premiered at Bafici and Sitges. 'Undefeated' ('Invicta,' Inti Herrera & Yoe Pérez, Cuba) Documentary produced by Neissy Delgado and Reymel Delgado of 14films about female boxer Namibia who was never able to represent Cuba in the ring. Against all odds in the male dominated sport, she survives undefeated in the county where only men can box. Project has 21% of its budget in place and seeks co-producers in both production and post-production stages. Delgado is executive producing two sports features and a historical fiction film. Director Herrera's producing credits include zombie slacker comedy 'Juan of the Dead' by Juan Brugués, which won a Goya, Spain's Oscar equivalent, and Carlos Lechuga's 'Melaza.' 'Evolet' (Ian Martín, Mexico) Fantasy horror drama in development, set in the mystical realm of Eldoria, where Princess Evolet seeks to claim the throne from her half-brother, guided by a powerful curse that grants her deepest desires—at a dire cost. A winner of the Feratum 2024 Residency, 'Evolet' explores themes of power, ambition, and identity. The project is led by Islandia, an independent production company founded by Alex Briseño (Samuel Kishi's 'Somos Maripepa'), committed to emotionally resonant cinema. With current projects including 'Tú y Yo' and 'Tornado Rojo,' Islandia is seeking co-producers for Martín's debut feature. 'It's a drama that explores the power we grant ourselves with titles like leaders or kings, and how those powers can vanish,' says Briseño. 'The Foreign Man' ('El Extranjero,' Sebastián Rodríguez, Argentina, Spain) Lechiguana Films, a boutique production company founded in Buenos Aires in 2021, is represented at FICG by founding partner and EP Nicolás Torcanowsky. Known for music videos for artists like Dillom and Lali, and films with sister company Vista Sur ('El Faro,''Dalia and the Red Book'). Written and directed by Rodríguez, 'The Foreign Man' is a political thriller set during Argentina's 1978 World Cup. The story follows a Spanish journalist who gets entangled with a young activist during the dictatorship in Argentina. The project has gained momentum through labs like Mendoza, Bolivia, MAFIZ and Medellin, and seeks co-production partners in Europe and Latin America. 'Beast' ('El Bestia,' Isidoro Sarfati, Mexico) Produced by Carolina Amador and Isidoro Sarfati of Bamba Films, 'Beast' follows boxer Gama whose delusions of grandeur, a ruthless trainer and struggles with his inner demons transform him into 'El Bestia.' Sports drama has some 25% of its projected budget and is seeking more partners in production and distribution. Producers are looking to tap the Jalisco cash rebate. Amador's credits include 'Santitos' and 'Sexo, pudor y lagrimas.' Sarfati, a London Film School graduate, produced 'Through the Eyes' ('A los ojos') by Michel and Victoria Franco. 'Love in the Time of Bacaneria' ('El amor en los tiempos de Bacaneria,' Patricia Pepen, Dominican Republic) In the hard-scrabble streets of Santo Domingo, 17-year-old Zuleika drifts through broken romances and a tense bond with her mother, until hitting rock bottom forces her to search for the love she's longed for – within herself. Produced by Mentes Fritas, founded in 2007, with credits that included SXSW Audience awardee 'La Bachata de Bionico.' Project's development trajectory includes participation in Malaga's Warmi Lab, Cartagena's Opera Prima lab, Cannes' Producers Network, etc. Says writer-producer Cristian Mojica: 'It offers an authentic, vibrant Dominican story that resonates deeply with the contemporary pulse of Latin American youth. Set in a Caribbean universe with a feminist DNA and a fresh narrative voice, it blends dembow, the streets and love into a raw and entertaining tale.' 'Diamonds are Forever' ('Diamante, o Bailarina,' Pedro Jorge Cabron, Brazil) Emílio, a young Black gay boxer, trains under his estranged father and enters the ring in drag—fighting for pride, respect, and acceptance. Founded in 2013, Paideia Filmes creates socially engaged content for diverse audiences. Its six award-winning films, including 'Elections' and 'My Body is Political,' have screened at over 100 festivals and streamed on Mubi, Globoplay, and Amazon Prime. Backed by São Paulo's Spcine incentives, it has participated in Ventana Sur, Rio2C and other industry events. 'This is a film about a son searching for his father. What makes it unique is that this journey unfolds between a queer drag performer and a homophobic father, brought together by boxing. Two worlds that clash and learn to coexist,' says Heverton Lima, who attends FICG. 'Casilda,' (Urzula Barba Hopfner, Mexico) CasiIda, a former orchestra pianist and recovering cocaine addict, returns home to Guadalajara after her brother's suicide, confronting family fractures and beginning a journey of self-discovery. Directed and produced by Urzula Barba Hopfner whose 'Corina' won best feature at FICG Made in Jalisco last year and the SXSW Audience Award. Argentine political scientist and producer Emiliano Mansilla has worked with the likes of Guillermo Arriaga, Amat Escalante, Nick Cassavetes and Maria Ripoll. Project has 20% of its budget covered and seeks more co-producing partners. 'Witches of the Island' ('Brujas de la Isla,' Crisfel Jimenez Contreras, Dominican Republic) In the Dominican Republic, witches are more than folklore—they're feared figures said to steal blood and spread evil. This documentary uncovers the truth behind the myth, exploring the island's enduring superstitions, stories, and fears. Co-produced by Flor Blanca, the first indie film company based in Bonao, focusing on socially relevant stories, emerging talent and taboo topics, and Alba Films, based in La Romana, which aims to co-produce bold, auteur-driven films with global appeal. Says Yatnna Montilla, a producer alongside Laura Bennitez: The myth of the witches still exists in the Dominican Republic, especially in the rural areas. Deeply rooted in religious and popular culture, it is very often seen as truth. The line between the reality and the myth becomes blurred, and this confusion continues to harm women, especially those who are isolated and silenced. It could be any of us.' 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New York Post
an hour ago
- New York Post
Travis Barker, Kourtney Kardashian get booed at WWE Money in the Bank
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