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Joint show at Stal unveils evolving face of contemporary Omani art

Joint show at Stal unveils evolving face of contemporary Omani art

Muscat Daily2 days ago
Muscat – A group exhibition at Stal Gallery and Studio is offering a reflective look at cultural memory, personal identity and evolving artistic expression in Oman. Titled Narratives of Colour – Contemporary Vision , the show running till August 31 brings together works of seven Omani artists.
Among the participating artists is Sayyida Afra bint Talal al Said, whose series Shadows of Oman uses textiles and natural motifs to explore the emotional weight of memory and tradition. Palm frond shadows over fabric are a recurring element, bridging past and present through quiet, textured scenes.
'This exhibition marks an important milestone in my journey,' said Sayyida Afra. 'It's my first participation in Stal Gallery, and it strengthens my commitment to experimentation using fabric, texture and layered memory.' For her, the use of light and shadow creates a dialogue between reality and imagination, capturing the essence of Oman's landscapes and emotional depth.
Veteran artist Anwar Sonia contributes paintings that revisit traditional customs with renewed energy. His works evoke scenes rooted in Omani rituals and daily life, reinterpreted with bold colours and emotional immediacy. 'Each artist here reflects their own vision,' Sonia noted. 'Colour, for us, becomes a personal language – sometimes introspective, sometimes deeply connected to place and memory.'
Hassan Meer's series includes works such as Father and Son and Omani Women Gather , depicting intimate scenes of familial bonds and cultural continuity. 'This exhibition gathers a range of voices – established and emerging – that reflect how colour and memory shape identity,' Meer said. 'It's a conversation about who we are and how we express ourselves in a rapidly changing world.' (L-R) Anwar Sonia, Sayyida Afra bint Talal al Said and Hassan Meer
Idris al Hooti focuses on the neighbourhood of Muttrah, its quiet alleys and fading buildings forming a nostalgic portrait of Muscat. His paintings capture everyday scenes slowly receding from public memory, yet vividly alive in collective experience.
Hussain Obaid offers abstract interpretations of Omani symbols – desert motifs, maritime elements and social patterns – reimagined through a modern lens. 'His work creates a visual timeline linking the past and present in a subtle, layered way,' said a gallery visitor.
The exhibition also honours the late Moosa Omar, whose series Departed Hearts features circular, textured canvases in dialogue with Oman's natural terrain. His inclusion serves as a tribute by fellow artists, whose works echo his contemplative spirit.
Among the younger voices, Suha Salem presents Dispersion , a Cubist-inspired collection investigating the fragmentation of modern life. Her geometric compositions confront the pressures and paradoxes of daily existence, offering visual metaphors for identity in flux.
'Art is more than technique – it's a translation of inner experience,' said Sayyida Afra. 'Through these paintings, we share universal emotions rooted in Omani culture – nostalgia, wonder, reflection and resilience.'
In gathering diverse artistic perspectives, Narratives of Colour not only examines tradition and memory, but also charts a path forward for contemporary Omani art. The exhibition positions itself as a space for open questions – about time, identity and the stories that shape a nation's evolving visual language.
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Joint show at Stal unveils evolving face of contemporary Omani art
Joint show at Stal unveils evolving face of contemporary Omani art

Muscat Daily

time2 days ago

  • Muscat Daily

Joint show at Stal unveils evolving face of contemporary Omani art

Muscat – A group exhibition at Stal Gallery and Studio is offering a reflective look at cultural memory, personal identity and evolving artistic expression in Oman. Titled Narratives of Colour – Contemporary Vision , the show running till August 31 brings together works of seven Omani artists. Among the participating artists is Sayyida Afra bint Talal al Said, whose series Shadows of Oman uses textiles and natural motifs to explore the emotional weight of memory and tradition. Palm frond shadows over fabric are a recurring element, bridging past and present through quiet, textured scenes. 'This exhibition marks an important milestone in my journey,' said Sayyida Afra. 'It's my first participation in Stal Gallery, and it strengthens my commitment to experimentation using fabric, texture and layered memory.' For her, the use of light and shadow creates a dialogue between reality and imagination, capturing the essence of Oman's landscapes and emotional depth. Veteran artist Anwar Sonia contributes paintings that revisit traditional customs with renewed energy. His works evoke scenes rooted in Omani rituals and daily life, reinterpreted with bold colours and emotional immediacy. 'Each artist here reflects their own vision,' Sonia noted. 'Colour, for us, becomes a personal language – sometimes introspective, sometimes deeply connected to place and memory.' Hassan Meer's series includes works such as Father and Son and Omani Women Gather , depicting intimate scenes of familial bonds and cultural continuity. 'This exhibition gathers a range of voices – established and emerging – that reflect how colour and memory shape identity,' Meer said. 'It's a conversation about who we are and how we express ourselves in a rapidly changing world.' (L-R) Anwar Sonia, Sayyida Afra bint Talal al Said and Hassan Meer Idris al Hooti focuses on the neighbourhood of Muttrah, its quiet alleys and fading buildings forming a nostalgic portrait of Muscat. His paintings capture everyday scenes slowly receding from public memory, yet vividly alive in collective experience. Hussain Obaid offers abstract interpretations of Omani symbols – desert motifs, maritime elements and social patterns – reimagined through a modern lens. 'His work creates a visual timeline linking the past and present in a subtle, layered way,' said a gallery visitor. The exhibition also honours the late Moosa Omar, whose series Departed Hearts features circular, textured canvases in dialogue with Oman's natural terrain. His inclusion serves as a tribute by fellow artists, whose works echo his contemplative spirit. Among the younger voices, Suha Salem presents Dispersion , a Cubist-inspired collection investigating the fragmentation of modern life. Her geometric compositions confront the pressures and paradoxes of daily existence, offering visual metaphors for identity in flux. 'Art is more than technique – it's a translation of inner experience,' said Sayyida Afra. 'Through these paintings, we share universal emotions rooted in Omani culture – nostalgia, wonder, reflection and resilience.' In gathering diverse artistic perspectives, Narratives of Colour not only examines tradition and memory, but also charts a path forward for contemporary Omani art. The exhibition positions itself as a space for open questions – about time, identity and the stories that shape a nation's evolving visual language.

Extra Toppings: Heartbeat of cinema
Extra Toppings: Heartbeat of cinema

Muscat Daily

time2 days ago

  • Muscat Daily

Extra Toppings: Heartbeat of cinema

From the deserts to F1 circuit – this 'extra topping' added a unique shine to the big screen. 'We're all co-actors. Each person, even the ones in the shadows, add their own sheen to the final masterpiece,' says Yousuf al Housni who played an 'extra' in the latest Hollywood blockbuster F1 Muscat – In anything grand we often forget the 'extras'… Extra cheese always adds more flavour to pizza, extra leg space adds comfort in a long flight and an extra rose in a bouquet adds an extra smile from one's beloved. Extras add life and base to grandeur. The same note goes to the extra actors in movies. They act as the foundation of every war, disaster or romance on the silver screen. Without extras, even the best frames or best methodical acts would fall apart. Such is the story of a 'junior' actor from Oman, Yousuf al Housni. Movies are a world of glamour and power. People feel proud to be part of it in some small way. Yet there are many like the extras who feel apprehensive to say that. Often people ridicule or pass sly smirks. Yet for Omani actor Yousuf al Housni, being an extra was an honour — vocal and bold in stating that every participation in a film, big or small, deserves recognition. 'It's not about the size of the role,' he says, 'it's about the sincerity of the effort. I enjoy the process more than the appearance.' Recently, Yousuf made his appearance in the latest Hollywood blockbuster F1 – the Brad Pitt-led Formula One film – currently screening in cinemas worldwide. This marks his second appearance in a major international production following his earlier role in the sci-fi epic Dune 2 in 2024. Perseverance, patience The few seconds of presence in these globally celebrated films have transformed Yousuf — not just as an actor, but as a human being. 'What I learned on those sets is beyond cinema — it's about patience, endurance, and self-respect,' he reflects. One of his toughest experiences was shooting Dune 2 in the scorching desert of Abu Dhabi, where the mercury touched 40 degrees Celsius. 'We were around 600 people, including 30 extras from Egypt, Afghanistan and Syria. I was one of the 30 selected extras portraying soldiers of Javier Bardem's character,' he disclosed. Every extra wore a three-layered costume weighing over 5kg, and many also carried props — guns and gear weighing up to 10kg. The walk across the dunes was exhausting, and the discipline was almost military. 'You can't even visit the restroom easily. To undress and redress was too daunting a task,' he recalls. The patience was just as demanding — 'we'd wait for hours just for a one-second shot.' Sometimes, the shoot demanded such effort that people fell ill. 'It was challenging but we continued with the processes,' Yousuf shared. When one extra fell seriously ill, the production crew needed a last-minute replacement. And Yousuf was chosen to step in and play an elderly man. 'I was rushed into makeup and given the part. When I finished the shot, the whole unit clapped for me,' he says. 'Actors like Timothy Chalamet, Javier Bardem and Zendaya — they hugged the crew at the end. But what impressed me most was director Denis Villeneuve. Calm, focused — like a painter lost in his Muse and canvas.' No role is small Yousuf's F1 shoot, in contrast, was more relaxed. Shot over five days, Yousuf appeared as a VIP guest from Oman — a moment of great personal pride. 'I studied about F1 races before the shoot. Even as an extra, I wanted to be prepared,' he smiles. 'No role is small.' Two more Hollywood films featuring Yousuf are expected to release by the end of the year. For Yousuf, acting is both craft and lifestyle. 'Fitness is crucial — physically, mentally and spiritually,' he says. 'If you're slow or inattentive, you get replaced; and I never want that.' He continues to hone his skills by attending workshops in Oman and Abu Dhabi and has registered with international casting agencies. He was also featured in an Abu Dhabi Police cybersecurity awareness film, portraying a hacker — a role far from his spiritual, disciplined real-life self. 'It was challenging to play someone so opposite to myself,' he laughs. Yousuf began his acting journey in 2013 as a student at the College of Applied Sciences in Salalah, pursuing Management Studies and Accounting. As a boy, Yousuf was fascinated by action, wrestling, and martial arts — drawn to the world of Van Damme, Arnold Schwarzenegger and Sylvester Stallone. In 2017, he co-founded a YouTube channel with friends and began producing, writing, and acting in short films. His creations, Blood and Silent , earned accolades among film festivals and his community. He was also active in theatre, but over time realised he needed to study acting more deeply. Yousuf is not only an actor but also a director and his short film Empty had bagged three awards globally. 'Why I chose films' 'I began diving into acting techniques and film studies. I didn't just want to be an actor — I wanted to understand everything about cinema.' That passion led him to examine the technical aspects of filmmaking, differentiating the nuances between stage and screen. 'Theatre taught me to be subtle, while films demanded focus and detail. I realised I couldn't do all media simultaneously — so, I chose films.' Sometimes, fate throws open unexpected doors. During the pandemic, Yousuf had got a surprise Instagram message from a US-based director working on a film titled Alien Sniperess . The filmmaker needed a 30-second clip of a man stuck at home as his family is attacked by aliens. 'He sent the storyboard and lines. I created the scene in my garage with ketchup as blood. When the film released in the US, I saw my name in the credits as a supporting actor and second unit director. I was overwhelmed with joy', he said. Yousuf has also been active in the Scouts movement, and remains passionate about gym workouts, martial arts and fitness. His favourite actor is Christian Bale — 'not just for Batman, but for his ability to become any character, physically and mentally.' He also admires Ben Affleck and Brad Pitt, with Fight Club being a long-time inspiration. In terms of directors, his favourites include Christopher Nolan and James Gunn. 'Their visuals make me believe the punches, blood and explosions are real. That's the dedication I aim for.' One-inch barriers of subtitles Yousuf still remembers watching a show The Cobsy Show in Grade 3. 'I didn't understand the language — I just read subtitles. But then I realised cinema transcends language. Emotions don't need translation.' This resonates with what Bong Joon-ho famously said at the Oscars -14x] 'Once you overcome the one-inch barrier of subtitles, you'll discover amazing films.' Yousuf understood that truth long before it became a quote. He insists that on a shoot with celebrities, one doesn't need to show that he is fan but indeed a co-actor. 'We're all co-actors. Each person, even the ones in the shadows, add their own sheen to the final masterpiece,' he said. With conviction in his voice, he adds, 'I want to be the first Omani actor in a major international role. I want to direct, produce, and keep growing. I want to win an Oscar — not for fame, but to prove that hard work, silence, skills, knowledge, focus and sincerity can move mountains and create mesmerising storyboards.' For Yousuf al Housni, the extra is never just extra — it's the heartbeat of the scene. (Pictures by VK Shafeer)

Khareef Dhofar media programmes from today
Khareef Dhofar media programmes from today

Observer

time15-07-2025

  • Observer

Khareef Dhofar media programmes from today

SALALAH: The Ministry of Information will launch today the media programmes accompanying the Khareef Dhofar (monsoon) Season 2025 as part of a comprehensive plan to highlight the tourism, cultural, natural and heritage attractions of Dhofar Governorate during the season. The integrated plan, running until August 31, includes producing and broadcasting visual, audio and digital programmes with interactive content and live field coverage to ensure wide outreach locally and internationally. Oman TV will begin its coverage with the programme 'People and Khareef', returning this year with a refreshed, more in-depth format. The daily show (2:30 pm – 4 pm) will feature diverse locations showcasing Dhofar's landscapes and tourism activities, with participation from Omani and GCC media professionals as well as Arab journalists. The evening programme 'Khareef Nights' will broadcast live from the 'Return of the Past' event site in Al Saada, Salalah (9 pm – 10 pm) on Oman General and Oman Cultural channels, covering heritage, cultural and artistic activities. Oman Radio will air Khareef's Radio Programme codenamed 'Atheer' daily (5 pm – 7 pm) from the 'Return of the Past' location, featuring studio interviews, AI-powered segments on Dhofar, and live video content shared via the ministry's and radio's platforms. Youth Radio will broadcast 'Khareef and Youth' from Jabal Ateen studio (2 pm – 4 pm daily), focusing on artistic, cultural and social themes for young audiences. Oman News Agency (ONA) has commenced its coverage with news reports, features, photos and videos across digital platforms, social media and smart apps, as well as radio/TV bulletins, highlighting tourism assets and socio-cultural interactions. Oman newspaper continues its coverage (since June 21) through print/digital reports and social media, offering rich content on the festivities. Moreover, the Ministry of Information's General Directorate of Digital Media enhances engagement via interactive competitions, drone-captured scenic vignettes and multilingual visitor interviews. The 'Ayn' platform provides live coverage from Oman Radio and TV for all programmes and activities related to the Khareef Dhofar Season. Ayn also launched a children's programme promoting Dhofar as a family-friendly destination through edutainment content. Furthermore, Oman's Information Portal, available in eight languages (Arabic, English, French, Spanish, Russian, Chinese, Japanese and German), features dedicated khareef content to amplify Oman's global digital presence. The portal is one of the Ministry of Information's most prominent platforms. - ONA

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