BBC star reveals horror after landlord recorded naked images on hidden spy cam
The Scots
star
— who has appeared in prime-time comedies and dramas — found the recording device hidden in a washing basket after taking a shower.
Advertisement
4
A BBC actress (pictured) opened up on her spy cam ordeal as cops launch a probe
Credit: Newsline
4
The clandestine device was stashed inside a washing basket in the bathroom
Credit: Supplied
4
The performer's pervert landlord inadvertently filmed himself on his own device
Credit: Supplied
4
The shocked star quickly removed the camera and fled the property
Credit: Supplied
She fled the flat before watching back the footage and finding intimate clips of herself — plus an image of the creep changing the memory card.
Cops have launched a probe. Last night the telly star said: 'I was in a state of absolute shock. He filmed me when I was at my most vulnerable.'
The performer told how she moved into the
property
in France last July after a break-up with a boyfriend.
Her 40-something landlord — whom she believed was a drug user — soon seemed suspicious.
Advertisement
READ MORE SCOTS NEWS
The actress recalled: 'Something didn't feel right with him.'
Later she found two holes drilled into the bathroom wall which she plugged with cotton earbuds.
And the night before she found the recording device she claimed the sicko spiked her drink.
She recalled: 'It was like something out of a
horror
movie.
Advertisement
Most read in The Scottish Sun
'I always used to notice this little black dot in the washing basket across from the shower.
'I never in a million years thought he'd be spying on me. But given what had happened the night before, I went to have a closer look.
'My heart just stopped and I burst into tears. There was a green light flashing on the camera.
'I knew that it was on and I was being recorded.'
Advertisement
Initially she remained in the bathroom and switched off the lights fearing the sicko could be waiting outside 'with a knife'.
Eventually she packed a bag and fled the property before returning with cops days later.
She eventually plucked up the courage to watch the
video
and was horrified saying: 'I was in complete shock.'
Police
said: 'The subject of the complaint is a violation of
privacy
by filming or recording or transmitting the image of a person of a sexual
nature
.'
Advertisement
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
RTÉ News
5 minutes ago
- RTÉ News
Gregg Wallace 'sorry' but says he's 'not a groper'
Former MasterChef host Gregg Wallace has again apologised to anyone hurt by his behaviour, but insisted he is "not a groper, a sex pest or a flasher". In an interview with The Sun, the TV presenter also defended his sacked former co-host John Torode, telling the paper he is "not a racist". Torode was the subject of an allegation about using racist language that was upheld as part of a review carried out by law firm Lewis Silkin into the alleged behaviour of co-presenter Wallace. Torode said he had "no recollection of the incident" and was "shocked and saddened" by the allegation. In November 2024 it was announced that Wallace would step away from his role on the BBC cooking show while historical allegations of misconduct were investigated. Wallace issued an apology saying he was "deeply sorry for any distress caused" and that he "never set out to harm or humiliate" in the wake of the Lewis Silkin review that saw 45 out of 83 allegations made against him upheld. The review concluded that the "majority of the substantiated allegations against Mr Wallace related to inappropriate sexual language and humour", adding that "a smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated", with "one incident of unwelcome physical contact" also substantiated. In fresh comments to The Sun, Wallace acknowledged that he had said things that "offended people, that weren't socially acceptable and perhaps they felt too intimidated or nervous to say anything at the time. "I understand that now – and to anyone I have hurt, I am so sorry." Wallace added: "I'm not a groper. People think I've been taking my trousers down and exposing myself – I am not a flasher. "People think I'm a sex pest. I am not." Wallace also said his recent autism diagnosis means he struggles "to read people". "I know people find me weird," he said. "Autism is a disability, a registered disability." Pointing to the allegation against Torode, Wallace told the paper: "I've known John for 30 years and he is not a racist. "And as evidence of that, I'll show you the incredible diversity of the people that he has championed, MasterChef winners, over the years. "There is no way that man is a racist. No way. And my sympathies go out to John because I don't want anybody to go through what I've been through." It was announced this week that a series of MasterChef filmed last year before allegations against Wallace and Torode were upheld will be broadcast on BBC One and BBC iPlayer from 6 August. A decision on airing the celebrity series and Christmas special has not been decided, with plans to be confirmed later in the year, the BBC said. Both presenters will still feature in the upcoming series, but the edit will be looked at in light of the findings of an investigation, with focus being given to the contestants, the PA news agency understands. A BBC spokesperson said: "After careful consideration and consultation with the contestants, we have decided to broadcast the amateur series of MasterChef on BBC One and BBC iPlayer from 6 August. "MasterChef is an amazing competition which is life-changing for the amateur chefs taking part. The focus of it has always been their skill and their journey. "This has not been an easy decision in the circumstances and we appreciate not everyone will agree with it. "In showing the series, which was filmed last year, it in no way diminishes our view of the seriousness of the upheld findings against both presenters. "We have been very clear on the standards of behaviour that we expect of those who work at the BBC or on shows made for the BBC. "However, we believe that broadcasting this series is the right thing to do for these cooks who have given so much to the process. "We want them to be properly recognised and give the audience the choice to watch the series. "At this stage we have not taken a decision on the celebrity series and Christmas special, which was filmed earlier this year, and we will confirm our plans later in the year. "Most importantly MasterChef is a brilliant, much-loved programme which is bigger than any one individual. "There are many talented, dedicated and hard-working people who make the show what it is. It will continue to flourish on the BBC and we look forward to it returning stronger than ever in the future."
Irish Independent
7 minutes ago
- Irish Independent
Gregg Wallace issues apology but insists he is ‘not a groper, a sex pest or a flasher'
In an interview with The Sun, the TV presenter also defended his sacked former co-host John Torode, telling the paper he is 'not a racist'. Torode was the subject of an allegation about using racist language that was upheld as part of a review carried out by law firm Lewis Silkin into the alleged behaviour of co-presenter Wallace. Torode said he had 'no recollection of the incident' and was 'shocked and saddened' by the allegation. I'm not a groper. People think I've been taking my trousers down and exposing myself - I am not a flasher. People think I'm a sex pest. I am not John Wallace In November 2024 it was announced that Wallace would step away from his role on the BBC cooking show while historical allegations of misconduct were investigated. Wallace issued an apology saying he was 'deeply sorry for any distress caused' and that he 'never set out to harm or humiliate' in the wake of the Lewis Silkin review that saw 45 out of 83 allegations made against him upheld. The review concluded that the 'majority of the substantiated allegations against Mr Wallace related to inappropriate sexual language and humour', adding that 'a smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated', with 'one incident of unwelcome physical contact' also substantiated. In fresh comments to The Sun, Wallace acknowledged that he had said things that 'offended people, that weren't socially acceptable and perhaps they felt too intimidated or nervous to say anything at the time. 'I understand that now – and to anyone I have hurt, I am so sorry.' Wallace added: 'I'm not a groper. People think I've been taking my trousers down and exposing myself – I am not a flasher. 'People think I'm a sex pest. I am not.' Wallace also said his recent autism diagnosis means he struggles 'to read people'. 'I know people find me weird,' he said. 'Autism is a disability, a registered disability.' Pointing to the allegation against Torode, Wallace told the paper: 'I've known John for 30 years and he is not a racist. 'And as evidence of that, I'll show you the incredible diversity of the people that he has championed, MasterChef winners, over the years. 'There is no way that man is a racist. No way. And my sympathies go out to John because I don't want anybody to go through what I've been through.' It was announced this week that a series of MasterChef filmed last year before allegations against Wallace and Torode were upheld will be broadcast on BBC One and BBC iPlayer from August 6. A decision on airing the celebrity series and Christmas special has not been decided, with plans to be confirmed later in the year, the BBC said. Both presenters will still feature in the upcoming series, but the edit will be looked at in light of the findings of an investigation, with focus being given to the contestants, the PA news agency understands. A BBC spokesperson said: 'After careful consideration and consultation with the contestants, we have decided to broadcast the amateur series of MasterChef on BBC One and BBC iPlayer from 6 August. 'MasterChef is an amazing competition which is life-changing for the amateur chefs taking part. The focus of it has always been their skill and their journey. 'This has not been an easy decision in the circumstances and we appreciate not everyone will agree with it. 'In showing the series, which was filmed last year, it in no way diminishes our view of the seriousness of the upheld findings against both presenters. 'We have been very clear on the standards of behaviour that we expect of those who work at the BBC or on shows made for the BBC. 'However, we believe that broadcasting this series is the right thing to do for these cooks who have given so much to the process. 'We want them to be properly recognised and give the audience the choice to watch the series. 'At this stage we have not taken a decision on the celebrity series and Christmas special, which was filmed earlier this year, and we will confirm our plans later in the year. 'Most importantly MasterChef is a brilliant, much-loved programme which is bigger than any one individual. 'There are many talented, dedicated and hard-working people who make the show what it is. It will continue to flourish on the BBC and we look forward to it returning stronger than ever in the future.'
RTÉ News
7 hours ago
- RTÉ News
Irish-produced drama Mix Tape and the musical love letter
BBC drama Mix Tape, a tale of star-crossed lovers who bond over music, is coming to RTÉ soon but can it reinvigorate the lost art of the mix tape as musical love letter? It was a teenage rite of passage and also what the kids now call a major flex. Making a mixtape was a labour of love, a musical way into the heart of the one you fancied and also a proud artefact of just how very good your taste in music really was. Carefully pressing the right buttons on your twin tape deck, choosing the tracks of your hopes and dreams and lovingly inscribing the song titles and artists on the inlay card became something of a minor artform back in what some people probably correctly call simpler times. Van Morrison called it the inarticulate speech of the heart and for millions of seventies, eighties and nineties kids, the mixtape was the musical equivalent of the love letter - the spark for countless nervous conversations and maybe even debates. God knows, I still have a box of them in my spare room. And no, they weren't all retuned, un-played and unloved. These days, of course, you will see wizened old Boomers and Gen Xers posting tiresome memes on wizened old Facebook (it's where the adults hang out, OK?) of cassette tapes accompanied by a pencil. If you know, you know. This, apparently, is the modern age's equivalent of uncovering ancient runes and explaining arcane rituals to digital nativists. In our era of instant gratification, even the noughties phenomenon of the CD burn has given way to soulless Spotify playlists and causal YouTube shares on mobile phones. As ever, something has been lost but with a new generation turning to vinyl and even the cassette format making its own comeback, can the actual physical mixtape become a tribune of love once again? Perhaps recent BBC drama Mix Tape (ta-dah!), which is due to air on RTÉ soon, will inspire a fresh flood of spooling polyester plastic film coated with magnetic material as musical missives. Perhaps not. In any case, the fabled mixtape is the jumping off point for the four-part series. It is the overwrought story of two music mad Sheffield kids, with the very Irish names of Daniel O'Toole and Alison Connor, who meet as teens at a house party in 1989. The young Daniel (who looks like a cross between Grian Chatten of Fontaines D.C. and a young Neil Morrissey) is a music obsessive and he wins bookish Alison's heart with his impressive knowledge of Cabaret Voltaire. Then again, we later learn that his favourite Bowie song is Modern Love. Their first dance is to Joy Division's immortal Love Will Tear Us Apart, their first kiss is to The Jesus & Mary Chain, and when their bedroom fumbling goes much further, they DO IT to the strains of In-Between Days by The Cure. Oh, the drama! Oh, the great basslines! There isn't enough of The Fall featured in Mix Tape for my liking but music is the spine of young Dan and Ali's romance and it plays out the beats and missed heart beats of puppy love (thankfully, no songs by Donny Osmond were used in the making of this programme). Daniel slips his mixtapes into Alison's school bag and she hands him lovingly curated TDKs on the bus to school. We hear The Jesus & Mary Chain, The Velvet Underground and The Stone Roses. All very good, indeed. But just as their teen crush turns to full-blown romance, Alison vanishes from Sheffield, leaving Daniel feeling like a Morrissey song. It's an intriguing premise and the drama plays out in a dual timelines and dual time zones, making it a lot like Sliding Doors meets Sleepless in Seattle - a Proustian rush of 'what ifs' and 'if onlys' played out longingly in verboten mobile phone texts and mutual cyber stalking and the songs of their lost youth. Normal People it is not. However, it is fraught stuff. We follow Daniel and Alison, who is now a successful novelist living in Syndey and married to a total eejit, and move between their teenage romance in 1989 Sheffield and the modern-day reality of their adult relationships living on opposite sides of the world. Daniel and his wife aren't exactly singing from the same hymn sheet back in Sheffield. He now works as a music journalist but never seems to do any actual work (so, that makes sense) and he is toying with writing a book about some great lost music figurehead, like Daniel Johnson or Nick Drake. Mix Tape is a very Irish affair. The four-part drama was originated and developed by Dublin-based production company Subotica, who have previously produced North Sea Connection and The Boy That Never Was, with help from Ireland's generous Section 481 Film and Television tax incentive and the support of Fís Éireann/Screen Ireland and Screen Australia among others. It was also filmed entirely on location in Dublin and Sydney. And so, the former steel town of Sheffield is played by Dublin's Liberties (I was tickled to see that some of it was shot on the very street where I live), while location filming was also completed in Australia. However, things get seriously meta when the young Alison actually moves to actual Dublin and young Daniel nearly has a whitey on the actual Ha'penny Bridge when he sees her with another bloke. Strangely, no U2 was used in the making of this programme. Based on the novel by Jane Sanderson and adapted for television by Irish writer Jo Spain, the show stars Teresa Palmer as the adult Alison and Jim Sturgess as the adult Daniel and Rory Walton-Smith as young Daniel and Florence Hunt as young Alison. And here's the thing, the actors who play the younger versions of our protagonists are so much better than the anguished grown-up versions, who spend most of the time moping about like extras in a Cure video. Of course, the whole thing reminded me of that minor noughties indie hit about an estranged couple haggling over their shared record collection in the same way rich people haggle over their condo in Bel Air or their D4 pied-à-terre. If you're looking for a good music-based romance, Stephen Frears' film of Nick Hornby's High Fidelity is still your best. Mix Tape is a mite too tortured and joyless but it does have two major flexes - those Dublin locations and the actual music. It also asks an eternal question posed by music obsessives in every time line and time zone - can the songs that sound-tracked our young lives and loves ever really sound the same again?
