Look: 'Legend of Zelda' live-action film casts its Link, Zelda
July 16 (UPI) -- Nintendo head Shigeru Miyamoto announced Wednesday that Bo Bragason and Benjamin Evan Ainsworth have been cast in the upcoming live-action adaptation of The Legend of Zelda.
Bragason will play Princess Zelda, while Ainsworth will portray brave hero Link in the film from Sony Pictures and Nintendo.
"This is Miyamoto. I am pleased to announced that for the live-action film of The Legend of Zelda, Zelda will be played by Bo Bragason-san and Link by Benjamin Evan Ainsworth-san. I am very much looking forward to seeing both of them on the big screen," Miyamoto said on X.
Bragason is best known for starring in Three Girls, The Jetty and Renegade Nell, while Ainsworth has appeared in The Haunting of Bly Manor and Flora & Ulysses.
Wes Ball (Kingdom of the Planet of the Apes) is serving as director, with Miyamoto and Avi Arad producing.
This is Miyamoto. I am pleased to announce that for the live-action film of The Legend of Zelda, Zelda will be played by Bo Bragason-san, and Link by Benjamin Evan Ainsworth-san. I am very much looking forward to seeing both of them on the big screen. (1/2) pic.twitter.com/KA5XW3lwul— 任天堂株式会社 (@Nintendo) July 16, 2025
The Legend of Zelda is set to hit theaters on May 27, 2027. The project was originally slated for March 26, 2027.
Miyamoto, also a famed video game creator, is behind the original Legend of the Zelda video game from 1986. The series mainly focuses on Link and Princess Zelda as they save the kingdom of Hyrule from the evil Ganondorf.
The Legend of Zelda film follows Nintendo's release of the animated Super Mario Bros. Movie, which grossed $1.3 billion worldwide.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
UPI
2 hours ago
- UPI
'Stranger Things: First Shadow' stars focus on humanity amid horror
1 of 3 | The stars of Broadway's "Stranger Things: The First Shadow" pose on the red carpet near Times Square on April 22. Left to right, Juan Carlos, playing Bob Newby, Alison Jaye, playing Joyce Maldonado, Burke Swanson, playing James Hopper, Jr., Louis McCartney, playing Henry Creel, and Gabrielle Neveah Green, playing Patty Newby. File Photo by Angelina Katsanis/UPI | License Photo NEW YORK, July 27 (UPI) -- Burke Swanson and Alison Jaye say they focused on the humanity even more than the horror when playing teen versions of Hopper and Joyce in Broadway's blockbuster Stranger Things prequel, The First Shadow. Penned by Kate Trefry and directed by Stephen Daldry, the supernatural stage play takes place in the 1950s, in the fictional town of Hawkins, Ind., and offers origins stories for the beloved grown-ups -- and terrifying uber-villain Vecna/Henry Creel -- from the 1980s-set Netflix TV show. "Within the spooky, sci-fi nature of it all, there are real humans trying to figure themselves out and figure out what their community's like," Swanson told UPI in a recent Zoom interview. Even before Henry (Louis McCartney) arrives and unwittingly turns the town upside-down, Hopper and his classmates Bob Newby (Patrick Scott McDermott) and his adopted sister Patty (Gabrielle Nevaeh) are dealing with parent-related tension and trauma. "What was so special to me is that it wasn't shying away from those stories," Swanson said. "It's a big thing that we're doing here. There's a lot to tell and it almost doesn't fit within one show, but there's a willingness to explore not only the father-kid relationships, but the mother-kid relationships and how each different dynamic is processed." Patty's outsider status leads her into danger because the only person she feels connected to is Henry. "Patty has really been pushed to the side, not only within the community, but also within her family," Swanson said. "Bob did not support Patty in a way that she needed and she comes into her own as this really incredible, strong female lead," he added. "He gets this really powerful moment just to acknowledge, 'I messed up and i want to do better.' And I think those moments -- even within the sort of 'Mind Flayer' of it all -- are the things that really push us forward through that story." As for Hopper, he is leaning into his "bad-boy mentality" when the audience first meets him, but he matures a bit throughout the play as he tries to help his friends and neighbors, Swanson noted. "In classic Hopper fashion, he's got a really sentimental heart," Swanson added. "What continues to be learned in this show is the power of community and the power of friendship and Hopper believes that he will be better off alone. His relationship with his father is not good. There's no communication there and I think what we see is the glimpse of the hope of who Hopper can become when he chooses community." Just as the Netflix series is famous for tapping into the nostalgia of the 1980s, the stage production perfectly re-imagines Middle America in the 1950s. "It's been a blast getting to dive into the music, into the aesthetics and costumes. We really got to emphasize the color, the dynamic of that time period, visually," Swanson said. "What's really, really fascinating about the '50s -- and this has been touched on by many different art forms -- is what happens when that facade begins to crack because the sleepy little town of Hawkins, Indiana seems to have begun to experience some very spooky things much earlier than we thought." Hopper may be decades away from becoming the sheriff who will date single mom Joyce, but the two do know each other quite well at this point, even if they don't travel in the same social circles until they team up to solve the mystery surrounding Henry. While Hopper is a loner, teen Joyce is a bubbly theater kid obsessed with directing the school play. "With this version of Joyce, there is a real questioning and push and pull of, 'Is this the life I'm going to choose? Or am I going to be able to get out of here and escape and become something bigger than this town?'" Jaye said. The actress loves that -- even though the play has spectacular special effects -- the characters live in a low-tech era guided by their instincts and moral compasses as opposed to cell phones or computers. "These kids don't have that. All they're leaning on is each other. If we're talking about the trio of Bob, Joyce and Jim [Hopper], we wake up every day and just knock on each other's doors and continue investigating, just like we kind of see [kid characters do] on the TV show," Jaye said. "There's that buoyancy and that fervor, that rigor to: 'We've got to dig. We've got to solve this problem.' They put all that energy on each other, instead of on technology, and connect that way, which is, I feel like, a big difference between what we're living in now." Although many fans of the Netflix series have been rooting for grownup Hopper (David Harbour) and Joyce (Winona Ryder) to hook up for years, others cheered when Joyce finally seemed to have a brief but stable romance with nice-guy Bob (Sean Astin) before he was attacked by Demodogs while protecting Joyce and her sons. Teen Bob is shy, earnest and clearly in love with Joyce. "When I watch the series, that was immediately one of my favorite characters who, unfortunately, didn't last that long. But he provides such a grounded sense of being," Jaye said about Bob. "They are so different, but, yet, it is the softness of Bob that softens Joyce. I feel like we do get to see that and celebrate that in the early moments of the show together." Jaye said she has been overwhelmed by support from fans who get a kick out of learning more about their favorite TV character by watching the play. "People of all ages have been like: 'Oh, my gosh! Of course, Joyce is a theater kid! How did I not put that together?' There's no nod to that in the series at all, but Kate created this back story for her," Jaye explained. "There's a nerdy tenderness and, also, a major headstrong authority to her that somehow makes it all make sense to me perfectly."
Forbes
4 hours ago
- Forbes
Horror Hit '28 Years Later' New On Streaming This Week, Report Says
Aaron Taylor-Johnson and Alfie Williams in "28 Years Later." Aaron Taylor-Johnson, Jodi Comer and Ralph Fiennes' hit horror thriller 28 Years Later is reportedly coming to digital streaming this week. The third film in the horror film series that began with 28 Days Later in 2002, 28 Years Later reunites the original film's director, Danny Boyle, and its screenwriter, Alex Garland. The film was released in theaters on June 20. The summary for 28 Years Later reads, 'It's been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily-defended causeway. 'When one of the group leaves the island on a mission into the dark heart of the mainland, he discovers secrets, wonders and horrors that have mutated not only the infected but other survivors as well.' According to When to Stream, 28 Years Later is expected to debut on digital streaming via premium video on demand on Tuesday, July 29. While the streaming tracker is typically accurate with its PVOD reports, When to Stream noted that 28 Years Later Sony Pictures Entertainment has not announced or confirmed the release date and it is subject to change. When it is released, 28 Years Later will be available on several digital platforms, including Apple TV, Fandango at Home, Prime Video and YouTube. Prime Video currently has 28 Years Later listed for pre-order for $24.99, which is also the film's purchase price on PVOD. Since PVOD rentals typically run $5 less than purchase prices, viewers can expect to rent 28 Years Later for $19.99 for a 48-hour period. The film is still playing in theaters. So far, 28 Years Later has earned $70 million domestically and $80 million internationally for a worldwide box office tally of $150 million. The film had a $60 million production before prints and advertising costs, per The Numbers. Danny Boyle Says '28 Years Later' Is Not A Zombie Film While those who have the Rage Virus in 28 Years Later have zombie-like qualities, Danny Boyle insisted in an interview with TIME Magazine before the film's release in theaters that the antagonists are not zombies. 'We had this thing about, 'No, they're not zombies. They're infected,'' Boyle told TIME. 'We wanted them to behave in a different way physically, but they also weren't undead. They could die and they will die, but so will you if they catch you.' In 28 Years Later, Aaron Taylor-Johnson's character, Jamie, takes his 12-year-old son, Spike (Alfie Williams), to the mainland where the infected roam over the objections of his wife and the boy's mother, Isla (Jodie Comer). The trip to the mainland is a rite of passage where the younger people sheltered by their island community learn to hunt the infected. Bold told TIME that part of the storyline was influenced by the COVID-19 pandemic. 'When COVID first happened, we wore gloves, we disinfected groceries,' Boyle told TIME. 'But gradually over time, you start taking more risks. You don't stay in that super alert stage. You evolve. And so it is in 28 Years. They begin to take risks. Jamie takes his 12-year-old son to the mainland even though, as the mom says, that's f---ing crazy.' Rated R, 28 Years Later — which is executive produced by 28 Days Later star Cillian Murphy — is expected to arrive on PVOD on Tuesday.
UPI
6 hours ago
- UPI
'Fantastic Four' tops North American box office with $118M
Pedro Pascal's "The Fantastic Four: First Steps" is the No. 1 movie in North America this weekend. File Photo by Rune Hellestad/ UPI | License Photo July 27 (UPI) -- The Fantastic Four: First Steps is the No. 1 movie in North America, earning $118 million in receipts this weekend, announced Sunday. Coming in at No. 2 is Superman with $24.9 million, followed by Jurassic World: Rebirth at No. 3 with $13 million, F1: The Movie at No. 4 with $6.2 million and Smurfs at No. 5 with $5.4 million. Rounding out the top tier are I Know What You Did Last Summer at No. 6 with $2.8 million, How to Train Your Dragon at No. 7 with $2.8 million, Eddington at No. 8 with $1.7 million, Oh, Hi! at No. 9 with $1.1 million and The Home at No. 10 with $1 million.
