logo
‘Texas Tiger' filmmakers drop teaser on ‘All We Imagine As Light' fame Hridhu Haroon's 23rd birthday

‘Texas Tiger' filmmakers drop teaser on ‘All We Imagine As Light' fame Hridhu Haroon's 23rd birthday

Mint30-06-2025
Texas Tiger teaser OUT: Upcoming Kollywood film 'Texas Tiger,' featuring 'All We Imagine As Light' actor Hridhu Haroon, is in the spotlight after its filmmakers dropped its teaser on June 29. The official title reveal video was released on the occasion of Hridhu Haroon's 23rd birthday.
Selvah Kumar Thirumaran directorial movie is produced by Sujith, Balaji Kumar, Parthi Kumar and Selvah Kumar.
Film trade analyst Sumit Kadel in a post on X stated, 'Texas Tiger - the upcoming Tamil film headlined by All We Imagine As Light star #HridhuHaroon — has been officially announced with a title reveal video, unveiled on the occasion of the actor's birthday.'
He added, 'The film is written and directed by #SelvahKumarThirumaran, known for Family Padam, and produced by #Sujith, #BalajiKumar, #ParthiKumar, and Selvah Kumar himself.' The trailer ends with the caption, 'Tigerians roar begins.'
Born in 2002, Hridhu made his acting debut in August 2022 with Crash Course on Amazon Prime.
Hridhu, who previously starred in films like Mura, Mumbaikar, Thugs, and the critically acclaimed All We Imagine as Light, has a number of films in the pipeline. Upcoming films of Hridhu Haroon include Bad Girl, Veera Dheera Sooran and Maine Pyar Kiya. He will also feature in Dude, starring Pradeep Ranganathan in the lead, which is scheduled to release around Diwali festival.
Payal Kapadia directorial Malayalam film 'All We Imagine as Light' won the prestigious Grand Prix award at the 2024 Cannes Film Festival. The film made its world premiere on 23 May 2024 at the 77th Cannes Film Festival and became the first Indian film in 30 years to compete in the competition.
'All We Imagine As Light' began streaming on OTT platform Disney+ Hotstar from January 3 onwards and is also available on Amazon Prime.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Alan Tudyk Says I, Robot Cut Him From Promo After Audiences Preferred Him Over Will Smith
Alan Tudyk Says I, Robot Cut Him From Promo After Audiences Preferred Him Over Will Smith

Pink Villa

time29 minutes ago

  • Pink Villa

Alan Tudyk Says I, Robot Cut Him From Promo After Audiences Preferred Him Over Will Smith

Actor Alan Tudyk has revealed why many fans don't realize he played Sonny the Robot in the 2004 sci-fi film I, Robot. The Resident Alien star said he was removed from the movie's marketing campaign after early test screenings showed audiences responding more positively to his character than to lead actor Will Smith. Why Alan Tudyk's role in I, Robot went unnoticed Speaking on the Toon'd In with Jim Cummings podcast, Tudyk shared, 'A lot of people did not know I did Sonny the Robot in I, Robot, and there is a reason. They were doing test audiences for the movie, and they score the characters in this kind of test screening. I got word back: 'Alan, you are testing higher than Will Smith.' And then I was gone. I was done.' The actor, who brought the lovable, humanlike robot Sonny to life through motion capture and voice work, said his removal went beyond just a few ads, as reported by E! News. 'There was no publicity, and my name was not mentioned,' Tudyk shared. 'I was so shocked. I was like, 'Wait, nobody is going to know I'm in it!'' Tudyk said playing Sonny was a challenging and demanding role. 'I put a lot into [that performance],' he shared. 'I had to move like a robot. At the time, I was very upset.' The actor had to perform physically on set while also delivering the character's voice, blending two skill sets that he feels are often underappreciated. Here's why Tudyk thinks voice acting deserves more credit The Rogue One: A Star Wars Story actor believes his experience reflects a broader issue in the entertainment industry. 'I was in the room. I'm at the wheel, I was with the actor back and forth,' Alan Tudyk said of working opposite Will Smith during filming. 'My voice is completely attached to the world that everyone is seeing.' He shared that voice and motion capture acting are integral to a film's success, yet they often don't receive the same recognition as on-screen performances. While many viewers may not have realized Tudyk was behind Sonny, the actor has built a successful career across film, television, and animation. From Firefly and Resident Alien to his roles in Disney's animated hits like Frozen and Zootopia, Tudyk has become known for his versatility. Still, the I, Robot experience remains a reminder for him of how recognition in Hollywood doesn't always match the effort put in behind the scenes.

Celebrate Robin Williams' legacy with these 6 films on OTT
Celebrate Robin Williams' legacy with these 6 films on OTT

Hindustan Times

timean hour ago

  • Hindustan Times

Celebrate Robin Williams' legacy with these 6 films on OTT

Among Hollywood's most loved actors and comedians is Robin Williams, who passed away on August 11, 2014. The legend, who was known for his limitless energy and extraordinary adaptability, brought several iconic characters to life in classic films. Here are six of his most iconic films available on OTTplay Premium that showcase his versatility and talent. Robin Williams in Dead Poets Society 6 must-watch Robin Williams films on OTTplay Premium Dead Poets Society is a critically-acclaimed film in which Williams played the part of English professor John Keating at an exclusive boys' school. Students are encouraged to "seize the day", question authority figures, and appreciate poetry through Keating's unusual teaching techniques. Williams delivered a moving performance that brought the film's themes of bravery and self-reliance to life. Not only did he receive a Best Actor nod for the film, but his character is still considered moving and motivational. The legendary actor provided the voice of the Genie in Disney's animated masterpiece Aladdin. The Genie brought joy and heart to the tale of a young man's magical experiences with his lively energy, quick wit, and improvisations, making him a beloved character among fans. This film is perfect for families and fans of animated musicals. In Jumanji, Williams portrayed Alan Parrish, a man who spent decades ensnared in a perilous and enchanted board game. Alan is set free when two children begin to play, but the dangers of the game pursue them. Williams deftly juggled charisma, tenderness, and humour in this magical adventure film. Its imaginative plot and inventive idea never fail to captivate audiences. Many consider this family comedy to be Williams' finest work. In the film, he plays the role of Daniel Hillard, a dad who pretends to be an old British nanny to be near his kids, following a terrible divorce. There are heartfelt observations about family and relationships intercut with hilarious ones in the film. You really must watch this movie to see Williams' humorous antics and the emotional depth he displays. Williams portrayed Andrew, a robot with aspirations to become human after 200 years of consciousness, in a subdued and reflective performance. The film delicately approaches sensitive topics like humanity, identity, and mortality. Williams demonstrates his versatility beyond comedy and drama with a reflective performance. Steven Spielberg's Hook stars Williams as an adult Peter Pan who, after leaving Neverland, must go back in time to save his children from Captain Hook. Williams brings a mix of innocence and maturity to the part, making for a nostalgic take on the old tale in the film. People of all ages will like this film because of its inventive and daring plot.

The Goan band A26 rekindles nostalgia by performing soundtracks from 25 English movies
The Goan band A26 rekindles nostalgia by performing soundtracks from 25 English movies

The Hindu

timean hour ago

  • The Hindu

The Goan band A26 rekindles nostalgia by performing soundtracks from 25 English movies

The stage at Sir Mutha Venkata Subba Rao Concert Hall is dressed in shadow, the kind that makes you lean forward and wait for something to begin. A faint spill of light then catches the edges of the microphones, the outline of the conductor's stand, and the shimmer of brass tucked into a corner. For a moment, the audience becomes a part of the frame: still waiting with bated breath for the first cue. Then, A night at the movies begins as the Mellow Circle choir steps forward. Act I: The Overture The opening chords of 'A dream is a wish your heart makes' fills the auditorium, the harmonies, a reminder that this choir has been at the heart of Chennai's music scene for over two decades. The Disney medley unfolded like shot of a film with 'A whole new world' gliding effortlessly into 'I've got a dream' followed by 'When you wish upon a star'. When 'Can you feel the love tonight' arrived, accompanied by ballet movements that traced arcs across the stage, it felt less like a song and more like a scene — the kind that leaves a theatre hushed for a few seconds after the last note. It was a gentle beginning, but it set a high bar. As Chrystal Farrell, retro band A26's lead female vocalist, said later, 'We wanted people to feel like they were stepping in to watch a movie, not just a concert. The choir gave us the perfect opening — that sweep of nostalgia and hope draw you in before you even realise.' The choice of repertoire — music that speaks of resilience, joy, longing, and connection — seemed to reflect that purpose without becoming didactic. The opening chords of 'A dream is a wish your heart makes' filled the auditorium, their harmonies polished, yet warm, a reminder that this choir has been at the heart of Chennai's community music scene for over two decades. Act One: The Overture It was a gentle beginning, but set a high bar. As Chrystal Farrell, A26's lead female vocalist, said later, 'We wanted people to feel like they were stepping into a film, not just a concert. The choir gave us the perfect opening — that sweep of nostalgia and hope that draws you in before you even realise it.' Act Two: The Score Comes Alive The shift in the mood was almost cinematic. As the choir stepped back, A26 took the stage with confidence. The opening chord of the Top Gun theme rang-out and the concert's second act began with a rush of instrumental film themes. Mission: Impossible pulsed with tightly wound rhythm, The Good, the Bad and the Ugly carried the unmistakable whistle of a desert standoff, and The Godfather unfurled in Grayston Vaz's guitar lines with a reverence usually reserved for orchestras. 'Some of the greatest scores in cinema are instrumental,' Chrystal pointed out. 'We wanted to give them their due, but also make them ours. You can't just copy an orchestra, so we reimagined them with our textures: guitar solos, trumpet accents, rhythm sections that still carry the drama.' From there, Pirates of the Caribbean galloped forward on Clifford Siquiera's drumming, before Game of Thrones came as a brooding, late addition that fit so well it seemed inevitable. Only then did the vocals arrive. 'Nothing's gonna stop us now' served as both a title-card and declaration, bright and expansive. Mrs. Robinson traded Simon & Garfunkel's folk edge for a looser, more playful tone. Skyfall followed — dark and deliberate, Chrystal's lower register adding weight without tipping into imitation. 'Life is a Highway' sent the energy back into high gear, 'Raindrops Keep Fallin on my head' offered a breezy interlude, and 'Shallow' closed this sequence with the intimacy of a confession. Throughout, the band — Lester Rodrigues (lead male vocals and guitar), Chrystal, Alfin Fernandes (on the keyboards and the trumpet), Ignatius Rodrigues (on the keyboards), Marwino Dacosta (on the bass and the flute), Grayston Vaz (on the lead guitar) and Clifford Siquiera (on the drums) — treated each song more like an original. There was room for detail: a trumpet line tucked into a chorus, a flute phrase catching the light, a guitar solo that played like a character's inner monologue. Act Three: The Ensemble Returns The choir's return marked another shift. 'Tomorrow' from Annie built-in careful layers, its optimism tempered by restraint. The senior ensemble moved into 'Into the Unknown' from Frozen II, their harmonies rising in waves that echoed the song's cinematic urgency. The junior choir performed 'I just can't wait to be king' from The Lion King, their bright, playful delivery earning smiles. From there, A26 steered into familiar territory, offering a rock-and-roll-tinged Bollywood-medley and the Konkani classic: Godacho Panv. 'Retro is coming back in a big way,' Chrystal said. 'Songs from the 60s and the 70s had this live-band energy, clean harmonies and rhythms that crossed cultures. You can twist and waltz to them and they still feel fresh.' Act Four: The Finale The momentum climbed through 'What a Feeling' from Flashdance and the grit of Eye of the Tiger. By Footloose, the aisle had its first dancers. Audience who had sat through the instrumentals in quiet focus were now clapping in rhythm. The final stretch felt like a closing montage. The young ones carried a touch of youthful nostalgia before the opening chords of 'Time of my life' signalled the finale. The choir and band filled the stage, the audience joined in the chorus, blurring the line between performer and spectator in those last minutes. 'We first did this in Canada,' Chrystal shared. 'Now that the production is tight, we want to take it to Mumbai, Bengaluru, maybe Dubai. It's a format that allows us to stretch as musicians and connects us with the audience in a different way. A Night at the Movies was staged to raise funds for the Prathyasha Home for Destitute Women.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store