Paul Rudd Barfs Into His Own Unicorn Cowboy Hat While Day Drinking With Seth Meyers
Seth Meyers' 'Day Drinking' segment on 'Late Night' has long been known to put its celebrity guests through the wringer, and on Tuesday's episode, Paul Rudd was no exception. In his case, the segment went off the rails early, with him vomiting into his own hat.
More specifically, it was a unicorn cowboy hat, as the actor appeared in support of his new film 'Death of a Unicorn,' in which he stars alongside Jenna Ortega. What was the drink that made him do it? Glad you asked.
You might think it was the drink based off Rudd's turn in 'Knocked Up,' which consisted of ingredients that pregnant women often crave: chocolate, ice cream, french fries, peanut butter and pickles. These were blended together with Baby Blue whiskey, to stay on the theme of babies and still have alcoholic content.
And you'd be right in thinking that the drink disgusted Rudd, who joked that it made him 'feel like I'm in 'Jackass'' as Meyers blended it all together.
'This sucks,' Rudd said bluntly, once he was able to school his features back to normal. The actor let out a massive burp afterward, but no, this wasn't the drink that made him barf. That honor went to the next drink: the Romeo & Juliet.
'Everything in this will kill you,' Meyers explained of the name.
This concoction was made up of Four Loko, 5-Hour Energy and hot sauce. Still, Rudd drank it — but it didn't stay down.
'Jesus Christ!' Rudd yelled after taking a sip. 'That's f–king awful!'
From there, he immediately began gagging and coughing, looking for somewhere to spit out what came up. Meyers offered the 'Knocked Up' as a chaser, which prompted Rudd to literally run away. The host then offered another drink, but this time as a vessel to heave into.
In the end, Rudd decided on his own hat, ripping it off his head and, well, filling it. Don't worry, he didn't put it back on again.
You can watch Seth Meyers' full 'Day Drinking' segment with Paul Rudd in the video above.
'Death of a Unicorn' is now in theaters.
The post Paul Rudd Barfs Into His Own Unicorn Cowboy Hat While Day Drinking With Seth Meyers | Video appeared first on TheWrap.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
'Abbott Elementary' Star, 61, Fires Up the Red Carpet in Sexy Number
'Abbott Elementary' Star, 61, Fires Up the Red Carpet in Sexy Number originally appeared on Parade. Whether you loved her as Chessie in The Parent Trap or just came to know her on Abbott Elementary, Lisa Ann Walter is a fan favorite. The beloved actress, 61, was spotted looking extra glam at TheWrap's "Women of Comedy: An Emmy Season Showcase" event at The Crescent Theater in Beverly Hills on Wednesday evening, and it's safe to say she knows how to go from the classroom to the red carpet with ease. Dressed in a revealing, low-cut top in a bright red shade, the stunning actress smiled for the camera. Her trademark red hair was done in soft waves, and she completed the look with big gold hoops. 🎬 🎬 Walter recently opened up about her friendship with Lindsay Lohan, whom she got to know extremely well all the way back in those Parent Trap days. "It's wonderful. I have always been so proud of her,' Walter told Us Weekly, reflecting on the 25 years since the 1998 Nancy Meyers film came out. 'When she was struggling, I was proud of that little girl who I knew — who I watched take care of her siblings and being an incredible hard worker and someone who stood by set etiquette and always said 'Please' and 'Thank you' to every single person in the crew." Seeing Lohan now thrive as a mom herself, Walter is overflowing with pride for her friend. 'Now, she grew into the most beautiful young woman and the wonderful mother that I always knew she would be,' she added.'Abbott Elementary' Star, 61, Fires Up the Red Carpet in Sexy Number first appeared on Parade on Jun 5, 2025 This story was originally reported by Parade on Jun 5, 2025, where it first appeared.
Yahoo
5 hours ago
- Yahoo
The Ugly Truth About Trump's ‘Appalling' Hair: Biographer
Donald Trump's signature hairdo is all about grabbing maximum attention, author Michael Wolff told The Daily Beast Podcast this week. Wolff, author of a series of books about Trump in power, said the president viewed his hair as part of a wider strategy to stand out—including from Joe Biden on the 2024 campaign trail. 'He looks gray,' Wolff said of Biden. 'He's washed-out. You know, his hair is—what's left of it—is gray. The skin is gray. The suits are gray.' 'And Trump would point out, 'Look at him,'' he continued. ''Nobody even sees him. Everybody notices me.' Which is absolutely true. And side by side, you know, who do you notice? You notice this guy, this appalling-looking guy who is Donald Trump, and not just the relatively normal old man-looking guy that Biden was.' Wolff said Trump's entire appearance is 'by design.' 'He looks that way because he thinks that's an effective way to look,' he added. The White House did not immediately return a request for comment on the biographer's characterization. Wolff also referenced a passage from Stormy Daniels' book, where the porn star described a conversation she claims to have had with Trump about his locks during their alleged 2006 relationship. (Trump has denied any affair). In Full Disclosure, Daniels wrote that she asked Trump about his hairdo, and he admitted it was 'ridiculous.' Trump claimed that 'every celebrity stylist' had offered to fix it, but he declined, according to the 2019 book. 'Everybody talks about it,' Trump said, per Daniels. 'It's my thing. It's my trademark. Plus, if I let this person do it, it will just piss off all these other people. 'Well, why did you let him do it?' I know a lot of people who would kill to do it. The best. The best of the best.' Daniels' claims are backed up in part by an unexpected source: Seth Rogen. The actor, who appeared alongside her in Knocked Up (2007), says Daniels once told him about a bizarre exchange she claimed to have had with Trump about his hair. In the 2024 documentary Stormy, Rogen recalls Daniels saying that Trump believed his 'power' was tied to his hair, and that if he lost it, he'd lose his 'power and his stature.' 'And that's why, even though he knows it's ridiculous and... objectively not passing all the checkmarks you would want a head of hair to pass, to him that is preferable than cutting it off because he has, like, superstitions about it,' Rogen said. Wolff has been in Trump's firing line after claiming on The Daily Beast Podcast last week that the president's war on Harvard stems, at least in part, from a personal grudge over being rejected by the school. 'That story is totally FALSE, I never applied to Harvard,' Trump fumed on Truth Social Monday. 'I graduated from the Wharton School of Finance at the University of Pennsylvania. He is upset because his book about me was a total 'BOMB.' Nobody wanted it, because his 'reporting' and reputation is so bad!' Wolff's most recent book, All or Nothing: How Trump Recaptured America, also drew an angry outburst from the president at the time of its release in February. Trump called the book a 'total FAKE JOB' and 'obviously fictitious.'
Yahoo
6 hours ago
- Yahoo
Timing of California's $750 Million Film Tax Credit Plan in Doubt as State Budget Cuts Weigh Down Process
As a pair of bills to expand California's film tax credit passed their first floor votes in Sacramento this week, confidence is high that the much-touted $750 million benefit will soon be on the way for productions that will keep jobs for entertainment workers in Hollywood. But there isn't a clear answer on what 'soon' means, as the co-authors of the California Film & TV Jobs Act are racing to get their bill past the remaining legislative hurdles and get funding approved. The budget process has been thrown into uncertainty by factors ranging from the Trump Administration's tariffs to Los Angeles wildfire recovery efforts that have left lawmakers unclear on whether the full amount — about double the current tax credit — will be funded. State Assembly members Isaac Bryan and Rick Chavez Zbur, two co-authors of the Jobs Act, told TheWrap on Wednesday they are very confident that the bills that would expand the types of productions eligible for tax incentives and offer a 35% tax rate to Los Angeles-based productions will pass, along with the proposed increase of the program's cap from $330 million to $750 million. 'Our colleagues know we can't let this industry slip,' Bryan said, adding: '$750 million, while it's a lot of money and a desperately needed amount of money to keep the jobs that this industry is producing, is a small fraction of our overall budget.' Language that called for that cap increase was removed from the two Jobs Act bills during budget committee hearings prior to their nearly unanimous floor vote passage this week. But the lawmakers said the language was ultimately unnecessary as the cap increase is still included in Gov. Gavin Newsom's revised budget proposal released last month. Despite Bryan's remark, the local industry has already slipped significantly. Only about 20 percent of US movie and TV production is now made in California, a steep slide over the past 20 years, according to industry studies. FilmLA, which tracks production in Los Angeles, has said that 2024 was the worst year on record for local filming, with the first quarter of 2025 declining another 22% year over year. The state's film commission says that between 2020 and 2024 California lost an estimated $1.6 billion in production spending due to limited tax credit funding. But despite the urgency, apparently nothing in government is easy. Newsom first threw his support behind the cap increase in October and has repeatedly expressed his support for it, including after President Trump knocked Hollywood for a loop last month floating the possibility of levying tariffs against productions shot outside of the U.S. The question is when exactly that money earmarked for the tax incentive program will get final approval in Sacramento and give the California Film Commission the green light to begin the process of implementing the new program. That timetable is unclear because the tax credit legislation, while widely supported, is one of dozens of budget items that Sacramento has to get through, some of which are still the topic of protracted debate. California is in a race against time as other states and overseas locations update their own programs to stay ahead in a global competition for production money. Last week, Louisiana's legislature, months after lowering the cap of its program to $125 million, passed a bill that raised the base tax rate for productions that shoot there to 25%, with an additional 15% credit available towards labor costs if Louisiana residents are hired. Last month, New York raised its program cap to $800 million amidst increased competition for local productions from New Jersey. Bryan explains that the main budget bill that state law requires the legislature to pass and for the governor to approve by June 15 is followed by a period in which the legislature handles 'trailer bills,' which work out the finer details on certain areas of state spending.'The first stab at the budget on the deadline is the bigger, overarching framework of how we're spending the biggest resources to uplift and protect Californians,' Bryan explained, adding that previous changes to the state production tax incentive got final approval through trailer bills passed after that main deadline. The challenge for Bryan, Zbur and other legislators trying to keep Hollywood a major priority is that the trailer bill process is expected to be even more complicated than it usually is, and it's not clear at this time when exactly the trailer bill for the incentive program could come up for a vote. That's because a lot of the guidance that lawmakers have on how much revenue and federal funding it will have for the year has been upended by uncertainty on Wall Street over Trump's tariffs – which affects state capital gains taxes – and suspension of property taxes in parts of Los Angeles affected by January's wildfires, among other factors. Newsom's revised budget projected a $12 billion deficit, leading the governor to call for cuts in a wide range of areas outside of Hollywood, including changes to Medi-Cal that could result in millions of residents, including those who are undocumented, losing coverage. As the larger budget debate plays out over the coming month, the Jobs Act co-authors say they are meeting with legislative leaders, including Assembly Speaker Robert Rivas and Senate President Pro Tem Mike McGuire, to discuss ways to expedite the bills as they head to opposite houses following their first floor votes. If the Jobs Act goes through the usual legislative process of waiting for committee and floor votes, it is likely they would not reach Newsom's desk for signature until the end of the legislative session in September, meaning that the expanded incentive program might not get into full swing until early 2026. While the co-authors haven't settled on a course of action, one option would be to try to make the bills an 'urgency measure,' which would require a two-thirds majority vote to pass but would mean that the bills could take effect immediately once passed rather than on Jan. 1 of the following year. Given that both the Assembly and Senate bills only received one vote against on their first floor votes, the Jobs Act has the support to be enacted faster if this option is taken. 'Bottom line, we are working with the leadership to ensure that the incentive program changes are passed this summer, and come into effect this summer,' Zbur said. The faster Sacramento gives the green light, the better. Once that happens, the California Film Commission still has months of work ironing out how the expanded program will be implemented, including how that $750 million is allocated to different parts of the entertainment industry ranging from feature films to prestige TV dramas and indie productions, as well as new categories like animated projects and half-hour live-action programs that would become eligible with the expansion. For now, the next round of applications for the tax credit program, which opens later this month, will operate under the existing rules and with the current benefit of a 20% tax rate on eligible spending. The post Timing of California's $750 Million Film Tax Credit Plan in Doubt as State Budget Cuts Weigh Down Process appeared first on TheWrap.
