Prince and Princess of Wales put their baking skills to the test during visit to flood-hit community
On their visit to Pontypridd, a Welsh town hit by severe flooding last year, William and Catherine tried their hand at making traditional Welsh cakes.
The couple also visited the town market, where they met with business owners and crowds who lined the streets.
The visit included a stop at The Welsh Cake Shop. The royal chefs were welcomed into the kitchen, where they donned shop aprons, rolled up their sleeves, and picked up their rolling pins.
A picture posted to the couple's Instagram shows them laughing in front of a griddle with the caption: 'Anyone for Welsh cakes?'
After preparing their sweet treats, the royals were pictured serving them to children in the crowd.
For Prince William, this wasn't his first time serving food to the public. In 2023, the future King shocked unsuspecting customers at a London food truck when he appeared as the server handing out veggie burgers. The meat-free meal was made using environmental innovations from the winners of the Earthshot Prize – a 10-year project he founded that aims to 'repair and restore the planet.'
Wednesday's visit came just days before Saint David's Day, a national holiday celebrated in Wales each year on March 1.
In November, the town of Pontypridd was one of many areas in Wales affected by extreme flooding during Storm Bert which swept across the UK. Just weeks later, Storm Darragh caused even more damage.
'The resilience in the community here affected by flooding is remarkable,' wrote the royals on their official Instagram account.
The trip to Wales marks yet another return to royal engagements for Kate, who stepped back from her public duties last year to undergo treatment for an unspecified cancer.
In September, she announced that she had completed her chemotherapy and said she was 'doing what I can to stay cancer free.' Since then, she has resumed carrying out solo visits, including to the cancer hospital where she was treated.
Earlier this month, the couple posted a loved-up photo to Instagram to mark Valentine's Day with a simple red heart emoji as the caption.
CNN's Lauren Said-Moorhouse contributed reporting.
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Travel + Leisure
an hour ago
- Travel + Leisure
An Italian Fashion Designer Told Me Exactly How to Look Effortlessly Stylish in Italy—Shop 8 Must-have Styles
Every summer since moving to Italy, my Instagram direct messages are filled with American friends asking me, 'What should I pack?' before their upcoming European vacations. But the truth is, the answer varies depending on where you're headed. What I pack in my weekender bag for visiting Tuscany differs greatly from what I'd be taking on a holiday in Sardinia. And, there's the matter of personal style to address—I like to think I take a little bit of Italian summer style and make it my own. Still, there are timeless Italian style pieces that will work for all wardrobes and destinations—and to determine the Italian summer style must-haves, I turned to my most fashionable Italian friend, fashion designer Stella Jean. I've been a huge fan of Stella's work since the early days of her brand; a protege of Giorgio Armani, Stella Jean has dressed global style icons like Rihanna, Beyonce, Zendaya, and Sandra Bullock. In that oh-so-romantic Italian way, Jean not only gave me packing tips, but life tips on how to channel Italian style: 'Don't just pack clothes—pack attitude ,' she told me. For her, the hallmark of Italian summer style is ' disinvoltura studiata ,' which translates literally to 'studied ease' but to Jean, is defined as, 'That elusive mix of ease and intention—where linen is always slightly crumpled (but never careless), and sandals are custom-made, possibly in a fishing village with no Wi-Fi but generational savoir-faire.' Hallmarks of Jean's collection, like her striped button-down shirt and bold patterned skirts, channel that disinvoltura studiata . To help you put together your own summer travel wardrobe, read on for eight Italian style tips based on Jean's advice. My linen wardrobe has dramatically increased since moving to Italy, strongly inspired by my husband and his full linen summer wardrobe that certainly caught my eye during our first summer dating. I learned from him how to wear and style linen, and now I love the fabric, particularly in the form of a matching set. Currently, I have three linen sets in my suitcase! Jean attests to donning linen in the summer as well, saying, 'It's slightly crumpled, but never careless.' I selected a few of my favorite looks, including a matching square-neck tank and skirt set from Madewell and a sleek cropped vest and high-rise pant from Gap. I've always appreciated the ease of the summer button-down shirt. Tied at the waist or tossed over a swimsuit, button-downs are a versatile style I've worn for decades. There's a beautiful familiarity to the style of a striped cotton poplin shirt I've seen worn in Italy. For Jean, a striped cotton poplin shirt is 'a quiet staple of the Italian summer, beloved by philosophers, fishermen, and flâneurs alike.' Stella Jean's striped shirts in a beautiful blue and white have always caught my eye, especially paired with eye-catching skirts, proving a striped shirt is not only a staple but also a neutral! I also found an oversized option from Madewell and a bright vermilion hue from Gap's partnership with Dôen that will definitely stand out. Beautiful wide-leg trousers and palazzo pants have always been a hallmark of great Italian style to me, and it's true for Jean, as well. After all, 'palazzo' pants are Italian (hence the Italian name), and are one of my oft-mentioned style staples. These comfortable, flowy bottoms are just as fitting for swanning through an Italian city's palazzo as they are for exploring small, tucked-away Italian towns and villages. Check out the best-selling Madewell Harlow Trousers for a more polished look or the white Quince wide-leg chino pants that are practically made for summer. One of Jean's top non-negotiables for Italian summer style is a pair of leather Capri sandals. 'For me, it's never really been summer without them,' she says. 'I started wearing them around 14, when my mother and I would have them made to measure in Positano or Capri. They're the kind of sandals that work [24/7]—from breakfast in linen to evening in a flowing dress.' She adds that she probably has 20 pairs by now, 'bought out of pure loyalty and frequent overuse.' But, if you can't make it to Capri or Positano for your fitting, get your pair from my husband's family's company—I'll ask my father-in-law to sprinkle in a little Italian sunshine into your package! You can also shop similar-looking leather sandals, like this strappy pair from Bernardo or this Cole Haan fisherman sandal. Pieces that work for day-to-night wear feel elusive, but Jean manages to master the art in her gorgeous dresses that you can put on for almost any occasion. 'Ask yourself: Would this look out of place at a café at noon or in a piazza at midnight? ' she says. If it suits both locales, then it's ready to go. Some of her most iconic dresses, like this striped floral midi dress with its striped cotton poplin shirt and full skirt featuring a bold colorful print, are reminiscent of the Caribbean, reminding me of Jean's cultural heritage as half Haitian. As seen with a pair of flats on style star Luna de Casanova or with heeled sandals on Jean herself, a versatile dress that blends styles is elegant for both day and night. Other dresses that capture a similar day-to-night feel are this gingham number from Gap x Dôen and this lightweight pinstripe Quince dress made of European linen. One of Jean's packing recommendations is a bold printed skirt, especially in a beautiful tropical print. A few years ago, while styling a photoshoot on the cliffs of Ravello along the Amalfi Coast, I used a cobalt blue painted draped linen skirt. I styled it with a crisp white button-down, and it's still one of my favorite looks. This Stella Jean Midi Wrap Skirt reminds me of that shoot and that beautiful summer day, and I can imagine packing it along with a crisp button-down or tank. I found a few more eye-catching skirts to pack for an instant outfit upgrade, like a colorful midi linen skirt from Banana Republic and a forest green printed skirt on sale for $25 at Amazon. The Italian pinstripes! While casually naming things to punctuate an outfit, Jean suggested adding pinstripes to your packing list. It's a hallmark of classic Italian style, beloved by everyone from bankers in Milan to politicians in Rome. There's a huge variety of pinstripe looks, like these wide-leg yellow linen pants from Mango or these Everlane barrel-leg pants with a dark denim pinstripe. I recently said to my husband, while packing for our vacation in Sardinia, 'I'm going to pack a scarf. There might be a breeze at night.' Have I become Italian? As Jean joked when suggesting a light scarf on her packing list, 'Italians will forever believe that il colpo d'aria is a real and present danger.' You'll get a cough with your throat exposed! But a scarf can be worn in several ways, making it a genius accessory to pack with you. For instance, Jean styles a head scarf impeccably well. When meeting her for lunch in Rome once, I was in awe of her striking figure in a beautiful head scarf and trench coat; I promptly styled a similar scarf for my flight to Nice the next day! One of these silky numbers will work overtime on an Italian holiday, whether you're tying this linen scarf around your neck or this parrot-patterned one over your head or tied to your purse. Love a great deal? Sign up for our T+L Recommends newsletter and we'll send you our favorite travel products each week.
4 hours ago
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
BAYEUX, France -- For centuries, the storytelling masterpiece has been a source of wonder and fascination. In vivid and gruesome detail, the 70-meter (230-foot) embroidered cloth recounts how a fierce duke from France conquered England in 1066, reshaping British and European history. The Bayeux Tapestry, with its scenes of sword-wielding knights in ferocious combat and King Harold of England's famous death, pierced by an arrow to an eye, has since the 11th century served as a sobering parable of military might, vengeance, betrayal and the complexity of Anglo-French relations, long seeped with blood and rivalry but also affection and cooperation. Now, the medieval forerunner of today's comic strips, commissioned as propaganda for the Normandy duke William known as 'the Conqueror' after he took the English throne from Harold, is being readied for a new narrative mission. Next year, the fragile artistic and historic treasure will be gingerly transported from its museum in Bayeux, Normandy, to star in a blockbuster exhibition in London's British Museum, from September 2026 to July 2027. Its first U.K. outing in almost 1,000 years will testify to the warming latest chapter in ties across the English Channel that chilled with the U.K.'s acrimonous departure from the European Union in 2020. The loan was announced in July when French President Emmanuel Macron became the first EU head of state to pay a state visit to the U.K. since Brexit. Bayeux Museum curator Antoine Verney says the cross-Channel trip will be a home-coming of sorts for the tapestry, because historians widely believe that it was embroidered in England, using woolen threads on linen canvas, and because William's victory at the Battle of Hastings was such a major juncture in English history, seared into the U.K.'s collective consciousness. 'For the British, the date — the only date — that all of them know is 1066,' Verney said in an interview with The Associated Press. Moving an artwork so unwieldy — made from nine pieces of linen fabric stitched together and showing 626 characters, 37 buildings, 41 ships and 202 horses and mules in a total of 58 scenes — is further complicated by its great age and the wear-and-tear of time. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney, the curator. Believed to have been commissioned by Bishop Odo, William the Conqueror's half-brother, to decorate a new cathedral in Bayeux in 1077, the treasure is thought to have remained there, mostly stored in a wooden chest and almost unknown, for seven centuries, surviving the French Revolution, fires and other perils. Since then, only twice is the embroidery known to have been exhibited outside of the Normandy city: Napoleon Bonaparte had it shown off in Paris' Louvre Museum from late 1803 to early 1804. During World War II, it was displayed again in the Louvre in late 1944, after Allied forces that had landed in Normandy on D-Day, June 6th, of that year had fought onward to Paris and liberated it. The work, seen by more than 15 million visitors in its Bayeux museum since 1983, 'has the unique characteristic of being both monumental and very fragile,' Verney said. 'The textile fibers are 900 years old. So they have naturally degraded simply due to age. But at the same time, this is a work that has already traveled extensively and been handled a great deal.' During the treasure's stay in the U.K., its museum in Bayeux will be getting a major facelift costing tens of millions of euros (dollars). The doors will close to visitors from Sept. 1 this year, with reopening planned for October 2027, when the embroidery will be re-housed in a new building, encased on an inclined 70-meter long table that Verney said will totally transform the viewing experience. How, exactly, the treasure will be transported to the U.K. isn't yet clear. 'The studies required to allow its transfer to London and its exhibition at the British Museum are not finished, are under discussion, and are being carried out between the two governments,' Verney said. But he expressed confidence that it will be in safe hands. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he asked. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.'
San Francisco Chronicle
4 hours ago
- San Francisco Chronicle
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
BAYEUX, France (AP) — For centuries, the storytelling masterpiece has been a source of wonder and fascination. In vivid and gruesome detail, the 70-meter (230-foot) embroidered cloth recounts how a fierce duke from France conquered England in 1066, reshaping British and European history. The Bayeux Tapestry, with its scenes of sword-wielding knights in ferocious combat and King Harold of England's famous death, pierced by an arrow to an eye, has since the 11th century served as a sobering parable of military might, vengeance, betrayal and the complexity of Anglo-French relations, long seeped with blood and rivalry but also affection and cooperation. Now, the medieval forerunner of today's comic strips, commissioned as propaganda for the Normandy duke William known as 'the Conqueror' after he took the English throne from Harold, is being readied for a new narrative mission. A homecoming for the tapestry Next year, the fragile artistic and historic treasure will be gingerly transported from its museum in Bayeux, Normandy, to star in a blockbuster exhibition in London's British Museum, from September 2026 to July 2027. Its first U.K. outing in almost 1,000 years will testify to the warming latest chapter in ties across the English Channel that chilled with the U.K.'s acrimonous departure from the European Union in 2020. The loan was announced in July when French President Emmanuel Macron became the first EU head of state to pay a state visit to the U.K. since Brexit. Bayeux Museum curator Antoine Verney says the cross-Channel trip will be a home-coming of sorts for the tapestry, because historians widely believe that it was embroidered in England, using woolen threads on linen canvas, and because William's victory at the Battle of Hastings was such a major juncture in English history, seared into the U.K.'s collective consciousness. 'For the British, the date — the only date — that all of them know is 1066,' Verney said in an interview with The Associated Press. A trip not without risks Moving an artwork so unwieldy — made from nine pieces of linen fabric stitched together and showing 626 characters, 37 buildings, 41 ships and 202 horses and mules in a total of 58 scenes — is further complicated by its great age and the wear-and-tear of time. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney, the curator. Believed to have been commissioned by Bishop Odo, William the Conqueror's half-brother, to decorate a new cathedral in Bayeux in 1077, the treasure is thought to have remained there, mostly stored in a wooden chest and almost unknown, for seven centuries, surviving the French Revolution, fires and other perils. Since then, only twice is the embroidery known to have been exhibited outside of the Normandy city: Napoleon Bonaparte had it shown off in Paris' Louvre Museum from late 1803 to early 1804. During World War II, it was displayed again in the Louvre in late 1944, after Allied forces that had landed in Normandy on D-Day, June 6th, of that year had fought onward to Paris and liberated it. The work, seen by more than 15 million visitors in its Bayeux museum since 1983, 'has the unique characteristic of being both monumental and very fragile,' Verney said. 'The textile fibers are 900 years old. So they have naturally degraded simply due to age. But at the same time, this is a work that has already traveled extensively and been handled a great deal.' A renovated museum During the treasure's stay in the U.K., its museum in Bayeux will be getting a major facelift costing tens of millions of euros (dollars). The doors will close to visitors from Sept. 1 this year, with reopening planned for October 2027, when the embroidery will be re-housed in a new building, encased on an inclined 70-meter long table that Verney said will totally transform the viewing experience. How, exactly, the treasure will be transported to the U.K. isn't yet clear. 'The studies required to allow its transfer to London and its exhibition at the British Museum are not finished, are under discussion, and are being carried out between the two governments,' Verney said. But he expressed confidence that it will be in safe hands. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he asked. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.' ___ Leicester reported from Paris.
