
John Mulaney reveals why he rejected Oscars offer
John Mulaney reveals why he rejected Oscars offer
The 42-year-old comedian admitted while he was "flattered" to be asked to front the Academy Awards in March, with four-time host Jimmy Kimmel turning down the offer to lead a fifth ceremony
John Mulaney
John Mulaney turned down the Oscars due to the intense schedule.
The 42-year-old comedian admitted while he was "flattered" to be asked to front the Academy Awards in March, with four-time host Jimmy Kimmel turning down the offer to lead a fifth ceremony.
Appearing on Marc Maron's 'WTF' podcast, John said: "Well, I was very flattered.
"They came to me, must have been last summer. And I knew Jimmy Kimmel wasn't gonna do it. And they offered it.
"And it was honestly that I had a lot going on. And it's months and months of work."
Instead, Conan O'Brien was chosen to host the prestigious event, and John was impressed by how the late night legend handled proceedings.
Article continues below
He joked: "He came out and he not only was so funny, but he elevated the show to the point that I almost convinced myself I had seen these movies and I'd seen not a one of them."
He added that his fellow 'Saturday Night Live' alumni "just locked in and owned the f****** thing".
Conan recently joined John for an episode of his Netflix talk show 'Everybody's Live with John Mulaney'.
The comedian confirmed "there was a plan to do more", with him and the steaming giant currently "figuring it out".
Despite finding the whole thing "very enjoyable", he admitted he has "really felt the 12 weeks in a row" as the three-month run rolled on.
He admitted: "We would scale back what we were doing if we were doing it everyday."
Article continues below
John described his talk show as an "evergreen, weird" project which also straddles the line of "a variety show".
He said: "It was more than just that we got to try a lot of bits and jokes and have guests on "We just got to try whole episodes where it felt very shoestring and episodes where we were blowing it out production-wise."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
an hour ago
- Telegraph
Ginny and Georgia, season 3, review: a perfect example of the addictive Netflix formula
In the market for a soapy drama about a beautiful, whip-smart single mother and her clever yet dreadfully dull and endlessly ungrateful teenage daughter? Gilmore Girls might have already nailed that formula 20 years ago, but because television is just an infinite cycle of reboots, sequels, prequels or blatant rip-offs these days, it was only a matter of time until a streamer tried to replicate that show's schmaltzy charm. Enter Ginny & Georgia (Netflix). Among Netflix 's most popular original series, it's back for a third season that is once again filled with – deep breath – murder, small-town politics, mother-daughter bickering, sex, snogging and property porn. One imagines it came about when an executive marched into work the morning after his daughter forced him to watch Gilmore Girls and demanded a modern update, only crossed with Narcos, because American audiences can't get enough of crime. Georgia (Brianne Howey) is a Southern belle and single mother-of-two with a dark past: childhood sexual abuse, domestic violence, poverty. A cycle of marrying rich then moving on, culminated, prior to the events of the first season, in her murdering her grope-happy husband (spoiler alert: he's not the only man she's sent to the pearly gates). Now, a few years on, her perfect new life in an idyllic New England town – complete with perfect New England man, in the form of local mayor Paul Randolph (Friday Night Lights' Scott Porter) – is starting to unravel. Season two ended with Georgia being escorted in handcuffs from her fairytale wedding to Paul , accused of murdering a neighbour's terminally ill husband. In her eyes, it was a mercy killing, though the rest of the town – and the law – doesn't see it that way. Most of season three's 10 episodes revolve around the court case, which turns into a media sensation. Howey is warm, funny and impossible not to root for, despite her penchant for killing off her exes. Flashback scenes patch together her traumatic past (her younger self affectingly portrayed by Nikki Roumel) and further elicit the audience's empathy: she might be a killer, but all of her victims were abusive or cruel. She might lie and steal, but it's only to provide for her family. The latter consists of teenage daughter Ginny (Antonia Gentry), possibly the most annoying TV character to have emerged in the past decade – and I've watched all of And Just Like That, so I'm unfortunately familiar with Che Diaz – due to her constant whining, whingeing and weeping. Fair enough, her mother's a criminal, her little brother (Diesel La Torraca) is painfully shy, troubled and keeps mauling other kids at school, but that's no excuse. Ginny and Georgia would benefit hugely from the showrunners omitting the Ginny half of the title. Season three ends, as expected, with Georgia walking free, having recruited her kids to frame an old nemesis for the crime. After bingeing all 10 hour-long episodes, you might find yourself in a rut of self-loathing: 'I know this isn't 'good',' you'll think, 'so why can't I stop watching?' Because it's the perfect example of the Netflix formula: soapy, cheesy fun led by unbelievably good-looking actors. It's not The Sopranos. It's not even Gilmore Girls. It's just shiny, addictive escapism.


Daily Record
2 hours ago
- Daily Record
Fans have just days to watch ‘perfect' rom-com that swept board at Oscars
A rom-com musical that earned its main star a Best Actress Oscar is available on Netflix - but not for much longer. A romantic musical that dazzled critics, stormed the awards season and left audiences swooning is about to vanish from BBC iPlayer. La La Land (2016), the film that reignited the movie musical for a new generation, will leave the platform on June 9. Damien Chazelle's film is a full-hearted tribute to old Hollywood, youthful ambition, and the romanticising of dreams that don't come true. Starring Emma Stone and Ryan Gosling, the film follows aspiring actress Mia and jazz pianist Sebastian as they navigate the highs and heartbreaks of chasing stardom in Los Angeles. Their romance, full of vintage flourishes and spontaneous song, plays out against the backdrop of a city where every barista is auditioning, and every traffic jam could become a dance number. The opening sequence - a musical number set on a gridlocked LA freeway - became an instant classic and set the tone for a film that blends fantasy and realism. Chazelle, who had just come off Whiplash, directed with a master's eye for style and rhythm. But La La Land's emotional power comes largely from its two leads. Gosling oozes cool as the jazz purist with a dream of owning his own club, while Stone brings warmth and fragility to Mia, a woman always on the cusp of both failure and greatness. At the Oscars, La La Land famously won six awards - including Best Director and Best Actress for Stone - and briefly claimed Best Picture before the now-infamous envelope mix-up, which ended up seeing Moonlight take the biggest prize. That viral moment aside, the film's impact was undeniable: a critical and commercial triumph, and the highest-grossing original live-action musical of all time at the time of release. On Rotten Tomatoes, where it holds a sparkling 91% score, viewers still sing its praises. One reviewer said: 'La la Land truly depicts the atmosphere that Hollywood brings to the world, everyone with their ambitions trying to bring them to life, but at what cost". Another added: 'From the way it was written and portrayed by the actors to the way it was received, it's all amazing. I really enjoyed watching this movie because of its colours and shots - you can really see that somebody put effort and heart into this." A third wrote simply: 'Masterpiece. My favourite musical of all time. My favourite movie of all time." The soundtrack - with songs like 'City of Stars' and 'Audition (The Fools Who Dream)' - became a sensation in its own right. Justin Hurwitz's original score, paired with lyrics by Pasek and Paul, brought a new wave of jazz-infused ballads into the public mind, and helped secure the film's legacy. If you've somehow never seen it, or just want to revisit Mia and Sebastian's story under the golden Los Angeles sky, the clock is ticking: La La Land is available to stream on BBC iPlayer, but only until June 9.


Daily Mirror
4 hours ago
- Daily Mirror
Adolescence star Owen Cooper makes blunt jibe about 'terrible' US icons
Owen Cooper, the 15-year-old who was lauded for his leading role in Netflix drama Adolescence, appeared on The Tonight Show on Tuesday - and shocked Jimmy Fallon Adolescence actor Owen Cooper branded the US's sweets and chocolates as "just terrible" this week. Speaking on The Tonight Show with Jimmy Fallon, the young star slated the confectionery and even brought a basket of US treats in a bid to prove his point. Owen, 15, said: "One thing I hate about America - the chocolate and the sweets, everything is just terrible. It's just Cheetos and all that nonsense. Honestly, I hate it." Jimmy had asked the teenager what he didn't like about America as Owen has spent some time there promoting the Netflix drama, a second series of which is currently in talks. After his honest jibe, Owen lifted the basket to show the host his favourite sweets, which include Maltesers. They were first sold in the UK in 1937. "Have you ever had a Malteser? Right - I'll bring the whole basket up. So this is what I brought [Monster Munch, Maltesers and Fruit Pastilles]", Owen said in the interview on NBC. The teen, from Warrington, Cheshire, insisted the brands were better than most American sweets. However, the US has a long history of making iconic confectionery labels, a market there valued at $83.54 billion (£60 billion) in 2024. In the late 19th century, sweets were made by hand in small batches and sold in local shops across the US. Then, the Hershey Chocolate Company - launched in 1894 - introduced the world to the first mass-produced milk chocolate bar. Following the Second World War, confectionery was frequently imported to the UK and elsewhere. But Owen's view is mirrored by his fans online, who left messages on social media. One posted: "Maltesers, Minstrels and beef Minichips are the perfect cinema snacks. Heaven. Can't get anything remotely close in the US." Another, seemingly an American, shared: "He's absolutely correct. The candy, chips etc over here are atrocious. Garbage compared to Europe's." A third said: "He is spot on actually." Later in the interview, Owen also revealed the huge Hollywood star that has praised his work recently. The actor said Leonardo DiCaprio left him a video message when he was with his onscreen dad Stephen Graham. Owen said: "Stephen Graham sent me a video yesterday and it's Leonardo DiCaprio sat next to him and he was saying 'Hey Owen, I'm such a big fan of Adolescence.'... I was like 'What!'" Owen was widely praised for his leading role in the Netflix drama, but he had no huge acting experience prior to the gig. Instead, one of his big interests growing up was music, so much so he was nicknamed "my mini Harry Styles" by mum Noreen, who is a carer. Neighbours in the Warrington suburb stress the family are keen to remain modest. Owen, who enjoys playing football for his youth side, lives with Noreen, 44-year-old dad Andy, who works in IT, and older brother Ollie. Ollie and Owen have older half-brother Connor, who, like Ollie, is an electrician.