
Fans celebrate the 80th birthday of the Moomins, Finland's most lovable literary cartoon family
The chubby, white, hippopotamus-like characters have captivated readers worldwide since author and illustrator Tove Jansson published 'The Moomins and the Great Flood' in 1945. The children's book featuring Moomintroll and Moominmamma in their search for the missing Moominpappa.
Jansson, a Swedish-speaking Finn who died in 2001, went on to write eight more books, multiple picture books and a comic strip about the Moomins in Swedish.
The series, set in the fictional Moominvalley, has been translated into more than 60 languages, and sparked movie and TV adaptations, children's plays, art gallery exhibitions and an eponymous museum — plus theme parks in Finland and Japan. Finnair, the national carrier, has even put Moomins on its airplanes.
On Saturday, fans flocked to Tampere in southern Finland — home of the Moomin Museum — to celebrate the 80th anniversary of the 1945 publication as well as Jansson's Aug. 9, 1914, birthday.
Fans from childhood to adulthood
For Rosa Senn of the United Kingdom, the festivities reminded her of her childhood. Her Norwegian mother, a fan since her own youth, read all of the tales to Senn and her sister growing up.
'Moomins have been such a special thing in my life, my whole life,' Senn said. 'I just carried that love for Moomin, for Tove Jansson, with me into my adult life.'
When Senn met her now-wife, Lizzie, they were initially in a long-distance relationship for the first year and a half. Senn introduced Lizzie to the books and the couple used a plush doll of Moomintroll to feel closer to each other while they were apart. The doll was the ringbearer at their wedding, and they traveled to Tampere on their honeymoon.
The Senns also made an Instagram page documenting the trio's adventures, which now has nearly 11,000 followers. The social media account has connected them with Moomin fans all over the world, including Stefanie and Michael Geutebrück from Germany.
Moomin merchandise
Stefanie Geutebrück said she remembers falling in love with the Moomins while watching their animations during her childhood in East Germany. She also brought the Moomins into her husband's life, to the point where they also traveled to Tampere for Saturday's entertainment.
'Now he's a total fan and our apartment looks like a Moomin shop,' she said.
Beyond the Geutebrücks' home, Moomin merchandise is hugely popular. There's a massive market for Moomintroll, Moominmamma and Moominpappa souvenirs across the globe, and secondary characters like their friends Stinky, Sniff, Snufkin, Snork Maiden and Hattifatteners are also well-loved.
'The Moomin mug is one of the best-known collector items worldwide,' Selma Green, director of the Moomin Museum, said. 'You buy a Moomin mug, you like the characters, you maybe see something on TV — but we all go back to the books, the original illustrations.'
Depictions of the character Stinky, described as a lovable rogue who has captured Moominmamma's heart, generated debate and outcry in Finland this summer after reports emerged in Finnish media that Stinky was removed from murals in an exhibit at the Brooklyn Public Library in New York due to concerns that the cartoon might be perceived as racist.
Jansson's drawings of Stinky shows the character with a dark, fuzzy body, with skinny legs and antennae. He has a reputation as an unsuccessful criminal — whose plans get foiled or he gets caught in the act — with an appetite for furniture and other wooden things.
'To me, this became as quite a big surprise because I have more thought about Stinky being close to a mole or a vole,' Sirke Happonen, a Moomins scholar and associate professor at the University of Helsinki, said of the library's decision. 'He's an interesting character in many ways, like controversial and fun.'
Moominvalley as an escape
The Moomin stories honor the idea of family as a flexible concept. Diverse gender roles and queer themes also come across in Moominvalley, as well as in Jansson's other works, reflecting her LGBTQ+ identity.
Her partner of more than 45 years, engraver and artist Tuulikki Pietilä, was memorialized as the character Too-ticky in 'Moominland Midwinter.' The couple lived in Helsinki and spent their summers on the small rocky island of Klovharu in the Gulf of Finland until the 1990s.
Jansson's stories also reflect war and catastrophe. The first book, 'The Moomins and the Great Flood,' features the displaced Moomin family and was published in the final months of World War II. The conflict had ruined Finland, even though it had remained independent, and one of the author's brothers went missing during part of his time at the front.
While Jansson sought to portray Moominvalley as an escape, Moomin stories have always had a mixture of peril and comfort.
'Her first Moomin book came out in a dark era. She felt it was very difficult to paint, and she started writing what she called a fairy tale, but she excused herself not to include princesses or princes,' Happonen said.
Moominvalley was borne of a need to find beauty at a time when Jansson's existence, along with everyone else in Finland, felt frail.
'I think she wanted to make a contrast — Tove Jansson loved contrasts — by writing about this beautiful world, full of friendship and love,' Happonen said.
__
Dazio reported from Berlin.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Toronto Sun
7 minutes ago
- Toronto Sun
From 'Bodies' to new albums, allow Offset and JID to reintroduce themselves
Published Aug 12, 2025 • 4 minute read This combination of images shows Offset, left, and JID during a portrait session on Tuesday, Aug. 5, 2025, in New York. Photo by Andy Kropa / Invision/AP On paper, the song might be an unusual pairing, or something resembling Mad Libs. Two Atlanta rappers with idiosyncratic styles — Offset's melodic, aggressive flow and the dexterous lyricist JID — speaking the same language on 'Bodies.' This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Their collaboration, largely recorded in China, arrives atop a sample of nu-metal band Drowning Pool's 2001 cut 'Bodies.' It's become a 2025 Billboard Hot 100 hit of their own, and it doubles as an ode to self-determination — standing your ground and working toward evolution. 'As soon as he played it, it was like history,' JID says of hearing their 'Bodies' for the first time. 'The production is one of my favorite compositions I ever recorded over.' It also serves as a kind of introduction of a new era for both artists, who both have new albums this month. A new perspective from JID In the post-'Bodies' glow, JID released his fourth album, 'God Does Like Ugly' last week. The title is a play on his grandmother's Southern colloquialism, 'God don't like ugly.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. 'It's more intentional,' he says of his new release. 'The last project was more of an origin story, where I came from until now,' he says of 2022's elastic 'The Forever Story.' 'This one is closer, up to date, of where I am mentally _ and my perspective of the industry.' That's immediately clear on the virtuosic 'God Does Like Ugly' and its formidable list of collaborators, Clipse, Ciara, Don Toliver and Vince Staples among them. It's also evident on the lead single, 'WRK,' an examination of ambition, and the surprising run up to his album release. JID embarked on the J. Cole-inspired 'Dollar & A Dream' Tour, a series of exclusive performances across the U.S., where attendees only needed to pay a buck for entry. 'I just thought it was a cool idea. A great way to be intimate and see your fans,' he says. 'Getting to perform the new songs for them every night is perfect.' This advertisement has not loaded yet, but your article continues below. Offset looks inward Drive is certainly something the pair have in common, but when it comes to their new releases, the comparisons end there. Offset will release 'Kiari,' his third solo album on Aug. 22. The title is his legal name — a direct reflection of the album he calls 'a look in the mirror.' He says it's a collection of 'different versions of Offset, which comes from Kiari … I'm always trying to rebrand and recreate.' Where his last release, 'Set It Off,' sought to 'bring rap back, not so much melody,' as he told The Associated Press in 2023, 'Kiari' combines the best of both worlds. He says he's pulling from 'life events' on the album. 'It feels very personal,' he says. 'Not just about what I'm speaking on, but how serious the moment in time is for me to prevail.' This advertisement has not loaded yet, but your article continues below. ''Set It Off' was a freedom,' he adds, proof that he could shine as a solo artist outside of Migos, the group that launched his career. 'Kiari,' instead, is 'me, for what I am. And recognizing who I am, because I feel like sometimes you could get lost in trying to please other people and trying to do what they want you to do. So, this is like my rebellion. My rebellion album.' And he's got an A-list crew of collaborations helping him rebel: Not just JID, but also Gunna, Key Glock, YoungBoy Never Broke Again, Ty Dolla $ign, Teezo Touchdown and perhaps most surprising of all, John Legend on the emotive 'Never Let Go.' He says it is for the late Takeoff, his Migos bandmate and cousin, who died in a 2022 shooting. 'It's a song for him,' says Offset. 'The last album, I had not did a song (for him) because I couldn't during the time.' This advertisement has not loaded yet, but your article continues below. Even still, 'Never Let Go' was a challenge. 'The song is beautiful. I was able to be vulnerable on the song and speak and say certain things I've never said out loud.' 'Kiari' is also Offset's first new album since the birth of his third daughter with rapper Cardi B in September, shortly after she filed for divorce from him. It is likely fans will read the final track on the album, 'Move On,' to be about their relationship. He says it's simply 'about moving on peacefully. That's what the message is supposed to be: moving on peacefully.' He chosen to end the album that way to 'end that chapter, just move on. It's over and done with. It was great while it lasted. That shouldn't be the topic for neither one of us no more. It's a book that's closed.' Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances. Columnists World Weird Opinion Toronto & GTA


Winnipeg Free Press
37 minutes ago
- Winnipeg Free Press
From ‘Bodies' to new albums, allow Offset and JID to reintroduce themselves
NEW YORK (AP) — On paper, the song might be an unusual pairing, or something resembling Mad Libs. Two Atlanta rappers with idiosyncratic styles — Offset's melodic, aggressive flow and the dexterous lyricist JID — speaking the same language on 'Bodies.' Their collaboration, largely recorded in China, arrives atop a sample of nu-metal band Drowning Pool's 2001 cut 'Bodies.' It's become a 2025 Billboard Hot 100 hit of their own, and it doubles as an ode to self-determination — standing your ground and working toward evolution. 'As soon as he played it, it was like history,' JID says of hearing their 'Bodies' for the first time. 'The production is one of my favorite compositions I ever recorded over.' It also serves as a kind of introduction of a new era for both artists, who both have new albums this month. A new perspective from JID In the post-'Bodies' glow, JID released his fourth album, 'God Does Like Ugly' last week. The title is a play on his grandmother's Southern colloquialism, 'God don't like ugly.' 'It's more intentional,' he says of his new release. 'The last project was more of an origin story, where I came from until now,' he says of 2022's elastic 'The Forever Story.' 'This one is closer, up to date, of where I am mentally — and my perspective of the industry.' That's immediately clear on the virtuosic 'God Does Like Ugly' and its formidable list of collaborators, Clipse, Ciara, Don Toliver and Vince Staples among them. It's also evident on the lead single, 'WRK,' an examination of ambition, and the surprising run up to his album release. JID embarked on the J. Cole-inspired 'Dollar & A Dream' Tour, a series of exclusive performances across the U.S., where attendees only needed to pay a buck for entry. 'I just thought it was a cool idea. A great way to be intimate and see your fans,' he says. 'Getting to perform the new songs for them every night is perfect.' Offset looks inward Drive is certainly something the pair have in common, but when it comes to their new releases, the comparisons end there. Offset will release 'Kiari,' his third solo album on Aug. 22. The title is his legal name — a direct reflection of the album he calls 'a look in the mirror.' He says it's a collection of 'different versions of Offset, which comes from Kiari … I'm always trying to rebrand and recreate.' Where his last release, 'Set It Off,' sought to 'bring rap back, not so much melody,' as he told The Associated Press in 2023, 'Kiari' combines the best of both worlds. He says he's pulling from 'life events' on the album. 'It feels very personal,' he says. 'Not just about what I'm speaking on, but how serious the moment in time is for me to prevail.' ''Set It Off' was a freedom,' he adds, proof that he could shine as a solo artist outside of Migos, the group that launched his career. 'Kiari,' instead, is 'me, for what I am. And recognizing who I am, because I feel like sometimes you could get lost in trying to please other people and trying to do what they want you to do. So, this is like my rebellion. My rebellion album.' And he's got an A-list crew of collaborations helping him rebel: Not just JID, but also Gunna, Key Glock, YoungBoy Never Broke Again, Ty Dolla $ign, Teezo Touchdown and perhaps most surprising of all, John Legend on the emotive 'Never Let Go.' He says it is for the late Takeoff, his Migos bandmate and cousin, who died in a 2022 shooting. 'It's a song for him,' says Offset. 'The last album, I had not did a song (for him) because I couldn't during the time.' Even still, 'Never Let Go' was a challenge. 'The song is beautiful. I was able to be vulnerable on the song and speak and say certain things I've never said out loud.' 'Kiari' is also Offset's first new album since the birth of his third daughter with rapper Cardi B in September, shortly after she filed for divorce from him. It is likely fans will read the final track on the album, 'Move On,' to be about their relationship. He says it's simply 'about moving on peacefully. That's what the message is supposed to be: moving on peacefully.' He chosen to end the album that way to 'end that chapter, just move on. It's over and done with. It was great while it lasted. That shouldn't be the topic for neither one of us no more. It's a book that's closed.'


Toronto Star
2 hours ago
- Toronto Star
Taylor Swift announces 12th studio album, ‘The Life of a Showgirl'
NEW YORK (AP) — Look what you made her do — Taylor Swift has announced her 12th studio album, 'The Life of a Showgirl.' Swift announced the album on her website shortly after a countdown timer expired at 12:12 a.m. Tuesday. No release date was announced, but her site said vinyl editions of the album would ship before Oct. 13.