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Miguel Angel Jimenez wins playoff in Iowa for 3rd PGA Tour Champions victory of the year

Miguel Angel Jimenez wins playoff in Iowa for 3rd PGA Tour Champions victory of the year

Yahoo2 days ago

DES MOINES, Iowa (AP) — Miguel Angel Jimenez won the Principal Charity Classic on Sunday at Wakonda Club for his third PGA Tour Champions victory of the year, beating Soren Kjeldsen and Cameron Percy with a birdie on the first hole of a playoff.
Jimenez closed with a birdie on the 311-yard, par-4 18th for a 2-under 70, then made a 4-footer for another birdie on the extra hole. The 61-year-old Spanish star led wire-to-wire, opening with rounds of 63 and 66.
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Jimenez has 16 career PGA Tour Champions victories, also winning the Trophy Hassan II in February in Morocco and the Hoag Classic in March in Newport Beach, California.
Kjeldsen finished with a 63, and Percy shot 67 to match Jimenez at 17-under 199. Kevin Sutherland was a stroke back after a 68.
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AP golf: https://apnews.com/hub/golf
The Associated Press

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Balenciaga Spring 2026 Remixes Demna's Greatest Hits
Balenciaga Spring 2026 Remixes Demna's Greatest Hits

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  • Hypebeast

Balenciaga Spring 2026 Remixes Demna's Greatest Hits

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`This House' makes world premiere, exploring Black history through a family's legacy in Harlem
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`This House' makes world premiere, exploring Black history through a family's legacy in Harlem

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'Equal parts a family drama, a ghost story and a meditation on inheritance and memory,' company general director Andrew Jorgensen said. Ideas were exchanged when Gordon, Nottage and Gerber met at a Providence, Rhode Island, hotel. Among the changes, an escapist duet the librettists centered around Barcelona was changed to Valencia so as not to be similar to Stephen Sondheim's 'Company.' 'Being a mother-daughter you can be so honest,' Gerber said, recalling her mom telling her of one flowery passage: 'That's corny and I don't think it works.' Nottage still lives in the Brooklyn parlor house where Gerber grew up. 'We have different muscles. I'm someone that comes from the playwriting world,' Nottage said. 'Ruby's comfort zone is really poetry and language. and so I thought that between the two of us, we could divide and conquer in some ways.' Opera is set in Harlem brownstone In the resulting story, a house at 336 Convent Ave. was bought in 1919 by Minus Walker, a sharecropper's son. 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'Sportin' Life on steroids,' Gordon said, referring to the dope dealer in 'The Gershwins' Porgy and Bess.' 'We all are haunted by our past, and we all are haunted by our ghosts,' Gordon said. 'The question of living one's life is how does one reconcile the past and go on? How do you move into a future unbridled and free enough to be liberated and not imprisoned by the past?' Conductor has a penchant for contemporary works Daniela Candillari led her third world premiere in less than two years after Jeanine Tesori's 'Grounded' at the Washington National Opera and Rene Orth's '10 Days in a Madhouse' at Opera Philadelphia. Gordon originally envisioned the orchestra as chamber sized to hold down expenses, but Candillari pushed to add instruments. Conducting this is different from leading Verdi or Puccini. 'You can have two conductors read the score in a very different way,' she said. 'Having that direct source. a living composer who can tell you: This is what I heard and this is how I meant it and this is what this needs to be, that's incredibly invaluable.' Forty-eight players from the St. Louis Symphony Orchestra were in the deep pit at the Loretto-Hilton Center for the Performing Arts, a venue with a thrust stage and difficult acoustics. James Robinson, the company's former artistic director, returned to direct the performances and is likely to bring the staging to Seattle Opera, where he became general and artistic director in September 2024. 'It is kind of a ghost story, and I think that's the most important thing, knowing that we're able to bounce back and forth between time periods efficiently,' he said. For Danrich, portraying Ida has a special resonance. She is a St. Louis native and is staying at a hotel three blocks from where she grew up. 'My cousins, my grandmother, my grandfather, me, my sisters, we all lived in that big old house and we called it the big house,' she said. 'I was like, yep, this is my house. I'm actually basing her movements and her mannerisms off of my mother.'

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