Kim Delaney, ‘NYPD Blue' actress, arrested after alleged domestic dispute
Kim Delaney, best known for her roles in'NYPD Blue' and 'All My Children,' was arrested over the weekend, according to the Los Angeles Sheriff's Department.
Lt. Jose Salgado, watch commander at the Marina Del Rey Sheriff's Station, said Delaney was arrested at her residence on Saturday on suspicion of assault with a deadly weapon.
She was still in custody as of Sunday evening is scheduled to be in court on Tuesday for arraignment, Salgado said.
Her partner was arrested on suspicion of misdemeanor spousal battery. He posted bond and was released, according to authorities.
CNN has reached out to representatives for Delaney for comment.
Delaney, who won a best supporting actress in a drama series in 1997 for her role as Det. Diane Russell on 'NYPD Blue' has had trouble with the law before.
She was arrested in 2002 on suspicion of drunk driving and later pleaded no contest to a misdemeanor charge of reckless driving, according to Entertainment Weekly. She was reportedly sentenced to two years of probation and paid a $300 fine. She sought treatment in 2003 for alcohol abuse.
In 2005, the 'CSI: Miami' star lost custody of her then 15-year-old son after he testified that his mother endangered his life by driving under the influence of alcohol drunk with him in the car, People reported at the time.
Delaney, who also starred in the 'Army Wives' series, was escorted from the stage in 2011 after she delivered an incoherent and rambling speech during an event honoring former Defense Secretary Robert Gates.
She most recently had a recurring role as Jackie Templeton on the daytime drama 'General Hospital.'
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Joseph McCarthy,' helped bring about his end.) As in the film, McCarthy is represented entirely through projected film clips, echoing the way that Murrow impeached the senator with his own words. It's a combination of political and backstage drama — with a soupcon of office romance, represented by the secretly married Wershbas (Ilana Glazer and Carter Hudson) — even more hermetically set within the confines of CBS News than was the film. It felt relevant in 2005, before the influence of network news was dissolved in the acid of the internet and an administration began assaulting the legitimate press with threats and lawsuits; but the play's discussions of habeas corpus, due process, self-censoring media and the both-sides-ism that seems increasingly to afflict modern media feel queasily contemporary. 'I simply cannot accept that there are, on every story two equal and logical sides to an argument,' says Clooney's Murrow to his boss, William F. 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It's choreographed, like a dance, which actors must repeat night after night, putting feeling into lines they may speak to one another, but send out to the farthest corners of the theater. Clooney, whose furrowed brow is a good match for Murrow's, did not attempt to imitate him, or perhaps did within the limits of theatrical delivery; he was serious and effective in the role if not achieving the quiet perfection of Strathairn's performance. Scott Pask's set was an ingenious moving modular arrangement of office spaces, backed by a control room, highlighted or darkened as needs be; a raised platform stage left supported the jazz group and vocalist, which, as in the movie, performed songs whose lyrics at times commented slyly on the action. 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