
A limited-edition Wes Anderson bar has popped up in Soho
In celebration of the quirky director's new film The Phoenician Scheme, a Wes Anderson-inspired bar has opened up at Bob Bob Ricard in Soho.
The venue's Red Room has been temporarily transformed into Marseille Bob's, the fictional bar that stars in the movie. Everything from the drinks to the placemats are based on The Phoenician Scheme 's plot, aesthetic, characters and standout lines. Even the waiters will be sporting white blazers, red carnations and fez hats, replicating the costumes worn in the film.
Time Out contributing film critic Kaleb Aftab called Anderson's new film 'action-packed espionage caper with a touch of magic' in which he 'blends his signature style with dashes of film noir and action beats'. See exactly what we thought of the movie here.
The pop-up's beverage offering includes 'Tycoon on the Rocks', a pipette-served margarita that changes colour (designed to resemble a poison test) and 'Hand Grenade', a twist on a white negroni, nodding to the line 'would you like a hand grenade?'.
For those feeling peckish, snacks will be simple but lavish in a 'nod to the film's indulgent aesthetic'. They'll include giant salted pretzels served in silver bowls and tins of smoked Cantabrian anchovies with butter and brown bread.
The pop-up opened on May 23 and will be there until June 22 – make a reservation here. And if that's not enough Wes for you, make sure get your hands on tickets for the Design Museum's exhibition 'Wes Anderson: The Archives' opening in November.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Record
3 hours ago
- Daily Record
Uddingston hairdresser styles stars at TRNSMT
Rainbow Room International creative director Diana Carson joined the backstage salon team ensuring the stars looked their best as they took to the stage at Glasgow Green A leading Uddingston hairdresser once again styled the stars as they took to the stage at the TRNSMT festival on Glasgow Green. Diana Carson, creative director of Rainbow Room International on Main Street, teamed up with fellow senior staff plus rising-star stylists from across the company to run their backstage pop-up salon in the artists' village. They created a range of cuts and styles fit for the stage on Scotland's hottest weekend of the year, welcoming performers, managers and crews at the busy three-day event with a big-name line-up including 50 Cent, Biffy Clyro, Snow Patrol, Fontaines DC and Amy Macdonald. Diana said: 'I love being part of TRNSMT and soaking up all that festival energy – it's such an inspiring experience. 'This year, there was a real throwback vibe with Oasis-inspired looks like textured crops and soft mod shapes. Bringing those trends back to the salon and adapting them into something our clients in Uddingston can wear every day is always so exciting.' She teamed up with fellow Rainbow Room creative directors from Glasgow, Ayr and Lanarkshire neighbour Jacqueline Curran of the East Kilbride salon for the festival, as well as emerging young talents to run the popular and trend-setting festival salon. Described as 'a long-standing backstage fixture since the festival's inception', it is located beside the performers' dressing rooms and was 'a constant hub of energy throughout the weekend' as stars and their teams queued up for creative styles. The Rainbow Room team said: 'The team delivered expert cuts and styling to withstand the summer heat and humid temperatures, while setting the tone for festival hair trends right at the peak of the season' – including more Oasis-inspired looks and 'disconnected fringes and hair full of lived-in, natural movement. 'Now those cutting-edge festival trends are making their way back to Rainbow Room International Uddingston so clients can book in and capture a little TRNSMT magic for themselves.' * Don't miss the latest headlines from around Lanarkshire. Sign up to our newsletters here.


The Guardian
21 hours ago
- The Guardian
‘I am elated each time I watch': why Rushmore is my feelgood movie
'Let's hope it's got a happy ending,' Herman Blume, played by Bill Murray in one of his best roles, says near the end of Wes Anderson's 1998 film Rushmore. He makes the remark about an over-the-top, literally pyrotechnic school play that his teenage friend Max Fischer (Jason Schwartzman) has just debuted to an audience of dazed teachers and parents. But his comment stands in for the whole movie, an audacious and risky comedy that should not work, but does. I am elated each time I watch this poignant, wise and wildly funny film – and, yes, there is a happy ending. Rushmore is about children trying to act like adults and adults acting like children. Fischer is a precocious scholarship student at Rushmore, a prestigious private boys' school. He is the sort of bright but naive young person who tries to impress an adult by telling them, with a straight face, that he plans to apply to Oxford and the Sorbonne for university, with Harvard as a 'safety.' In fact, Fischer spends more time planning lavish plays and starting school clubs than studying. He is one of the school's 'worst students,' his headmaster (Brian Cox) sighs. One day Fischer meets Blume, a local industrialist whose sons are students at Rushmore. Blume is a self-hating rich man – his loathing of his boorish, silver-spoon-fed sons is one of the film's many funny running jokes – and he takes a shine to the scrappy Fischer. Despite their difference in age, the two develop a sincere and surprisingly equal friendship. A wrench is thrown into their bromance when Fischer meets Rosemary Cross (Olivia Williams), a new teacher at Rushmore and a recent widow, and develops a powerful crush. In addition to the obvious hurdles – he is a child, and she is not interested – his friend Blume becomes smitten, as well. (Talking to Fischer by cellphone, Blume tries to talk him out of his crush on Rosemary. 'I mean, she's not that beautiful. She's not that intriguing,' he argues, as the camera pans to reveal that he is spying on her through a classroom window.) The two friends spiral into an infantile battle for Rosemary's attention – without, in classic male fashion, having given much thought to her feelings. A love triangle (sort of) between two adults and a teenager is an odd, even uncomfortable, premise for a movie. Rushmore's protagonist, Fischer, is also frankly a bad person: a shameless operator who manipulates people, subjects the exasperated Rosemary to grand and misguided romantic gestures, and acts ruthlessly to realize his overambitious projects. (Perhaps Anderson is trying to tell us something about auteur filmmakers?) There's a version of Rushmore that reads like Fatal Attraction; it is a testament to the film's intelligence that it instead bubbles over with charm, warmth, and emotional observation. I first watched Rushmore in high school, when I was old enough to appreciate the movie but not really to fully understand it. It was recommended by a friend who had a touch of Fischer to him, and perhaps saw a touch in me, too. Watching the movie, I had a strange shock of recognition: not just 'Where has this been all my life?' but 'How is it that some people I've never met made something perfectly tailored to my sensibilities?' Of course, a good film offers more, not less, each time you watch it. I've come back to Rushmore again and again, and each time I catch things – jokes, call-backs, themes, smart symmetries and flourishes – that I hadn't noticed before. The film is the best of Anderson's quirky vision, without an overindulgence in the aspects of his style that can be grating or 'twee,' to cite a common criticism. One reason may be the contribution of the actor Owen Wilson, who co-wrote Anderson's first three films (including another fan favorite, The Royal Tenenbaums). I suspect he balanced Anderson's whimsy with a certain groundedness and emotionality. Rushmore is stamped with the famous Anderson aesthetic, but its characters and story also have a realness that his more recent work sometimes lacks. As entertainment, the film gives me sheer pleasure. Yet it is also a profoundly shrewd study of relationships, ego, and growing up, whose emotional maturity is all the more impressive given that Anderson and Wilson started writing it when they were still in their twenties. And the film's iconic soundtrack of British Invasion pop-rock is perfectly chosen, none more so than in the final scene. As characters dance sweetly to Faces' Ooh La La, the lyrics offer a summation: 'I wish that I knew what I know now … When I was younger.' Rushmore is available on Hoopla in the US or to rent digitally in the UK and Australia


Scottish Sun
a day ago
- Scottish Sun
I visited the UK seaside town that looks like it belongs in Italy – with multicoloured houses and open air pool
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) TUCKED away in rural Wales is a place that's been hailed as 'picture postcard perfect' for almost 100 years. In fact, Portmeirion Village could even lay claim to pioneering the set-jetting trend. Sign up for Scottish Sun newsletter Sign up 6 I took a trip to the small Italian-inspired village Portmeirion Credit: Alamy 6 My boys loved Portmeirion despite the lack of playgrounds and go-karts Credit: Catherine Lofthouse I took my boys to see why the North Wales holiday resort has been on the must-visit list for decades. With visitors likening it to 'a slice of Italy on the British coast', I had high hopes, but I wasn't sure what my boys would make of it considering it's quite far removed from our usual holiday haunt. I needn't have worried though, as the Portmeirion magic seems to cast a spell over young and old. Made up of colourful houses and vibrant gardens set around a bay, the charming hotel-cum-holiday-park features two four-star hotels, one of which is set inside a castle, plus a motor-home park and several self-catering cottages. There are accommodation options to suit everyone and it really has got the wow factor that makes you think you're a million miles away from Wales. There's no playground or family-friendly features, just an old-world charm that suits quiet, meandering rather than rambunctious roaming and boisterous boys. On arrival, we spent a happy few hours on the giant chess set in the garden while my littlest paddled in the shallow pool nearby. One of the big travel trends over the past few years is set-jetting - fans of film and TV using their holidays to take them to the sights they've seen on screen. Think Death in Paradise viewers heading to the Caribbean island of Guadaloupe or Harry Potter fans taking a train trip on the tracks of the Hogwarts Express. But that's been happening here at Portmeirion for 50 years now, after the site shot to fame when it was used to film TV show The Prisoner. Its unique look was the perfect backdrop for this cult classic, in which a government agent is abducted and held captive in an idyllic seaside village which turns out to be a prison. I've never seen the show as it was a bit before my time, but heading down a shady path through rhondendron bushes and trees towards the shoreline put me in mind of Rebecca, the famous Daphne du Maurier novel set on a Cornish coastal estate. And maybe that's the secret to this special spot - you feel like you're stepping onto a film set or into the pages of your favourite novel, but it's entirely your choice which fantasy world that might be. Saundersfoot - The little-known UK seaside resort town with one of the cleanest beaches in the country 6 Giant chess was a big hit with the boys Credit: Catherine Lofthouse 6 The village sits on the edge of coast looking out to sea Credit: Alamy To be honest, I wouldn't fancy spending thousands of pounds set-jetting, only to find the scenery from your favourite film or series is something of a letdown once you're there. But there's no chance of that happening here as there's something new to marvel at around every corner and so many little nooks and crannies to explore as you wind your way around the site and come across buildings, grottos and pools around every corner, framing the bay beyond. There's even an open air swimming pool for the use of holidaymakers staying in the cottages dotted around the village, the main hotel at its entrance or the motorhome park nearby. It's a century since architect Clough Williams-Ellis first started designing and building Portmeirion and it took 50 years to complete. His vision feels just as vibrant today as it ever did. A mile away is Minffordd station, where passengers can catch a train on the famous Ffestiniog and Welsh Highlands line, the world's oldest narrow gauge railway. 6 The Portmeirion hotel has an open air swimming pool Credit: Alamy So you could make a bit of a day of it and tick off two unique Welsh experiences that should be on every Brit's bucket list. You don't have to be spending the night to enjoy the wealth of facilities, either. Day passes to Portmeirion cost £37 for one adult and two children, with lots of different family tickets up to two adults and five children for £79. If you're touring Wales in a motorhome, there are pitches here which start at £55 per night and include complimentary access to the site out of hours and use of the outdoor pool. That's an option to consider if you want to see for yourself why this Welsh wonder and OG set-jetting site is still going strong after a century in situ. Plus, the Sun Travel team reveals our favourite seaside towns that are less than 90 minutes from London. And where you can find the best value summer holiday resort in Europe 2025.