
Ease, not excess: What luxury cruising looks like when you're a disabled traveller
Cruising is often promoted as one of the most accessible ways to travel, but accessibility alone doesn't equal luxury. Accessible travel is too often defined by what's 'possible' rather than what's pleasurable.
Usually, travel starts with a checklist: Have I sent the access email? Do I need to explain my wheelchair measurements again? Have I triple checked the itinerary? But on a supported cruise aboard P&O's Arvia, hosted by Limitless Travel, something unexpected happened. I stopped bracing for unexpected accessibility issues, because everything had already been thought through.
The two-week sailing departed from Southampton and visited ports in Spain and France, including Barcelona, Málaga, Toulon and A Coruña. I travelled with my husband, Darren, as part of a small hosted group, supported throughout by Limitless's care team. The company works in partnership with P&O Cruises to coordinate adapted transport, accessible cabins, tailored excursions and personalised care packages – making sure disabled guests can experience everything the ship and shore have to offer, without the stress.
What 'accessible luxury' really means
Traditional luxury is about what you get – champagne flutes, spa menus, thread counts. Accessible luxury is about what you don't have to deal with. On this cruise, I didn't have to repeat my needs at check-in, I wasn't left hunting for ramps and lifts, I didn't map out accessible loos or exit routes before I could relax. It was all done, and that freedom – to move, to rest, to join in – felt radical.
The roll-in shower didn't feel clinical. I could reach the balcony without getting stuck. A table space was cleared in advance so my chair glided in with no fuss. The waiter turned to me with 'Green tea, right?' before I'd even asked.
I felt like I was part of the moment; enjoying inclusion instead of performing it. I dressed up to enjoy the celebration of black-tie nights, not because I felt pressured to, but because I could; because I had the energy and I felt like I belonged.
The power of small details
Accessibility onboard Arvia went beyond minimum standards to create an inclusive, high-end experience. Automatic doors led into spacious cabins with proper turning circles, wet rooms were finished with style, not hospital sheen, and balcony thresholds were flat, not fiddly.
Around the ship, there was attention to detail. Staff quietly moved chairs before we arrived and remembered our favourite things to eat and drink. Limitless Travel's team saved spots in entertainment venues, like the Crow's Nest bar, where we sipped cocktails and listened to live piano music without fighting for space.
Freedom – backed by support
Physical access is just one part of accessible travel; the power of emotional ease is often forgotten. A truly rare luxury for many disabled people, who are more used to travelling with a constant internal 'What if...?' fear.
Limitless offered concierge-level care that adapted to us. Want help into the jacuzzi at sunrise when it's less crowded? Already arranged. Prefer to skip the group port tour and explore solo? No problem.
Support flexed around our choices. I travelled with my husband, who usually takes on the carer role. But here, he could rest too. That's a gift for both of us.
What might have felt awkward elsewhere - asking for help, taking up space - was absorbed into the flow of the trip. No guilt, no fuss, and no need to explain. It was about being known, not as a special requirement, but as a guest whose comfort mattered – the essence of good hospitality.
Choice is its own luxury
Two standout restaurant experiences, Sindhu and The Epicurean, offered fine dining without compromise. Both restaurants had accessible entrances, spacious seating, and menus that felt celebratory, with options from fillet steak to lobster. Attentive waiters were happy to chat through guests' dietary needs.
Entertainment, lounges, pools (with hoists), were all accessible, and Limitless staff on hand to assist where needed. But importantly, there was no pressure to join everything. Freedom to opt in or out created a rhythm that respected both autonomy and ease.
Guest Vicky described the experience well when she told me: 'Accessible luxury, for us, is being taken care of so we can fully relax - knowing all our needs are considered and being treated with respect. That means spacious rooms, accessible ensuites, a choice of restaurants and entertainment, and venue entrances and seating that work for everyone.'
Breaking the mould
The idea of group travel, particularly with support, can conjure up limiting assumptions, especially around disability – but this trip defied them. It wasn't rigid or medicalised, it was joyful. Some guests explored the ship and ports independently, while others leaned into the community. Many did both.
What emerged wasn't just an accessible cruise, but a better cruise - one that offered choice, connection, and calm for all. That's not only appealing to disabled travellers. It speaks to anyone who values stress-free experiences and thoughtful hospitality.
Why this model matters
The Limitless model proves that inclusion can be elegant, intuitive and scalable. It's about elevating service so everyone can feel welcome from the start. Travellers are ageing and expectations around inclusion are rising. And the idea that accessibility has to feel clinical or second-best no longer holds. If that sounds like a niche market, think again.
Because when comfort and care go hand in hand, accessibility doesn't feel like an exception. It feels like a standard worth setting. Luxury is about ease. And when that ease includes everyone, the result is a universal premium experience. Luxury should not only be for those who arrive without barriers. It should be measured by how many it welcomes in.
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Times
an hour ago
- Times
And so to Vienna, the last waltz on my epic Grand Tour
I'm not sure why the British ambassador to Austria agreed to meet me. I hadn't even sent a letter of introduction from a reputable sponsor, as Grand Tourists once did, begging diplomats for an audience in the cities they visited. 'A young man with limited German,' mine would have read. 'In fact, a limited young man — but desirous of learning statecraft.' Instead I sent an email. Yet here I am, in the embassy on Jauresgasse in Vienna, being shown around by Lindsay Skoll, also the UK's permanent representative to the UN. I'm doing my best to put my company at ease, as instructed by Thomas Ka, the etiquette expert I had met in Paris. I seem to have succeeded: Skoll is talking for Britain. 'What you want as an ambassador is the ability to convene,' she says, leading me into a grand dining room where she hosts dignitaries. The walls are hung with portraits of her predecessors: solemn, patrician men. I wonder what they'd have made of Skoll — ebullient, humble and a bit of a mischief-maker. 'As fun, you always seat the French ambassador here,' she says, gesturing to a chair opposite a painting of Wellington at Waterloo. 'And you wait until they notice. We always have a laugh.' Talk turns to Vienna's ball season, which peaks in winter and includes a diplomatic ball for waltzing and networking. 'It isn't just some elitist thing,' Skoll says. 'It looks delightfully whimsical and old-school but still holds real currency today.' I ask if I can come. To my surprise she says yes. Before my tour I'd never have dared; aristocratic living breeds dangerous levels of confidence. Now the end has begun. I had arrived from Venice by train the day before. Past Verona, with its church domes and bell towers, the Adige River joined us, a constant companion into the foothills of the Alps. The hills grew steeper, cultivated with vines, their cordons lifted like pleading arms to the sun. Then came Alpine meadows, gossamer waterfalls and the Brenner Pass — once one of the few land routes out of Italy, where porters hauled Grand Tourists in sedan chairs. I took it all in from my first-class cabin. By now I was convinced that rail is the best way to travel through Europe; but the network of railway lines that made my trip possible also doomed the Grand Tour by opening up the Continent. Besieged by the masses, aristocrats retreated into the fortress of the Alps. Their last stand still echoes in the brays of après-skiers. After my ten-hour journey, the first thing I did in Vienna was see a man about a horse. That man, in tweed and a bowler hat, met me outside my hotel: the Sacher, a grande dame as decadent as the sachertorte cake invented by one of the Sacher family. He ushered me into a carriage, or fiaker, with a bottle of grüner veltliner chilling in a bucket on a table (£200 for 40 minutes, for up to four people; We trotted through the city, horns blaring behind us, across the Hofburg imperial gardens, en route to the Golden Hall of the Musikverein — Vienna's most prestigious concert venue — for an evening of Mozart. I disembarked and collected my ticket: a supérieur seat in the front row, so the music would reach me sooner than the masses (from £60pp; 'I'm glad someone else dressed up,' said William Felton, 62 — a dashing Wisconsinite in a tailcoat — nodding at my bow tie as I sat down. But we were both shown up when the orchestra appeared in baroque costume and powdered wigs. After a hush the music began, enriched by the hall's renowned acoustics. I drifted into a state of reflection on my tour. It is one thing to do the original Grand Tour; a modern Grand Tourist, though, explores not just stone relics but the ruins of a mindset. From the 17th century, posh youths ventured overseas, eager to prove their superiority to a Britain that still indulged the idea. Yet even in the Tour's earliest days, a moral revolution was beginning to grip Europe. • Read our full guide to Vienna The philosopher Friedrich Nietzsche argued that aristocratic values were quietly recast by the disenfranchised. Nobility became arrogance, pride became vanity, and humility and equality were elevated to virtues. In England Puritans sneered at peacocking Cavaliers; in France revolutionaries gave nobles a free trim. The modern western mindset was gradually born, and it's why the prancing of Grand Tourists strikes us as ridiculous. As the final piece, Eine kleine Nachtmusik, played, my welling eyes were dams about to burst. I was still humming it the following day when I met the dance tutor Aga Bohun for a lesson in the Viennese waltz. Only late Grand Tourists performed the dance, Bohun explained; it didn't enter polite society until the Congress of Vienna in 1814 (from £41pp for a 50‑minute workshop; Its debut caused a minor scandal, and I could see why. Bohun drew my body perilously close and placed my right hand on her waist. Then she eased me into those famous orbital steps, telling me to move with force towards her, which promised a head-on collision until, at the last second, she slipped gracefully away. Then came the handover. 'You lead and I follow,' she said, as we rehearsed in silence ahead of our finale: The Blue Danube, by the Viennese maestro Strauss, at a proper ballroom pace. Gaining in confidence, I managed a few half-turns at speed before swirling into an elegant exit step. 'Well done!' Bohun said afterwards, pressing play on her stereo. As Strauss filled the room, she explained one last tradition. 'At a ball you must ask the lady to dance,' she explained. 'Offer your right hand and then ask, 'Darf ich bitten?' It means, 'May I have this dance?' And then you perform a hand-kiss.' Bohun fell silent, as if to demonstrate the waltz's commanding principle: the man must take control. Suddenly panic gripped me. But there was someone in the room to help: the amused spirit of Thomas Ka. 'You must kiss but not kiss, touch but not touch,' he said, wagging his finger. I took a deep breath. 'Darf ich bitten?' I asked Bohun, extending my arm, finding her hand. I bowed my head. I had been outfenced in Paris, blistered in the Alps, wine-soaked in Rome and bled dry in Venice. But when I rose, here in Vienna, I like to think I rose as something resembling a Ling was a guest of Byway, which has ten nights' B&B from £2,630pp, including rail travel from the UK ( and Hotel Sacher Vienna, which has room-only doubles from £509 ( • Part one: the most unusual way to see Paris• Part two: the off-piste way to see the Alps• Part three: a novel way to see Rome and an eye-opening art class• Part four: the beautiful spot on my Grand Tour that left me speechless


Daily Mail
3 hours ago
- Daily Mail
Eva Longoria, 50, sizzles in barely-there bikini and sheer romper as she enjoys family getaway in Spain
Eva Longoria put on a sizzling display in a plunging ensemble as she enjoyed a day out in Marbella, Spain with her family. The 50-year-old Desperate Housewives alum - who recently went bra-free during a stroll - was joined by her husband Jose Baston and their son Santiago, seven, as they soaked up the warm sunshine. The actress showed off her toned legs wearing a sheer white romper that had a low plunging neckline on the front. Underneath, the mom-of-one sported a skimpy white bikini top as well as matching bottoms. Eva slipped into a pair of open-toed sandals and accessorized the outfit with a pair of dangly earrings as well as a gold necklace with a cross-shaped pendant on the front. The Hollywood star additionally carried a wicker purse over her left shoulder while a stylish hat was placed on top of her brunette locks that flowed down in light waves. Eva Longoria, 50, put on a sizzling display in a plunging ensemble as she enjoyed a day out in Marbella, Spain with her family The Desperate Housewives alum was joined by her husband Jose Baston and their son Santiago, seven, as they soaked up the warm sunshine Eva - who has been spending most of the summer along the Spanish coast - enjoyed a walk outdoors with her loved ones. At one point, the Land Of Women star flashed a cheerful smile during the lighthearted excursion. She also indulged in a bit of shopping as she visited a nearby vendors and picked up a few items. The star has been spending her time abroad at homes in both Mexico and Spain following Trump's U.S. presidential win late last year. 'I had my whole adult life here,' Eva told Marie Claire about living in California, before opening up about how it has changed over the years. 'Whether it's the homelessness or the taxes, not that I want to s**t on California - it just feels like this chapter in my life is done now.' She continued, 'I'm privileged. I get to escape and go somewhere. Most Americans aren't so lucky. They're going to be stuck in this dystopian country, and my anxiety and sadness is for them.' During her recent time in Spain, the beauty was seen getting her steps in during a power walk in Marbella last week and also glammed up for the Global Gift Gala at Hotel Don Pepe Gran Meliá. 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Not because I don't want to age but because I want to age' She continued, 'I'm doing everything. Not because I don't want to age but because I want to age.' While Eva has been spending her time abroad with her family, the star has been keeping busy in front of the camera as well. The beauty recently appeared in the comedic film Alexander And The Terrible, Horrible, No Good, Very Bad Road Trip which was released on Disney+ back in March. She starred alongside other cast members such as Jesse Garcia, Paulina Chavez, Cheech Marin and Thom Nemer. And in April, her CNN docuseries Eva Longoria: Searching For Spain premiered and concluded in June following eight episodes. Throughout the series, the actress explored a number of cities in the country including Madrid, Barcelona, Marbella, Galicia and San Sebastian. Eva and husband Jose welcomed their son Santiago in 2018 - who officially turned seven-years-old in June; the actress seen with her son in 2024 in Abu Dhabi And in April, her CNN docuseries Eva Longoria: Searching For Spain premiered and concluded in June following eight episodes Eva expressed in a statement, per CNN: 'Spain's rich culture, passionate people and bold and diverse cuisines have captivated me as long as I can remember, especially knowing that one of my Mexican-American ancestors has deep roots in this remarkable country. 'The opportunity to immerse myself in Spain's many regions, to discover its fascinating history, to indulge in its dynamic culinary traditions and innovations has been nothing short of exhilarating. 'I am so excited to finally share this incredible journey with the world!' Eva is set to travel to France for the upcoming season of Searching For - which will air next year in 2026.


The Sun
3 hours ago
- The Sun
The ‘before holiday' job you need to avoid doing this summer – it will end up costing you more in the long run
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