
Nika Lozovska, chef: 'I work in a London restaurant called Brat. In Ukrainian, that means brother'
After two years, I decided to leave the country to try to rebuild my life and career elsewhere. I left my mother and my restaurant behind. I know my mother will never want to leave her country – it's her language, her culture, her friends, her market. She wouldn't be happy anywhere else. But I needed to go.
I first went back to France, where I had learned to cook at the Ferrandi hospitality school, when I was 18. I spent a little time in Paris, then in Nice. But I didn't have the strength to start over or settle down for good. I couldn't do anything lasting or permanent; first, I needed to heal, to take care of myself. It was the third year of the war in Ukraine. I did a little catering, charity events and took part in the Refugee Food Festival, which was very symbolic and powerful for me.
Then I moved to London. Russia has been shelling my country for four years. I work as a sous-chef in a London restaurant called Brat. In Welsh, it means "flounder." In Ukrainian, it means "brother." Sometimes, I take part in charity dinners to raise funds for Ukraine. I hope I can do more.
Talking about the fields and the sea
One thing the war has taught us is that predicting things, making plans is a bit ridiculous. I have projects, but it's more of a direction I'm trending toward. I do know one thing: Nothing makes me happier than cooking. I love doing it at the restaurant and at home, for others and for myself, making seasonal dishes that remind me of my region. Like this summer salad with juicy heirloom tomatoes and samphire – which grows abundantly around Odesa, on the Black Sea coast – on a bed of corn purée, a sweet and comforting symbol of Ukraine.

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Euronews
a day ago
- Euronews
How a Ukrainian NGO is preserving everyday medieval life
St. Sophia's Cathedral, one of eight UNESCO world heritage sites in Ukraine, is one of the few surviving buildings from the Kyivan Rus era and one of the most important Christian shrines in all of Europe. Built in the 11th century, it preserves not only the high art of the time period, but also remnants of everyday medieval life. Namely, 7,500 inscriptions - including notes, names, prayers, and drawings - left by ordinary inhabitants of Kyiv. 'The walls of St. Sophia's Cathedral have preserved not only thousand year-old mosaics and frescoes, recognized as masterpieces of medieval art, but also thousands of inscriptions and drawings that visitors etched over centuries,' Vyacheslav Kornienko, Deputy General Director for Scientific Work of the Sofia National Reserve, said in a press release obtained by Euronews. 'These graffiti are a vast archive of invaluable historical records, offering us a glimpse into various aspects of life in those times,' he added. The project comes at a particularly crucial time for the fight to preserve and defend Ukrainian heritage and cultural identity. In 2024, Unesco published a list of 343 cultural sites verified to have suffered damage since the beginning of the Russian invasion. In July of this year, a Russian drone attack on Odessa damaged UNESCO-protected landmarks, such as Prymorskyi Boulevard and the Pryvoz Market, both part of the historic city center. Geared at appealing to young people and following the growing trend of digitally preserving cultural heritage, the so-called 'Graffiti Chronicles' aim to preserve the history of everyday people and highlight Ukrainian resilience. 'Since I first saw these symbols in 2021, I was fascinated by what they could tell us about our past. It was incredible to think that ordinary people like us stood in front of these walls and wrote their fears, dreams, and wishes, the same way we can stand and look at them now, a thousand years later,' Agatha Gorski, co-founder of the shadows project, said in the press release. 'Our team wanted to find a way to bring these unique and important pieces of history out of the shadows, inviting Ukrainians to discover for themselves what these hidden gems can tell us about our heritage,' she added. At the next stage of the project, QR codes will be installed next to the graffiti on the walls of the cathedral museum, allowing visitors to access the digital archive and additional information about the works from their phones. 'They do everything possible to strip us of our historical memory' For Ukrainians, now in the third year of full-scale war, the ability to digitize their history and culture has become relevant as ever. 'Digitized documents, objects of material heritage, and cultural monuments help preserve their memory in the form of a digital copy, even when the original no longer exists,' Dr. Vyacheslav Kornienko said in an interview with Euronews. 'This has become especially relevant for us during the war, as Russian aggressors deliberately destroy cultural sites and loot museums - in other words they do everything possible to strip us of our historical memory,' he added. While the process of digitally archiving cultural artefacts and documents is an important step, he admitted that more work is needed to complete the preservation process and avoid the loss of cultural heritage and historical memory. 'I believe that the best option is to combine both: digital copies should be created separately (like a deposit for safekeeping), but these copies should then serve as the basis for scholarly research, including monographs, catalogs, and articles that feature these heritage items,' he told Euronews. The digital versions of the graffiti at St. Sophia's Cathedral are not simply scans or photos, but rather 3D visualizations of it, preserved in video format. They also include information about the symbols and their meaning which was not previously available in English. Fighting Russian misinformation For Ukrainians, preserving cultural heritage, even from the Medieval era, can help to fight disinformation in the modern day. This includes disinformation spread by Russia in order to justify its invasion, such as the narrative that Russia and Ukraine were one during the Kyivan Rus period. 'I think this topic of the Kyivan Rus is a highly contested aspect and one that is a huge part of Russia's disinformation operations and how it tries to weaponize culture,' Agatha Gorski, who grew up across from St. Sophia's, said in an interview with Euronews. 'This is one of the first things that Putin said before the invasion, one of the key arguments, [he said in a speech that] Russia and Ukraine are one people,' she added. 'He very often likes to use this claim and go back into the times of the Kievan Rus, and use it to justify the invasion, and to justify the fact that Ukraine is not an independent nation, so for me, it was really important to also take this time period, because it's super crucial to us, and super crucial to our knowledge gaps, to fill that in,' she added. More than this, the lives of people from centuries ago can also serve as a symbol in an of itself for the resilience of the Ukrainian people and their culture, something that the Shadows Project has seeked to emphasize in this project, as well as in their other work. 'For me, any kind of history starts with people. In people's everyday lives and in experiences because this is really what can tell us the most. This is also again kind of the parallel for me with the shadows project where for us like we really try to tell the stories of people and we try to really make history accessible, make history alive, and tell it through the experiences of others,' Gorski told Euronews.


AFP
3 days ago
- AFP
Months-old videos depict Myanmar tremor, not Russian quake
"Tonight (July 30), a powerful 8.7-magnitude earthquake struck off the Russian Kamchatka Peninsula, categorised as a 'very shallow earthquake'," reads part of the traditional Chinese caption of a Threads clip shared on July 30, 2025. The clip appears to show CCTV footage of the inside of a shop as a tremor hits, sending shelves crashing down. A similar TikTok video, also shared on July 30, shows staff scrambling for cover under desks as the quake strikes. "Sad news from Russia. An 8.7 earthquake followed by a tsunami happened this morning," reads its Indonesian-language caption. Image Screenshots of the false Threads and TikTok posts captured on July 31, 2025, with red Xs added by AFP They surfaced hours after an 8.8-magnitude earthquake struck off the coast of Russia's far eastern Kamchatka peninsula, prompting evacuations and tsunami alerts across parts of the Pacific coast (archived link). Fears of a catastrophe subsided, however, with country after country lifting or downgrading warnings and telling coastal residents they could return. The circulating clips were also shared in similar Douyin, Facebook, Instagram and X posts. But the clips in fact show the impact of a different earthquake. Myanmar temblor A closer analysis of the first falsely shared clip shows a timecode in its top-right corner that reads, "2025-03-28", which is when a 7.7-magnitude quake struck northwest of the city of Sagaing in central Myanmar (archived link). were killed in the quake, which destroyed swathes of homes and businesses (archived link). Image Screenshot of the falsely shared clip, with the timecode magnified by AFP A reverse image search on Google using keyframes from the falsely shared clip led to a longer version that was shared on TikTok on March 30 by an account called "Top One Mobile" (archived link). "It's not easy to run within three seconds," reads its Burmese-language caption. Image Screenshot comparison of the falsely shared clip (left) and the TikTok video posted in March (right) The account also shared a similar video from a different angle (archived link). Subsequent keyword searches led to the same footage posted on the YouTube channel "2025 Sagaing Earthquake Archive", which said it showed a shop in Tada-U, Myanmar (archived link). Google Maps images of the Top One store front match other videos posted by the TikTok account (archived here and here). An analysis of the second falsely shared clip shows a decal on the wall that reads, "Lady Bug". A combination of keyword searches and reverse image searches led to a TikTok video posted on May 7, on the account of a salon and cosmetics supplier called Lady Bug (archived link). The video's Burmese-language caption includes a hashtag for the March 28 earthquake, and says the staff shown in the video were safe. The date, "2025-03-28", can also be seen in the video's top-right corner. Image Screenshot comparison of the falsely shared clip (left) and the video posted in May (right) The shop also shared the video on their Facebook page on May 11, alongside an announcement that the branch on 62nd Street in the central city of Mandalay had to be demolished because of damage caused by the quake (archived link). "We are looking for a new location for the shop and we will be back soon," it adds. Google Maps imagery of the location in Mandalay now shows a flattened plot (archived link). AFP has also debunked other misinformation, which often surfaces after natural disasters, related to the July 30 quake.

LeMonde
6 days ago
- LeMonde
Nika Lozovska, chef: 'I work in a London restaurant called Brat. In Ukrainian, that means brother'
On the eve of the Russian offensive in 2022, my restaurant in Odesa had been open for six years. Despite the conflict that loomed over the country at the time, I had a good life, with my bistro, my kitchen, my family, who have lived there for four generations. Then the war broke out. We went through a winter without electricity, people began to flee and the Russians were preparing to invade us. Every night, we had to take shelter in the basement. I would go and get my mother so she could hide as well. I lost sleep, lost my lust for life, lost sight of the light at the end of the tunnel. After two years, I decided to leave the country to try to rebuild my life and career elsewhere. I left my mother and my restaurant behind. I know my mother will never want to leave her country – it's her language, her culture, her friends, her market. She wouldn't be happy anywhere else. But I needed to go. I first went back to France, where I had learned to cook at the Ferrandi hospitality school, when I was 18. I spent a little time in Paris, then in Nice. But I didn't have the strength to start over or settle down for good. I couldn't do anything lasting or permanent; first, I needed to heal, to take care of myself. It was the third year of the war in Ukraine. I did a little catering, charity events and took part in the Refugee Food Festival, which was very symbolic and powerful for me. Then I moved to London. Russia has been shelling my country for four years. I work as a sous-chef in a London restaurant called Brat. In Welsh, it means "flounder." In Ukrainian, it means "brother." Sometimes, I take part in charity dinners to raise funds for Ukraine. I hope I can do more. Talking about the fields and the sea One thing the war has taught us is that predicting things, making plans is a bit ridiculous. I have projects, but it's more of a direction I'm trending toward. I do know one thing: Nothing makes me happier than cooking. I love doing it at the restaurant and at home, for others and for myself, making seasonal dishes that remind me of my region. Like this summer salad with juicy heirloom tomatoes and samphire – which grows abundantly around Odesa, on the Black Sea coast – on a bed of corn purée, a sweet and comforting symbol of Ukraine.