logo
Netflix just got one of the best HBO shows you (probably) skipped — and you've got 2 seasons to binge-watch now

Netflix just got one of the best HBO shows you (probably) skipped — and you've got 2 seasons to binge-watch now

Tom's Guide2 days ago
On the surface, there's pretty much nothing about 'Love Life' that sets it apart from the rest of the romantic comedy-drama pack.
It's a fizzy HBO Max show that follows a protagonist (Anna Kendrick in season 1, William Jackson Harper in season 2) from their first proper romantic relationship, until their final, the one that lasts forever.
So, it's a show about the trials and tribulations of modern dating. Hardly groundbreaking stuff. And yet, it's elevated beyond its basic premise by sheer charm.
The show premiered in 2020, season 2 dropped a year later, and 12 months after that, it wasn't just unceremoniously canceled, but also outright removed from HBO Max's library. Since then, "Love Life" has bounced around lower-profile platforms like Plex, but now, it's found itself a new streaming partner in Netflix, as both seasons arrive on the service today (August 5).
This is particularly good news for viewers in need of a mood-boosting show, but also one with plenty of relatability. Anybody who was, or still is, unlucky in love will deeply resonate with the 20-episode anthology series, as several scenes may mirror your own personal experiences.
Want to know more about 'Love Life' before you put on a ring on it and add it to your Netflix watchlist? Here's the full scoop on this easy-watching series, and why it ranks as one of my favourite romantic-comedy shows of the past decade.
The basic premise of 'Love Life' is pretty straightforward: Each season follows a different main character, and covers their entire dating life, from awkward one-night stands to initially perfect relationships that fall apart after the honeymoon phase comes to a swift end.
It's all in an effort to explore how each relationship changes a person, and how the scars (and a few fond memories) shape them into the person they need to be to meet 'the one.' By the end of the season, the lead character has developed and settled into themselves.
The first season of 'Love Life' follows Darby Carter (Anna Kendrick), a millennial New Yorker, who attempts to find herself in the Big Apple while also juggling several relationships, from saying goodbye to 'the one that got away' to some very questionable dating decisions.
Meanwhile, season 2 subs in Marcus Watkins (William Jackson Harper), as we follow him from being stuck in a rocky marriage to becoming smitten with Mia (Jessica Williams), and also making a few questionable calls.
'Love Life's' biggest strength is simply that it's an extremely polished product. What it lacks in originality, it makes up for in emotionally smart writing, strong performances (particularly from Kendrick and Jackson Harper), and a slick style that fits its focus on modern dating.
I particularly enjoyed the insight into Darby's childhood in season 1. One of the later episodes is dedicated to an extended flashback, and it's interesting (and perhaps a little too relatable) how Darby's childhood traumas have influenced the flawed adults she's become.
Flip to season 2, and the show focuses more on a will-they-won't relationship between Marcus and Mia. This gives the season a stronger through line than found in its freshman outing, and it helps that Mia is never villainized.
If anything, Marcus is portrayed as the unreasonable one when he accuses her of stringing him along and not committing to him.
If you're looking for a comfort show, 'Love Life' definitely fits the bill. It's not all sunny, and it's not afraid to look at the difficult (and uncomfortable) parts of trying to find a soulmate, but its tone is light enough that you can turn to it when you need something warm and cozy.
'Love Life' was generally well received by critics, but there's a clear preference for season 2. On Rotten Tomatoes, Season 1 holds a respectable 63% score, but season 2 jumps up to an impressive 95%.
Curiously, the viewers' score flips this ranking. On RT's viewers' score scale, season 1 has 83%, while season 2 has a lower 66%. Perhaps some audience members felt the novelness of the core idea was wearing off by the second installment.
Calling a show 'perfectly pleasant' might seem like fairly mild praise, at best, but when it comes to a series like 'Love Life,' that was clearly the aim. This HBO series didn't have grand ambition; instead, it's a romance story framed around likeable and authentic characters. And it completely succeeds at this relatively modest aim. That's a good thing.
It's highly unlikely we'll ever get a 'Love Life' season 3. Even if the series becomes a monster hit now that it's arrived on Netflix, I suspect a revival off the table. But even if that's the case, I'm content to settle down with the two seasons we got and rewatch them now that they're on Netflix.
'Love Life' is far from the only new addition to the Netflix library this month. Check out our complete guide to everything new on Netflix in August 2025 for even more viewing options.
Watch "Love Life" season 1-2 on Netflix now
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Netflix Assassin Movie More Deserving Of A Prequel Than John Wick
The Netflix Assassin Movie More Deserving Of A Prequel Than John Wick

Yahoo

time14 minutes ago

  • Yahoo

The Netflix Assassin Movie More Deserving Of A Prequel Than John Wick

This year, we got the John Wick prequel spinoff Ballerina, set between the events of John Wick 3 and John Wick 4. It underperformed at the box office. It didn't have to be that way. There were already other action movies ready-made for a prequel that were ignored. At the top of our list is Kate, the Netflix film starring Mary Elizabeth Winstead as a ruthless assassin. Why are we so confident that Kate deserves a prequel just as much (if not more so than) John Wick? Without getting too much into the way of spoilers, Kate is a movie in which our heroine sets out on one last bloody adventure, and it ends with enough finality that we know that Mary Elizabeth Winstead's character won't be picking up her sniper rifle ever again. We love the idea of a prequel because it shares another important quality with the John Wick films: specifically, our titular character's misadventures can be as by-the-numbers or as ambitiously odd as the writers want. In short, we can always expect more John Wick adventures in sequels, but the only way we can expect more Kate is by exploring this character and her world in a prequel. That brings us to a more relevant question, then: out of all the films that tried to bite John Wick's style, why is Kate the one that we want to return to? The short answer is that Kate managed to deliver one kickass action scene after another while engaging in some beautifully subtle world-building. In this way, it surpassed rivals like Gunpowder Milkshake (a movie whose colorful characters couldn't disguise its weak story and lore) and Nobody (a movie that played its main character's deal up so mysteriously that it completely killed our curiosity about his past). Additionally, we love the idea of a Kate prequel because it shares another important quality with the John Wick films: specifically, our titular character's misadventures can be as by-the-numbers or as ambitiously odd as the writers want. Kate's skills as a hitwoman for hire certainly would make it easy to create 'villain of the week' television stories, for example, in which she tangles with one perfectly cast bad guy after another. We want a prequel even more than a John Wick prequel because there is so much of this character and her world left to explore. But a prequel series also has room to tell more powerful stories, including what it was like for Mary Elizabeth Winstead's character to be raised by an employer-turned-father figure (Woody Harrelson) who is destined to eventually betray her. In addition, the Kate we see in the original movie has followed in John Wick's footsteps in another big way: She wants to walk away from the entire bloody affair and start a brand new life. We'd love a prequel that explored Kate's background and how she transitioned from someone who loved what she did to someone who couldn't wait to bail. We could even learn more about her understandable hesitation to commit murders in front of children… where did this personal code come from, and how much has it cost her to maintain it? The final reason that we want a Kate prequel even more than a John Wick prequel is that there is so much of this character and her world left to explore. While later Wick sequels threw in everything but the kitchen sink in terms of action and story, part of Kate's charm as a movie is that it is so wonderfully streamlined. That kept the story moving at a breakneck pace, but if we slowed things down with a prequel series, we could learn more about Kate's background, her colleagues, her family, and the future she dreams of for herself (all of which the finished movie completely glosses over). Realistically, we know it will be difficult for Netflix to create a Kate prequel series to rival the John Wick prequel series, especially since Mary Elizabeth Winstead is so busy playing Hera Syndulla in Star Wars. Still, that means she is spending plenty of time in the fictional galaxy far, far away that helped to make prequels commonplace in Hollywood. Maybe that will be enough for her to trade her blaster for a sniper rifle and help us return to the universe of Kate, one of the coolest action movies we've ever seen.

Wednesday's Stalker Is Revealed in Episode 2 — EPs Explain How the Show's Fandom Served as Inspiration
Wednesday's Stalker Is Revealed in Episode 2 — EPs Explain How the Show's Fandom Served as Inspiration

Yahoo

time38 minutes ago

  • Yahoo

Wednesday's Stalker Is Revealed in Episode 2 — EPs Explain How the Show's Fandom Served as Inspiration

Wednesday It was the question (well, one of the questions) on every Wednesday fan's mind at the end of Season 1: Who is her mysterious stalker? More from TVLine Wednesday Gives Xavier a Mysterious Exit in Season 2 Premiere: 'We Have Seen the Last of Him,' EPs Confirm Wednesday Snags Early Renewal for Season 3 Casting News: Molly Shannon Reunites With Will Ferrell, Trying Adds 5 and More That quandary looms large in the first half of Season 2, now streaming on Netflix, as the stalker continues to taunt Wednesday — you know, as if she isn't busy enough trying to prevent her vision of Enid's death. Fortunately, we don't have to wait too long for answers, as Episode 2 reveals the stalker to be none other than Agnes DeMille (played by new cast member Evie Templeton), a Wednesday stan and fellow student at Nevermore Academy. 'We liked the idea that Wednesday would have these sort of odd super fans after saving the school, and the way that this fan wants to profess their love and admiration is basically to knock off the roommate,' co-showrunner Alfred Gough tells TVLine. Adds co-showrunner Miles Millar, 'We saw so many young girls embrace the show with such fervent ardor, and we thought, 'What if one of those kids was a student at Nevermore became this stalker?' It was based on that and on our own experience witnessing the success and fandom of the show.' Casting Templeton in the pivotal role was also a no-brainer for the producers, and not just because of the actress' 'big anime eyes.' When Templeton is on screen with Jenna Ortega and Emma Myers, 'the three of them together are like magic,' Millar says. Were you surprised by the Agnes reveal in Episode 2? Are you enjoying Templeton as an addition to the cast? And how do you think Season 1 compares to Season 2? Drop a comment with your thoughts below. Best of TVLine Yellowjackets' Tawny Cypress Talks Episode 4's Tai/Van Reunion: 'We're All Worried About Taissa' Vampire Diaries Turns 10: How Real-Life Plot Twists Shaped Everything From the Love Triangle to the Final Death Vampire Diaries' Biggest Twists Revisited (and Explained)

Why ‘Adolescence' director Philip Barantini says, ‘I love it when people mess up'
Why ‘Adolescence' director Philip Barantini says, ‘I love it when people mess up'

Yahoo

time42 minutes ago

  • Yahoo

Why ‘Adolescence' director Philip Barantini says, ‘I love it when people mess up'

'It was important to let the audience feel what's happening,' reveals Philip Barantini about directing Adolescence. He adds that, 'I never wanted the camera to feel like a gimmick. I wanted to capture the realism as much as possible in real time, because we only had real time.' Watch our full interview above with Barantini joining our Gold Derby "Meet the Experts" directors panel. The Netflix limited series follows a young teenager accused of murdering a classmate. It is notable that each of the four hour-long episodes is a single take tracking different aspects of the legal process. To achieve this ambitious feat, Barantini says, 'We would rehearse the camera moves just with an iPad and phone to begin with. And then, as it went on, we got the location and would go down and map out the route. We also built this police station in the studio which has to be a three-minute drive from the house. So we found the studio, then we found the house. And the timing of walking up the stairs in the police station needed to be a specific amount of time, so we put that exact amount of steps in so that it would all flow naturally.' More from Gold Derby 'Hamilton' to screen in theaters next month for 10th anniversary TV Directors roundtable: 'Adolescence,' 'Last Week Tonight with John Oliver,' 'The Pitt,' 'Super/Man: The Christopher Reeve Story' Barantini received an Emmy nomination for Best Limited/Movie Directing. This honor is one of 13 nods received by 'Adolescence,' which also includes bids for breakout turns from actors Stephen Graham (also the series co-creator) and Owen Cooper, who plays the 13-year-old accused Jamie. The director recalls his instructions for the cast, 'I said, 'look, if anything goes wrong, do not stop because we might be getting absolute gold.' Giving the actors that freedom was helpful for them. I love it when people mess up. In life I stumble my words. I'll stutter a word or something. I'm so used to watching things where everything has to be perfect. But it doesn't, because perfection doesn't really exist. It's got to feel real, and that's what I really strive for.' The show's story is able to explore issues masculinity and the impact of social media on young people today. Barantini reflects, 'it did open my eyes a lot. I have an eight-year-old daughter, and I'm terrified for her future. When I was growing up, we were able to just play out on the streets and come in for your dinner, but now kids don't do that. You think kids are safe in their rooms with the door closed and your parents are like, 'they're fine.'' This article and video are presented by Netflix. Best of Gold Derby 'Australian Survivor vs. The World' premiere date and cast photos: 'King' George Mladenov, Cirie Fields, Parvati Shallow … 'Five new life forms from distant planets': Everything to know about 'Alien: Earth' as new trailer drops Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Click here to read the full article. Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store