Sir Tim Rice: I would consider using AI to help write songs
The award-winning songwriter, 80, is best known for writing the hit musicals Evita and Jesus Christ Superstar alongside Lord Lloyd-Webber.
Sir Tim told Times Radio he has not yet used artificial intelligence (AI) to help write music but was not opposed to it.
He said: 'I'd certainly consider it. I hadn't ever used it. Perhaps I should.
'I was doing a cricket speech at lords and AI had only just come to the attention of the public. I asked it to write a quick Shakespeare sonnet on cricket, which was really quite good.
'So, perhaps I should try it for one or two songs. I've never used it seriously.'
When asked whether he had concerns around the use of AI in the arts, he said: 'If I'm honest, no, I'm not sure.
'Nobody quite knows what it will do. I mean, it might create more jobs. Don't ask me how, but these things could happen. It's a bit like saying in 1979, do you think the mobile phone will cause a lot of hassle? And it's got great benefits but also great disadvantages and I wouldn't begin to know that.
'The other thing is, I'm getting on a bit, and I'm not going to [be here] in 20 years' time. I'm not going be too worried about AI unless they can bring me back to life.'
The lyricist also praised actress Rachel Zegler for her performance of Eva Peron in the West End production of Evita, a musical that follows the story of Peron as she rises from poverty to become the most powerful woman in Latin America.
The 24-year-old has made headlines this summer for singing the musical's most popular number, Don't Cry For Me Argentina, from a balcony outside the London Palladium theatre.
Directed by Jamie Lloyd, the artistic choice means passers-by are able to be part of the production and witness the live rendition while ticketed audience members watch the number from a screen inside the theatre.
Sir Tim said: 'The cast are excellent. Rachel Zegler is a force of nature, I believe is the cliché best applied.
'She sings it beautifully and the idea of having her going out onto the balcony, into the real street is a work of genius and great work of PR and I enjoyed it.'
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