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Bengali cinema shines at Indian Film Festival of Melbourne 2025 with bold line-up of nine films

Bengali cinema shines at Indian Film Festival of Melbourne 2025 with bold line-up of nine films

Time of India3 days ago
The Indian Film Festival of Melbourne (IFFM) 2025 will highlight Bengali cinema with nine films showcasing the region's rich storytelling and cultural heritage. The lineup includes Tanushree Das and Saumyananda Sahi's Baksho Bandi, Suman Ghosh's Puratawn, and Promita Bhowmik's Ahana.
The Indian Film Festival of Melbourne (IFFM) 2025 is poised to turn the spotlight on Bengali cinema, unveiling a compelling slate of nine films that showcase the region's storytelling depth, cultural richness, and cinematic evolution.
From restored classics to contemporary powerhouses, this year's Bengali line-up cuts across genres and generations.
Leading the selection is
Baksho Bandi
, a stirring feature by Tanushree Das and Saumyananda Sahi, starring Tillotama Shome and Chandan Bisht. The film follows Maya, a resilient woman working multiple jobs, who faces a personal upheaval when her husband mysteriously vanishes. The emotional narrative offers a layered portrait of urban survival and inner turmoil.
IFFM also marks the return of director
Suman Ghosh
with
Puratawn (The Ancient)
. Featuring iconic performances from Sharmila Tagore, Rituparna Sengupta, and Indraneil Sengupta, the film delves into intergenerational bonds and memory, as Ritika confronts the emotional erosion of her mother's mind.
Adding a contemporary voice is
Ahana (The Light Within)
by Promita Bhowmik. The film features
Sudipta Chakraborty
and Joy Sengupta in a powerful tale of a young woman navigating creative expression and patriarchal pressures, capturing a nuanced journey of resilience and identity.
In a tribute to cinematic legacy, the festival will also screen two restored masterpieces by Ritwik Ghatak —
Titash Ekti Nadir Naam (A River Called Titas)
and
Meghe Dhaka Tara (The Cloud-Capped Star)
— offering audiences a rare chance to experience these classics on the big screen. Both films poignantly explore themes of displacement, sacrifice, and social fracture in the wake of partition.
The Bengali showcase is further enriched by transnational and diaspora narratives. From Bangladesh, Maksud Hossain's
Saba
and Nuhash Humayun's genre-blending
Dui Shaw
bring fresh storytelling angles, while cross-cultural shorts like
A Doll Made Up of Clay from Yoruba
by Kokob Gebrehaweria and
Elijah
by Razid Season reflect a growing appetite for diverse South Asian perspectives across global platforms.
As Bengali cinema takes center stage at IFFM 2025, the festival promises not just a regional spotlight but a broader conversation on language, legacy, and innovation. With its blend of evocative drama, social commentary, and international collaboration, the showcase underscores why Bengali cinema remains one of India's most powerful artistic voices.
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