'Drag Race All Stars 10' Snatch Game: Questions, reactions, & results
- YouTube
Editor's note: This article contains spoilers for episode 10, titled "Tournament of All Stars Snatch Game," of .
Nine queens from three brackets compete in one Snatch Game, and the result is a whirlwind episode of RuPaul's Drag Race All Stars 10 where strategies, fandoms, and storylines collide.
Inspired by Survivor, fans have been referring to episode 10, titled "Tournament of All Stars Snatch Game," as a "merge" for All Stars 10: The coming together of queens who initially competed within separate groups. That element is alive, indeed, as we watch dizzying day-one dynamics playing out in week 10. Except that this is an All Stars season, so an otherwise pleasant meet-cute is also packed with callbacks and biases.
There is also a sobering reminder from the queens' heightened emotions around the Snatch Game that, unlike a Survivor merge, this is not the halfway point of the season. This is not an opportunity to reset, make new alliances, and re-calculate one's position on the chess board. This merge is on the verge of the grand finale, which makes it a disruptive and nerve-racking new format to the overall RuPaul's Drag Race franchise.
Paramount+
Tournament of All Stars sign on RuPaul's Drag Race All Stars season 10 episode 10.
The nine semi-finalists literally walk back into this Tournament of All Stars. It's a cute choice to have them re-enter the main stage, like the nations that introduce themselves during an Opening Ceremony of the Olympic Games, or teams that walk through the field to warm up before an actual game.
Aja, Bosco, Cynthia Lee Fontaine, Daya Betty, Ginger Minj, Irene The Alien, Jorgeous, Lydia B Kollins, and Mistress Isabelle Brooks enter this drag-o-dome with the points system that qualified them to the semi-finals. However, in typical Drag Race twist fashion, the rug is immediately pulled right under them.
"Starting today, and for the next two weeks, semi-final rules are in full effect," a mustachioed RuPaul announces. "To start, we are wiping the points you've earned in the preliminary round, so everyone starts the semi-finals on a level playing field."
RuPaul explains, "Moving forward, I will name one top All Star of the week who will receive a cash tip of $10,000. And the two bottom queens will lip sync for their lives."
Paramount+
Bosco; Ginger Minj; Daya Betty on RuPaul's Drag Race All Stars season 10 episode 10.
Well, yes! The All Stars 10 semi-finals have queens shaking in their boots when Ru announces that the bottom 2 queens of each week will be lip syncing for their lives, just like they would in a regular flagship season of Drag Race.
In other words, these semi-finalists in the Tournament of All Stars will not lip sync for their lives (as paired-up competitors on All Stars 1), or for your legacy (as introduced on All Stars 2), or for a Ru-demption (as utilized over the years). Their fates will not be decided by a teammate, by other queens voting in a Ru-mocracy system, nor by the top 2 queens of the week.
For context, the official "lip sync for your life" term was only used once on All Stars 2 for the "Shut Up and Drive" lip sync between Alyssa Edwards and Tatianna. It made sense, as those queens had been eliminated from the season and were lip syncing for a chance to return to the competition. That term was then used similarly in the "LaLaPaRuZa" episode of All Stars 4, which was also about the potential return of eliminated queens. As eliminated queens were paired up with current competitors, RuPaul declared that they had to "lip sync for your life" to keep that spot in the game.
There really aren't any other instances of that term being used on All Stars. Even the iconic lip sync smackdown that nearly brought back Silky Nutmeg Ganache onto All Stars 6 was worded as a "lip sync for your Ru-demption." Nonetheless, that is the rule moving forward in the All Stars 10 semi-finals — a refreshing twist that raises the stakes of this season yet again.
x.com
No, this wasn't the worst Snatch Game of all time. We've seen worse, several times. Unless it's for recency bias, this Snatch Game probably doesn't enter a rock-bottom list. But this intense reaction comes from a fandom that is — for once — openly loving this season. It's also wild to consider that literally all nine of these queens have made us laugh many times over the years… And then there's this.
The Tournament of All Stars Snatch Game included the following impersonations: Aja as Samantha "Cookie Tookie" James, Bosco as Kenny Kerr, Cynthia Lee Fontaine as Dracula, Daya Betty as Jane Lynch, Ginger Minj as Reba McEntire, Irene The Alien as Zsa Zsa Gabor, Jorgeous as Pitbull, Lydia B Kollins as Pete Burns, and Mistress Isabelle Brooks as Natalie Nunn.
Paramount+
Raven wears a crown during the Snatch Game of RuPaul's Drag Race All Stars season 10 episode 10.
In case you haven't paid attention, RuPaul ends every Snatch Game with an unserious announcement about the "winner" of the challenge. These unserious "winners" have been "the Amish, because they don't have televisions," Victoria Porkchop Parker, "Who cares?!", Charo, and "All of the celebrities who weren't impersonated tonight."
But it seems like thousands of likes, comments, and re-posts are taking this unserious winner a little more seriously.
"Now, the moment you've all been waiting for. Today's winner is…" RuPaul says at the end of this Snatch Game. "Raven!"
The camera cuts to Raven's face. "You're a winner, baby. Condragulations, Raven. Finally!" RuPaul teases. "Is there anything you'd like to say?"
Raven, with a literal crown on her head, responds: "With a tanning booth and a dream, anything is possible."
Logo TV; Paramount+
Ginger Minj wins the Snatch Game as Adele on RuPaul's Drag Race season 7; as Phyllis Diller on All Stars 6; as Reba McEntire on All Stars 10.
All jokes aside, actual Drag Race herstory is made during this episode.
Ginger Minj (as Reba McEntire) wins the Tournament of All Stars Snatch Game and becomes the first queen of all time to win the Snatch Game three times.
Ginger (as Adele) first won the Snatch Game on Drag Race season 7 in a tie with Kennedy Davenport (as Little Richard). The second time came with Ginger (as Phyllis Diller) also winning this challenge on All Stars 6.
VH1; Paramount+
Cynthia Lee Fontaine is eliminated after a Snatch Game impersonation as Sofía Vergara on RuPaul's Drag Race season 9; as Dracula on All Stars 10.
Gia Gunn was the first queen — and, until this episode, the only queen — to be eliminated twice as a result of underperforming in the Snatch Game. The first time as Kim Kardashian on Drag Race season 6, then a second time as Jenny Bui on All Stars 4.
Cynthia Lee Fontaine's first Snatch Game, as Sofía Vergara, resulted in her elimination from Drag Race season 9. The Cucu queen unfortunately has the same outcome after impersonating Dracula in this All Stars 10 edition of the Snatch Game.
Paramount+
Mistress Isabelle Brooks lip syncs to 'Who's Zoomin' Who' by Aretha Franklin on RuPaul's Drag Race All Stars season 10 episode 10.
Facts are facts, America! Mistress Isabelle Brooks delivers a truly legendary lip sync performance to the a cappella version of "Who's Zoomin' Who" by Aretha Franklin. And speaking of facts: Franklin's 30th album, Who's Zoomin' Who? (which has an actual question mark not included in the title track), is celebrating its 40th anniversary this Wednesday, July 9.
Beyond what anyone thinks about MIB's reality TV shenanigans and/or social media antics, the diva is entirely clocked-in for this lip sync and had old-school drag fans passionately snapping at their TVs for the entire duration of this number. Mistress had a powerful command of the stage while serving a wildly entertaining face journey and being in perfect synchrony with the rhythm of the lyrics… An absolute knockout of a performance that stands out for all the right reasons.
It was hard to believe that Drag Race, in 2025, took such a big swing with an a cappella lip sync for this Tournament of All Stars. But it did, and it was incredible. Thank gawd.
x.com
Do we love to hear that Cynthia Lee Fontaine is suddenly eligible to enter this lottery system being teased all season long? Yes!
Are we confused about how this lottery twist actually works and feel like it was heavily implied in the preliminary brackets that this was another chance for the queens who didn't qualify to the semi-finals to have a chance in the next round of the competition despite not making it there with enough points? Absolutely.
Multiple things can be true at once, and that's beautiful.
drops new episodes every Friday on .
www.youtube.com
- YouTube
This article originally appeared on Out: 'Drag Race All Stars 10' Snatch Game: Questions, reactions, & results
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNET
11 minutes ago
- CNET
Bring Spider-Man All the Way Home With 20% Off This Iconic Lego Set
I'm not going to get into who the best Spider-Man is and why it is Andrew Garfield. But if there's one thing all Marvel fans can agree on it's that the Statue of Liberty showdown in No Way Home is the most iconic crossover in the MCU so far. And now, thanks to Lego, you can re-create the exact scene at home, at a discount. Amazon is currently offering the Lego Marvel Spider-Man Final Battle set for $88, which is 20% off its regular price. Considering how we don't see Marvel-themed Lego sets go on sale that often, this one's a rare find and might not be around for long. The set re-creating the final battle from No Way Home includes all three Spider-Men, nine total minifigs and nearly a thousand pieces. You'll have Tobey, Andrew, Tom, Doctor Strange, MJ (of course), Ned, Electro, Green Goblin and Doc Ock. There's another hidden surprise -- lifting off the roof reveals Sandman's giant hand. Hey, did you know? CNET Deals texts are free, easy and save you money. Of course, what's a Spidey without its webs? This set comes with soft web pieces to trap the bad guys, along with three clear supports that let you pose characters in the air. There's even a flip-open section at the back that reveals a portal. It's recommended for ages 10 and older but I won't judge if you're a full-grown adult trying to get your hands on it before the kids do -- because, same. Why this deal matters Lego sets offer a great way to relive your favorite movie moments, and this one hits especially hard for Marvel fans. It's more than a toy, and at 20% off, it's a great excuse to bring this nostalgia-evoking collectible home without paying full price.


Forbes
12 minutes ago
- Forbes
AI Boom Fuels San Francisco Party Scene As People Seek Connection
Secret salons, oyster happy hours, coffee raves--San Francisco is back and basking in idyllic weather as rent increases jump to the highest in the nation. Streets are teeming with people racing to events, despite tech season being weeks away, when conferences like Dreamforce, Disrupt, TedAI and SF Tech Week take over the city. Much of the frenzy is being attributed to the AI gold rush with people returning to town to get a piece of the action, so over the past week I popped into several happenings to hear what everyone is talking about. Finding your tribe At AGI House, a sprawling Hillsborough mansion just outside of San Francisco, known for hosting tech celebrities like Google cofounder Sergey Brin and Grimes, dozens gathered for a garden gala featuring talks with industry luminaries OpenAI's chief strategy officer Jason Kwon and former OpenAI interim CEO Emmett Shear. It was as insider as it gets with a pulsing DJ set by Twitch cofounder Justin Kan, meticulously curated by AGI House founder Rocky Yu and Icons podcaster Melanie Uno. In the mix was Poshmark cofounder Manish Chandra who shared with me his views on the AI transformation. I asked, what will people do with their lives as AI frees up time, and more importantly how will they pay for it. He replied, 'I feel like we're moving to more and more abundance, even though the path to abundance always feels a little uncertain and dark." "When the dot com boom was crashing, it was impossible to find a job. Highway 101 was emptier than Covid. There were see-through buildings, literally no jobs, and people were throwing in the towel.' Trying times, he recalled. "I remember it from a personal perspective, because I had young kids and had to figure out how to survive.' He expressed how hard times bring out things that can transform you, whether you discover superpowers or connect with new people. 'Human connections deepen when times are tough,' he said. 'When times are good, people just kind of ignore each other.' He also said there have been far crazier boom and bust cycles that have come before, with companies giving away BMWs and other outrageous perks to attract engineers. 'In the nineties, technology was changing so fast, it felt like everything you were doing was going to become obsolete, literally every day," he said. 'Every 10 years, we predict the demise of Silicon Valley, and we feel like whatever the technology is coming is dooming humanity, and is more severe than last time. Yet here we all are thriving, sitting here this lovely evening.' Emmett Shear, now cofounder of Andreessen-backed AI alignment lab, Softmax, sat down with me to discuss how people can best keep their head straight during these times. He explained that in the seventies there was a seminal work authored by Alvin Toffler, called Future Shock, that explored the psychological disorientation that can occur as a result of rapid technological change. 'This feeling of overwhelm, that if things keep changing, I can't learn fast enough to keep up with the system," he said. "But the way you keep up is actually by giving up on trying to understand everything at that level of detail.' He then shared his barbell strategy for surviving the next five years. 'In a high variance environment where things can change a lot in unexpected ways, you should just YOLO big things that might work, because even if you fail, your tried-and-true plan could also fail. So there's no point playing it safe, might as well be ambitious,' he advised. 'On the other hand, as things get riskier, you'll need to build up safety and reliability support to counterbalance.' He said hunter-gatherers lived in the same situation we're wandering into, a world of forces more powerful than themselves and beyond their control. Not only was it spiritually, emotionally and intellectually beneficial to be in a tight community, but also economically sound. When you store meat from the hunt in the bellies of friends, they'll be around to help when you find yourself in a tough spot. Futureproofing AI bets Back in San Francisco, at a Michelin starred restaurant where the meal was served community style making dining optional, AI unicorn Honeybook gathered the press to discuss how AI is birthing a new breed of one person startups and solopreneurs. It was here I had a chance to talk with Jeff Crowe, managing partner of Norwest Venture Partners, who told me the story of a 20-year old founder that landed seed funding to create text-to-sheets, text-to-deck apps right before ChatGPT made it a feature. This led to the question, how can VCs futureproof bets to prevent obsolescense in the age of AI. He said the first thing to look at is product. If it's a thin wrapper around a core, it's hard to futureproof as the LLMs eat their way further into the application layer. 'It's how venture capital looked at personal software in the nineties and said what's the differentiation if Microsoft moves into the space. Thirty-plus years later, it's a similar phenomenon in AI products, where OpenAI, Anthropic and others keep adding functionality." As far as defensible moats, he looks for product capabilities not easily disruptable like those with domain-specific data, integration with large enterprise systems, and bespoke distribution tied to supply chain. If it's a product that's been around longer, he looks for how fast it's pivoting to AI, driving into core functionality as well as operations including development, customer support, sales, marketing, HR and finance. Because if operations aren't futureproofed, competitors can gain a superior cost structure and become more capital efficient and profitable. He looks to see whether customers are adapting because some are going to get accelerated, and others obliterated, with risks that have nothing to do with the core business. Lastly, he looks for a culture that's nimble and can move exceptionally quickly. A fan of young talent, Crowe believes hiring AI-natives is the best way to transform an organization, because their rate of change is less than a worker whose baseline is pre-AI. Embracing AI workers Across town, Initialized Capital was hosting its own press dinner, introducing their portfolio of agentic startups deploying digital workers. Runway cofounder Siqi Chen told me from the moment he launched his startup in 2020, he knew they'd never have more than 100 people, because they had early access to GPT-3 and knew they could scale faster with AI, than headcount. In contrast to Crowe's hiring strategy, Chen said, Runway is hiring only senior talent. 'The profile of how we hire is quite different today than it was even three or four years ago. It's staff or principal level only at this point, because junior stuff can basically be done by LLMs today." 'We're seeing non-technical people contribute on a technical level like never before-- tagging a robot to write the code for a bug--that's just magic," he said. Runway uses bots for everything, from qualifying leads to reviewing documents. One of Initialized other portco commented that they deployed AI in Slack for IT support under the name of Paul, not AI Paul. A bit head-spinning to think you can be chatting with an AI colleague and not know it, even if they are funny. Initialized Capital's managing partner Brett Gibson said it's the natural progression of where we're heading. I asked him whether this was the end of the app economy. He replied, 'Software is going to trend towards being generatable. There are going to be a lot of apps you still want a relationship with for a variety of reasons, because they have other people on them and you're collaborating, or perhaps the AI itself has a personality you want to interact with. It's not going away, it's just going to have to adapt.' And what about humans, I asked, what's next for humans? 'The one thing that makes me very hopeful is that if there's anything AI is very good at, it's personalized education. And so hopefully, that will be the path for those feeling left out. People should follow whatever they're interested in and curious about because a high agency person using high leverage tools are going to do something cool and that's valuable," he said. AI gets the last word Back at AGI House, hanging out with hashtag inventor Chris Messina, I asked what advice he would give Gen Alpha on where to focus their energies, considering how pandemic losers have become AI winners, with ballet dancers, hair stylists and bartenders the few trades AI can't replace. 'VCs are over, SAS is over, everything that's been going on for the last 10 or 15 years kind of doesn't really make sense anymore,' he replied. 'If you really want to invest in the future, it's about having a perspective, being able to bring people into that and creating movements.' Echoing what Chen said: "There's only one Mr. Beast--and so if you develop relationship as a brand, that becomes sustainable value because AI cannot replace brand. Or can it? ChatGPT, may have no defensible moat as an AI assistant, but as a cultural icon with an estimated 1 billion followers, it remains pretty much untouchable. Just like the city from which it came.


Washington Post
12 minutes ago
- Washington Post
Deaf actors take on a Tony-winning musical — and deepen its meaning
The emotional climax of 'A Strange Loop,' now playing through Aug. 10 at Atlas Performing Arts Center, unfolds in a fierce and vulnerable silence. Usher, the narrator (played by Gabriel Silva), is confronting his father (Wade Green) about a lifelong pileup of misunderstandings and resentments. Audience members can either read the heated dialogue in captions projected on the set or, if they understand American Sign Language, watch the actors' impassioned gestures. The musical by Michael R. Jackson, which played a pre-Broadway tryout at Woolly Mammoth before transferring to Broadway and winning the Tony for best musical in 2022, is built around a meta conceit: Usher is a musical theater writer trying to write a musical about a musical theater writer trying to write a musical, and so on. Among Usher's biggest challenges is struggling to feel seen and supported, especially by his parents. As he expresses in the opening number, Usher wants to write himself into a musical to show people what it's like to 'travel the world in a fat, Black, queer body.' In this version, which marks a return for the musical to D.C., Usher also happens to be deaf. The co-production between the D.C.-based company Visionaries of the Creative Arts (VOCA) and Deaf Austin Theater (DAT) — which will next play the Long Center in Austin from Aug. 28 through Sept. 14 — features an ensemble of deaf, hard of hearing and hearing performers. Tyler 'T' Lang plays the voice of Usher, often joining Silva to speak and sing the character's lines, while the constellation of six thoughts that plague Usher, and variously embody his parents and others in his orbit, communicate with a mix of vocal and sign language. 'There is this preconceived notion that if a person is deaf, their entire world is silent. This is not true at all,' the production's director, Alexandria Wailes, wrote over email. 'Internal thoughts can be incredibly loud at times,' as demonstrated by Usher's intrusive menagerie of doubts. 'A Strange Loop,' which won the Pulitzer for Drama in 2020, presents an unflinching look at what life is like for someone like Usher. There's a song about cruising for sex on Grindr and facing ridicule for not being fit, White and well-endowed. And another with a gospel-style chorus suggesting that 'AIDS is God's punishment' for Black gay men. The show highlights the experiences of marginalized people with tender and provocative wit, which made it an ideal fit for both theater companies. 'You can tell the playwright really bared their soul onstage — that's what inspired me,' recalled DAT artistic director Brian Cheslik of seeing the Broadway production. Given the show's focus on Black characters, to produce it he sought to partner with VOCA, which was founded in 2019 with a mission to serve deaf artists and audiences of color. The collaboration also allowed the relatively young companies (DAT was also founded just before the pandemic) to pool their resources and present the show in both of their home cities. The staging at Atlas is relatively modest but entails a complex range of technical cues, including video projections, a la 'Hollywood Squares,' of characters who beam in to pester Usher (whether in vocal or sign language), captions timed to every line and the audio needs of an onstage band. (A glitch during the second performance resulted in a brief pause, a bit of bustling around backstage and enthusiastic applause when the action restarted.) 'I think hearing people have the misconception of deaf culture. They have no idea about how we live, how we communicate or even how we think — or everything we have to navigate just to survive,' VOCA artistic director Michelle Banks said. 'I really want audiences to see and understand that. 'A Strange Loop' takes us down all those different rabbit holes.' (Both Cheslik and Banks communicated through an interpreter in a Zoom interview.) Jackson, the author, voiced his support for the production through a statement shared with the companies and posted on the show's website, saying, 'I believe these two theaters will crack the piece open even further in a unique way that only they can do.' The production's multifaceted means of communication — spoken dialogue and music, ASL and closed captioning, often used simultaneously — add a compelling dimension to the show's themes. Usher's effort to tell his own story is expressed not only through Jackson's script and music but through physical movement that captures something beyond what's on the page: signs for words such as 'living,' 'torn,' 'hungry' and 'freedom' that get at Usher's feelings behind the language. Usher's desire to carve out a place for himself in the theater industry — beyond working as an usher at 'The Lion King' — resonates with the deaf companies as well. Only a few productions featuring deaf artists have come to Broadway over the past 25 years, including 'Spring Awakening' (in 2015) and 'Big River' (2003), both produced by L.A.'s Deaf West Theatre. (The company is reportedly at work on a musical adaptation of the Oscar-winning film 'Coda.') Those productions also combined deaf and hearing actors with a mix of spoken and sign language, as did a 2022 production of 'The Music Man' at Olney Theatre Center. 'We as deaf artists are constantly struggling to get jobs,' Cheslik said. 'Theaters are not willing to be open-minded to casting deaf actors in any type of show.' The collaborators hope that 'A Strange Loop' in particular, with its focus on an artist trying to share his own experience, will resonate with their companies' missions as well as with audiences. Wailes said, 'I hope folks leave with a deeper appreciation for how much courage it takes to embrace who you are and live your life fearlessly.'