
Dawood Ibrahim was madly in love with this Dev Anand's heroine, killed the producer, she is now living as..., not Mandakini, name is...
During the golden era of cinema, Bollywood had more drama than on-screen scripts. At that time, the industry was operating under the shadows of underworld figures. One such name who dominated headlines and secret lines was none other than Dawood Ibrahim. His influence and power over Bollywood were huge. From financing films, making casting choices, directing film releases, to even the interpersonal lives of actors and actresses, Dawood Ibrahim had a huge impact. Among the many lives that were affected by Dawood's influence, one life that had a huge impact was that of Pakistani actress Anita Ayub. Who was Anita Ayub?
Anita Ayub was born in Karachi, Pakistan. Before venturing into acting, Anita completed her master's degree in English Literature. Later, she moved to India to pursue her passion and joined the Roshan Taneja Acting School in Mumbai. She started her showbiz career with modelling and was discovered by legendary actor-filmmaker Dev Anand in a magazine ad. Mesmerized by her striking beauty and strong presence, Dev Anand cast her in his film Pyar Ka Tarana (1993). Even though the film couldn't make a mark initially at the box office, it gradually got its due appreciation. Later, she also appeared in a superhit film, Gangster, which further raised her to fame. Why was Anita Ayub Blacklisted From The Industry?
However, her budding career saw a dip as soon as the rumors of her relationship with underworld don Dawood Ibrahim started doing the rounds. She was frequently seen with Dawood Ibrahim, which sparked a media frenzy. As per reports, Dawood's relationship with Anita was the reason for her eclipsing career. It was also believed that the producer Javed Siddiqui, who had reportedly refused to cast Anita in a film, was shot dead; many people believed that the culprit behind this was none other than Dawood Ibrahim. Although Anita was never charged for this, this controversy left a mark on her name.
Later, some reports also suspected that Anita was Dawood's spy. Even though the information was never officially confirmed, this allegation and suspicion led to Anita's blacklisting from the industry. Many people in the far turned down offers to her, and she was slowly sidelined from the world of entertainment. Eventually, Anita went back to Pakistan and later tied the knot with Indian businessman Saumil Patel. The duo also had a son, Shezar, but unfortunately, their marriage couldn't sustain itself for long, and they ended up getting divorced. After their separation, she married Pakistani businessman Subak Majeed and eventually settled in New York.
Anita Ayub, who was once known as Bollywood's big thing, faded out faster than a fleeting dream.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India.com
19 minutes ago
- India.com
Anupam Kher makes big statement on Operation Sindoor hero Colonel Sofia Qureshi, says, ‘Presented her…'
After the Pahalgam attack shook the nation, the Indian Army launched Operation Sindoor, targeting and destroying several terrorist bases across the border. Amid the operation, one face stood out—not from the battlefield, but the briefing room. Colonel Sophia Qureshi, a high-ranking officer in the Indian Army's Corps of Signals, led media briefings, keeping the nation informed and composed during the tense period. Who is Colonel Sophia Qureshi? Sophia isn't just another officer in uniform. She made history as the first Indian woman to lead a military contingent at an international exercise. With clarity, calmness, and courage, she became the Army's voice after the Pahalgam attack. Her presence wasn't just a performance—it was reassurance. Anupam Kher meets Sophia Qureshi Veteran actor Anupam Kher, who is currently promoting his new film Tanvi the Great, recently met Colonel Sophia and shared their interaction on Instagram. In the photo, he's seen gifting her his book. His caption read, 'OPERATION SINDOOR: I was extremely HAPPY and deeply HONOURED to meet Col. #sofiyaqureshi recently and present her my fourth #SelfHelp book #DifferentButNoLess! She epitomises the grace, valour, dignity and bravery of #IndianArmy. Thank you Col. Qureshi for your warmth and appreciation! Jai Hind! #Proud' View this post on Instagram A post shared by Anupam Kher (@anupampkher) The post has since gone viral, with fans calling the moment 'real patriotism'. What's 'Tanvi the Great' and how is it connected? Kher's film, Tanvi the Great, which tells the story of a young girl fighting against all odds to chase her dreams, has just been granted tax-free status in Delhi, following its earlier declaration as tax-free in Madhya Pradesh. Sharing the update, Delhi Chief Minister Rekha Gupta wrote on social platform X, ' I am pleased to share that the Delhi Government has declared the film 'Tanvi the Great' tax-free in the state. With an impactful narrative of inclusion, the film is an inspiring story of a young, 'special' girl-Tanvi, who is determined to achieve her dreams against all odds. Tanvi's story is emotional and inspirational. We are committed to promoting films that strengthen the spirit of Rashtra Seva, ignites patriotism, and awakens the conscience of the nation. Best wishes to the entire team of the film. @AnupamPKher' I am pleased to share that the Delhi Government has declared the film 'Tanvi the Great' tax-free in the state. With an impactful narrative of inclusion, the film is an inspiring story of a young, 'special' girl-Tanvi, who is determined to achieve her dreams against all odds.… — Rekha Gupta (@gupta_rekha) July 23, 2025 From Colonel Sophia's real-life bravery to a film that celebrates courage in another form, this moment reminds us that strength wears many faces. Sometimes it's in uniform, other times in the cinema. But both spark something real: pride, purpose, and power.


Time of India
an hour ago
- Time of India
Souza's 4 rare works to be auctioned this week
Panaji: A rare collection of four distinctive artworks by modernist painter of Goan origin, F N Souza, collectively valued at over Rs 1 crore, is set to lead the upcoming online auction by AstaGuru Auction House on July 29 and 30. The artworks include two pieces from his 'Head' series periods (1964 and 1985), a dynamic 1990 landscape, and a 1987 nude inspired by Khajuraho sculptures. 'Souza was a pioneering force in the Indian modernist art movement,' said Sneha Gautam, the director of client relations at AstaGuru Auction House. 'As a founding member of the Progressive Artists' Group in the 1940s, he was instrumental in challenging conventional Indian artistic traditions and introducing a bold modernist sensibility, especially at a time when the country was finding its distinct artistic voice. ' Gautam said, 'His work played a key role in shaping the trajectory of modern Indian art, bringing modernist styles and ideas to the forefront.' The artworks span various styles and themes that the artist concerned himself with throughout his career. The curation also showcases Souza's command of and proficiency in varied mediums. Lot No. 37 and Lot No. 42 showcase his different takes on portraiture and are reminiscent of his 'Head' series. The series featured portraits influenced by European art movements that displayed the artist's inner turmoil through the depiction of distorted faces. While Lot No. 37 is a colourful untitled work executed using acrylic on paper in 1985, Lot No. 42 is a charcoal-on-canvas work from 1964. Lot No. 56 belongs to Souza's vast oeuvre of landscapes. Executed in 1990, the oil-on-canvas work exemplifies his visceral approach to environment and structure. With a dense web of jagged lines and rhythmic brushstrokes, the composition collapses foreground and background into a frenetic tangle of green, ochre, and blue. Lot No. 84 is an untitled pen-on-paper work executed in 1987. It reveals Souza's fascination with creating nude works and the inspirations he took from the erotic sculptures of the Khajuraho temples. Captivated by the uninhibited expression of human desire found in these ancient carvings, Souza drew from their raw physicality and symbolism, particularly in his depictions of the female nude and intertwined couples. 'Characterised by assertive lines, striking colours, and a fusion of abstraction and figuration, Souza's art drew inspiration from Cubism, Expressionism, and other European movements,' Gautam said. 'His paintings frequently explored existential and religious concerns, while also offering sharp critiques of social and political structures.' She said, 'With a distinctive visual language, his use of line and colour imbued his work with dynamic tension, often evoking both intensity and unease. Souza left behind an unrivalled legacy of rebellion, paving the way for generations of artists to come.'


Time of India
an hour ago
- Time of India
IND vs ENG 4th Test: 'Ben Stokes behaved like a spoiled kid' - Ex-India cricketer
Former India cricketer Sanjay Manjrekar has lambasted England captain for his conduct after he called for a draw before the final hour in Manchester. "Ben Stokes behaved like a spoiled kid," Sanjay Manjrekar said on JioHotstar. Tired of too many ads? go ad free now Former England cricketer Jonathan Trott, however, defended Ben Stokes. Go Beyond The Boundary with our YouTube channel. SUBSCRIBE NOW! "Common practice in England, and Ben Stokes' mentality is that there are no personal milestones. If you get offered to end game earlier, it's taken," Trott said. Manjrekar was quick to correct Trott and said: "Trott comes from a different culture. Whole world doesn't play as per English way of cricket." Jadeja and Washington were batting on 89 and 80 respectively before the start of the last hour of play when England skipper Ben Stokes, aware that a result was out of reach, offered to shake hands. However, with milestones around the corner, the Indian batters refused, which didn't amuse Stokes, who then introduced Brook into the attack to bowl some deliberate full-tosses, allowing both to complete their well-deserved tons. "I didn't have a problem with it. England seemed to have a problem with it. They were a bit tired, tired bowlers so they wanted to get off but two lads worked hard to get to 80s and 90s and they wanted to get Test match hundreds," Hussain said on 'Sky Sports'. "Stokes didn't have to bowl Brook and look silly at the end. We make far too much of these things. They played well and all credit to India," Hussain said. When Cheteshwar Pujara asked the same question to Washington Sundar, he sidestepped the issue. "I think everyone saw on TV what happened and they all must have enjoyed it," Washington said on JioHotstar.