Just In: Mo Amer announced for Dubai Comedy Festival 2025
Palestinian-American comedian Mo Amer is returning to Dubai for a one-night-only, two-show special on Thursday, October 9. Presented by Live Nation Middle East, the award-winning comedian best known for his Netflix series MO and standout roles in Ramy and Black Adam will take the stage at Dubai Opera for an exclusive double performance, giving fans a unique opportunity to catch his sharp, unfiltered comedy in one of the city's most iconic venues. 'One of the sharpest comics of our time'
Known for his clever storytelling, magnetic stage presence, and brutally honest humour, Mo Amer's comedy often weaves through personal tales of family, fame, and his identity as a Palestinian-American navigating life in the spotlight. This time, fans can expect new material that explores his journey as a new dad delivered with the same candid wit that's made him a global favourite.
It's a full-circle moment for Amer, who last performed at Dubai Comedy Festival during its inaugural edition in 2020. Now, with global acclaim and a string of accolades to his name including a Gotham Award, Peabody, and AFI Honor, he's back and bigger than ever.
And with Season 2 of MO having just dropped on Netflix earlier this year, fans are in for a timely treat. Part of a seriously stacked lineup
There have been a number of amazing acts announced for this year's festival, with highlights including Tom Segura, Akaash Singh, Morgan Jay, Joanne McNally, and more. Earlier this week, the popular NearlyParents Podcast Livewas also announced, adding a fresh dynamic to the diverse lineup. A second wave of talent brought even more big names to the bill, including Amer Zahr, Redouane Bougheraba, Ivan Abramov, and Gaurav Kapoor, making this year's Dubai Comedy Festival one of the most exciting yet. The Details:
Tickets are already generating buzz, don't wait too long to book yours.
Location: Dubai Opera
Date: Thursday, October 9 2025
Time: Show 1: Doors 6pm | Show 6.30pm and Show 2: Doors 9pm | Show 9.30pm
Cost: From Dhs295
Image: Supplied
> Sign up for FREE to get exclusive updates that you are interested in
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Filipino Times
3 hours ago
- Filipino Times
Jinkee Pacquiao celebrates 'God's goodness' despite Manny's draw against Barrios
Despite the majority draw that marked Manny Pacquiao's comeback fight against American boxer Mario Barrios, his wife, Jinkee Pacquiao, remained in high spirits and expressed her gratitude and faith. On Instagram post, Jinkee shared her reflections following the bout at the MGM Grand Garden Arena in Las Vegas, where the 46-year-old Filipino boxing icon faced the younger WBC welterweight champion. 'My heart is full, thanks to you all. I'm deeply grateful for all your love, prayers, and support,' she wrote in her caption. Her post featured emotional photos of Manny embracing their children—Jimuel, Michael, Mary, Queenie, and Israel—after the fight. It also included snapshots from the match itself, a family photo, and scenes from the post-fight press conference. In a separate post, Jinkee offered behind-the-scenes moments from the fight night, simply captioned: 'Fight night 🥊 2 Timothy 4:7' along with the hashtag #GodIsGood. The Pacquiao-Barrios match ended in a majority draw, allowing Barrios to retain his WBC welterweight title. Both fighters later expressed interest in a possible rematch.
Gulf Today
2 days ago
- Gulf Today
Tariffs can be damaging to Hollywood's film industry
Alexis Alexanian, Tribune News Service When a country like Armenia sends a film out into the world, it's not just art. It's a way to preserve memory, to reach a scattered diaspora. Each film offers the world stories that might otherwise be forgotten. So when President Trump proposes a 100% tariff on all films 'produced in foreign lands,' the damage isn't limited to foreign competitors or outsourcing studios. It threatens to shut out small nations like Armenia, for whom cinema is a lifeline. The proposal hasn't taken effect — yet. But July 9 marked a turning point in Trump's broader tariff agenda, with a deadline for reimposing sweeping trade penalties on countries deemed 'unfair.' While the situation for films remains unclear, the proposal alone has done damage and continues to haunt the industry. The tariff idea arises from the worldview that treats international exchange as a threat — and cultural expression as just another import to tax. Take 'Amerikatsi' (2022), the extraordinary recent movie by Emmy-winning actor and director Michael A. Goorjian. Inspired by his grandfather's escape from the Armenian genocide — smuggled across the ocean in a crate — the project is not just a movie; it's a universal story rooted in the Armenian experience, made possible by international collaboration and driven by a deep personal mission. Goorjian filmed it in Armenia with local crews, including people who, months later, would find themselves on the front lines of war. One was killed. Others were injured. Still, they sent him videos from the trenches saying all they wanted was to return to the set. That is the spirit a tariff like this would crush. Armenia is a democracy in a dangerous neighborhood. Its history is riddled with trauma — genocide, war, occupation — and its present is haunted by threats from neighboring authoritarian regimes. But even as bombs fall and borders close, its people create. Films like 'Aurora's Sunrise' (2022) and ' Should the Wind Drop' (2020) carry voices across oceans, turning pain into poetry, history into cinema. These films don't rely on wide releases. They depend on arthouses, festivals, streamers and distributors with the courage and curiosity to take a chance. A 100% tariff would devastate that. Indeed, the ripple effects of such a tariff would upend the entire global film ecosystem. Modern cinema is inherently international: A Georgian director might work with a French editor, an American actor and a German financier. So sure, many American films use crew and facilities in Canada. But international co-productions are a growing cornerstone of the global film industry, particularly in Europe. Belgium produces up to 72% of its films in partnership with foreign nations, often France. Other notable co-production leaders include Luxembourg (45% with France), Slovakia (38% with Czechia) and Switzerland (31% with France). These partnerships are often driven by shared language, which is why the US is also frequently involved in co-productions with Britain as well as Canada. Israel too has leaned into this model, using agreements with countries such as France, Germany and Canada to gain access to international audiences and funding mechanisms. The US government cannot unmake this system and should not try to do so. To penalise 'foreign-made' films is to punish Americans too — artists, producers and distributors who thrive on collaboration. You can't build a wall around storytelling. Supporters of the tariff argue it protects American workers. But Hollywood is already one of the most globalised industries on Earth, and the idea that it suffers from too many foreign films is absurd. If anything, it suffers from too few. The result of this policy won't be a thriving domestic market — but a quieter, flatter, more parochial one. A landscape where the next 'Amerikatsi' never gets seen, where a generation of Armenian American youth never discovers their history through a movie screen. If America still wants to lead in the 21st century — not just militarily and economically but morally — it should lead through culture and avoid isolation. Stories like 'Amerikatsi' remind us why that matters. A film that begins with a boy smuggled in a crate across the ocean ends with a message of joy and resilience. That's not just Armenian history — it's American history too. It cannot be separated. Unless we want that kind of storytelling priced out of our cinemas (and off our streaming platforms), we must keep the doors open. For America to turn its back on stories like these would be a betrayal of everything film can be. And it would impoverish American society too. That way lies not greatness but provinciality.
Filipino Times
2 days ago
- Filipino Times
Chace Crawford and Kelsey Merritt spark dating confirmation on actor's 40th birthday
Chace Crawford and Kelsey Merritt have seemingly confirmed their relationship through a series of Instagram stories posted on the actor's 40th birthday. On Friday, Crawford reshared birthday greetings from friends and colleagues on Instagram, but it was the final two images that drew public attention. One photo showed Merritt holding a cake that read 'Happy Birthday, Darling,' topped with '4' and '0' candles. Another image showed the pair taking a mirror selfie, with Crawford standing behind Merritt and his arm wrapped around her waist. The posts have fueled speculation that the Hollywood actor and the Filipino-American model are officially dating. While the two have not publicly confirmed the relationship, online buzz began as early as November 2024 when fans noticed they had started following each other on Instagram. Reports of the pair sharing a kiss in New York City surfaced in April 2025, adding to the rumors. Crawford is widely known for his roles in Gossip Girl and The Boys, while Merritt gained international recognition as the first Filipino to walk the Victoria's Secret Fashion Show.
