F1 Day 5 India Box Office: Brad Pitt's movie manages to grow on Tuesday courtesy subsidized rates; Adds strong Rs 3.50 crore
The Day Wise Net India Collections Of F1 Are As Under
After What Will Be A Glorious 1st Week, F1 Finds New Competition In Metro... In Dino And Jurassic World: Rebirth
F1 faces new rivals like Metro... In Dino and Jurassic World: Rebirth in India in its second week. Since F1 is an established film with a strong word of mouth, it should not really struggle much when it comes to getting the audiences.
F1 Is Already Doing Much Better In India Than Anyone Would Expect
As stated a number of times earlier, the collections that F1 has managed to put up in its first weekend, would be seen as a good result even if they were the film's lifetime numbers. Effectively, the Brad Pitt led racing movie looks to do almost three times as much as what would have really been seen as a good result to begin with.
The collections shall end lower than the year's highest Hollywood grosser, Mission: Impossible - The Final Reckoning, but the difference here is that while one movie is from an established franchise, the other one is just a standalone flick.
F1 In Theatres
F1 has been crushing pre-release predictions globally, and now it is to be seen if it is able to compete with giants like Jurassic World: Rebirth and Superman. F1 plays in theatres now. Stay tuned to Pinkvilla for more updates on Brad Pitt and F1.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
India Today
27 minutes ago
- India Today
Aamir Khan defends romancing Fatima Sana Shaikh in Thugs after playing her father
Actor Aamir Khan shared that he had no issues playing the role of a lover in 'Thugs Of Hindostan' opposite his co-star Fatima Sana Shaikh. The actor was speaking in an interview when he said Vijay Krishna Acharya (the director) offered to remove the romantic angle between them since Shaikh had played his daughter in 'Dangal'. However, the 60-year-old said he didn't mind playing Shaikh's lover because he only played her father in a film, not in a conversation with Lallantop, Khan revealed that the director had said, "We won't have a romantic track between you and her because she was your daughter in 'Dangal'. How can she play your girlfriend here? Audience will reject this."To this, the actor responded, "I don't believe in all of this. Main asal mein thode uska baap hun, aur na asal mein main uska boyfriend hun. Hum log film bana rahe hain bhai (I am not her father in real life, and neither am I her boyfriend in real life. We are making a movie)." The 'Thugs of Hindostan' actor further gave the example of veteran actors Amitabh Bachchan and Waheeda Rehman, who have played mother-son and lovers in films. He also said, "The audience is not this stupid that they will think that he is the actual father. We are underestimating our audience if we say that."advertisementThe actor also shared that Fatima was signed for the film after all the top female actors refused. 'When we were casting for it, no other female actor said yes to this part. Deepika, Alia, Shraddha - they all refused. That film was offered to the entire industry but no one wanted to do it," he said, further admitting that a weak script could have been the reason for their also said the original script never got made as the film kept changing. He recalled being shocked after getting a call from film producer Aditya Chopra, stating that it was a brilliant film.'I told them I didn't understand it and, at first, they thought I was joking. I told them this wouldn't work for a day,' he said. The actor added that he would fight with them every day that they have made the film all wrong, teeling them that it was structurally incorrect.'Thugs of Hindostan' opened with a thunderous response at the box office on the first day of its release. However, it struggled to find audiences after receiving poor Khan was recently seen in the film 'Sitaare Zameen Par' alongside actor Genelia Deshmukh. The film has crossed Rs 100 crore mark at the box office.- EndsTrending Reel IN THIS STORY#Aamir Khan#Fatima Sana Shaikh
The Hindu
34 minutes ago
- The Hindu
Why the light music industry is facing a decline in Chennai
A light music show usually draws a full house since the musicians fill the air with familiar notes and beats, and the audience warms up to much-loved tunes. Are bands put together by established musicians, or by those who just have an ear for music? How have bands fared over the years? Sankar, whose band is called Saadhaga Paravaigal, is the son of lyricist Ulundurpet Shanmugam. When he was a student in the Government Music College, Chennai, he formed a band with his friends. The college initially did not encourage him. Teachers wanted him to focus on classical music. But when the band began to win prizes in intercollegiate contests, teachers lent their support. His band was christened in January 1988, and the formal launch was in Vani Mahal. 'In the 1980s, there used to be light music shows in cinema theatres in the mornings, and the hall would be packed,' recalls Sankar. Lakshman formed a band with some of his friends while studying in Presidency college. 'We used to rent instruments from Johnny D' Mello in Mount Road. The cost of a guitar was Rs. 2,000, but we were paid only Rs. 1,500 for a concert. So he would insist on a bonafide certificate signed by the college principal. D'Mello also had a small space for rehearsals, and the rent was Rs. 125 rupees a day.' Later Lakshman's band was named Lakshman Sruti. 'For our 200th show in 1989, in just two days my brother Raman ensured that the entire band had uniforms.' Surprisingly, until the 5000th show, Lakshman had not studied music at all. He learnt the piano only after that. 'We used to have programmes throughout the month, but not anymore. To supplement the income, I plan to start a shop selling, renting and repairing music instruments.' U.K. Murali, whose band Udhaya Ragam U.K. Murali Innisai Mazhai is 40 years old, did not have a music background when he entered the industry. He learnt the nuances of light music and launched his band. 'Sabha concerts are not always profitable, but they give us publicity, which brings us wedding concerts and shows abroad, where the payment is good,' says Murali. Some of the musicians, who are part of these bands share how they entered the field and have coped with challenges posed by technology. Flautist Raghu, who has been in the light music field since 1972, says, 'I am 75 now, and still continue to play. Some instruments have taken a hit because of technology. Violin, for example, has disappeared from the stage, because its sound is reproduced on the keyboard. The flute, fortunately, has escaped.' Satish has been a keyboard player for 35 years, and has performed in M.S. Viswanathan's shows for 12 years. He has progressed to having his own recording studio. 'Learning the keyboard helps you try your hand at composing,' says Satish. 'S.P. Balasubrahmanyam and MSV have sung in my devotional albums.' Nagaraj taught himself to play many percussion instruments and can recite konnakkol as well. 'I started as a mimicry artiste. Till the 1980s, in the middle of a music show, there would be 15 minutes of mimicry, but that is no longer the case.' While in school, tabla player Kiran played for K. Balachander's TV Serial Jannal, in which SPB played a role. 'I know how to play electronic pads, but prefer actual instruments. For some songs such as 'Thendral vandhu yennai thodum', it is impossible to produce the perfect tabla sounds on a pad.' Trumpeter's Viji's grandfather, father and uncle used to play the trumpet in the police band. 'They took voluntary retirement to be full time musicians,' says Viji. 'The trumpet can be used to express many emotions, including pathos as in the song 'Veedu varai uravu'. Now brass section instruments are played on the keyboard. What will happen to artistes like me?' Selva, who plays acoustic drums, did a three-year diploma course in mridangam in the Government Music College, Chennai. When he entered the scene in 1994, electronic rhythm machines were rarely used. But by 1996, they began to be widely used and he decided to embrace technology. He learnt how to play rhythm machines and later electronic pads too. Bass guitarist Santosh says, 'Ilaiyaraaja is the one who has used the bass guitar to the maximum. You cannot sing some songs, such as 'Mandram vanda thendralukku' without a bass guitar. In the past, instead of the bass guitar, they used a six foot long instrument called double bass, which is a pure acoustics instrument. Bass guitar is an electronic instrument.' Singer Anusha Kartik learnt both Carnatic and Hindustani music. She says, 'Being in the light music industry is a blessing, because you get to share the stage with renowned playback singers. I have sung with SPB and Yesudas. When I first came to Chennai from Kolkata, I knew only Hindi songs, and had to learn to read Tamil. Today I know more than 300 Tamil songs.' Kavitha became a stage singer and then studied music in the Government Music College. 'During rehearsals, I notate even those songs allotted to someone else, and practise them. The happiest moment in my life was when P. Susheela complimented me for my rendering of the song 'Alaya maniyin' (film Paalum Pazhamum).' Vocalist Sai Vignesh learnt Carnatic music from T.R. Vasudevan, a disciple of Chembai Vaidyanatha Bhagavatar. 'After I participated in Super Singer, I began performing with various light music bands, and then came the opportunity to sing the super hit song 'Varaha roopam', for the Kannada film Kantara. Classical singers must resist the tendency to improvise when they sing film songs. They must not add unnecessary gamakas.' ''We used to have programmes throughout the month, but not anymore. To supplement the income, I plan to start a shop selling, renting and repairing music instruments.''LakshmanLakshman Sruthi orchestra What is the reason for fewer programmes these days? Satish points out that some musicians like to adopt a freestyle of music, where they don't follow every note of the background score, but produce something similar. 'Freestyle is unacceptable. How can anyone tamper with what music directors have composed?' asks Selva. 'These days, many people go in for DJ's. This too has impacted us,' says Murali. 'Costs, including rent for halls, have gone up. In addition, we also have to pay licensing fees to IPRS (Indian Performing Right Society). By way of abundant caution, some hotels insist that licenses must also be obtained from Novex Communications and PPL (Phonographic Performance Limited),' says Sankar. (While IPRS gives licenses for musical and literary works, the others must be approached for a license for sound recording.) With expenses mounting, the cost of tickets has to be pushed up. But if tickets are pricey, there are few takers. Recently, the Corporation of Chennai has imposed an entertainment tax of 10 percent of gate collection, which will add to the financial burden of bands. 'There are roughly 10,000 musicians who will be affected if the light music industry ceased to exist,' says Murali.
India.com
an hour ago
- India.com
Meet Bollywood's dreaded villian who once used to be a leading hero, was engaged to Neelam, had a flop South debut, still charges Rs 6 crore per film, he is…
From romantic leads in the '90s to playing a chilling, near-silent villain in Animal, Bobby Deol's transformation is nothing short of a cinematic comeback story. Once written off after a string of flops—including a forgettable South debut—Bobby has now cemented his place as Bollywood's new-age baddie. The Animal effect: Villainy redefined His haunting, dialogue-free portrayal in Animal earned him massive praise and reshaped his image overnight. South Indian filmmakers quickly took note, and now Bobby is back, fiercer than ever, as Mughal emperor Aurangzeb in the upcoming period drama Hari Hara Veera Mallu. The comeback continues Starring alongside Telugu superstar Pawan Kalyan, the film is directed by Jyothi Krishna and carries a massive production budget of Rs 250 crore (USD 30 million). Releasing on July 24, 2025, it marks Bobby's full-blown southern return—but this time with gravitas and grandiosity. Director Jyothi Krishna revealed, 'Bobby Deol's performance in Animal was remarkable. The way he conveyed so much without dialogue opened up creative possibilities for our film.' Bobby was reportedly 'thrilled' when he heard the script and didn't hesitate to embrace the role of a dark, complex Aurangzeb. 'He's fiercer, more majestic, and intensely haunting. His eyes say it all—even after the scene ends, his presence lingers,' Jyothi added. More than just a comeback From being once engaged to actress Neelam to charging a reported Rs 6 crore per film today, Bobby Deol's journey is filled with highs, lows, and now, a fierce second wind. Hari Hara Veera Mallu promises not just another villain role, but a statement: Bobby Deol is here to stay—and rule.
