logo
Younger art collectors are redefining traditional rules

Younger art collectors are redefining traditional rules

USA Today21-05-2025
Younger art collectors are redefining traditional rules
Millennials, now the largest generation in the U.S., are a force in today's art market, rebooting the rules of collecting.
In fact, they've been the biggest spenders on art in recent years. That's a departure from the investment-driven, pedigree-focused strategy that guided many older collectors.
The landscape is changing
Millennial musician Alicia Keys and her husband, Gen X producer Swizz Beatz's stunning, world-class art collection was the focus of the groundbreaking GIANTS exhibit, which debuted at the Brooklyn Museum in February 2024. It electrified the art world, prompting conversations about culture and identity, two important considerations for younger collectors.
'Alicia and Swizz's collection is beautiful, thoughtful and intentionally focused on emerging Black artists,' says Phillip Collins, founder of Good Black Art, the first and only tech-enabled company that provides a full-service platform dedicated to art by emerging Black artists.
'The exhibit was such a huge moment not just for Brooklyn or the entertainment or arts community,' Collins says. 'It was the first time we've seen collectors so famous really showcase such a broad spectrum of art at that scale. It's ignited interest among young, diverse Black collectors.'
Liz Woolf, co-founder of Los Angeles art gallery Song-Word Art House, also speaks to the change in patronage and priorities. 'Art is for reflection and activism and exploration of identity,' Woolf says. ''Real art today is fluid, shaped by cultural, philosophical and technological shifts. It's about engaging with innovative media and creating work that pushes boundaries.'
Woolf says younger people are also craving an experience. 'They want interactive, they want to be a part of it. That's why our gallery is loud, engaging, controversial, experiential. We want to push the limits, have people walk away, thinking, talking and sharing,' she says.
And it's not just young high-net-worth individuals buying art. Collins initially thought price was a deterrent for younger collectors, but he was mistaken. 'What we found was the majority of first-time buyers, who may never have purchased art, spent an average of $500 on their first small work, then doubled that spending nearly every six months.'
Millennials often purchase artwork online. As a result, the technology-forward Good Black platform has incorporated digital education tools to support newer collectors, with an emphasis on storytelling and making art accessible, with works at multiple price points.
Coloring outside the lines
Contemporary collectors under age 50 have broadened the scope of what constitutes art, from street art to multimedia installations and wearables.
The themes represented are equally wide-ranging, from identity politics to environmental concerns and social justice. And young collectors are willing to buy from emerging versus established artists.
Lauren O'Connell, a millennial herself, is the curator of contemporary art at the Scottsdale Museum of Contemporary Art in Arizona. She says younger collectors are more open and more willing to take risks, often taking cues from celebrity culture. She's observed young collectors investing in and building community through their purchases.
O'Connell points to the 'audacity' of an artist who duct-taped a banana to a wall that sent shock waves through the art world when the pieced fetched $6.24 million in November from a 34-year old Chinese cryptocurrency founder. That's not something their parents would have bought, she notes.
'Young collectors are interested in the art of the now, in works by living artists. After all, we were young when the 2008 recession hit. We know that money comes and goes. Our parents had multiple marriages and kids. It's all part of the changing idea of the American dream,' O'Connell says.
Younger collectors also view art as a dialogue. 'Whether it's a photograph or a sculpture, art is engagement and a conversation starter,' O'Connell says. Woolf agrees. 'A cultural voice is being expressed through art and it's very attractive to this demographic. It's no longer a stuffy, elite landscape but art that speaks their language.'
And in a sense, millennials are seeking a mirror with their collecting. 'They seek artwork that resonates with their values of authenticity, individuality and connection, and expresses their own identity,' Collins says. 'Millennials are leading the future of the art world.'
Entering the Art World
Everyone's art journey is individual, but here are some tips to help you get started:
Start with a spark. Good Black Art founder Phillip Collins recommends a few questions: Who are you? What stories represent you? What are things you love? What experiences matter most to you? 'Collecting starts from within, and what you connect with,' he says.
Become a sponge. Art museums and galleries are great places to learn what resonates with you, and ask questions.
Build relationships. If you connect with a gallerist, they can become a great resource. But you can also buy directly from an artist who doesn't have gallery representation, often at a lower price.
Prints are legitimate. Can't afford an original work? Consider a high-quality print, especially those of limited run that are signed.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Black Bear Names Lionsgate Vet David Spitz Head of U.S. Theatrical Distribution
Black Bear Names Lionsgate Vet David Spitz Head of U.S. Theatrical Distribution

Yahoo

time30 minutes ago

  • Yahoo

Black Bear Names Lionsgate Vet David Spitz Head of U.S. Theatrical Distribution

Veteran Hollywood studio executive David Spitz has landed his next gig: serving as head of U.S. theatrical distribution at Teddy Schwarzman's Black Bear Pictures as the leading production and financing company realizes its dream of becoming a full-fledged indie studio. Spitz — who did a long stint running distribution at Lionsgate — will oversee theatrical Black Bear's new distribution infrastructure in the U.S., which builds on its established businesses in the U.K., Ireland and Canada, where subsidiary Elevation Pictures is the territory's top independent distributor. Spitz will manage the theatrical release of up to 12 films per year, curating a slate that boasts both filmmaker-driven fare with action and genre titles. He'll report to Benjamin Kramer, president of Black Bear's U.S. theatrical distribution division, who made the announcement. More from The Hollywood Reporter Cineplex CEO Opens Up About Retirement in 2026 As Box Office Momentum Picks Up AMC Theatres Cutting Some Pre-Show "Marketing Material" Even As It Keeps Ad Deal In Place 'Shrek 5' Moves Back 6 Months to Summer 2027 'David is one of the most respected and accomplished distribution executives in the theatrical business,' said Kramer. 'He has a fantastic track record of shepherding the work of outstanding filmmakers and delivering commercial hits to wide audiences. His deep relationships with exhibitors, and proven instincts for release strategies, make him an ideal addition to our growing team. We at Black Bear are deeply excited to work alongside him in delivering transportive theatrical experiences to audiences.' Added Spitz: 'I'm thrilled to join Black Bear at this exciting moment, as they enter an ambitious new chapter. I look forward to working with Ben, as well as the great distribution teams across Black Bear's other territories, to create theatrical events that drive audiences to theaters and connect with viewers across the country.' Spitz joins Black Bear from Lionsgate, where he served for 18 years as president of distribution. All told, the films he helped released earned north of $10 billion at the global box office, from such blockbuster franchise as The Hunger Games, John Wick and The Expendables — to Oscar players including best-picture winner Crash, La La Land, Precious and Fahrenheit 9/11. He also handled Knives Out, The Blair Witch Project and The Big Sick for Lionsgate, as well as delivering films to underserved audiences, such as Instructions Not Included, the highest-grossing Spanish-language film in domestic box office history, Code Black's All Eyez on Me, Kevin Hart's Let Me Explain and 19 Tyler Perry films. Prior to Lionsgate, Spitz was with Artisan Films and its predecessor LIVE Entertainment. Earlier, he handled film sales for MGM Distribution and acquisitions for Mann Theaters. Black Bear's early distribution successes in the U.K., Ireland and Canada include Edward Berger's Conclave, Brady Corbet's The Brutalist, Sean Baker's best picture winner Anora, Osgood Perkins' Longlegs and The Monkey. Black Bear's production and financing business is known for its buzzy titles, and its upcoming slate is no exception as the fall film festival season gets underway, including Mackenzie's Relay, starring Riz Ahmed, Lily James and Sam Worthington, and which Bleecker Street opens this month; Clint Bentley's Train Dreams, starring Joel Edgerton and Felicity Jones, for Netflix; Guy Ritchie's In the Grey, starring Henry Cavill, Jake Gyllenhaal and Eiza Gonzalez, which Lionsgate is distributing; David Michôd's Christy, starring Sydney Sweeney; Daniel Roher's Tuner, starring Leo Woodall, Dustin Hoffman and Havana Rose Liu; Gregg Araki's I Want Your Sex, starring Olivia Wilde and Cooper Hoffman; and Andrew Patterson's The Rivals of Amziah King, starring Matthew McConaughey, Angelina LookingGlass and Kurt Russell. Other films currently in post-production include Ritchie's Wife & Dog, starring Benedict Cumberbatch, Rosamund Pike and Anthony Hopkins, and Ric Roman Waugh's untitled action thriller starring Jason Statham. Schwarzman founded Black Bear in 2011. The indie outfit has offices in Los Angeles and New York. Best of The Hollywood Reporter The 25 Best U.S. Film Schools in 2025 The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Solve the daily Crossword

19 Millennials Are Sharing Things That Were Common In The '90s And 2000s That Would "Baffle" Anyone Under The Age Of 25
19 Millennials Are Sharing Things That Were Common In The '90s And 2000s That Would "Baffle" Anyone Under The Age Of 25

Yahoo

time2 hours ago

  • Yahoo

19 Millennials Are Sharing Things That Were Common In The '90s And 2000s That Would "Baffle" Anyone Under The Age Of 25

As time passes and technology evolves, there are certain trends and habits that simply fade out of popularity. And there's no better example than those of the '90s and early 2000s... That's why when Redditor u/ToeKnown9863 asked, "What's a '90s/2000s trend that would baffle kids today?" Thousands of Gen X'ers and millennials shared the good, the bad, and the ugly of Y2K trends. From burning CDs to Pogs — here are 19 of their best responses: If you can think of Y2K trends that would leave the younger generations speechless, feel free to tell us about them using this anonymous form! 1."Downloading music off Limewire to iTunes, running to Walmart while it downloads, buying blank CDs, and burning them once it's downloaded. Then, thinking of a cool name for your new CD." "I spent three days downloading the movie 300 while it was still in theaters. Burned it to a DVD, made some Jiffy Pop, and bought a Code Red Mountain Dew. I popped in my freshly burned DVD that Friday night and thought how awesome it was that I was going to watch a movie that was still playing at the theater down the street. Then the movie started, and I remembered thinking that it looked cheap for a Hollywood movie. Suddenly, a naked guy walked onto the screen, followed by three others...I then realized I had spent three days downloading a dirty movie." —u/Daguvry Related: 2."Playing literally one video game for the entire summer, no online walkthroughs. If you wanted a hint, you needed to buy a paper guidebook, hope your friend knew the tricks, or call a 900 number for help." "My mom had to block 900 numbers because I racked up a huge bill trying to beat a King's Quest game." —u/violent_potatoes 3."Trapper keepers confuse me now, yet I literally screamed to high heaven to get my mom to buy me the Teenage Mutant Ninja Turtles one." "For those who are unaware: a Trapper Keeper is a binder. Yes, we '90s kids were judging coolness by the kind of binder we had." —u/WitheredRosePetals82 4."Not just having a landline, but SHARING a landline." "Everyone in the house had the same number. If you called, anyone in the house might pick up. If you were calling your crush, you had to be prepared to negotiate with suspicious/hostile family members, but that was somewhat understandable. It got really weird when you had adult roommates! Suddenly, you're the social secretary for your popular, ladies' man roommate, trying to explain that you don't know where your other roommate is to a very angry woman, and ducking calls from a collection agency. And you'd have to collaborate on the voicemail message. Yes, there was only one voicemail/answering machine for the entire household, too. We used to record elaborate and hilarious messages every two weeks, sometimes with running jokes. It was a wild time that I actually don't miss." —u/haysoos2 5."Pogs: We just collected little cardboard circles to play a dumb, boring game." —u/LouBarlowsDisease "Yeah, it was hot for about a year, then it was GONE as if it never existed. People weren't even talking about Pogs anymore. I think my dad might still have my old slammers in storage somewhere." —u/nmezib 6."Buying ringtones." —u/overfiend1976 "And ringbacks! I didn't know how they were popular, but in the early aughts, my girlfriend paid for a service that would play a heavily compressed MP3 to the person calling you, instead of the regular dialing sound prior to answering the phone." —u/markh100 Related: 7."There was no 'Google Maps.' You had a huge book sitting in your glove box. If you didn't know the way, you had to literally chart it and try to follow it. Or just memorize the whole thing." —u/MightBeTrollingMaybe "I used to help my grandpa navigate his RV when I'd spend summers with my grandparents as a kid. Pulling out the atlas because he wasn't sure where to go was always a blast. I think that those experiences and video games are why my spatial awareness and direction finding are as good as they are. Now, when I look up a new place on Google Maps, I'll street view the final bit just to know what to look for. I've had people act like my ability to know where I'm going is witchcraft." —u/Silbyrn_ 8."Chain emails: I'd be so embarrassed to do that today..." "I used to fill out these long 'About Me' Q&As because I thought people were interested in reading my 50 answers." —u/Advanced-Koala2559 9."Having to wait a week for 10 photos to be processed and printed." "When we would get them back, they were mostly unidentifiable, but we were just excited to have one 'good' picture that was only slightly blurry." —u/Lia_Delphine 10."If you missed a new episode of a TV show, you just missed it." "Your only chance to see it again was when it became a rerun the next season. There was always a showtime that showed old episodes, where new ones aired during the season. The Simpsons aired new episodes on Sundays and had many airtimes during the week, showing old episodes, so you waited until the episode you missed was added to the rotation. This changed in the 2000s when entire seasons were released on DVD box sets. Then you could watch without having to wait for it in the rotation." —u/Embarrassed_Bath5148 Related: 11."Dialing *69 so you could figure out the phone number that just called you. No, we didn't all have Caller ID, and yes, it cost money." "And yes, they used 69." —u/EmperorSexy 12."Having to run to the bathroom/kitchen/do chores during a commercial break and having a sibling yell, 'It's back on,' so you could return to the TV in time." "Additionally, knowing what time shows were premiering, so you knew to do your chores before then, so you could watch undisturbed." —u/ConsistentCollar2694 13."Waiting for songs to come on the radio so you could record them on a cassette tape, and getting mad if the DJ talked over the intro. Kids today will never know the struggle of timing it perfectly and still ending up with the DJ's voice at the beginning." —u/RudeResearcher4761 "I still have one or two songs in my entire playlist that I transferred over from physical media that have radio hosts speaking over the beginning and end, and I can't bring myself to ever find the proper non-radio versions. They are just a part of the song now, and it will sound weird without them." —u/Onigumo-Shishio 14."The simple act of being bored while waiting in a doctor's office, traveling, or attending family parties, etc." "There was no nightmare rectangle keeping us preoccupied." —u/ShedMontgomery 15."When swing music and dancing went from nonexistent to full-blown movement from 1996–1998. That trend was gone in a flash." —u/Coffee-N-Kettlebells "Zoot-suit riot baby! It was a very unique three years in music. Best of all worlds, even our movie soundtracks were amazing." —u/Intrepid_Kiwi_7995 16."Buying a magazine to know what will be on TV this week." —u/Parallel-Unicorn "On that same note: Everyone tuning in and watching a show or movie at the same time, besides a live sports broadcast, you don't see anything like that nowadays because of streaming. I remember when a popular TV show's new season premiered, and everyone would be watching the exact same thing the night it aired, or when a new Disney Channel movie aired, everyone at school would be watching it that night." —u/kakapoopoopeepeeshir Related: 17."Riding to a friend's house to see if they could hang out: If they couldn't, you were just like, 'Okay, I'll start my 2-mile bike ride back home to find something else to do.'" —u/ColdIndependence5820 "I lived in the Midwest for a few years in high school, in a little town a few miles from one of those rail-to-trail bike trails. In the summer, a bunch of us would ride something like 15 miles each an ice cream cone. But at least it was something to do." —u/absolutenobody 18."When TLC was actually 'The Learning Channel.' It was like a no-frills version of the Discovery Channel, except it came standard on cable. You had to pay extra for Discovery." "But you were still able to learn about Egyptian pharaohs, cave murals, origins of the human species, aliens, and other cool stuff. Then it caught the reality TV virus." —u/vsysio 19."Living in the moment: Because there were no smartphones, no one cared about documenting every moment of their lives for likes and views. And if we did, we used a digital or disposable camera." "Not only was it freeing, but none of the dumb things we did were preserved online…unless we spent hours uploading them onto Facebook." —u/Dry-Subject-718 Did you remember any of these trends/habits? What are some other aspects of the '90s and 2000s that would shock kids today? Tell us about them in comments or answer anonymously using the form below! Note: Some responses have been edited for length and/or clarity. Also in Internet Finds: Also in Internet Finds: Also in Internet Finds:

Don't Be a Loser, Gen X Baby
Don't Be a Loser, Gen X Baby

New York Times

time11 hours ago

  • New York Times

Don't Be a Loser, Gen X Baby

Pour out a Zima for Gen X-ers, who will never end up running the world. This was the theme of a Wall Street Journal article recently about corporations that are skipping over the Slacker generation — those of us born between 1965 and 1980 — and promoting millennials instead to C.E.O. As The Journal put it, presumably channeling the anxieties of one of the paper's frustrated editors: 'As they enter what is usually the prime, C-suite career stage, more businesses are retaining their aging leaders or skipping a generation in search of the next ones.' I was born in 1976, and my reaction to this news was, in Gen X parlance, whatever, man. The disappointment some X-ers feel about this is indicative of an inherent contradiction: They did not trust institutions, empty ambitions and rampant consumerism when they were young, but still feel let down when, as middle-aged adults, the system has not delivered the professional success and extreme run-up of home equity that boomers have accrued. This is especially true of X-ers who happen to be white and male and C.E.O.-shaped. And it's a bummer! In theory, these X-ers were well aware that their parents were probably going to be better off than they themselves would ever be and couldn't decide whether to be angry about it pre-emptively or to just slackerishly opt out of the corporate and political structures that led to it altogether. The Canadian writer Douglas Coupland, who popularized the term 'Generation X' with his 1991 novel of that name, had a character in it named Dag, who puts it thus: 'I don't know … whether I feel more that I want to punish some aging crock for frittering away my world or whether I'm just upset that the world has gotten too big — way beyond our capacity to tell stories about it, and so all we're stuck with are those blips and chunks and snippets on bumpers.' Mr. Coupland has an entire chapter titled 'Our Parents Had More.' And you know what? They did. Education was cheaper, cities were less gentrified and corporations at least put on a show of being loyal to their employees. Many of us aging Gen X-ers work in the gig economy, piecing together several jobs and hoping our potential income isn't undermined by the post-human, tech-oligarch-enriching promises of A.I. As a result, many of us are now background players in the grand narratives we imagined for ourselves. In the words of the iconic X-er band Pavement, we've 'been chosen as an extra in the movie adaptation of the sequel to your life.' These circumstances have turned some of us into self-pitying whiners. (Maybe we always have been: Cue Beck whining, 'I'm a loser, baby.') I've heard so many X-ers complain incessantly about younger generations. First, millennials, but now Gen Z-ers, are accused of not wanting to do any work, being too sensitive, not wanting to pay their dues. But boomers looked down on us, too, and I'm not sure our failure to remember that can be exclusively explained by the brain cells we killed by disregarding Nancy Reagan's 'Just Say No' campaign, or by the perimenopausal brain fog some of us are experiencing. The younger generations are not lazier; they're just more skeptical of institutions than we are. They can already see that they may not be better off than our generation. And the fact that they think John Hughes movies are more creepy than cute does not mean that they're prudes or sensitive little snowflakes. The inability to accept this may explain why so many Gen X-ers voted for Donald Trump. If they view him as anti-establishment, he validates their need to feel that they're being subversive. If you see a post that used generative A.I. to make Mr. Trump look like a U.F.C. fighter or Rambo, I'll bet you a bottle of Boone's Farm Strawberry Hill that it was made by a Gen X-er. Mr. Trump is more Beavis or Butt-Head than John Kennedy or Franklin Roosevelt, and that appeals in the sense that he annoys the responsible grown-ups, which X-ers have loved doing since 'Ferris Bueller's Day Off.' And mostly, he gives them a story that says: Yes, you were lied to, and that's why your life sucks, dude. Want all of The Times? Subscribe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store