logo
Gary Lineker to host new ITV game show after BBC exit

Gary Lineker to host new ITV game show after BBC exit

Telegraph2 days ago
Gary Lineker will reportedly present a new ITV Saturday night show months after being forced to quit the BBC over anti-Semitism accusations.
The former England striker will return to screens fronting a game show called The Box.
It comes after he was forced to step back from presenting Match of the Day in May for sharing a pro-Palestinian video on Instagram which featured a rat emoji, considered to be an anti-Semitic slur against Jewish people.
He took the post down and apologised, but last week said he stepped down after BBC bosses told him it was 'a case of quit or be quitted'.
View this post on Instagram
A post shared by Gary Lineker (@garylineker)
The Box is based on a Norwegian programme of the same name, which sees 12 celebrities forced to undergo daring challenges while stuck inside a box.
The programme has been described as a cross between I'm A Celebrity Get Me Out of Here and SAS Who Dares Wins.
ITV hope it will be a replacement to Ant and Dec's Saturday Night Takeaway.
A source told The Sun, which first reported on Lineker's TV return: 'The Box is massive in Norway, and the rights were quickly sold to Denmark and now the UK.
'ITV are really excited about it - and believe they have finally found a worthy successor to Saturday Night Takeaway.
'They have long been sniffing around Gary and just needed to find the right format for him.
'They're confident they've found that now, and the BBC's loss is their gain.'
A TV insider told the newspaper: 'The scheduling hasn't yet been confirmed but filming takes place in the autumn, and the series is due to air early spring.
'It looks likely to get a Saturday night slot though, but obviously it's all still to play for.'
Lineker began presenting Match of the Day in 1999 and was the BBC's highest paid presenter for the past eight years.
He lost out on an estimated £800,000 in BBC pay as a result of his early exit from the broadcaster.
Before the anti-Semitism row erupted, he had planned to quit Match of the Day at the end of the football season that has just ended before quitting the broadcaster altogether following next year's World Cup in North America.
The anti-Semitism row came two years after Lineker was asked to step back from the BBC for comparing the previous government's immigration policy to Nazism.
His suspension led his co-presenters Ian Wright and Alan Shearer to also step back from the programme before Lineker was reinstated following talks with Tim Davie, the BBC director general.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Notorious crime clan gran Big Mags Haney accused of "grassing" in new podcast
Notorious crime clan gran Big Mags Haney accused of "grassing" in new podcast

Daily Record

time12 minutes ago

  • Daily Record

Notorious crime clan gran Big Mags Haney accused of "grassing" in new podcast

New BBC podcast 'The Ballad of Big Mags' hears former detective make "snitch" claims. The six part series tells how the vigilante turned heroin dealer and was jailed after Daily Record sting operation Notorious crime clan gran Mags Haney has been accused of being a police informant. ‌ The claim is made in a new BBC podcast about the larger than life vigilante, public enemy and heroin dealer, who died in 2013 after a life full of controversy. ‌ In the six-part Ballad of Big Mags series, former detective Simon McLean says he has no doubt that the gravel-voiced granny was known by cops in Stirling to be running a drugs racket. ‌ But he believes she was given a free pass because she was snitching on other criminals. The BBC podcast hears of the rise and fall of Haney, including details on how a Daily Record investigation in 2000 led to her being given a 12 year jail sentence. The podcast, which launches today (FRIDAY) hears claims that Haney, who was 70 when she died, was only stopped after the Daily Record labelled her Dealer Number One in a big drugs expose in 2000. ‌ Former undercover officer Simon McLean is asked by presenter Myles Bonnar why Big Mags wasn't shut down earlier - despite the whole town knowing her to be a drug dealer. McLean says: 'Because of the relationships with the police. ‌ 'I've dealt with many, many, many terrorists and very, serious criminals, both nationally and internationally, and I've never known a successful criminal or who people would regard as successful, who's made a lot of money and made a life out of it, that hasn't been talking and informing to the police at some level.' When asked if she was a criminal informant, McLean doubles down. He says: 'There's no, absolutely no 'if' about that whatsoever. McLean explains how such informant relationships work. ‌ He says: 'If I'm running a criminal empire and the police are on me and they know what I'm up to, it's in the press every other day. And the police are coming to the door, there's local police, the police are searching houses. I need a relationship with these guys to get them off my case. And that's true of every criminal activity. 'I've seen it a hundred times, more, where a heroin dealer especially thinks that somebody else is getting into his marketplace, then he'll shop them to me. Because he wants them off the street. ‌ 'When you think about it, it's common sense, isn't it? It's dog eat dog. I mean, let's be honest, they'll shoot each other, they'll kill each other. So there's no problem them shopping each other to the police. Where would we be without informants?" McLean adds: 'The Haneys were a small change really, but a big, big problem in their community. And that's what matters. So, a huge problem, and it needed to be smashed. And that's what we did.' ‌ Chain-smoker Mags ruled over an empire peddling heroin and pocketing huge sums of cash while members of her family did her bidding. The granny and mother-of-11 put herself forward as a vigilante against the threat of child abusers, even appearing on the Kilroy TV show to talk about protecting youngsters. ‌ But in 2003 - after the Daily Record exposed her crimes - Haney admitted running a £250,000-a-year drugs operation, utilising a network of delivery runners, including her own children, grandchildren and nieces. She was jailed for 12 years, serving half that sentence at Cornton Vale prison, before being released in 2009. Haney suffered from a variety of health problems before dying from cancer in 2013 aged 70. The six-part series will be available on BBC Sounds from Friday, August 8. Join the Daily Record WhatsApp community! Get the latest news sent straight to your messages by joining our WhatsApp community today. You'll receive daily updates on breaking news as well as the top headlines across Scotland. No one will be able to see who is signed up and no one can send messages except the Daily Record team. All you have to do is click here if you're on mobile, select 'Join Community' and you're in! If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose 'exit group'.

Interviewing Hitler by Richard Evans review – the most unethical journalist in history
Interviewing Hitler by Richard Evans review – the most unethical journalist in history

The Guardian

time39 minutes ago

  • The Guardian

Interviewing Hitler by Richard Evans review – the most unethical journalist in history

Some years ago, a colleague on the Irish Times took the columnist Nuala O'Faolain to lunch. Nuala was famous, and feared, as a controversialist who specialised in attacking popular pieties, unless it was the pietests who were under attack, in which case she would spring immediately to their defence. The pair had hardly finished their starters when the colleague, who had been in newspapers long enough to know better, heard himself asking Nuala how she managed to have so many opinions, enough to fill 52 columns yearly, as well as the odd special assignment. Nuala, cutlery suspended in mid-air, looked at him incredulously and said: 'What are you talking about? I haven't any opinions – I'm a journalist.' Richard Evans, although a former newsman himself, does not seem to have grasped the first commandment in the journalist's catechism: stop at nothing in pursuit of a story. His subject, George Ward Price, certainly adhered to it. Dubbed by Ernest Hemingway 'the Monocled Prince of the Press', he was one of the most successful and most famous journalists of his time. Born in 1886, the son of a clergyman, he lived for 75 years, and died largely forgotten but extremely rich, leaving more than £125,000 in his will, 'at a time when', Evans writes, 'the average annual UK salary was around £1,000'. When Ward Price was at school, a friend said of him that his ambition was to be either 'a bishop, or on the staff of the Daily Mail'. He hearkened to the latter calling, and quickly became the Mail's star journo, producing scoop after scoop and leaving the competition stumbling in his wake. His greatest triumphs came in the 1930s, when he courted the Nazis zealously, in particular Hitler, who in Linz, on the evening after the German annexation of Austria, 'greeted him with a smile. 'Well, Ward Price,' he said. 'Always there!'' Ward Price's reporting came in for serious criticism, including from Winston Churchill, who declared on meeting him: 'I see that you've been over in Germany again, shaking the bloodstained hands of your Nazi friends.' In his autobiography, Extra-Special Correspondent, published in 1957, Ward Price claimed that he 'reported his [Hitler's] statements accurately, leaving British newspaper readers to form their own opinion of their worth'. For other commentators, he was merely the 'international mouthpiece for the Duce and for the Führer'. In any case, early on in his book, Evans produces a piece of evidence that, taken at face value, unequivocally condemns the Mail's preeminent reporter. Six months after the Anschluss, and following Neville Chamberlain's peace mission to Germany, Ward Price spent some days at Hitler's holiday retreat in the Bavarian Alps. Here he had exclusive access to the Nazi leader in all his moods, from the avuncular to the manic. At the end of his stay, as Evans writes, Ward Price 'came down from the mountain with the biggest story in the world'. That story was of Hitler's determination to take over the Czech Sudetenland, and by implication, his plans for further, wider conquests. However, the piece that appeared in the Mail seems to have been a tempered version of what Ward Price had written. And who did the tempering? Joseph Goebbels, who was at Berchtesgaden at the time, wrote in his diary: 'He [Hitler] is still revising the interview by Ward Price, which has turned out very well. It was somewhat too effusive.' Evans makes surprisingly little of this explosive snippet, yet it is the smoking gun at the heart of his book. If Ward Price did allow Hitler to tone down what he had recorded, it would have been a total betrayal of himself as a journalist. Securing the 'biggest story in the world' was possible only through an extraordinary act of malpractice. It is one thing to tell yourself you have no opinions, are merely an accurate chronicler – it is quite another to permit your subject to burnish his own image. When your subject is Hitler, it is wickedness itself. Interviewing Hitler: How George Ward Price Became the World's Most Famous Journalist by Richard Evans is published by The History Press (£22). To support the Guardian, order your copy at Delivery charges may apply.

Amaarae: Black Star review – ​glamour, glitz and lust from a pop star who should be a supernova
Amaarae: Black Star review – ​glamour, glitz and lust from a pop star who should be a supernova

The Guardian

time44 minutes ago

  • The Guardian

Amaarae: Black Star review – ​glamour, glitz and lust from a pop star who should be a supernova

Fountain Baby, the second album by Amaarae, was a revelation – a sensual, funny, frank and musically dense record released in 2023 that established the 31-year-old Ghanaian American pop musician as a cultural force to match contemporaries such as Rosalía and Charli xcx. Although the songs are hedonistic – largely oscillating between wry flexes of wealth and lyrics about trifling with, and being trifled by, women in her orbit – she is also a realist: actions have consequences in Amaarae's world, such as on Reckless & Sweet, as she wonders whether her lovers desire her or merely her money. Despite the ingenuity and complexity of her music, Amaarae has struggled to break into the mainstream, in the UK at least. A recent Glastonbury set felt sparsely attended and, aside from 2020's Sad Girlz Luv Money, one of the most enduring viral hits to emerge from TikTok into the real world, few of her singles have had crossover moments. Hopefully that will change with Black Star, her sleek and hugely enjoyable third album. It requires a slight resetting of expectations. After the plainly radical Fountain Baby, perhaps Amaarae would become downright experimental, but Black Star makes it clear that she just wants to have fun. This is her take on a club record, weaving elements of house, trance and EDM into Afrobeats rhythms and spiky rap cadences. It's more straightforward than its predecessor, but that doesn't diminish its pleasure, derived in large part from Amaarae's relentless pursuit of just that: these songs exalt drinking, drug‑taking, rowdy sex and fine dressing in such a clarified, unapologetic way that they would elicit blushes even from the Weeknd, pop's reigning king of smut. You can imagine Amaarae's bass-heavy but elegant music soundtracking a dark, exclusive superclub, a fitting mode for a musician who prioritises opulence and indulgence in her music. Starkilla, a collaboration with the London rapper Bree Runway, is a villainous-sounding house track the hook of which is simply 'ketamine, coke and molly' over and over again; the slick crush-object song B2B combines pulsating electro with the euphoric chug of South African amapiano. There is a remarkable amount of other dance styles explored here: high-speed dembow and baile funk animate Girlie-Pop!; there are elements of Detroit techno and gqom, another South African style, on SMO; and the opener, Stuck Up, features raucous club rap. Even if it's a more traditional record overall, her globalist attitude makes for sparky, cosmopolitan music. The focus of Amaarae's lyrics hasn't changed significantly, although Black Star is a softer and more lovestruck album than its predecessor. On Kiss Me Thru the Phone Pt 2, a PinkPantheress-featuring sequel to the Soulja Boy original, Amaarae and PinkPantheress sing sweetly about 'yearning for you to the bone', their twinned helium voices sounding surprisingly great together. Fineshyt, the best song here, is a gentle trance track that captures the innate sense of melancholy in the much-maligned genre, Amaarae singing about wanting to try a real relationship with her object of affection. These songs provide a welcome counterpoint to the abrasive posturing of earlier ones, which have Amaarae and guests – including Naomi Campbell – mugging and boasting to admittedly great effect. Campbell's appearance is eyebrow-raising: 'They call me a bitch, a villain, controversial diva – no, I am the black star,' she intones, which will probably inflame the many people still up in arms over Campbell's misdeeds, ranging from assault convictions to the alleged mismanagement of a charity (which she denies). But it's fitting for an album that is deliriously in love with wealth, celebrity and all the power it affords. There is a difference between Amaarae and all the other stars fixated on such topics: for her, glamour is a side quest and love is the motive. Shopping at Saks and being passed another blunt might be nice, Amaarae seems to say, but the real high comes from finding someone to share it with. Wild Pink and Fenne Lily: Disintegrate – Edit Wild Pink's John Ross is one of the best lyricists in indie music. The deluxe reissue of his fantastic Dulling the Horns promises plenty of great reinterpretations of his bizarro images, including this soft take on Disintegrate by the English folk singer Fenne Lily.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store