
Sci-fi series based on Stephen King novel arrives on Stan
No, we're not talking about Stranger Things, though you could be forgiven for thinking so.
The Institute is based on a Stephen King novel of the same name and follows brainiac Luke (Joe Freeman), who, at just 14 years old, is already too smart for high school and is about to head off to college. But before that can happen, he's kidnapped in the middle of the night and brought to The Institute, where very little is explained to him, and he has serious doubts he'll be returned to his home.
He's got some telekinetic ability, but nothing he can control. There are other kids with similarly fledgling powers, and all of them are just as in the dark as he is about their fate.
Meanwhile in the outside world, Tim Jamieson (Ben Barnes, with more free time now Shadow and Bone was cancelled) picks up a job as a semi-civilian police employee whose only task is to walk through the small town at night knocking on doors of businesses to make sure they're not being broken into.
But there's an offbeat unhoused woman along his route who knows some things that she shouldn't and has him wondering if there's some sort of conspiracy in town.
Mary Louise Parker also stars in this sci-fi thriller. Two episodes were released to kick things off, with further episodes arriving weekly.
If you combined The Voice, Love is Blind and Popstars (you remember the one, our first introduction to Sophie Monk) you'd come close to Building the Band.
The competition singing show sees 50 wannabe boy band or girl band stars each confined to their own little pods in a big warehouse, listening to just one of their number singing their favourite song in the hope that their peers will want to work with them in a band.
You need at least five people to show interest in order to proceed in the competition, and then you can chat with your fellow singers to form a group of between three and five people.
None of the singers can see each other through this whole process.
Hosted by Backstreet Boy AJ McClean, the series also features judges Nicole Scherzinger, Kelly Rowland and Liam Payne in his last project before his tragic death.
This four-part true crime docuseries does something that many other entries in the genre fail to - it puts the victims front and centre.
The series delves into the murder of Maddie Mogen, Kaylee Goncalves, Ethan Chapin and Xana Kernodle, four University of Idaho students who were killed in the same off-campus share house in November, 2022.
Through interviews with the slain students' closest friends and family members, as well as the perspective of local media (who are portrayed as concerned locals while the national media are considered invasive vultures), true crime fans and faculty staff, the story of the foursome's lives and deaths comes into focus.
But by the nature of the case, this series doesn't have a resolution. We know who the murderer is (arrested suspect Bryan Kohberger pleaded guilty to the crimes only days before the series was released) but we still don't know his motive or how he actually knew the victims.
Without these crucial parts of the mystery, as a piece of content, One Night in Idaho is lacking. But it is still engaging and tragic, and you come away with a great sense of who these young people were and how big a hole they've left in the lives of those who loved them.
Lena Dunham's back with another show after the success of comedy series Girls. This Netflix offering also stars Dunham, but she's not the main character this time around. That honour belongs to Megan Stalter as Jessica, an advertising rep who hasn't quite come to terms with her recent breakup.
After a particularly humiliating encounter with her ex and his new girlfriend, Jessica decides to take up an opportunity to work at her company's London branch and get away from her sad reality.
She's determined to live out her London fantasy and almost immediately finds herself attracted to pub singer Felix (Will Sharpe), a new contender for the title of 'internet boyfriend'.
The comedy is a little brash and loud and American, to be expected of a series called Too Much, but fans of Dunham's work should like the show.
It is chock full of cameos and appearances from familiar faces, with just the first couple of episodes alone featuring Jessica Alba, Rhea Perlman, Rita Wilson, Andrew Rannells, Emily Ratajkowski, Richard E. Grant and Adwo Aboah, among many others.
If you were a fan of Bosch, there's a new spin-off to enjoy in Prime Video's Ballard. The crime series stars Maggie Q as the titular cold case detective who thinks she's found the work of a serial killer in a case more than two decades old. On Disney+ fans can rejoice in some behind-the-scenes action and interviews celebrating the legacy of the original summer blockbuster, with Jaws @ 50: The Definitive Inside Story. Meanwhile younger audiences can catch the latest Disney original musical with Zombies 4: Dawn of the Vampires. Disney+ also has the return It's Always Sunny in Philadelphia, with season 17 starting on Wednesday. Over on AppleTV+ there's a new season of sci-fi drama Foundation, and nature documentary series The Wild Ones, which follows three experts trying to save several species from extinction.
Telepathic and telekinetic kids from middle America are scooped up and taken to a secret institution where tests are performed on them by people who say they're saving the world.
No, we're not talking about Stranger Things, though you could be forgiven for thinking so.
The Institute is based on a Stephen King novel of the same name and follows brainiac Luke (Joe Freeman), who, at just 14 years old, is already too smart for high school and is about to head off to college. But before that can happen, he's kidnapped in the middle of the night and brought to The Institute, where very little is explained to him, and he has serious doubts he'll be returned to his home.
He's got some telekinetic ability, but nothing he can control. There are other kids with similarly fledgling powers, and all of them are just as in the dark as he is about their fate.
Meanwhile in the outside world, Tim Jamieson (Ben Barnes, with more free time now Shadow and Bone was cancelled) picks up a job as a semi-civilian police employee whose only task is to walk through the small town at night knocking on doors of businesses to make sure they're not being broken into.
But there's an offbeat unhoused woman along his route who knows some things that she shouldn't and has him wondering if there's some sort of conspiracy in town.
Mary Louise Parker also stars in this sci-fi thriller. Two episodes were released to kick things off, with further episodes arriving weekly.
If you combined The Voice, Love is Blind and Popstars (you remember the one, our first introduction to Sophie Monk) you'd come close to Building the Band.
The competition singing show sees 50 wannabe boy band or girl band stars each confined to their own little pods in a big warehouse, listening to just one of their number singing their favourite song in the hope that their peers will want to work with them in a band.
You need at least five people to show interest in order to proceed in the competition, and then you can chat with your fellow singers to form a group of between three and five people.
None of the singers can see each other through this whole process.
Hosted by Backstreet Boy AJ McClean, the series also features judges Nicole Scherzinger, Kelly Rowland and Liam Payne in his last project before his tragic death.
This four-part true crime docuseries does something that many other entries in the genre fail to - it puts the victims front and centre.
The series delves into the murder of Maddie Mogen, Kaylee Goncalves, Ethan Chapin and Xana Kernodle, four University of Idaho students who were killed in the same off-campus share house in November, 2022.
Through interviews with the slain students' closest friends and family members, as well as the perspective of local media (who are portrayed as concerned locals while the national media are considered invasive vultures), true crime fans and faculty staff, the story of the foursome's lives and deaths comes into focus.
But by the nature of the case, this series doesn't have a resolution. We know who the murderer is (arrested suspect Bryan Kohberger pleaded guilty to the crimes only days before the series was released) but we still don't know his motive or how he actually knew the victims.
Without these crucial parts of the mystery, as a piece of content, One Night in Idaho is lacking. But it is still engaging and tragic, and you come away with a great sense of who these young people were and how big a hole they've left in the lives of those who loved them.
Lena Dunham's back with another show after the success of comedy series Girls. This Netflix offering also stars Dunham, but she's not the main character this time around. That honour belongs to Megan Stalter as Jessica, an advertising rep who hasn't quite come to terms with her recent breakup.
After a particularly humiliating encounter with her ex and his new girlfriend, Jessica decides to take up an opportunity to work at her company's London branch and get away from her sad reality.
She's determined to live out her London fantasy and almost immediately finds herself attracted to pub singer Felix (Will Sharpe), a new contender for the title of 'internet boyfriend'.
The comedy is a little brash and loud and American, to be expected of a series called Too Much, but fans of Dunham's work should like the show.
It is chock full of cameos and appearances from familiar faces, with just the first couple of episodes alone featuring Jessica Alba, Rhea Perlman, Rita Wilson, Andrew Rannells, Emily Ratajkowski, Richard E. Grant and Adwo Aboah, among many others.
If you were a fan of Bosch, there's a new spin-off to enjoy in Prime Video's Ballard. The crime series stars Maggie Q as the titular cold case detective who thinks she's found the work of a serial killer in a case more than two decades old. On Disney+ fans can rejoice in some behind-the-scenes action and interviews celebrating the legacy of the original summer blockbuster, with Jaws @ 50: The Definitive Inside Story. Meanwhile younger audiences can catch the latest Disney original musical with Zombies 4: Dawn of the Vampires. Disney+ also has the return It's Always Sunny in Philadelphia, with season 17 starting on Wednesday. Over on AppleTV+ there's a new season of sci-fi drama Foundation, and nature documentary series The Wild Ones, which follows three experts trying to save several species from extinction.
Telepathic and telekinetic kids from middle America are scooped up and taken to a secret institution where tests are performed on them by people who say they're saving the world.
No, we're not talking about Stranger Things, though you could be forgiven for thinking so.
The Institute is based on a Stephen King novel of the same name and follows brainiac Luke (Joe Freeman), who, at just 14 years old, is already too smart for high school and is about to head off to college. But before that can happen, he's kidnapped in the middle of the night and brought to The Institute, where very little is explained to him, and he has serious doubts he'll be returned to his home.
He's got some telekinetic ability, but nothing he can control. There are other kids with similarly fledgling powers, and all of them are just as in the dark as he is about their fate.
Meanwhile in the outside world, Tim Jamieson (Ben Barnes, with more free time now Shadow and Bone was cancelled) picks up a job as a semi-civilian police employee whose only task is to walk through the small town at night knocking on doors of businesses to make sure they're not being broken into.
But there's an offbeat unhoused woman along his route who knows some things that she shouldn't and has him wondering if there's some sort of conspiracy in town.
Mary Louise Parker also stars in this sci-fi thriller. Two episodes were released to kick things off, with further episodes arriving weekly.
If you combined The Voice, Love is Blind and Popstars (you remember the one, our first introduction to Sophie Monk) you'd come close to Building the Band.
The competition singing show sees 50 wannabe boy band or girl band stars each confined to their own little pods in a big warehouse, listening to just one of their number singing their favourite song in the hope that their peers will want to work with them in a band.
You need at least five people to show interest in order to proceed in the competition, and then you can chat with your fellow singers to form a group of between three and five people.
None of the singers can see each other through this whole process.
Hosted by Backstreet Boy AJ McClean, the series also features judges Nicole Scherzinger, Kelly Rowland and Liam Payne in his last project before his tragic death.
This four-part true crime docuseries does something that many other entries in the genre fail to - it puts the victims front and centre.
The series delves into the murder of Maddie Mogen, Kaylee Goncalves, Ethan Chapin and Xana Kernodle, four University of Idaho students who were killed in the same off-campus share house in November, 2022.
Through interviews with the slain students' closest friends and family members, as well as the perspective of local media (who are portrayed as concerned locals while the national media are considered invasive vultures), true crime fans and faculty staff, the story of the foursome's lives and deaths comes into focus.
But by the nature of the case, this series doesn't have a resolution. We know who the murderer is (arrested suspect Bryan Kohberger pleaded guilty to the crimes only days before the series was released) but we still don't know his motive or how he actually knew the victims.
Without these crucial parts of the mystery, as a piece of content, One Night in Idaho is lacking. But it is still engaging and tragic, and you come away with a great sense of who these young people were and how big a hole they've left in the lives of those who loved them.
Lena Dunham's back with another show after the success of comedy series Girls. This Netflix offering also stars Dunham, but she's not the main character this time around. That honour belongs to Megan Stalter as Jessica, an advertising rep who hasn't quite come to terms with her recent breakup.
After a particularly humiliating encounter with her ex and his new girlfriend, Jessica decides to take up an opportunity to work at her company's London branch and get away from her sad reality.
She's determined to live out her London fantasy and almost immediately finds herself attracted to pub singer Felix (Will Sharpe), a new contender for the title of 'internet boyfriend'.
The comedy is a little brash and loud and American, to be expected of a series called Too Much, but fans of Dunham's work should like the show.
It is chock full of cameos and appearances from familiar faces, with just the first couple of episodes alone featuring Jessica Alba, Rhea Perlman, Rita Wilson, Andrew Rannells, Emily Ratajkowski, Richard E. Grant and Adwo Aboah, among many others.
If you were a fan of Bosch, there's a new spin-off to enjoy in Prime Video's Ballard. The crime series stars Maggie Q as the titular cold case detective who thinks she's found the work of a serial killer in a case more than two decades old. On Disney+ fans can rejoice in some behind-the-scenes action and interviews celebrating the legacy of the original summer blockbuster, with Jaws @ 50: The Definitive Inside Story. Meanwhile younger audiences can catch the latest Disney original musical with Zombies 4: Dawn of the Vampires. Disney+ also has the return It's Always Sunny in Philadelphia, with season 17 starting on Wednesday. Over on AppleTV+ there's a new season of sci-fi drama Foundation, and nature documentary series The Wild Ones, which follows three experts trying to save several species from extinction.
Telepathic and telekinetic kids from middle America are scooped up and taken to a secret institution where tests are performed on them by people who say they're saving the world.
No, we're not talking about Stranger Things, though you could be forgiven for thinking so.
The Institute is based on a Stephen King novel of the same name and follows brainiac Luke (Joe Freeman), who, at just 14 years old, is already too smart for high school and is about to head off to college. But before that can happen, he's kidnapped in the middle of the night and brought to The Institute, where very little is explained to him, and he has serious doubts he'll be returned to his home.
He's got some telekinetic ability, but nothing he can control. There are other kids with similarly fledgling powers, and all of them are just as in the dark as he is about their fate.
Meanwhile in the outside world, Tim Jamieson (Ben Barnes, with more free time now Shadow and Bone was cancelled) picks up a job as a semi-civilian police employee whose only task is to walk through the small town at night knocking on doors of businesses to make sure they're not being broken into.
But there's an offbeat unhoused woman along his route who knows some things that she shouldn't and has him wondering if there's some sort of conspiracy in town.
Mary Louise Parker also stars in this sci-fi thriller. Two episodes were released to kick things off, with further episodes arriving weekly.
If you combined The Voice, Love is Blind and Popstars (you remember the one, our first introduction to Sophie Monk) you'd come close to Building the Band.
The competition singing show sees 50 wannabe boy band or girl band stars each confined to their own little pods in a big warehouse, listening to just one of their number singing their favourite song in the hope that their peers will want to work with them in a band.
You need at least five people to show interest in order to proceed in the competition, and then you can chat with your fellow singers to form a group of between three and five people.
None of the singers can see each other through this whole process.
Hosted by Backstreet Boy AJ McClean, the series also features judges Nicole Scherzinger, Kelly Rowland and Liam Payne in his last project before his tragic death.
This four-part true crime docuseries does something that many other entries in the genre fail to - it puts the victims front and centre.
The series delves into the murder of Maddie Mogen, Kaylee Goncalves, Ethan Chapin and Xana Kernodle, four University of Idaho students who were killed in the same off-campus share house in November, 2022.
Through interviews with the slain students' closest friends and family members, as well as the perspective of local media (who are portrayed as concerned locals while the national media are considered invasive vultures), true crime fans and faculty staff, the story of the foursome's lives and deaths comes into focus.
But by the nature of the case, this series doesn't have a resolution. We know who the murderer is (arrested suspect Bryan Kohberger pleaded guilty to the crimes only days before the series was released) but we still don't know his motive or how he actually knew the victims.
Without these crucial parts of the mystery, as a piece of content, One Night in Idaho is lacking. But it is still engaging and tragic, and you come away with a great sense of who these young people were and how big a hole they've left in the lives of those who loved them.
Lena Dunham's back with another show after the success of comedy series Girls. This Netflix offering also stars Dunham, but she's not the main character this time around. That honour belongs to Megan Stalter as Jessica, an advertising rep who hasn't quite come to terms with her recent breakup.
After a particularly humiliating encounter with her ex and his new girlfriend, Jessica decides to take up an opportunity to work at her company's London branch and get away from her sad reality.
She's determined to live out her London fantasy and almost immediately finds herself attracted to pub singer Felix (Will Sharpe), a new contender for the title of 'internet boyfriend'.
The comedy is a little brash and loud and American, to be expected of a series called Too Much, but fans of Dunham's work should like the show.
It is chock full of cameos and appearances from familiar faces, with just the first couple of episodes alone featuring Jessica Alba, Rhea Perlman, Rita Wilson, Andrew Rannells, Emily Ratajkowski, Richard E. Grant and Adwo Aboah, among many others.
If you were a fan of Bosch, there's a new spin-off to enjoy in Prime Video's Ballard. The crime series stars Maggie Q as the titular cold case detective who thinks she's found the work of a serial killer in a case more than two decades old. On Disney+ fans can rejoice in some behind-the-scenes action and interviews celebrating the legacy of the original summer blockbuster, with Jaws @ 50: The Definitive Inside Story. Meanwhile younger audiences can catch the latest Disney original musical with Zombies 4: Dawn of the Vampires. Disney+ also has the return It's Always Sunny in Philadelphia, with season 17 starting on Wednesday. Over on AppleTV+ there's a new season of sci-fi drama Foundation, and nature documentary series The Wild Ones, which follows three experts trying to save several species from extinction.
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West Australian
a day ago
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International superstar singer Richard Marx to perform at 2025 Logies alongside Guy Sebastian
International superstar singer Richard Marx has been confirmed as one of the musical guests performing at the 65th TV WEEK Logie Awards on Sunday. The Grammy-winning American pop star will appear as a mentor on this year's season of The Voice. He will perform a medley of his greatest hits, alongside homegrown star Guy Sebastian, who will perform his new song, Get It Done. 'Australians have always been huge supporters of my music and have brought their passion and infectious energy to my live shows across the decades,' Marx said in a statement. 'It is a privilege to be performing at Aussie TV's biggest night of celebrations. I can't wait to deliver something special for those at home and in the room.' Joining the pair, and previously announced as a musical guest, is Aussie music icon Jimmy Barnes, who will also perform on the night. They join confirmed presenters, including Kitty Flanagan, Hamish Blake, Sophie Monk, Tom Gleeson, Ricki-Lee, Poh Ling Yeow and Ray Martin, and a host of other big names, who will be on hand to present the awards. The ceremony will once again be hosted by beloved comedian Sam Pang, who has helmed the show twice previously to widespread acclaim. Marx, who has been down under for several months filming The Voice, is a singer-songwriter best known for his musical ballads Right Here Waiting and Hazard — both songs reached number one in Australia. Marx has written fourteen number one hits across multiple genres – pop, rock, country, and R&B – and is one of only two artists (alongside Michael Jackson) to have scored a number one single in four different decades since his musical debut in 1987. The 65th TV WEEK Logie Awards will screen Sunday August 3 from 7pm on Seven and 7Plus.


Perth Now
a day ago
- Perth Now
International superstar to perform at this year's Logies
International superstar singer Richard Marx has been confirmed as one of the musical guests performing at the 65th TV WEEK Logie Awards on Sunday. The Grammy-winning American pop star will appear as a mentor on this year's season of The Voice. He will perform a medley of his greatest hits, alongside homegrown star Guy Sebastian, who will perform his new song, Get It Done. 'Australians have always been huge supporters of my music and have brought their passion and infectious energy to my live shows across the decades,' Marx said in a statement. 'It is a privilege to be performing at Aussie TV's biggest night of celebrations. I can't wait to deliver something special for those at home and in the room.' Joining the pair, and previously announced as a musical guest, is Aussie music icon Jimmy Barnes, who will also perform on the night. Guy Sebastian will perform Get It Done at this year's Logies. Credit: Supplied They join confirmed presenters, including Kitty Flanagan, Hamish Blake, Sophie Monk, Tom Gleeson, Ricki-Lee, Poh Ling Yeow and Ray Martin, and a host of other big names, who will be on hand to present the awards. The ceremony will once again be hosted by beloved comedian Sam Pang, who has helmed the show twice previously to widespread acclaim. Sam Pang has been announced as host of The Logies again this year. Credit: James Gourley / Getty Images Marx, who has been down under for several months filming The Voice, is a singer-songwriter best known for his musical ballads Right Here Waiting and Hazard — both songs reached number one in Australia. Marx has written fourteen number one hits across multiple genres – pop, rock, country, and R&B – and is one of only two artists (alongside Michael Jackson) to have scored a number one single in four different decades since his musical debut in 1987. The 65th TV WEEK Logie Awards will screen Sunday August 3 from 7pm on Seven and 7Plus.

ABC News
2 days ago
- ABC News
National Portrait Gallery unveils installation of Romance Was Born designers
Two Australian fashion designers are the focus of a new "opulent, big, and unique" photographic installation at the National Portrait Gallery in Canberra. Anna Plunkett and Luke Sales are the minds behind Romance Was Born, a fashion house founded in 2005 and loved by the likes of Cate Blanchett and Niki Minaj. In the 20 years since it was founded, the brand's garments have been shown at the Metropolitan Museum of Art in New York and are held in several national costume and textile collections. The duo also value sustainability in their work, having held shows using offcuts of material and workshops teaching how to tailor clothes so they last longer. "Before I even knew Anna, I used to go to op shops and buy secondhand clothing, unpick them, sew them back together and make new things out of them," Sales said. "I guess it's just who we are as designers, and how we've always worked." Plunkett agreed, adding that they had a genuine appreciation for vintage textiles and upcycling. "It's a part of our work and our DNA," Plunkett said. Long-term friend of Sales and Plunkett, artist Samual Hodge, used photographs from his own collection to encompass the minds of the pair. The process took months of sifting through thousands of photographs he'd taken over their two decades of friendship. Incorporating different mediums including paint, dye, and photography, Hodge said he hoped to echo the coming together of fashion and art which was central to Plunkett and Sales's work. "Every time I see them do a show or a collection, it's never what you expect," Hodge said. "I wanted to match that way of working, to push everything to be bigger and bolder. "I could have just done a single portrait, but it wouldn't have really done justice to everything that they've done." Sales said Hodge's piece embodied who he and Plunkett were as designers, along with the spirit of the brand. Plunkett agreed and said the work taking up a whole wall was appropriate to the dramatic nature of their work. "It's so extra, and me and Luke are both very extra — we always want to shoot for the stars with what we do," she said. National Portrait Gallery Director Bree Pickering said the brand was unique in the Australian fashion industry, so their portrait had to be equally unconventional. "They burst onto the scene with a really distinct and bold voice, and they've maintained that voice over 20 years," Ms Pickering said. "Every time they do a show, there's something unexpected, but absolutely so Romance Was Born. It's very Australian, but it's globally influential. "And, of course, it's Romance Was Born so … the portrait had to evoke them — it had to be opulent, big, and unique, and noisy." She said Sydney in the mid-2000s, when Romance Was Born began, was a productive moment for art and fashion that Hodge's piece had captured. "[Romance Was Born] were there at that moment, and what's super exciting is Sam Hodge, the artist, was also there at that moment," Ms Pickering said. "So what we see in this portrait is actually almost a portrait of Sydney's creative scene at that time, as well as a portrait of Luke, a portrait of Anna, a portrait of Romance Was Born." Ms Pickering said the piece was "overwhelmingly beautiful", which spoke to the brand itself. "What is wonderful about the work is the layers," she said. "What Sam [Hodge] does that is so lovely is that he kind of collapses time together. "So when you look at the work you'll see 20 years of Romance Was Born, but it's absolutely them now. And the more you look at it the more you get."