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Hero earns documentary feature after years of unsanctioned rescue work: 'We need it'

Hero earns documentary feature after years of unsanctioned rescue work: 'We need it'

Yahoo20-03-2025

When Candy Gallant began rescuing and rehabilitating wild animals around 60 years ago, she never dreamed it would land her a main role in a documentary one day. However, once filmmaker Susan Rodgers heard about her incredible efforts to help wildlife in Prince Edward Island, Canada, she felt inspired to share Gallant's story.
As the Journal Pioneer explained, Gallant's love for nature and animals led to the launch of P.E.I. Wildlife Rescue and Rehabilitation Inc., a rehabilitation operation she runs out of her home. While she received a license to do the work legally in 2021, that didn't stop her from helping animals in need even before becoming official. Despite the risk, she's always had a heart for taking care of injured or abandoned animals.
"I've never been able to turn down anything that's little and wants to live," she told CBC Radio Canada.
Her love for animals goes back to childhood, and she's had plenty of experience nurturing them back to health.
"I grew up with wild animals being part of the family," she added. "We were those people that you brought any sick or orphaned anything to and I just carried on the family tradition, I guess."
Now, she's one of the few people in the province with a wildlife rehabilitation permit. The work keeps her busy, as she gets about 800 animals needing rehabilitation and release every year. When you walk into her home, you'll see dozens of cages filled with baby squirrels, birds, raccoons, skunks, weasels, guinea pigs, and other animals on the island needing help.
"Usually, there's cages completely surrounding me," Gallant told the Pioneer. "I call it command central, and (I) sit … with baby birds, baby squirrels, baby whatever. Baby weasels, mink, whatever needs constant feeding."
That's part of why she initially hesitated about being in the documentary, as she doesn't have a designated facility for the animals yet. She eventually agreed, however, realizing the documentary would be a great opportunity to raise awareness of P.E.I. wildlife and rescue.
"Any publicity about wildlife and how you shouldn't be feeding them certain foods – or you shouldn't be feeding them at all, because you're making them too dependent on humans. It's all good information," she said.
With the changing climate making it harder for animals to survive because of more frequent extreme weather events, animal rescue operations — such as Pasadena Humane in California — have seen a big increase in wildlife that needs rehabilitation.
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Rodgers hopes the documentary, called Wild Hearts, will encourage people to reconnect with nature and care for the animals that call it home. Filming will begin this month, and the four-part documentary will air on Bell TV sometime in late 2026.
"I hope they get a feel-good feeling. And the ones that didn't know they have a wildlife rescue choice, they'll find out about it," Gallant said. "Any publicity about wildlife rehabilitation in the Maritimes is good. We need it."
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Your kid's temper tantrum doesn't mean you're failing as a parent: How I stay calm and connected in the chaos.
Your kid's temper tantrum doesn't mean you're failing as a parent: How I stay calm and connected in the chaos.

Yahoo

time3 days ago

  • Yahoo

Your kid's temper tantrum doesn't mean you're failing as a parent: How I stay calm and connected in the chaos.

The founders of the popular parenting platform Big Little Feelings — moms and real-life best friends Kristin Gallant, a parenting coach with a background in maternal and child education, and Deena Margolin, a child therapist specializing in interpersonal neurobiology — are back with more parenting wisdom in Yahoo's new column called , a companion to their podcast, After Bedtime With Big Little Feelings. In the second episode of their show, Gallant and Margolin dive into toddler tantrums — those challenging (and, let's be honest, mortifying) moments that can really test your patience and leave you feeling frustrated and judged by everyone around you. Here, Gallant shares five tips on how to calmly navigate a tantrum. It always seems to happen at the worst possible time. You're at Target. Or at the park. Or boarding a plane. And just as you're trying to get out the door, check out with your cart full of stuff or line up at the gate, you feel it coming. The whining and the screaming, followed by the full-body flop to the ground. Your toddler is officially having a moment. And you're officially dying inside. For me, that's the moment the shame voice kicks in: You're doing it wrong. No one else's kid acts like this. Look around — everyone's staring. They're judging you. Good moms don't have kids who scream in public. That voice? It's a liar. Here's what's actually true: Your child's tantrum is not a reflection of your failure. It's a reflection of their developing brain doing exactly what it's wired to do. Let's break that down, along with tips on how to handle a toddler meltdown. Toddlers live in what's called the 'emotional brain,' aka the limbic system. The rational, logical part of the brain that helps regulate big feelings (the prefrontal cortex) is still in development. Like, years away from being online. That means toddlers physically cannot handle overwhelming emotions in a calm, measured way because the part of the brain that would help them do that isn't built yet. So when your child loses it over a broken granola bar or the wrong color cup, it's not them being 'bad.' It's their brain being immature and developing exactly on track. You're not just dealing with a dysregulated kid, you're also dealing with every set of eyes in the grocery store or at the playground on you. The shame. The heat on your face. The desperate urge to make it stop. Let me say this as clearly as possible: You are not a bad parent because your child is struggling. You are not a failure because your child is having a hard time in public. It's actually the most human parenting moment there is. Here's a quick survival-mode guide to get through it: Regulate yourself first: Your child's brain is on fire. If yours catches fire too, it's just two brains in a blaze. Instead, take a deep breath. Literally. Ground yourself in the moment. You're not in danger, you're just in aisle 7. Forget the audience: The people staring? They've either a) never had a toddler or b) have had one and have just forgotten. Your job is not to manage their discomfort, it's to support your child through theirs. Get low and stay calm: Kneel down to your child's level. Speak softly. Your calm is contagious, even if it takes time for it to spread. Skip the lecture: This isn't a teachable moment; it's a survival one. Let the storm pass. You can talk later when everyone has calmed down and is back in their body. Have a go-to phrase: Something like: 'You're having a hard time. I'm right here with you.' It grounds both of you in connection, and that's what helps tantrums pass faster. Public tantrums feel like the worst moment of parenting. But they're actually one of the most important ones. Because when we stay present, calm and connected, even in the chaos, we teach our kids that big feelings aren't dangerous and that they're not alone in their hardest moments. And that their emotions are safe with us. That's not a parenting failure. That's parenting at its finest.

What It Costs to Get the Life You Want
What It Costs to Get the Life You Want

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What It Costs to Get the Life You Want

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Others, Gornick notes, spent too much time with 'one Steve Burnet or another,' and the person they never became 'hardened' inside them. Women today might have more freedom and more choices than Gallant and her characters did—but the kind of burdenlessness that Gallant's women seek can still be out of reach. Gallant herself yearned to be 'perfectly free,' Gornick writes, and found that the only way she could do it was by living in Paris, where she 'never felt at ease,' among people she never felt intimate with. She chose to have neither children nor a husband (after a brief youthful marriage) and was thus able to devote herself to her work. For her characters, freedom is more urgent than security; they make their choices without looking back. But some women may feel more ambivalent. 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Read the full article. , by Jamaica Kincaid Kincaid's account of her three-week trek in Nepal—undertaken to collect rare seeds with several botanist friends—is sure to make any reader appreciate their local flora. Kincaid views the Himalayas through the lens of her own home garden in Vermont, searching for plants she can cultivate in the North Bennington climate as her group climbs up through the mountains. I often paused as I read to look up the species she mentions, shocked to see some of the huge plants that grow naturally in alpine zones. She approaches the experience as a true amateur, always ready to learn something new, and her honest reflections on the trip's difficulties make the book intimate and amusing. Reading Among Flowers feels like traveling alongside Kincaid: You can experience the highs of the journey (gorgeous vistas, rare native-plant sightings, camaraderie and companionship) alongside the lows (leeches, arduous climbs, Maoist guerrilla groups) without ever having to navigate the forbidding range yourself. — Bekah Waalkes From our list: Six books you'll want to read outdoors 📚 Freedom Season, by Peniel E. Joseph 📚 The Emperor of Gladness, by Ocean Vuong 📚 Happiness Forever, by Adelaide Faith Is This the Worst-Ever Era of American Pop Culture? By Spencer Kornhaber What art can do is remind us that our lives are not simply shaped by systems—they're also a product of our own thoughts, inspirations, and relations. My favorite new TV show of this decade is HBO's Fantasmas, a comedy created by the former Saturday Night Live writer Julio Torres. It's a magical-realist depiction of a near future in which people live with bumbling AI assistant bots in housing complexes owned by corporations such as Bank of America. Torres's character wants to make surreal films about animals, but is being pressured to cash in on his backstory as a gay immigrant. (A streaming service run by Zappos—yes, the shoe company—commissions a screenplay called How I Came Out to My Abuela.) This subject matter asks, quite darkly, whether the artistic spirit can survive modern life. But the imaginative way the show is rendered—in a dreamscape of interconnected skits, featuring handcrafted set decoration, performed by talents from today's offbeat comedy world—offers a hopeful answer. Read the full article. When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic. Sign up for The Wonder Reader, a Saturday newsletter in which our editors recommend stories to spark your curiosity and fill you with delight. Explore all of our newsletters. Article originally published at The Atlantic

What It Costs to Get the Life You Want
What It Costs to Get the Life You Want

Atlantic

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This is an edition of the Books Briefing, our editors' weekly guide to the best in books. Sign up for it here. The wives in Mavis Gallant's stories aren't happy. In 'The Flowers of Spring,' from 1950, a woman named Estelle visits her paralyzed husband, Malcolm, at the hospital. She feels sorry for him but also resentful and trapped, and she wonders whether the wives of other disabled men also feel 'despair and discontent.' She'd 'been a charming bride'; now, a few years later, she sees herself as a 'delinquent wife.' She has no desire, despite the doctor's entreaties, to discuss her husband's condition. First, here are five new stories from The Atlantic 's books section: Many of Gallant's characters are 'strays,' as Vivian Gornick wrote last week. They are out of place in the world, supremely lonely, seeking something better or different in life. Three of the Canadian writer's later stories, which appear in the collection Varieties of Exile, focus on a woman named Lily Quale, who agrees to marry a humdrum diplomat named Steve Burnet, despite not loving him. She trusts that Steve will get her out of provincial Canada—but although he makes good on his promise, taking her to live in Europe, Lily has no interest in spending her life tied down to this kind yet dull man, and she leaves him not long after they arrive in the south of France. Why is she willing to do something so reckless to get what she wants? Gornick observes that Lily lives in a time when a woman couldn't make her way in the world alone. 'Whatever the future held for her, she was bound to pursue it through a man in whom she aroused desire: the only card she ever had to play,' she writes. Some women used that connection to advance, as Lily does. Others, Gornick notes, spent too much time with 'one Steve Burnet or another,' and the person they never became 'hardened' inside them. Women today might have more freedom and more choices than Gallant and her characters did—but the kind of burdenlessness that Gallant's women seek can still be out of reach. Gallant herself yearned to be 'perfectly free,' Gornick writes, and found that the only way she could do it was by living in Paris, where she 'never felt at ease,' among people she never felt intimate with. She chose to have neither children nor a husband (after a brief youthful marriage) and was thus able to devote herself to her work. For her characters, freedom is more urgent than security; they make their choices without looking back. But some women may feel more ambivalent. Even if these decisions are no longer as binary as they were in Gallant's era, attaining total independence in the 21st century can still mean forgoing, or de-emphasizing, the kinds of attachments that place demands upon us—things such as marriage, children, and a steady career. And in this less black-and-white world, where women have the opportunity to balance family, work, and leisure, people who feel pulled toward multiple kinds of fulfillment may find that dedicating themselves to one over the other is less simple than it was decades ago. There are now more paths to choose from, but that doesn't necessarily mean the choices are any easier to make. The Writer Who Understood Aloneness By Vivian Gornick Mavis Gallant's short stories are about people, especially women, who prefer to live on the social margins. I cherish one of them most of all. What to Read Among Flowers: A Walk in the Himalaya, by Jamaica Kincaid Kincaid's account of her three-week trek in Nepal—undertaken to collect rare seeds with several botanist friends—is sure to make any reader appreciate their local flora. Kincaid views the Himalayas through the lens of her own home garden in Vermont, searching for plants she can cultivate in the North Bennington climate as her group climbs up through the mountains. I often paused as I read to look up the species she mentions, shocked to see some of the huge plants that grow naturally in alpine zones. She approaches the experience as a true amateur, always ready to learn something new, and her honest reflections on the trip's difficulties make the book intimate and amusing. Reading Among Flowers feels like traveling alongside Kincaid: You can experience the highs of the journey (gorgeous vistas, rare native-plant sightings, camaraderie and companionship) alongside the lows (leeches, arduous climbs, Maoist guerrilla groups) without ever having to navigate the forbidding range yourself. — Bekah Waalkes Out Next Week 📚 Freedom Season, by Peniel E. Joseph 📚 The Emperor of Gladness, by Ocean Vuong 📚 Happiness Forever, by Adelaide Faith Your Weekend Read Is This the Worst-Ever Era of American Pop Culture? By Spencer Kornhaber What art can do is remind us that our lives are not simply shaped by systems—they're also a product of our own thoughts, inspirations, and relations. My favorite new TV show of this decade is HBO's Fantasmas, a comedy created by the former Saturday Night Live writer Julio Torres. It's a magical-realist depiction of a near future in which people live with bumbling AI assistant bots in housing complexes owned by corporations such as Bank of America. Torres's character wants to make surreal films about animals, but is being pressured to cash in on his backstory as a gay immigrant. (A streaming service run by Zappos—yes, the shoe company—commissions a screenplay called How I Came Out to My Abuela.) This subject matter asks, quite darkly, whether the artistic spirit can survive modern life. But the imaginative way the show is rendered—in a dreamscape of interconnected skits, featuring handcrafted set decoration, performed by talents from today's offbeat comedy world—offers a hopeful answer.

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