
What Happened To All The Trousers At The Met Gala?
Many celebrities stepped onto the 2025 Met Gala's blue carpet—themed to showcase exquisite suits—with only half the ensemble…
The Met Gala has always been an event where fashion gets reimagined, reworked, and, quite often, the rules are rewritten altogether. This year, celebrities brought a rebellious spirit to the theme 'Superfine: Tailoring Black Style ' by ditching traditional trouser suits and long gowns in favour of bold, leg-baring looks.
A good chunk of the no-trouser moments were courtesy of Louis Vuitton, with friends of the brand opting for sheer tights, bodysuits, and tailored jackets to serve structured drama from the waist up, while keeping things to a bare minimum below.
View this post on Instagram
A post shared by LISA (BLACKPINK) (@lisa_and_lilies_)
Helen Williams, attending with her husband and Met Gala co-chair Pharrell Williams, sported a slick leather bodysuit layered over monogrammed tights; an outfit that balanced edgy biker energy with polished elegance. Lisa, making her Met Gala debut after blowing up social media with her Coachella performance and recent turn in The White Lotus, wore a sharp black jacket with a glimpse of glittery bikini briefs underneath.
A post shared by @rapalert2.0
Sabrina Carpenter embraced the pantless trend with her own twist. She stepped onto the carpet in a sleek burgundy unitard, layered with a cropped blazer featuring dramatic tails. The structured collar and sharply cut jacket gave a nod to the night's tailoring theme, while the skin-tight silhouette sans pantalons brought some extra sassiness to what could have been an overly demure theme for the Met.
View this post on Instagram
A post shared by Met Gala 2025 (@metgalaofficial_)
But Louis Vuitton wasn't the only brand skipping on trousers. Cynthia Erivo turned heads in a voluminous Givenchy creation featuring boy shorts and a high-low skirt. Her look played with layers and proportions, exaggerated by the bare leg look.
View this post on Instagram
A post shared by IT GIRL (@itgirl)
The pantless phenomenon isn't exactly new. It's been bubbling up on the red carpet since circa 2022, when stars like Kylie Jenner, Kendall Jenner, Hailey Bieber, and Bella Hadid started wearing blazers or bodysuits without trousers. But this year's Met Gala saw the style fully embraced—and elevated to couture, almost costume-worthy levels.
Charli XCX, styled by Ann Demeulemeester, leaned into this minimal-meets-dramatic approach with witchy textures and asymmetry. Her layered sheer bodysuit and sharp tailoring pushed boundaries without losing sight of the night's tailoring-focused theme. Similarly, Hailey Bieber opted for a Saint Laurent blazer worn solo, letting the structure and cut of the jacket carry the whole look.
View this post on Instagram
A post shared by Met Gala 2025 (@metgalaofficial_)
Doja Cat kept things as fearless as always, sporting an oversized, power-dressing pinstripe bodysuit by Marc Jacobs. Meanwhile, Erivo's look stood out for its archival references. The use of bloomers and frock-style skirt was a clever call back to fashion icons like Joseph Bologne and Prince, blending old-school opulence with contemporary, gender-fluid style. If nothing else, the trend spoke to the ethos that underpins the entire point of the Met Gala—you do you, and don't let anybody else wear the trousers.
View this post on Instagram
A post shared by Marc Jacobs (@marcjacobs)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Khaleej Times
17 hours ago
- Khaleej Times
Tech, tradition, and a touch of UAE glamour in the hair accessories industry
The global hair accessories market, valued at around $25.97 billion in 2024, is forecast to reach $66.17 billion by 2032. During the forecast period of 2025 to 2032 the market is likely to grow at a CAGR of 12.40%, primarily driven by rising consumer interest in stylish, statement-making pieces and boosted by social-media trends and influencer marketing. The global appetite for 'hair hardware', from ornate clips to pearls and diamanté-embellished pins, has surged in recent years. This category is now widely seen as one of the simplest yet most expressive ways to elevate personal style, driving a new wave of fashion-forward experimentation in hair styling. The UAE is rapidly emerging as a key player in the global fashion and accessories landscape. With its unique mix of high fashion, cultural diversity, and tech-savvy consumers, the region has become a fertile ground for brands that blend creativity with innovation. Consumers here are increasingly seeking out distinctive, expressive accessories, making it an ideal launchpad for fashion-forward, digitally native brands looking to make a global impact. Thehair accessories industry has quietly undergone a dramatic transformation. From basic utility items to coveted fashion statements, the industry has seen a remarkable evolution — led by creative entrepreneurs, pioneering technology, and a fresh cultural lens. And at the heart of this revolution is Priyanka Sanghi, Founder and CEO of Hair Drama Co. With a background in finance and years spent decoding markets and crunching numbers, Priyanka realized she wanted more than just data-driven decisions — she craved creative expression. 'Despite being such a visible part of personal style, hair accessories were either too basic or too bridal,' she recalls. 'There was no in-between, no brand that treated hair fashion with the same sophistication as jewellery or apparel.' That gap wasn't just personal – it reflected a wider vacuum in the fashion industry, where hair accessories had long been overlooked as a serious style category. Globally too, the accessory segment was beginning to gain renewed attention, as consumers leaned into self-expression, seasonal styling, and detail-driven dressing. Hair, once an afterthought in the fashion narrative, was now becoming a new frontier for creativity. And thus, Hair Drama was born in 2015 in India. Traditionally, hair accessories in India were seen either as ceremonial staples or childhood relics. Hair Drama Co. entered this space with a new vision. Today, the brand caters to everything from weddings and red carpets to resort wear and Gen-Z street style, embraced by stylists, celebrities, and everyday women alike. Hair Drama was the first brand in India to incorporate 3D printing into the design and manufacturing of hair accessories — a move that paid off. 'For us, 3D printing wasn't just a tool — it became a creative collaborator,' says Priyanka. 'It allowed us to blend heritage Indian styling with futuristic design techniques.' The results are dazzling: digitally precise, structurally intricate, and artistically bold designs that couldn't be achieved through traditional methods. This fusion of tech and tradition is a perfect metaphor for today's India. As Hair Drama Co. scales globally, the UAE is emerging as a key market. 'The MENA region, and UAE in particular, is a dynamic hub for fashion and luxury. Our vision is to partner with names and narratives that celebrate individuality. So yes, the MENA region is very much part of that future,' says Priyanka. At the heart of Hair Drama Co. is another powerful element: Indian artisans. These artisans, many of whom are women from small towns, bring to life the textures and finesse that define the brand's global appeal. This focus on craftsmanship echoes a larger movement within the global fashion and accessories industry — a return to slow fashion, where quality, narrative, and sustainability are taking precedence over mass production. Handcrafted accessories are no longer seen as niche or ethnic—they're now embraced by mainstream fashion as objects of art and individuality. It's a powerful statement about SMEs and local craftsmanship — proving that even in a tech-driven landscape, heritage and handmade still hold immense value.


Khaleej Times
a day ago
- Khaleej Times
When James Gunn took advice from Zack Snyder for the right 'Superman' costume
Director James Gunn revealed that he consulted with the legendary filmmaker Zack Snyder over whether or not to add red trunks to the new Superman costume. Snyder's Man of Steel famously featured a Superman costume sans trunks for Henry Cavill. The director helmed two more movies with Cavill's Superman, 2016's Batman v Superman: Dawn of Justice and 2017's Justice League. Now the DC Comics character is being rebooted by Gunn, and those red trunks have been a fan fixation since the first photos of actor David Corenswet in-character leaked online, reported Deadline. In an interview with Fandango, Gunn revealed he asked Snyder for advice on whether or not to give Superman his iconic red trunks. "... I talked to Zack Snyder, who was like, 'I tried a billion different versions with the trunks, and at the end of the day, I tried it, but I just couldn't get there.' And I was feeling exactly the same way. Theoretically, I liked the idea of trunks because it's the Superman I grew up with," Gunn was quoted as saying by Variety. As per the outlet, Gunn originally wasn't going to include them in the new costume until actor David Corenswet convinced him. Meanwhile, Warner Bros. has released the final trailer for Superman, ahead of the highly anticipated film's theatrical release on July 11. Featuring Corenswet as the titular hero, the trailer offers fans a closer look at the action-packed journey of the beloved superhero as he learns to wield his immense powers. In this latest DC Studios installment, Corenswet brings to life the classic character of Superman, who arrives on Earth from the distant planet Krypton. The narrative delves deep into his internal struggles, exploring his efforts to balance his extraordinary abilities while trying to live as a seemingly ordinary journalist, Clark Kent.


Khaleej Times
a day ago
- Khaleej Times
'F1' movie could not have been made without Hamilton, says director
Brad Pitt's soon-to-be-released Formula One movie could not have been made without Lewis Hamilton, director Joseph Kosinski said. The Apple Original film F1, with action scenes filmed at race weekends with the Liberty Media-owned sport's cooperation, is due in cinemas and IMAX internationally on June 25 and in North America on June 27. Kosinski told reporters after an advance showing at the Canadian Grand Prix that the involvement of Hamilton, who joined Ferrari this season after winning six of his seven titles at Mercedes, had been key. The 40-year-old Briton is credited as a co-producer while his Dawn Apollo production company was also involved. Kosinski, who directed the Hit Top Gun: Maverick, explained how Hamilton was the first person he reached out to with the idea of a movie. "I sent him an email and just said 'I want to tell the story in your world. I want to make it as authentic as possible. Will you help me?'," he said. "And luckily Lewis said yes... He had actually talked to me earlier about playing a role in Top Gun Maverick. So that's how I knew Lewis." Hamilton, who had to turn down a part in that Tom Cruise film because of his racing commitments, acted as go-between with Formula One and as a consultant advising on technical accuracy and authenticity. He was also a driver advisor to Pitt and co-star Damson Idris. "At Hungary for instance, he said, 'If Brad's going to let someone pass during a blue flag and he wants it to be as tight as possible, he's going to only do that at turn six'," recalled Kosinski. "That kind of detail... from a seven-time world champion who lives and breathes this world every day, I couldn't have gotten that from anywhere else." Hamilton also contributed to the story and served as an inspiration for one scene where Pitt's character talks about why he races in spiritual terms. "So his involvement has been amazing. We couldn't make the film without him." Producer Jerry Bruckheimer referred to Hamilton's insistence of authenticity also in the sound of the film, citing an example at Silverstone where the Briton had pointed out a corner was taken in second gear but the audio was of fourth gear. "It's that kind of detail that went into this," he said. Hamilton has said Pitt's speed is real and the movie will be the most authentic racing film yet. Formula One is hoping the movie cements the appeal of the Netflix docu-series Drive to Survive that has boosted Formula One's popularity and growth worldwide and particularly in the key US market. "I think there's this perception that Drive to Survive turned America onto F1 but I think there's just so many more people out there that don't know anything about it," said Kosinski. "So there's a lot of potential still there."