EXCLUSIVE: Claudia Schiffer Eyes More Home Projects After Bordallo Pinheiro Collaborations
Schiffer told WWD her aim is to design more interiors, an endeavor that has been bolstered by the success of her third collaboration with historic Portuguese ceramics-maker Bordallo Pinheiro.
More from WWD
Lisa Says Gah and Polly Pocket Collaboration Lends Doll's Whimsical Aesthetic to Clothing and Accessories
How a Hotel Collaboration Turned Into a Furniture Collection for Pierre-Yves Rochon and Giorgetti
Keke Palmer Goes Vintage in Sheer Versace Outfit With Sergio Hudson at Vanity Fair Oscar Party 2025
In 2024, she unveiled 'Gudrun' a ceramics and porcelain collection adorned with characters and fall flora and fauna. 'I'm exploring an expansion into linens — such as tablecloths, napkins and runners — as well as glassware. I'm also looking to introduce a range of candles in partnership with a fragrance house,' she said.
Gudrun was the fruit of a partnership between Bordallo Pinheiro and fellow Portuguese porcelain and crystal maker Vista Alegre, which celebrated their 200-year anniversary in 2024. With it, Schiffer introduced an elegant new seven-piece dinnerware range, which referenced heritage porcelain craftsmanship.
The supermodel designed dinner plates, soup bowls and bread plates, as well as a teapot, teacups and saucers with a fall-inspired motif of oak leaves, acorns and squirrels reflecting her daily life in the countryside. Schiffer currently lives in an Elizabethan Tudor manor house in Suffolk, England, with her husband, English filmmaker Matthew Vaughn, and their youngest daughter Cosima, who is 14.
When she isn't working on her home collection, she's been working behind the scenes on fashion and beauty partnerships for Vaughn's films. 'I love being involved in the numerous partnerships created for each film, many of which have had long-running success — such as Kingsman clothing for men with Mr Porter, which is now in its highly successful 21st collection.'
Vaughn co-wrote, directed and produced the blockbuster Kingsman franchise films: 'The Secret Service,' 'Kingsman: The Golden Circle,' and 'The King's Man,' the latter released in 2021.
With Cosima still at home, Schiffer's focus is very much on her own home, despite having entered a new phase of her modeling career after being signed on to IMG models in September and being featured on the cover of Vogue Arabia and Pop Magazine in the same month.
'While Cosima is at school, I work on my ceramic and porcelain collections. I also continue to represent fashion companies and take on campaigns when the timings align with my family schedule,' she added.
Schiffer continues to work with Bordallo Pinheiro, whose designs she began collecting years ago after Portuguese friends gave her a cheese plate adorned with little ceramic mice. She took it upon herself to approach the company, which is based in Caldas da Rainha on Portugal's west coast.
In September 2020, she unveiled her first collaboration with Bordallo Pinheiro called Cloudy Butterflies, a detailed decorative collection adorned with butterflies in several colors. This was followed in 2023 by an informal dinnerware collection that extended the ceramics range and further developed the butterfly designs. It was inspired by the rolling hills, fields and farmland that surround her English home and by the countryside where she grew up near the River Rhine in Germany.
Bordallo Pinheiro was founded in Portugal in 1884, and specializes in earthenware ceramics. The company said it uses centuries-old techniques to reproduce models and create contemporary products.
The latest collection was named Gudrun, after her late mother. 'This collection is dedicated to all my childhood memories connected to the countryside — watching the squirrels from my bedroom window, collecting acorns while my mother gathered the fall leaves, which I used as tiny canvases for my drawings. When I started brainstorming, acorns were one of my first design references. Listening to the woodpeckers and falling asleep to the bird song — these memories inspired me to create these new collections and I'm so proud of the outcome,' she said.
Looking ahead, Schiffer said she's focused on creating a cohesive homeware line in complementary tones and textures, envisaged for anything from dining at home with family or hosting a party.
'My aesthetic is organic and rustic with a midcentury feel, and over my career, I've learned to work only with brands that I admire. Synergy is crucial and I'm very hands-on from ideation and my initial designs and drawings, right through to the final product.'
Like some of her fellow supermodels, Schiffer has been building a portfolio career since she stepped off the catwalk.
She's put a strong focus on collaborations, following her passions and interests and serving as creative director of fashion and design brands.
In past years she has published an eponymous coffee table book with Rizzoli and curated a '90s fashion photography exhibition at the Museum Kunstpalast with an accompanying art book published by Prestel.
She has also been working in film — she is an executive producer and cofounder of film studio MARV, with her husband, Vaughn.
In 2020, Schiffer partnered with numerous brands including Frame, Bamford and Lucie Kaas, which released special limited edition and one-off pieces in celebration of her 50th birthday.
She also curated a capsule collection for Versace, while the @BarbieStyle channel unveiled a one-of-a-kind Claudia Schiffer doll with two recreated designer looks inspired by runway styles that she modeled years ago. In 2024 Mattel released a third Claudia Schiffer Barbie.
Fellow supermodel Helena Christensen has also focused on the interiors arena.
In February, Christensen debuted her first project as global artistic director for Denmark-based furniture maker BoConcept. This was in collaboration with fellow Dane Charlotte Høncke, an industrial designer-turned-furniture and lighting expert, who designed a capsule called 'Sweet Art.'
Christensen also is part of the lifestyle brand Staerkandchristensen alongside another fellow Dane, Camilla Staerk, who is known for her designs of women's and men's ready-to-wear and accessories. Together, the duo produce sculptural home objects and modern artisanal designs and have worked on collaborations with New York-based studio Bower and Danish designer Kasper Salto.
Best of WWD
The Story Behind the Mysterious Face That Adorns Most of Fornasetti's Décor
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
a day ago
Bayreuth's 2025 production of Wagner's 'Meistersinger' features a Technicolor look — and a twist
BAYREUTH, Germany -- In Wagner's home theater, a twist has been added to the classic opera 'Die Meistersinger von Nürnberg.' Instead of Walther joining the guild of master singers and preparing to marry Eva after he wins the song contest, in Bayeuth's new version she grabs the medal out of the young knight's hands, returns it to her father, then leads her future husband offstage for a future forsaking the traditions of their family and city. 'No thank you. Let's go!' explained soprano Christian Nilsson, who is singing Eva in her role debut. 'She is a strong girl.' Matthias Davids' production runs through Aug. 22, emphasizing entertainment with a Hollywood Technicolor look highlighted by an upside-down inflatable cow and a tiny St. Catherine's Church atop 34 steep steps. Nilsson's Eva arrives for the Feast of St. John. encased in flowers with additional blossoms in her headdress, carried atop horizontal poles by four men. 'We were always referring to Eva as the prize cow. We said she is sold like a prize cow,' said Davids, a 63-year-old German director known for his work in theater musicals. That idea led to the huge heifer, manufactured by a company that makes inflatables and covered with flame retardant coating, according to set designer Andrew Edwards. Sixtus Beckmesser, the petulant town clerk who loses the song contest to Walther, pulls the plug on the cow, which darkens and sags, during the final oration defending the imperative of German art by the cobbler Hans Sachs. While Sachs runs to restore the connection — reinflating the bovine balloon and restoring light — the young lovers reject him and what he stands for. Townspeople, many wearing conical red caps that give them elf-like looks, shrug their shoulders at the final notes as Sachs and Beckmesser argue upstage. When 'Meistersinger' premiered in 1868, Wagner presented a happy ending in which Walther and Eva joined together and he is admitted to guild. Davids' ending is less jarring than Kasper Holten's 2017 Covent Garden staging, set in a men's club where Eva is horrified Walther would want to join the misogynistic Meistersingers and runs away in tears. 'I saw some productions and I always found them kind of heavy and meaningful,' Davids said. He read Wagner's letters about his desire to produce a comedy to earn money and decided to search for lightness and humor while realizing comedy can't constantly sustain over four hours. Details were worked out during rehearsals, with Davids inspired by the chemistry of Nilsson and tenor Michael Spyres, who also was making his debut as Walther. Nilsson maintains a beatific beam during Walther's prize song. 'I really felt like in this production Eva and Walther truly had a fun connection — fun, young, loving connection — and I just leaned into that and listened to Spyres' beautiful tenor,' Nilsson said. Davids' contrast was sharp from Barrie Kosky's 2017 production, set partly in Wagner's home of Wahnfried and the Nuremberg trials courtroom, with Walther and Sachs portrayed as Wagner of various ages. This time Georg Zeppenfeld was a grandfatherly Sachs in an argyle button through sweater vest. Beckmesser, played fussily but without histrionics by Michael Nagy, had a shimmering silver sweater below a cream Trachten jacket, mirror sunglasses and lute transformed to resemble a heart-shaped electric guitar outlined by pink light that gave him an Elvis Presley look. Jongmin Park, an imposing Pogner as Eva's father, was attired in a more flowing robe. Eva wore a traditional dirndl and Walther, an upstart, a punkish T-shirt. Susanne Hubrich costumed various townspeople to resemble German entertainer Thomas Gottschalk, comedian Loriot, fans of the soccer club Kickers Offenbach and former German Chancellor Angela Merkel. 'Ms. Merkel is a Wagner fan and attends the Bayreuth Festival almost every year,' Hubrich said. 'I spoke with her after opening night. She was amused.' Edwards, the set designer, had orange and yellow spears of light that resemble fairgrounds and included architectural details from the Bayreuth auditorium such as circular lamps in sets of three in the church and seats like the ones the audience was viewing from. Conductor Daniele Gatti, returning to Bayreuth for the first time since 2011, and the cast were rewarded with a positive reception from a spectators known to make displeasure known after more provocative performances. 'Just looking around the audience, there was a lot more smiles on people's faces at the end than normally you see at the end of Wagner productions,' Nilsson said.
Buzz Feed
a day ago
- Buzz Feed
19 Oscars Scandals From Throughout The Years
The Oscars are meant to be a yearly celebration of achievements in film, but sometimes, the drama that unfolds during or around the ceremony is way more intense than anything in the award-winning movies. Here are 19 major Oscars scandals and controversial moments from throughout the years: At the 2022 Academy Awards, host Chris Rock made a joke about Jada Pinkett Smith's shaved head. Moments later, her husband, Will Smith, infamously got onstage and slapped Chris across the face. Later that night, Will took home the Best Actor award. Watch the full clip below, with this part starting at the 1:05 mark: While presenting the Best Picture Award at the 2017 Oscars, Faye Dunaway and Warren Beatty accidentally announced the winner as La La Land instead of Moonlight. However, midway through the cast and crews' acceptance speech, producer Jordan Horowitz was reportedly shown an envelope with the correct winner's title, so he interrupted the speech to ensure Moonlight got their big moment. Here's the full clip: When Billy Crystal hosted the Oscars in 2012, his opening included a pre-filmed skit parodying the Best Picture nominees. In the video, he played Sammy Davis Jr. in blackface. Here's the clip: At the 2000 Oscars, Angelina Jolie won Best Supporting Actress. In her acceptance speech, she said she was "so in love with" her older brother, James Haven. Later in the night, as they were being photographed ahead of the Vanity Fair afterparty, Angelina and James briefly kissed. It was actually their second red carpet kiss, following a moment from the Golden Globes a few months earlier (which is pictured below). Watch the full video of Angelina's acceptance speech below: During the 2013 Oscars, host Seth MacFarlane performed an ill-received opening number called "We Saw Your Boobs," in which he named actors who'd done nude scenes. He also mentioned Scarlett Johansson's nude picture leaks. As he sang, the camera occasionally panned to the women he named, capturing their uncomfortable reactions. Here's the full video: In 1974, as host David Niven was introducing presenter Elizabeth Taylor, a completely nude streaker ran across the stage behind him, threw a peace sign, then disappeared. Here's the full clip: When host Will Rogers announced the Best Director winner at the 1934 Academy Awards, he called out, "Come up and get it, Frank!" So, Lady for a Day director Frank Capra began making his way to the stage — but Will had actually meant Cavalcade director Frank Lloyd. The walk back to his seat was "the longest, saddest, most shattering walk in [his] life." At the 2003 Academy Awards, Halle Berry presented Adrien Brody with Best Actor. Onstage, he kissed her suddenly and unexpected, and she "just fucking went with it." Here's the full clip: In 2023, Andrea Riseborough was nominated for Best Actress for To Leslie, which is an indie movie, but her campaign had some people calling for her nom to be rescinded. Mary McCormack, who's married to the movie's director, Michael Morris, reportedly "emailed and called tons of members of the Academy's actors branch, begging them to see the little-watched alcoholic drama and post online about Riseborough's searing performance," according to Puck. Mary Pickford's first adult role as Norma Besant in Coquette was poorly received, as was the film itself. So, she invited the five Board of Judges members (who chose Oscar winners at the time) to have tea at her legendary Beverly Hills estate, Pickford. In exchange, they named her Best Actress at the 1928–29 Academy Awards. When Bette Davis turned town the titular role in Mildred Pierce, her longtime rival Joan Crawford jumped at the chance to take it. In 1946, she won her first and only Oscar for the role — and she famously accepted it from her bed. The very first person to decline their Oscar was screenwriter Dudley Nichols. He was an important figure in the formation of the Screen Writers Guild, the predecessor to the WGA, which sought to provide better protections for screenwriters. In 1935, studios began favoring Screen Playwrights Guild members over SWG members because their interests were more closely aligned. So, when Dudley won Best Original Screenplay in 1936, he declined it on the grounds that "to accept it would be to turn [his] back on nearly 1,000 members of the Screen Writers Guild." In 1973, Marlon Brando won Best Actor for The Godfather, but he famously sent activist and National Native American Affirmative Image Committee president Sacheen Littlefeather to decline the award on his behalf. Here's the full clip of Sacheen's speech: In 1940, Hattie McDaniel won Best Supporting Actress for Gone with the Wind, making her the first Black Oscar winner. However, the Academy Awards were held at the Ambassador Hotel, which was segregated, so producer David O. Selznick had to get special permission for her to be allowed in. She was still forced to sit in the back of the room, separated from her white costars. When the Academy announced its 2015 nominees, all 20 of the acting nominees were white. In response, April Reign created the #OscarsSoWhite movement to call out the egregious lack of diversity. She tweeted, "#OscarsSoWhite they asked to touch my hair." By lunchtime, the hashtag was trending. Then, in 2016, the acting nominees were once again all white. Many celebrities, including Lupita Nyong'o and George Clooney, joined fans in calling out the Academy. Some, including Will Smith, Jada Pinkett Smith, and Spike Lee, boycotted the Oscars that year. The now-defunct Best Motion Picture Story award went to Robert Rich for The Brave One in 1957. However, he wasn't at the ceremony. The producers claimed he was a former GI they met in Germany and that they had no idea what happened to him after they bought the story from him. The Academy looked and looked for Robert. Even Life magazine published a drawing of what he might look like. But no one could find him — and that's because he wasn't a real person. When Marisa Tomei won Best Supporting Actress for My Cousin Vinny in 1993, it sparked a decades-long conspiracy theory that presenter Jack Palance had called her name by accident. However, this has been disproven. In 1938, Alice Brady wasn't able to accept her Best Supporting Actress award because she was stuck at home with a broken ankle, so a "mystery man" accepted it on her behalf. However, both the man and the Oscar disappeared after that night — or so the story goes. And finally, when Chill Wills was nominated for Best Supporting Actor for his role in The Alamo in 1960, he hired publicist W. S. "Bow-Wow" Wojciechowicz. The press agent put out a series of misguided ads, starting with a published list of every Academy member who'd gotten the actor's vote in the past.
Fox News
a day ago
- Fox News
Supermodel Claudia Schiffer, 54, shows off youthful figure during summer ice plunge
Claudia Schiffer impressed fans with her three-minute ice plunge. The 54-year-old supermodel's figure was on display as she took a dip in the cold water. "3-minute ice plunge in my beautiful @chloe bathing suit," she captioned photos and a video on Instagram. The blonde bombshell wore a floral one-piece with a bow tied to the shoulder. Schiffer accessorized with white sunglasses and wore her hair in a ponytail. The German model and actress opened up about aging after turning 50 in 2020. "I think age should be celebrated and revered," Schiffer told Country and Town House that year. "There's a reason we have cakes and parties on our birthdays, and I feel the same way about getting older each year. "I am so happy to be turning 50 and have never felt more confident or happy in my life. I don't try to look or feel younger. I embrace now." Schiffer explained she had also gained appreciation for her modeling career over the years. "I have always enjoyed getting older as it comes with more confidence, and I hugely appreciate the position I'm in now," she told the outlet. "I'm very lucky to love what I do and to be able to pick and choose my projects. I'm also enjoying the different avenues my career has taken, including roles where I am designing or curating collections." Schiffer married English director Matthew Vaughn in 2002, and they share three children together — Caspar, 22, Clementine, 20, and Cosima, 15. The model opened up about the values she's instilled in her children. "I teach my kids to be independent thinkers and to go for their dreams, regardless of what people think," she previously said. "And to be kind and gentle."
