‘It's an opportunity to show some hope': Hit housing show finally lands in Australia
Like many young Australians, The Project panellist Georgie Tunny never expected to own a home. But that didn't stop her and her flatmates from obsessively watching the American reality series House Hunters, running since 1999 and more than 200 seasons, and its spin-off, House Hunters International.
These days, The Project panellist is happily installed in the Melbourne house she purchased in 2021 with her fiance, singer and actor Rob Mills, and feels qualified to narrate the inaugural House Hunters Australia on Ten.
'There's a script, but I can add my own little touch,' says Tunny. 'I have sat watching House Hunters on my couch and just essentially Goggleboxing what was going on. So this felt like that. I found it so fun.'
Like the original, the series follows prospective buyers as they are introduced to three listings in their desired location and price range. There's no obligation to buy, of course, but it boosts the feel-good factor if they can chant 'we bought a house!' in unison at episode's end. Much of the mild dramatic tension comes from style clashes, something to which Tunny could relate.
'Robert and I probably would have benefited from a show like House Hunters because it forces you to say exactly what you're looking for and be really upfront with each other,' she says.
'When we first started dating, Robert was into the Scandi vibe – minimalist, lots of blues and greys, not too much clutter. I am more of a maximalist when it comes to a house looking like it's been lived in. I don't want it to look like an art gallery. So we've been trying to find a middle ground. I'm introducing more colour to him – a lot more textures, and a lot more knick-knacks because I have a lot of stuff.'
Although they competed together in Ten's Amazing Race: Celebrity Edition, Tunny isn't sure they would actually make such a compatible team on House Hunters: 'I think we might have killed each other.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Sydney Morning Herald
43 minutes ago
- Sydney Morning Herald
A car crash and giant hand that looks like Donald Trump – Dark Mofo is back
Dropping to your knees and screaming at the top of your lungs in public is usually, at best, frowned upon – but here on a drizzly winter night I find myself considering it. Clearly there is something deep within each of us that wants to make our emotions heard by all around – babies and toddlers do it until societal conditioning teaches them to quieten down, to find new channels of expression, to live more interiorly. And so the screaming changes form; perhaps it turns into high blood pressure, into running marathons, into smashing out angry words anonymously on a keyboard. In his artwork Neon Anthem, however, Nicholas Galanin invites all who see his light-up sign to take a step back. 'I've composed a new national anthem,' the bright white words read. 'Take a knee and scream until you can't breathe.' The newest iteration of the work – minus the word 'American' before 'anthem' that has appeared in other versions – is on display as part of this year's Dark Mofo arts festival. The words loom large over a series of mats laid out on the floor, and all around me people are doing as asked; dropping to their knees and making themselves heard. New artistic director Chris Twite has had to wait a little longer than expected to helm his inaugural festival, but after hitting pause in 2024, Dark Mofo is back, with the Hobart-based arts festival bringing together visual art, music, performance and a series of experiences and experiments that don't fit neatly into a category. Perched atop one building is a giant hand with a face on it. 'It looks like Trump,' a friend insisted. 'No, it looks like Elon Musk,' another shot back. Actually, it's neither – Quasi by artist Ronnie van Hout is apparently a self-portrait of sorts. The last time I saw it was on its last day in Wellington, New Zealand – at the time, where the polarising work would be heading to next remained a mystery. 'Oh is that not normally there?' a passer-by says, attention drawn by all the people stopping to take photos. One of the key events of the first weekend of the festival was Crash Body, a work by artist Paula Garcia which saw two cars – one driven by a stunt driver and the other by the artist herself – collide after a series of increasingly tense near misses. To get to the event you needed to walk through Dark Park, a hub of different works including Neon Anthem, down a narrow pathway, past a car suspended by a crane, before trying to find a good vantage point in the crowd. Over the course of about half an hour, the two cars danced and wove around each other, sliding through puddles as the soundtrack amplified the tension. The crash itself came suddenly, much earlier than expected, the windows of both vehicles blowing out. 'Aggh I wasn't filming,' said a voice to the right of me. The voice's owner and the friends they came with left before seeing if Garcia had safely left her vehicle.
The Age
an hour ago
- The Age
A car crash and giant hand that looks like Donald Trump – Dark Mofo is back
Dropping to your knees and screaming at the top of your lungs in public is usually, at best, frowned upon – but here on a drizzly winter night I find myself considering it. Clearly there is something deep within each of us that wants to make our emotions heard by all around – babies and toddlers do it until societal conditioning teaches them to quieten down, to find new channels of expression, to live more interiorly. And so the screaming changes form; perhaps it turns into high blood pressure, into running marathons, into smashing out angry words anonymously on a keyboard. In his artwork Neon Anthem, however, Nicholas Galanin invites all who see his light-up sign to take a step back. 'I've composed a new national anthem,' the bright white words read. 'Take a knee and scream until you can't breathe.' The newest iteration of the work – minus the word 'American' before 'anthem' that has appeared in other versions – is on display as part of this year's Dark Mofo arts festival. The words loom large over a series of mats laid out on the floor, and all around me people are doing as asked; dropping to their knees and making themselves heard. New artistic director Chris Twite has had to wait a little longer than expected to helm his inaugural festival, but after hitting pause in 2024, Dark Mofo is back, with the Hobart-based arts festival bringing together visual art, music, performance and a series of experiences and experiments that don't fit neatly into a category. Perched atop one building is a giant hand with a face on it. 'It looks like Trump,' a friend insisted. 'No, it looks like Elon Musk,' another shot back. Actually, it's neither – Quasi by artist Ronnie van Hout is apparently a self-portrait of sorts. The last time I saw it was on its last day in Wellington, New Zealand – at the time, where the polarising work would be heading to next remained a mystery. 'Oh is that not normally there?' a passer-by says, attention drawn by all the people stopping to take photos. One of the key events of the first weekend of the festival was Crash Body, a work by artist Paula Garcia which saw two cars – one driven by a stunt driver and the other by the artist herself – collide after a series of increasingly tense near misses. To get to the event you needed to walk through Dark Park, a hub of different works including Neon Anthem, down a narrow pathway, past a car suspended by a crane, before trying to find a good vantage point in the crowd. Over the course of about half an hour, the two cars danced and wove around each other, sliding through puddles as the soundtrack amplified the tension. The crash itself came suddenly, much earlier than expected, the windows of both vehicles blowing out. 'Aggh I wasn't filming,' said a voice to the right of me. The voice's owner and the friends they came with left before seeing if Garcia had safely left her vehicle.
Perth Now
7 hours ago
- Perth Now
Bruce Springsteen snubbed autograph hunters for 'chasing him all around town'
Bruce Springsteen snubbed autograph hunters in Liverpool after they "chased" him through the city. The Dancing In The Dark rock legend - who recently played the second of two gigs at the north-west of England city's Anfield stadium - appeared angry as he was seen admonishing some people in the rain and refusing to sign any autographs. In a video which has been shared on X, Bruce said: "You guys chased me all around town! I'm signing nothing!" As he walks past them, someone out of view can be heard gasping in shock. Another person behind the camera responded: "Bruce, we love ya! We didn't, we've been here waiting for ya!" Bruce played his second gig in Liverpool on Saturday (07.06.25), and he'll be moving onto Berlin, Germany for a show at the Olympiastadion tomorrow (11.06.25) as his Land of Hope and Dreams tour keeps rolling. Last month, the 75-year-old rock star played three packed concerts at Manchester's Co-op Live arena. At one point during the first of the shows, he described Donald Trump's administration in the US as "corrupt, incompetent and treasonous". He told the audience: "In my home, the America I love, the America I've written about, that has been a beacon of hope and liberty for 250 years is currently in the hands of a corrupt, incompetent, and treasonous administration. "Tonight, we ask all who believe in democracy and the best of our American experiment to rise with us, raise your voices against authoritarianism and let freedom ring!' The rocker – who has been a staunch critic of Trump – made another attack on the White House chief and his political ideology as he introduced City of Ruin. He said: "There's some very weird, strange and dangerous s*** going on out there right now. In America they are persecuting people for using their right to free speech and voicing their dissent. This is happening now. "In America the richest men are taking satisfaction in abandoning the world's poorest children to sickness and death. This is happening now. "In my country they're taking sadistic pleasure in the pain they inflict on loyal American workers. They're rolling back historic civil rights legislation that has led to a more just and plural society." Trump responded with a lengthy rant via the social media platform Truth Social. Describing The Boss as "dumb as a rock", he wrote: "This dried out 'prune' of a rocker (his skin is all atrophied!) ought to KEEP HIS MOUTH SHUT until he gets back into the Country, that's just 'standard fare'. Then we'll all see how it goes for him! He added: 'Never liked him, never liked his music, or his Radical Left Politics and, importantly, he's not a talented guy - Just a pushy, obnoxious JERK.'
