
Life's Too Short for Bad Olive Oil
ROSIE: Interesting.
MICHAEL: So exposing it to the air, the light, and then the time obviously, the longer you wait, the more likely it's going to go rancid. So that's an easy way to remember like, "Oh, what should I be doing with this? How should I be storing this olive oil?" That's an easy way to remember it.
CHRISTINE: Those just happen to be the same things that make us look old. Right? Heat, air, light, and time.
MICHAEL: Yeah, exactly. Yeah, I guess it applies to us, too.
CHRISTINE: I'm Christine Cyr Clisset.
CAIRA: I'm Caira Blackwell.
ROSIE: I'm Rosie Guerin and you're listening to The Wirecutter Show . Today, we're talking about olive oils.
CHRISTINE: Yes. I love olive oil.
CAIRA: I love olive oil, too.
CHRISTINE: It's one of my favorite fats.
ROSIE: Especially in the summer, especially on some really fresh veg.
CHRISTINE: Oh, yeah.
ROSIE: On a super-ripe tomato.
CAIRA: Or when you make your own homemade salad dressing. Yeah, that's good.
ROSIE: I recently heard this hot take by a food journalist who said, "If you're going to splurge on anything at the grocery store, it should be oil or vinegar." And I subscribe to that. I like being adventurous with taste-testing different olive oils.
CHRISTINE: That's interesting. I've never thought about the thing that I would spend the most on. I think about that with a wardrobe, like always shoes. Got to get the good shoes. But, yeah, I could see that. Olive oil, butter-
ROSIE: I have a couple of items that... Yeah, butter.
CHRISTINE: Yeah. These things that are the fats that you cook with.
CAIRA: Yeah, I like the idea, but honestly, I'm just going to splurge on the protein every single time. I'd rather spend my money there, but I get it.
CHRISTINE: Well, given it is prime tomato season, olive oil is the thing that you want in the summertime. We thought this would be a great time to talk about our olive oil review with our writer, Michael Sullivan, who has been on the show before. He's awesome. He is just a wealth of knowledge. He is going to come on with us today and talk about olive oils, the ones we've tasted, the ones we recommend, but also he's going to give us a real schooling on how to shop for olive oil. So if you're out there in the grocery store deciding what you're going to buy, I think you'll be able to walk away from this episode with a lot of really actionable tips on how to get a great bottle.
ROSIE: Yeah, and it turns out one of the ways to identify good olive oil is to taste it, and we're going to do a little bit of that as well.
CHRISTINE: That's right.
ROSIE: So we're going to take a quick break, when we're back, we'll chat with Michael.
CAIRA: Welcome back. With us now is Michael Sullivan. He's a senior staff writer on our kitchen team, and he's reviewed a ton of kitchen gear for Wirecutter. And he joined us last October actually to talk about kitchen gear that will last a lifetime or close to it. So for our review of olive oils, Michael researched over 40 oils and tested over a dozen, and he used to work at an olive oil store. So cool.
CHRISTINE: Michael, welcome back.
MICHAEL: Thank you for having me.
ROSIE: Who better, but you?
CHRISTINE: Yeah, absolutely. I'm really excited to talk about this with you today. Michael, just to lay a picture a little bit of what our tastings look like in our test kitchen, we have something around 10 staff writers and editors at this point, and I'm always intrigued when you're doing a tasting. It's like this very serious thing that's going on in the test kitchen. I see a group of people sitting around a table, they're quiet, they've got notes in front of them, there's little bowls or whatever you guys are eating. I always like to go in and peek in when nobody's in there. I'm going to admit it. Then I'll go in and look in the fridge and see what you guys are testing, and it's a wall of butter or yogurt-
MICHAEL: Or yogurt. Yeah. Yeah.
CHRISTINE: ... or whatever. Yeah. And so it's really fun and you guys do a lot of work and we're going to talk a little bit about that. But we thought it would be fun to start this episode by you testing our olive oil knowledge just to get a baseline of what we know.
MICHAEL: Great. Okay. Yeah. So I came up with some true or false questions for you. Okay, first one, true or false, olive oil doesn't get better with age.
ROSIE: True.
CAIRA: True.
CHRISTINE: I think that's true.
MICHAEL: True. Yeah. True or false, Italy is among the biggest importers of olive oil?
ROSIE: True.
CAIRA: True.
CHRISTINE: True.
MICHAEL: True. Yeah.
CAIRA: Oh my gosh, we know so much.
MICHAEL: Yeah, that one, I feel like that was a tricky one. Okay. True or false, it's fine to store your olive oil near the stove with a pour spout.
CHRISTINE: I want to say true.
MICHAEL: Oh, it's mixed.
CHRISTINE: I'm going to say true.
MICHAEL: Okay. It's false. Yeah. You don't want to keep it near a heat source, so you want to keep it away from heat and you want a nice tight sealing lid on it. You don't want to keep it open to the air.
CAIRA: So you're saying that bottle that's sitting right by the stove is not a good idea-
MICHAEL: Probably not the best way.
CAIRA: ... I've been doing my whole life?
CHRISTINE: It makes a lot of sense because you just reach for it.
CAIRA: You use it for everything.
MICHAEL: Yeah, yeah. Exactly. Okay, and last one, it's best to store olive oil in the fridge.
ROSIE: False.
CAIRA: False?
MICHAEL: False. Yeah.
CHRISTINE: Okay. I didn't answer that one, but-
MICHAEL: Oh, sorry. Sorry.
CHRISTINE: ... I'm just thinking of all the people I know who store their olive oil in the fridge.
CAIRA: I've never heard of that.
CHRISTINE: It might be-
MICHAEL: It's a common thing.
CHRISTINE: ... a hippie US coast thing.
CAIRA: But doesn't it get congealed like coconut oil?
CHRISTINE: Yeah, it does.
MICHAEL: Which is why, yeah-
CAIRA: Got it.
MICHAEL: ... you don't want to do that.
CHRISTINE: On the money.
ROSIE: Well, I'd like to say I think we have some things to learn. Let's get into it.
MICHAEL: Okay.
CAIRA: Yeah. So Michael, first of all, can you tell us how you test olive oils?
MICHAEL: Typically, for any of our taste tests, we're looking at what's available in national chain grocery stores because we want people to easily find them. And then we also took a stance and only tested bottles with a harvest date. So that's really the only guarantee that you know how fresh your oil is, if it has the harvest date on it.
CAIRA: Will all bottles have a harvest date on them?
MICHAEL: They will not.
CAIRA: Okay.
MICHAEL: So that will really help you narrow down the selection.
ROSIE: And by harvest date, we mean the date that the olives-
MICHAEL: That it was crushed. Yeah. Yeah.
CHRISTINE: Like wine.
MICHAEL: Well, like wine, a little different-
ROSIE: Wine sits-
MICHAEL: Yeah, wine sits for a while. Yeah, yeah, yeah. For olives, so you want to get them crushed and bottled as soon as possible. Yeah.
CHRISTINE: Got it, got it.
CAIRA: Is the harvest date different from the best buy date?
MICHAEL: Yes. So the best buy date is arbitrary. So the harvest date will tell you when exactly those olives were crushed. If it's just a best buy date, you have absolutely no idea when that oil was put in that bottle. Right? It could be old oil, it could be new oil, it could be a mix of both. So that really tells you how fresh the oil is, and that's really the only way to know. I mean, there's a lot of other things that we'll talk about today, but, yeah, that's a big one.
CAIRA: Got it.
MICHAEL: We didn't include any flavored oils. We really wanted to just do plain olive oil, and then we looked for oils that would have a range of flavors that you could use them for various cooking applications.
CHRISTINE: And what is the actual testing process when you are all in that room in the kitchen and you're tasting things together?
MICHAEL: Yeah. Olive oil's a funny one. I mean, I should mention that we're not trained professional olive oil tasters. These testers trained for years isolating specific defects in the oil, and that's how they're grading it for the sensory part of it.
CAIRA: Olive oil connoisseurs, basically?
CHRISTINE: Sommeliers?
MICHAEL: Yeah, yeah.
CHRISTINE: Olive oil sommeliers?
MICHAEL: And so we're not that. So we're tasting just based on flavor and the nuances of that. But we did follow the California Olive Oil Council's guidelines for tasting. So we use these little blue cups that are tulip-shaped and they're dark-colored so that you don't see the color of the oil because that's not an indication of quality. So it masks the color so you're not influenced by that.
ROSIE: These look like mini sifters.
CHRISTINE: Yeah, can you-
MICHAEL: I know. Yeah, they look like little brandy... Yeah.
CAIRA: When you have a really fancy whiskey.
ROSIE: Little brandy.
CAIRA: Oh, yeah, yeah, yeah.
MICHAEL: But the tulip shape helps to focus the aroma when you're smelling it. So we use these when we test, which is this is what professional tasters would also use. And then we concealed all the brands as we always do with our taste tests. And then we're evaluating the smell, the fruitiness, the bitterness, the pungency, how peppery that kick you get in the back of your throat when you swallow, good indication of how fresh the oil is.
CHRISTINE: So are you just sipping the oil? You're not dipping bread into it or something?
MICHAEL: [inaudible 00:08:21] slurping it.
CHRISTINE: Slurping it?
MICHAEL: Yeah, because you want to move it across your palate and the oil... We also do test it with bread after we-
CAIRA: After you've slurped it?
MICHAEL: After we've slurped it. Yeah. We always go back and taste the oils again with bread.
ROSIE: So much to my wife's chagrin, I love spending a lot of time in the olive oil section at the grocery store. I'm never quite sure what I should look for on a bottle. So can you walk us through what you should look for when you're going to grab a bottle of olive oil?
MICHAEL: Sure. Yeah. I mean, it is very overwhelming when you're standing in the store and you're like, "Oh, my God, all these bottles." One of the easiest things you can do right away is avoid clear glass bottles. The UV rays will degrade the oil, and that's through photo oxidation. So it's HALT is the acronym for it, but heat, air, light, and time are the things that really degrade oil. So exposing it to the air, the light, and then the time, obviously, the longer you wait, the more likely it's going to go rancid. That's an easy way to remember like, "Oh, what should I be doing with this? How should I be storing this olive oil?" That's an easy way to remember it.
CHRISTINE: Those just happen to be the same things that make us look old. Right? Heat, air, light, and time.
MICHAEL: Yeah, exactly. Yeah. I guess it applies to us too. So a clear bottle, you just don't know how that was stored, you don't know where it was stored, how long it's been exposed to light. So it's just you risk it being already oxidated by the time you open it. So that's an easy one to avoid.
ROSIE: A dark bottle.
MICHAEL: So you want a tin or a dark green bottle, dark glass. And then I think most people know to look for extra virgin olive oil, but I don't know that everyone really knows what that means. Actually, that should have been a true or false question, but-
CAIRA: I would've gotten that one wrong.
ROSIE: Yeah, I'd say [inaudible 00:10:09] talk about it.
MICHAEL: So what it means is that the oil has been lab and taste-tested, like I was saying, those professional tasters, and they're making sure that it's free of any defects, and also it can't have any excessive heat applied to it during the extraction and the use of any solvents or chemicals to extract that oil are prohibited. So it's the highest grade. This comes with some caveats, and I think if you bear with me for a minute, I can dig into this for a minute.
ROSIE: Love it.
MICHAEL: So there's no national or international agreed upon standard for olive oils. So the USDA has their own guidelines, but they're voluntary for producers, which means it's not mandatory. So an oil that's coming in from another country that's coming into the United States, at the border, there's no one randomly checking it to make sure that it is indeed what it says on the label. That grade is what it is. Right? California has its own laws-
ROSIE: Shocking.
MICHAEL: Yes. So the California department of agriculture, CDFA, they have some pretty strict laws. Actually, they're slightly stricter than the USDA. The acidity level has to be lower for the oils that are extra virgin. They're randomly tested by the CDFA. So the producer of olive oil is going to have a random person come and show up, and they're going to test the oil to make sure that is indeed what it says it is. But California only makes something like 5% of the oil in the US, the rest is all imported. So it's a huge amount of oil that's coming in from elsewhere. So while their guidelines are really strict, it's not that much oil.
ROSIE: So this is for olive oil that's made in California?
MICHAEL: Yes. And specifically for producers that make 5,000 gallons of oil or more.
ROSIE: Wow. Okay.
MICHAEL: Yeah. Then when we're talking about oils in Europe, they have the IOC, the International Olive Council, and they are an intergovernmental organization and setting the guidelines for all these different countries in Europe. And all of the European Union countries are part of the IOC, but they are not enforcing the laws for the olive oil. That's up to each of the countries that is a member of the IOC. Right? And that's for all of the oils that are sold in Europe. So they're taste-tested and they're lab-tested. But because the US is not a member of the IOC, there's not really an incentive to make sure that the best oils are coming our way.
ROSIE: So they can export the dregs?
CHRISTINE: Yeah, they're sending us their junk?
MICHAEL: Yeah. I mean, in theory, no, they should not be. Right? But-
ROSIE: But they could-
MICHAEL: ... how do we know?
ROSIE: ... and how would we know? Yeah.
MICHAEL: Right. Now I should mention, the FDA has done random testing, they did... About 10 years ago, they were in the DC area and they grabbed a bunch of bottles of oil from grocery stores and had them lab-tested, and they found that adulteration was low, meaning the oils were not cut with seed oils or other types of oil. They did not do a taste test.
So the oils could still be labeled extra virgin, but not be extra virgin, because let's say when it got shipped over here, it was way too hot and it's spoiled on the way, but it still says extra virgin on the label. But then you bring it home and you use it and it's no longer what it says it is. It's a purity versus quality issue. The reason that you do a lab test and a taste test is because the lab test is picking up the acidity level, and then the taste test is picking up all the things you couldn't pick up in a lab like any defects, "Oh, it smells like dirty gym clothes," or, "It's briny," or, "it smells like it's waxy." They're picking up all the flaws that you wouldn't be able to determine in a test. So they're done in tandem for that reason.
CHRISTINE: If you see extra virgin olive oil on the shelf, what you're saying is that it likely has been processed in a certain way with low heat, it's been lab tested, but you may not know the quality of that oil on the shelf that you're seeing in the supermarket. Right?
MICHAEL: Right. Which is why I think tasting it is so important. And what's frustrating about that, people are like, "Well, what's the actionable advice? What do you do?" Tasting the oil to make sure that it's not rancid, and if it is, then you can take it back to the retailer and be like, "This is rancid," and they'll give you a refund or a store credit, because you really shouldn't be paying all that money. I mean, olive oil's expensive. So-
ROSIE: It's expensive. Yeah.
MICHAEL: ... you shouldn't be paying all that money if it's not what it says it is on the label.
CHRISTINE: What is rancid oil? How would you describe the flavor of rancid oil?
MICHAEL: So most often, to me, it smells like a box of Crayola crayons. It will smell waxy. It'll have just a stale nut smell to it and flavor. It could also be slightly fermented. It might have a briny or sour quality to it sometimes. But I find it, for me anyway, it's more often when I worked in an olive oil store, it was more that it had that waxy quality. And old oil will also cling to your mouth. It'll stick to the walls of your mouth and it's gross. But a fresh oil is actually quite clean, which is surprising, I think. I think most people will be like, "You're drinking fat," but actually when you swallow it, it is a very refreshing, clean, doesn't have that same effect when you taste it.
ROSIE: We'll see about that when we taste test.
MICHAEL: Yeah.
CAIRA: When you're looking at the harvest date, is there a time period that you would recommend? What's the window?
MICHAEL: So generally, in the Northern Hemisphere, it's the fall and winter harvest, and then the Southern Hemisphere, it'll be spring and summer. So you're looking for the previous harvest date from whatever time you're in. So if we're in July of 2025 right now, you're going to be looking for October, November of 2024.
CAIRA: Got it.
MICHAEL: If it's an oil from the Northern Hemisphere. Yeah.
CAIRA: And if it goes beyond that, maybe it's from two seasons ago, is that too far back?
MICHAEL: You want to use it up within two years of the harvest date is a good rule of thumb. And then once you open it, you want to try to use it up within two to three months. So I know big families can buy those big three-liter tins and they can use it up in two to three months, and that's great, but if you can't do that, don't be buying these giant bottles if you can't use it up within-
CAIRA: No. Really?
ROSIE: Well, because remember, olive oil does not get better with age.
CAIRA: Yeah. I guess that's true. But even if you buy in bulk and you don't open them, it's still not great-
MICHAEL: Well, as long as you're in that two-year window. Yeah. Yeah. But generally, buy smaller if you can't use it up within that window once you open it.
CHRISTINE: So here's the big question. How much does country of origin matter? I feel like there's so much debate like, "Italy is the best," "Greece is the best," "Spanish is the best." I mean, does it break down like that or does it really even matter?
MICHAEL: I don't like to discriminate based on a region. I really encourage people to try just all kinds of olive oil from all over and see what they like. It's like wine in a lot of ways. It doesn't age like wine, but there are so many nuances and flavors and there's so many cultivars of olives that can be made and they are in certain regions versus others. And so to limit yourself to one region I think is doing yourself a disservice. I think it's really fun. And because it's such a pantry staple, you're using olive oil, or at least I am, all the time, that it's really easy to just buy whatever and try different stuff and see what you like. And eventually you'll figure out like, "Oh, I really like this type of oil. I like it really bold, and grassy, and peppery," or maybe you like it more like fruity and a little more mellow with a subtle pepperiness. So by tasting a bunch of them, you'll discover what you like.
The important thing, country aside, you really want to look for on the label, it should say, "Product of," whatever the country is, because that means that the olive oil is from that country. Right? If it says, "Imported from," or, "Packed in," that just means that the oil was bottled there. Right? And so you know how, earlier, the true or false question, Italy is one of the biggest importers, that's because they're also exporting it, but it's bottled in Italy, but it'll say, "Imported from Italy." But if you look on the back of the... It should say where the olives are actually from. It's not bad that the olives are from this other place, but I think it's a little bit of marketing saying... Yeah. Yeah.
ROSIE: Is there any benefit of trying to assure that you're getting something that's, quote-unquote, single origin where all of the olives are from one place? Or what's your feeling about blends? Because I've seen olive oil from Portugal plus Italy or something like that.
MICHAEL: Yeah. So blends is... It's important I think to just define what we're talking about. So you could have a blend of two oils from two different estates, but you could also have a blend of oils from literally all over the world that are five or six different countries. Those are often cheaper. We're talking about some of the big grocery store brands do this. They're combining oils from all over the world. And you just don't know how long those oils were sitting, where, when... I mean, that's why the harvest date is so important, especially when you have all these oils from all over.
CHRISTINE: Well, now I feel like I have been doing a lot of things wrong with my olive oil. But just to recap, by and large, people should be looking for extra virgin olive oil. If they want the most flavorful, the most complex oil, they want to be looking for that harvest date, and it should be within two years. You want to consume it within two years of harvest.
MICHAEL: Right.
CHRISTINE: You want it to be a clear oil in a dark bottle or in a can.
MICHAEL: Right.
CAIRA: We're going to take a quick break, and then when we're back, we're going to talk through how you should be storing your olive oil, and we're going to do a taste test, plus we'll get some of Michael's best secrets for finding a great olive oil out in the wild. Be right back.
CAIRA: Welcome back. We're here with Michael Sullivan and we're talking all about olive oil. And we've covered a lot of the basics for what you should be looking for when you're shopping in the aisles, but now we want to know, Michael, what you think most people are doing wrong when it comes to storing their olive oil at home.
MICHAEL: Yeah. I think the most common issue is storing the olive oil right next to the stove, just because that heat... When you think about like, "Oh, we... For extra virgin, you don't want excessive heat applied to it during production, right? So then to just put it right next to the stove defeats that whole purpose and they worked so hard ideally to-
ROSIE: For those of you at home, Michael is making meaningful eye contact with Christine and Caira.
MICHAEL: No, no, that was not a [inaudible 00:20:38].
CHRISTINE: I am guilty as charged.
CAIRA: Yeah, I do do that.
CHRISTINE: I keep mine in a clear bottle with a spout next to the stove. Yes.
CAIRA: Fine. I'll change, I guess.
MICHAEL: But also you want try to avoid decanting the oil in a clear glass bottle or some carafe-
CAIRA: Even if it's pretty?
MICHAEL: I know, and I have a beautiful one that I found at an estate sale, and I'm just like, "I guess I just look at you. I don't know what I do with you." But, yeah, like we were saying, dark glass or tin is best, ideally a tight sealing lid. Avoid pour spouts. I mean, restaurants will have them in open, but think about how quickly they're going through that oil. It's not an issue. And it's best to store it in a dark cupboard or pantry away from heat and light.
CAIRA: So not directly above your stove.
MICHAEL: Mm-hmm.
CAIRA: Got it.
MICHAEL: Yeah. Yeah.
CAIRA: And what about plastic? I mean, even one of the bottles that we recommend...
MICHAEL: Graza. Yeah.
CAIRA: The Graza, I see it in grocery stores all the time.
MICHAEL: And Bertolli too. Yeah.
CAIRA: It looks really cute, honestly, but it's in a green plastic bottle. What's the deal with that?
MICHAEL: Yeah. So the experts that I spoke to, they overwhelmingly... That it should not be put in plastic, and I think that they're pointing to the fact that some plastics are semi-permeable, so then there's the risk of oxygen getting in. So they really say to stick to glass and tin. I think it's hard because so many of the reasonably priced oils in the grocery store, some of them are in plastic, and so we included them in our lineup because we just felt like we needed to include some of these reasonably-priced oils. I think just using them up quickly is probably best advice.
CHRISTINE: Can we spend a beat talking about why you're not supposed to refrigerate your olive oil? I grew up with a bottle of olive oil in the refrigerator, I don't like how it gets chunky, but I would assume that keeping it in the refrigerator would extend the life of the olive oil and keep it from the heat that could accelerate it going rancid. So why not keep it in the refrigerator?
MICHAEL: For one thing, it's impractical because then, yeah, like you're saying, you have this congealed oil, so when you go to use it, you're like, "Okay, now I'm waiting for this to thaw and come back to being liquid again. And some people will run it under hot water, which... Probably not a good idea. Also, taking it in and out of the fridge can create condensation, which some experts were saying that that's also obviously bad for it. So you just want to keep it in a cupboard at room temperature. The fridge thing, don't bother. There was also some misinformation circulating many years ago that was like if you put your olive oil in the fridge and it congeals or it solidifies, that's an indication of quality, and it's... No, it's not an indication of quality because each oil will have a different density and they're going to solidify different temperatures. And only a lab test and a taste test can determine the quality of the oil.
CAIRA: What's the most surprising thing that you found during your testing?
MICHAEL: I think when we made the decision to only include oils that have a harvest date, I thought there would be fewer than there actually were at the grocery store. And some of the big brands like Bertolli is one of them that I was actually really surprised by.
CHRISTINE: Which is one of our picks. Right?
MICHAEL: Which is one of our picks. Yeah.
CHRISTINE: I mean, that's surprising to me. We tasted all these fancier oils... What I would consider more expensive, fancier oils, but Bertolli did well against these other oils. Right?
MICHAEL: Yeah, it did, which was surprising. But it has that bold, peppery, really grassy flavor to it, which was appealing.
CHRISTINE: So I want to know, if someone is in a grocery store and they don't have access to the oils that we recommend in our guide, they want to buy a nice oil, what are some tips for finding something good?
MICHAEL: If you're in a grocery store, like Whole Foods or somewhere, you often want to look not at eye level. So above and below is where a lot of higher priced oils will be, or any product really for that matter. You'll notice if you go to Walmart or wherever, all the white label products are all eye level.
That's called the strike zone, and it's all strategically placed for the consumer. So same applies to olive oil. You often find at the bottom, some more interesting oils, not the major brands that are at all the chains.
CHRISTINE: That's why my toddlers are always picking the oils on the bottom-
MICHAEL: Yes, they have champagne taste. But, yeah, that's a good thing. You can also look online too if you don't have a specialty food store. A lot of specialty food stores, if you have one in your area, will have maybe a better selection. If you live in an area where you don't have access to stores like that, you could go online and just do a little bit of research. A producer that's very transparent online and shares their lab results, wow, that's a pretty... They're not hiding anything. Right? So I think that's a good indication of a quality producer.
CHRISTINE: What's one of your favorite mail order brands? Give us the inside scoop!
MICHAEL: So one of my favorites is Fat Gold, and they're actually based in California. They're moderately priced. It's just reliably good, and it's so flavorful and robust, and it's one of my faves. And we'll actually be trying some today, so-
CHRISTINE: Ooh, I'm very excited.
CAIRA: Fat Gold.
CAIRA: Okay. Michael, you brought some oils for us to try.
MICHAEL: Yes.
ROSIE: Let's do it. Let's taste test. Unfortunately, the process is to swirl, sniff, slurp, and then swallow, which is just horrifying.
ROSIE: So this is number one?
MICHAEL: Yes. This is number one. So, okay. So first, hold it in your hand... And there's a little lid for these sometimes or you could just use your hand. You just want like to swirl it in your hand and just sort of like warm the oil a little bit, just makes it easier to smell. And then-
ROSIE: This is quite a picture. We are holding these little tulip glasses and swirling them with our palms over the tops.
CHRISTINE: Ooh, it smells delicious.
ROSIE: And then you knock your [inaudible 00:26:39].
CHRISTINE: You don't like the smell? I love the smell. I feel like I'm in Italy.
ROSIE: Grassy?
MICHAEL: Mm-hmm. Very grassy. Yeah. Yeah.
ROSIE: It's hay…it's…
CHRISTINE: All right.
MICHAEL: Yeah. So when you slurp it, you just slurp it and slurp it across your... Be noisy. I know, it's a weird sensation-
CHRISTINE: It's so peppery.
MICHAEL: Yeah.
CHRISTINE: Oh, my God, that's so peppery.
ROSIE: We're losing Caira.
CAIRA: You guys, I don't think I can do this two more times.
ROSIE: I really did not like the experience of it in my mouth, just drinking oil.
MICHAEL: Yeah.
ROSIE: But the after of it, the way that the flavor diffuses on the palate and it really kicks you in the back of the throat. That's so nice.
CAIRA: Yeah. It is very peppery.
MICHAEL: Yeah, it's really fruity. And this isn't even the most-
ROSIE: I'm getting green apple.
MICHAEL: Yeah, green apple, definitely. Yeah. Yeah.
ROSIE: So that's number one. This is olive oil number two.
CAIRA: We're swirling, we're warming.
ROSIE: Let's get the nose in there.
CAIRA: Oh, wow. Yeah.
CAIRA: I like this one better. It's not as grassy, dirt smelling.
ROSIE: Like fruits. Like light fruit. Maybe a little herby.
MICHAEL: Yeah, definitely getting herbs on this. Yeah.
ROSIE: So swirl, sniff, slurp, swallow.
CHRISTINE: I'm slurping.
CAIRA: I didn't hear you.
CAIRA: Go on.
CHRISTINE: That was the... Okay. Okay, this one-
MICHAEL: But this one's very bitter.
CHRISTINE: Yeah, it's a little bit more bitter-
CAIRA: I can handle this one.
CHRISTINE: This one isn't doing anything for me.
MICHAEL: Oh, really? Maybe because you already hit your-
CHRISTINE: Maybe because it already hit me-
MICHAEL: Yeah. Yeah, yeah, yeah.
CHRISTINE: I don't feel any sensation afterwards.
MICHAEL: Oh, really? Slurp it across your tongue. Yeah, yeah, yeah.
ROSIE: Oh, my God. Because this is spicy on the tongue and in the back.
MICHAEL: It's spicy. This is pepper spicy, like black pepper.
ROSIE: Yeah. The other thing to say about this one is it's very thick. In terms of viscosity, it feels-
MICHAEL: Yeah, yeah, it has a buttery quality to it. Yeah.
CAIRA: But it's not clinging to my mouth-
MICHAEL: No.
CAIRA: ... feel like the last one was.
MICHAEL: Oh, really? Yeah. Yeah.
ROSIE: Number one tasted more oily.
MICHAEL: Yeah. Yeah. This has a buttery quality to it. Yeah. This is one of my favorites.
CHRISTINE: This one is very mild to me. It tastes bitter and I feel a little bit of a burn.
MICHAEL: Oh, interesting. Okay.
CHRISTINE: But nothing like that first burn. That first burn was like, "Whoa-
MICHAEL: Yeah, yeah, yeah. Yeah. Okay.
CHRISTINE: Okay. This is number three.
CAIRA: Okay.
CHRISTINE: And-
ROSIE: Cap it and warm it.
CHRISTINE: ... we're swirling. We're warming, we're swirling. And I'm going to sniff. Whoa. That's almost like waxy to me.
MICHAEL: Yeah. Remember what I was saying earlier?
CHRISTINE: Is that a little essence of crayon? I think it's a red crayon.
ROSIE: It's funky.
MICHAEL: It really... Isn't it wild? It smells like wax and cardboard. Yeah.
ROSIE: It smells old. Just like old.
CAIRA: Is it safe to say this is the rancid one?
ROSIE: I suspect so-
MICHAEL: Yeah.
ROSIE: Swirl, sniff, slurp and swallow, guys. Oh, it just coats your mouth.
MICHAEL: I know. It's a different-
ROSIE: I don't like that, Michael.
MICHAEL: Different sensation. It's-
ROSIE: I don't like it.
CHRISTINE: It's like you just played an off note or something. It's like [inaudible 00:29:36].
MICHAEL: Yeah. It doesn't have that burn. It's flat, clings to your mouth.
ROSIE: Michael, I don't like that at all.
MICHAEL: That's been sitting in my window for a month with a loose lid on it in a clear glass jar.
CHRISTINE: In preparation for this day?
MICHAEL: In preparation for this day.
CAIRA: I think this is what it would taste like if you just drank straight vegetable oil.
MICHAEL: Yeah, yeah. It has that... It's lost all of its... Yeah.
CHRISTINE: And the lingering flavor is just not pleasant.
MICHAEL: Not pleasant. So number one was Fat Gold and it's their oil that's made from Arbequina olives, and the second one was also Fat Gold, but it is from Frantoio olives. And that was the bitter spicy one. I just got this shipment in, so I was like, "Oh, this will be fun." I think it's nice because some of the grocery store brands aren't going to have the type of olive, so I thought it would be interesting for you to try a specific type of olive cultivar. And then the last one was my little jar of gross oil-
ROSIE: Clear jar.
CHRISTINE: What are some of the... These are not picks.
MICHAEL: No. Yeah.
CHRISTINE: What are some of the picks that we have in our guide that you really love that you've been using since you did this guide?
MICHAEL: Yes. Okay. So for one that's really fruity and buttery, that's really good with fish or a lighter salad dressing, maybe a salad dressing that has fruit in it. I really like the Bono Sicilia PGI Organic Sicilian olive oil. That one's really good. We all really like that one. It's not going to be as pungent and bold as some of the others. If you want something more bold, Bertolli is really... We tested the rich taste one. That's what they call it, the rich taste. So it's just the bold, peppery... There's a blend of a bunch of olives, but that's going to be the more grassy, bold one. But, yeah, those are the two extremes-
CHRISTINE: Two ends of the spectrum.
MICHAEL: Yeah.
CHRISTINE: Okay.
MICHAEL: And then also the Graza, that one's also going to be a little more bold and peppery. Yeah.
CHRISTINE: Love it.
CAIRA: Michael, what's the last thing you've recently bought that you've really loved?
MICHAEL: So this is nerdy, but... So I do a lot of sewing, but I just bought these antique buttons. I'm laughing as I'm saying this. I sound like such a dork. But they're portraits of these very fabulous women. They're a 100 years old and they have little portraits, and one of the women is wearing a big jaunty hat. So anyway, I'm going to put them on a shirt that I'm going to make.
CHRISTINE: I love it.
CAIRA: Where did you find them?
MICHAEL: The World Wide Web.
ROSIE: WWW.
MICHAEL: No, I got them on eBay.
ROSIE: Michael, thanks so much for joining us.
MICHAEL: Thank you so much.
ROSIE: Another great episode with Michael Sullivan.
CHRISTINE: I mean, when are we going to have him back again? He's so great.
ROSIE: What an absolute delight.
CAIRA: Yeah. He better not bring any more olive oil around me.
ROSIE: Yeah. To be fair, we don't want to drink any more of his olive oil.
CAIRA: No.
CAIRA: Lovely man.
ROSIE: Lovely man.
CAIRA: Please don't ever make me do that, y'all.
ROSIE: What are you all taking away from this episode?
CHRISTINE: Well, I truly feel that I have now the olive oil walk of shame to do on this show where I need to admit that I've been keeping my olive oil in a clear bottle with a spout near the stove because it's super convenient and I guess I'm going to have to stop doing that when I get home-
ROSIE: For shame.
CHRISTINE: Yes, for shame. For shame. And I think because of the way I've been storing my oil, I will taste it when I get home to make sure it hasn't gone rancid.
CAIRA: Wow.
ROSIE: You're brave.
CHRISTINE: Yeah.
CAIRA: Yeah. I'm just going to assume that my olive oil is bad and I'm just going to buy a new one. No need to taste it.
ROSIE: What are you going to get?
CAIRA: I think I'm going to get the Bertolli because I've definitely seen that in every grocery store I've ever been to. So-
ROSIE: Very accessible.
CAIRA: ... I think I've decided that I'm not going to be an olive oil person. It's just I'm happy with whatever works and is cheap.
ROSIE: I feel like this conversation validated the fact that I am an olive oil person and will continue to be. I'm taking away that extra virgin is king of the hill, that's what you look for, the designation you look for when you know you want to have something that is that real authentic olive taste. And then the other thing to look for on the bottle, harvest date.
CHRISTINE: Yeah.
ROSIE: Really trying to ensure that you see a harvest date and that it's within two years that you're consuming it from harvest date.
CHRISTINE: And not to be confused with the best buy date.
ROSIE: Not to be confused with the best buy date.
CHRISTINE: And older is not better here.
CHRISTINE: Older is not better. We're not aging like fine wine.
CHRISTINE: No, no, no.
ROSIE: If you want to find out more about Michael's reporting, you can check out our show notes and our website. That's it for us. Thanks so much for listening.
CAIRA: Bye.
CHRISTINE: Bye.
The Wirecutter Show is executive produced by Rosie Guerin and produced by Abigail Keel, engineering support from Maddy Masiello and Nick Pitman. Today's episode was mixed by Catherine Anderson. Original music by Dan Powell, Marion Lozano, Elisheba Ittoop, and Diane Wong. Wirecutter's deputy publisher is Cliff Levy. Ben Frumin is Wirecutter's editor-in-chief. I'm Christine Cyr Clisset.
CAIRA: I'm Caira Blackwell.
ROSIE: And I'm Rosie Guerin.
CHRISTINE: Thanks for listening.
BLOOPER
MICHAEL: Yeah. If you're not used to trying it, the reaction was just people choking in public in the store and you're like, "Oh, my gosh. Are you okay?"

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6 days ago
- New York Times
Life's Too Short for Bad Olive Oil
MICHAEL: ... HALT is the acronym for it, but heat, air, light, and time are the things that really degrade oil. ROSIE: Interesting. MICHAEL: So exposing it to the air, the light, and then the time obviously, the longer you wait, the more likely it's going to go rancid. So that's an easy way to remember like, "Oh, what should I be doing with this? How should I be storing this olive oil?" That's an easy way to remember it. CHRISTINE: Those just happen to be the same things that make us look old. Right? Heat, air, light, and time. MICHAEL: Yeah, exactly. Yeah, I guess it applies to us, too. CHRISTINE: I'm Christine Cyr Clisset. CAIRA: I'm Caira Blackwell. ROSIE: I'm Rosie Guerin and you're listening to The Wirecutter Show . Today, we're talking about olive oils. CHRISTINE: Yes. I love olive oil. CAIRA: I love olive oil, too. CHRISTINE: It's one of my favorite fats. ROSIE: Especially in the summer, especially on some really fresh veg. CHRISTINE: Oh, yeah. ROSIE: On a super-ripe tomato. CAIRA: Or when you make your own homemade salad dressing. Yeah, that's good. ROSIE: I recently heard this hot take by a food journalist who said, "If you're going to splurge on anything at the grocery store, it should be oil or vinegar." And I subscribe to that. I like being adventurous with taste-testing different olive oils. CHRISTINE: That's interesting. I've never thought about the thing that I would spend the most on. I think about that with a wardrobe, like always shoes. Got to get the good shoes. But, yeah, I could see that. Olive oil, butter- ROSIE: I have a couple of items that... Yeah, butter. CHRISTINE: Yeah. These things that are the fats that you cook with. CAIRA: Yeah, I like the idea, but honestly, I'm just going to splurge on the protein every single time. I'd rather spend my money there, but I get it. CHRISTINE: Well, given it is prime tomato season, olive oil is the thing that you want in the summertime. We thought this would be a great time to talk about our olive oil review with our writer, Michael Sullivan, who has been on the show before. He's awesome. He is just a wealth of knowledge. He is going to come on with us today and talk about olive oils, the ones we've tasted, the ones we recommend, but also he's going to give us a real schooling on how to shop for olive oil. So if you're out there in the grocery store deciding what you're going to buy, I think you'll be able to walk away from this episode with a lot of really actionable tips on how to get a great bottle. ROSIE: Yeah, and it turns out one of the ways to identify good olive oil is to taste it, and we're going to do a little bit of that as well. CHRISTINE: That's right. ROSIE: So we're going to take a quick break, when we're back, we'll chat with Michael. CAIRA: Welcome back. With us now is Michael Sullivan. He's a senior staff writer on our kitchen team, and he's reviewed a ton of kitchen gear for Wirecutter. And he joined us last October actually to talk about kitchen gear that will last a lifetime or close to it. So for our review of olive oils, Michael researched over 40 oils and tested over a dozen, and he used to work at an olive oil store. So cool. CHRISTINE: Michael, welcome back. MICHAEL: Thank you for having me. ROSIE: Who better, but you? CHRISTINE: Yeah, absolutely. I'm really excited to talk about this with you today. Michael, just to lay a picture a little bit of what our tastings look like in our test kitchen, we have something around 10 staff writers and editors at this point, and I'm always intrigued when you're doing a tasting. It's like this very serious thing that's going on in the test kitchen. I see a group of people sitting around a table, they're quiet, they've got notes in front of them, there's little bowls or whatever you guys are eating. I always like to go in and peek in when nobody's in there. I'm going to admit it. Then I'll go in and look in the fridge and see what you guys are testing, and it's a wall of butter or yogurt- MICHAEL: Or yogurt. Yeah. Yeah. CHRISTINE: ... or whatever. Yeah. And so it's really fun and you guys do a lot of work and we're going to talk a little bit about that. But we thought it would be fun to start this episode by you testing our olive oil knowledge just to get a baseline of what we know. MICHAEL: Great. Okay. Yeah. So I came up with some true or false questions for you. Okay, first one, true or false, olive oil doesn't get better with age. ROSIE: True. CAIRA: True. CHRISTINE: I think that's true. MICHAEL: True. Yeah. True or false, Italy is among the biggest importers of olive oil? ROSIE: True. CAIRA: True. CHRISTINE: True. MICHAEL: True. Yeah. CAIRA: Oh my gosh, we know so much. MICHAEL: Yeah, that one, I feel like that was a tricky one. Okay. True or false, it's fine to store your olive oil near the stove with a pour spout. CHRISTINE: I want to say true. MICHAEL: Oh, it's mixed. CHRISTINE: I'm going to say true. MICHAEL: Okay. It's false. Yeah. You don't want to keep it near a heat source, so you want to keep it away from heat and you want a nice tight sealing lid on it. You don't want to keep it open to the air. CAIRA: So you're saying that bottle that's sitting right by the stove is not a good idea- MICHAEL: Probably not the best way. CAIRA: ... I've been doing my whole life? CHRISTINE: It makes a lot of sense because you just reach for it. CAIRA: You use it for everything. MICHAEL: Yeah, yeah. Exactly. Okay, and last one, it's best to store olive oil in the fridge. ROSIE: False. CAIRA: False? MICHAEL: False. Yeah. CHRISTINE: Okay. I didn't answer that one, but- MICHAEL: Oh, sorry. Sorry. CHRISTINE: ... I'm just thinking of all the people I know who store their olive oil in the fridge. CAIRA: I've never heard of that. CHRISTINE: It might be- MICHAEL: It's a common thing. CHRISTINE: ... a hippie US coast thing. CAIRA: But doesn't it get congealed like coconut oil? CHRISTINE: Yeah, it does. MICHAEL: Which is why, yeah- CAIRA: Got it. MICHAEL: ... you don't want to do that. CHRISTINE: On the money. ROSIE: Well, I'd like to say I think we have some things to learn. Let's get into it. MICHAEL: Okay. CAIRA: Yeah. So Michael, first of all, can you tell us how you test olive oils? MICHAEL: Typically, for any of our taste tests, we're looking at what's available in national chain grocery stores because we want people to easily find them. And then we also took a stance and only tested bottles with a harvest date. So that's really the only guarantee that you know how fresh your oil is, if it has the harvest date on it. CAIRA: Will all bottles have a harvest date on them? MICHAEL: They will not. CAIRA: Okay. MICHAEL: So that will really help you narrow down the selection. ROSIE: And by harvest date, we mean the date that the olives- MICHAEL: That it was crushed. Yeah. Yeah. CHRISTINE: Like wine. MICHAEL: Well, like wine, a little different- ROSIE: Wine sits- MICHAEL: Yeah, wine sits for a while. Yeah, yeah, yeah. For olives, so you want to get them crushed and bottled as soon as possible. Yeah. CHRISTINE: Got it, got it. CAIRA: Is the harvest date different from the best buy date? MICHAEL: Yes. So the best buy date is arbitrary. So the harvest date will tell you when exactly those olives were crushed. If it's just a best buy date, you have absolutely no idea when that oil was put in that bottle. Right? It could be old oil, it could be new oil, it could be a mix of both. So that really tells you how fresh the oil is, and that's really the only way to know. I mean, there's a lot of other things that we'll talk about today, but, yeah, that's a big one. CAIRA: Got it. MICHAEL: We didn't include any flavored oils. We really wanted to just do plain olive oil, and then we looked for oils that would have a range of flavors that you could use them for various cooking applications. CHRISTINE: And what is the actual testing process when you are all in that room in the kitchen and you're tasting things together? MICHAEL: Yeah. Olive oil's a funny one. I mean, I should mention that we're not trained professional olive oil tasters. These testers trained for years isolating specific defects in the oil, and that's how they're grading it for the sensory part of it. CAIRA: Olive oil connoisseurs, basically? CHRISTINE: Sommeliers? MICHAEL: Yeah, yeah. CHRISTINE: Olive oil sommeliers? MICHAEL: And so we're not that. So we're tasting just based on flavor and the nuances of that. But we did follow the California Olive Oil Council's guidelines for tasting. So we use these little blue cups that are tulip-shaped and they're dark-colored so that you don't see the color of the oil because that's not an indication of quality. So it masks the color so you're not influenced by that. ROSIE: These look like mini sifters. CHRISTINE: Yeah, can you- MICHAEL: I know. Yeah, they look like little brandy... Yeah. CAIRA: When you have a really fancy whiskey. ROSIE: Little brandy. CAIRA: Oh, yeah, yeah, yeah. MICHAEL: But the tulip shape helps to focus the aroma when you're smelling it. So we use these when we test, which is this is what professional tasters would also use. And then we concealed all the brands as we always do with our taste tests. And then we're evaluating the smell, the fruitiness, the bitterness, the pungency, how peppery that kick you get in the back of your throat when you swallow, good indication of how fresh the oil is. CHRISTINE: So are you just sipping the oil? You're not dipping bread into it or something? MICHAEL: [inaudible 00:08:21] slurping it. CHRISTINE: Slurping it? MICHAEL: Yeah, because you want to move it across your palate and the oil... We also do test it with bread after we- CAIRA: After you've slurped it? MICHAEL: After we've slurped it. Yeah. We always go back and taste the oils again with bread. ROSIE: So much to my wife's chagrin, I love spending a lot of time in the olive oil section at the grocery store. I'm never quite sure what I should look for on a bottle. So can you walk us through what you should look for when you're going to grab a bottle of olive oil? MICHAEL: Sure. Yeah. I mean, it is very overwhelming when you're standing in the store and you're like, "Oh, my God, all these bottles." One of the easiest things you can do right away is avoid clear glass bottles. The UV rays will degrade the oil, and that's through photo oxidation. So it's HALT is the acronym for it, but heat, air, light, and time are the things that really degrade oil. So exposing it to the air, the light, and then the time, obviously, the longer you wait, the more likely it's going to go rancid. That's an easy way to remember like, "Oh, what should I be doing with this? How should I be storing this olive oil?" That's an easy way to remember it. CHRISTINE: Those just happen to be the same things that make us look old. Right? Heat, air, light, and time. MICHAEL: Yeah, exactly. Yeah. I guess it applies to us too. So a clear bottle, you just don't know how that was stored, you don't know where it was stored, how long it's been exposed to light. So it's just you risk it being already oxidated by the time you open it. So that's an easy one to avoid. ROSIE: A dark bottle. MICHAEL: So you want a tin or a dark green bottle, dark glass. And then I think most people know to look for extra virgin olive oil, but I don't know that everyone really knows what that means. Actually, that should have been a true or false question, but- CAIRA: I would've gotten that one wrong. ROSIE: Yeah, I'd say [inaudible 00:10:09] talk about it. MICHAEL: So what it means is that the oil has been lab and taste-tested, like I was saying, those professional tasters, and they're making sure that it's free of any defects, and also it can't have any excessive heat applied to it during the extraction and the use of any solvents or chemicals to extract that oil are prohibited. So it's the highest grade. This comes with some caveats, and I think if you bear with me for a minute, I can dig into this for a minute. ROSIE: Love it. MICHAEL: So there's no national or international agreed upon standard for olive oils. So the USDA has their own guidelines, but they're voluntary for producers, which means it's not mandatory. So an oil that's coming in from another country that's coming into the United States, at the border, there's no one randomly checking it to make sure that it is indeed what it says on the label. That grade is what it is. Right? California has its own laws- ROSIE: Shocking. MICHAEL: Yes. So the California department of agriculture, CDFA, they have some pretty strict laws. Actually, they're slightly stricter than the USDA. The acidity level has to be lower for the oils that are extra virgin. They're randomly tested by the CDFA. So the producer of olive oil is going to have a random person come and show up, and they're going to test the oil to make sure that is indeed what it says it is. But California only makes something like 5% of the oil in the US, the rest is all imported. So it's a huge amount of oil that's coming in from elsewhere. So while their guidelines are really strict, it's not that much oil. ROSIE: So this is for olive oil that's made in California? MICHAEL: Yes. And specifically for producers that make 5,000 gallons of oil or more. ROSIE: Wow. Okay. MICHAEL: Yeah. Then when we're talking about oils in Europe, they have the IOC, the International Olive Council, and they are an intergovernmental organization and setting the guidelines for all these different countries in Europe. And all of the European Union countries are part of the IOC, but they are not enforcing the laws for the olive oil. That's up to each of the countries that is a member of the IOC. Right? And that's for all of the oils that are sold in Europe. So they're taste-tested and they're lab-tested. But because the US is not a member of the IOC, there's not really an incentive to make sure that the best oils are coming our way. ROSIE: So they can export the dregs? CHRISTINE: Yeah, they're sending us their junk? MICHAEL: Yeah. I mean, in theory, no, they should not be. Right? But- ROSIE: But they could- MICHAEL: ... how do we know? ROSIE: ... and how would we know? Yeah. MICHAEL: Right. Now I should mention, the FDA has done random testing, they did... About 10 years ago, they were in the DC area and they grabbed a bunch of bottles of oil from grocery stores and had them lab-tested, and they found that adulteration was low, meaning the oils were not cut with seed oils or other types of oil. They did not do a taste test. So the oils could still be labeled extra virgin, but not be extra virgin, because let's say when it got shipped over here, it was way too hot and it's spoiled on the way, but it still says extra virgin on the label. But then you bring it home and you use it and it's no longer what it says it is. It's a purity versus quality issue. The reason that you do a lab test and a taste test is because the lab test is picking up the acidity level, and then the taste test is picking up all the things you couldn't pick up in a lab like any defects, "Oh, it smells like dirty gym clothes," or, "It's briny," or, "it smells like it's waxy." They're picking up all the flaws that you wouldn't be able to determine in a test. So they're done in tandem for that reason. CHRISTINE: If you see extra virgin olive oil on the shelf, what you're saying is that it likely has been processed in a certain way with low heat, it's been lab tested, but you may not know the quality of that oil on the shelf that you're seeing in the supermarket. Right? MICHAEL: Right. Which is why I think tasting it is so important. And what's frustrating about that, people are like, "Well, what's the actionable advice? What do you do?" Tasting the oil to make sure that it's not rancid, and if it is, then you can take it back to the retailer and be like, "This is rancid," and they'll give you a refund or a store credit, because you really shouldn't be paying all that money. I mean, olive oil's expensive. So- ROSIE: It's expensive. Yeah. MICHAEL: ... you shouldn't be paying all that money if it's not what it says it is on the label. CHRISTINE: What is rancid oil? How would you describe the flavor of rancid oil? MICHAEL: So most often, to me, it smells like a box of Crayola crayons. It will smell waxy. It'll have just a stale nut smell to it and flavor. It could also be slightly fermented. It might have a briny or sour quality to it sometimes. But I find it, for me anyway, it's more often when I worked in an olive oil store, it was more that it had that waxy quality. And old oil will also cling to your mouth. It'll stick to the walls of your mouth and it's gross. But a fresh oil is actually quite clean, which is surprising, I think. I think most people will be like, "You're drinking fat," but actually when you swallow it, it is a very refreshing, clean, doesn't have that same effect when you taste it. ROSIE: We'll see about that when we taste test. MICHAEL: Yeah. CAIRA: When you're looking at the harvest date, is there a time period that you would recommend? What's the window? MICHAEL: So generally, in the Northern Hemisphere, it's the fall and winter harvest, and then the Southern Hemisphere, it'll be spring and summer. So you're looking for the previous harvest date from whatever time you're in. So if we're in July of 2025 right now, you're going to be looking for October, November of 2024. CAIRA: Got it. MICHAEL: If it's an oil from the Northern Hemisphere. Yeah. CAIRA: And if it goes beyond that, maybe it's from two seasons ago, is that too far back? MICHAEL: You want to use it up within two years of the harvest date is a good rule of thumb. And then once you open it, you want to try to use it up within two to three months. So I know big families can buy those big three-liter tins and they can use it up in two to three months, and that's great, but if you can't do that, don't be buying these giant bottles if you can't use it up within- CAIRA: No. Really? ROSIE: Well, because remember, olive oil does not get better with age. CAIRA: Yeah. I guess that's true. But even if you buy in bulk and you don't open them, it's still not great- MICHAEL: Well, as long as you're in that two-year window. Yeah. Yeah. But generally, buy smaller if you can't use it up within that window once you open it. CHRISTINE: So here's the big question. How much does country of origin matter? I feel like there's so much debate like, "Italy is the best," "Greece is the best," "Spanish is the best." I mean, does it break down like that or does it really even matter? MICHAEL: I don't like to discriminate based on a region. I really encourage people to try just all kinds of olive oil from all over and see what they like. It's like wine in a lot of ways. It doesn't age like wine, but there are so many nuances and flavors and there's so many cultivars of olives that can be made and they are in certain regions versus others. And so to limit yourself to one region I think is doing yourself a disservice. I think it's really fun. And because it's such a pantry staple, you're using olive oil, or at least I am, all the time, that it's really easy to just buy whatever and try different stuff and see what you like. And eventually you'll figure out like, "Oh, I really like this type of oil. I like it really bold, and grassy, and peppery," or maybe you like it more like fruity and a little more mellow with a subtle pepperiness. So by tasting a bunch of them, you'll discover what you like. The important thing, country aside, you really want to look for on the label, it should say, "Product of," whatever the country is, because that means that the olive oil is from that country. Right? If it says, "Imported from," or, "Packed in," that just means that the oil was bottled there. Right? And so you know how, earlier, the true or false question, Italy is one of the biggest importers, that's because they're also exporting it, but it's bottled in Italy, but it'll say, "Imported from Italy." But if you look on the back of the... It should say where the olives are actually from. It's not bad that the olives are from this other place, but I think it's a little bit of marketing saying... Yeah. Yeah. ROSIE: Is there any benefit of trying to assure that you're getting something that's, quote-unquote, single origin where all of the olives are from one place? Or what's your feeling about blends? Because I've seen olive oil from Portugal plus Italy or something like that. MICHAEL: Yeah. So blends is... It's important I think to just define what we're talking about. So you could have a blend of two oils from two different estates, but you could also have a blend of oils from literally all over the world that are five or six different countries. Those are often cheaper. We're talking about some of the big grocery store brands do this. They're combining oils from all over the world. And you just don't know how long those oils were sitting, where, when... I mean, that's why the harvest date is so important, especially when you have all these oils from all over. CHRISTINE: Well, now I feel like I have been doing a lot of things wrong with my olive oil. But just to recap, by and large, people should be looking for extra virgin olive oil. If they want the most flavorful, the most complex oil, they want to be looking for that harvest date, and it should be within two years. You want to consume it within two years of harvest. MICHAEL: Right. CHRISTINE: You want it to be a clear oil in a dark bottle or in a can. MICHAEL: Right. CAIRA: We're going to take a quick break, and then when we're back, we're going to talk through how you should be storing your olive oil, and we're going to do a taste test, plus we'll get some of Michael's best secrets for finding a great olive oil out in the wild. Be right back. CAIRA: Welcome back. We're here with Michael Sullivan and we're talking all about olive oil. And we've covered a lot of the basics for what you should be looking for when you're shopping in the aisles, but now we want to know, Michael, what you think most people are doing wrong when it comes to storing their olive oil at home. MICHAEL: Yeah. I think the most common issue is storing the olive oil right next to the stove, just because that heat... When you think about like, "Oh, we... For extra virgin, you don't want excessive heat applied to it during production, right? So then to just put it right next to the stove defeats that whole purpose and they worked so hard ideally to- ROSIE: For those of you at home, Michael is making meaningful eye contact with Christine and Caira. MICHAEL: No, no, that was not a [inaudible 00:20:38]. CHRISTINE: I am guilty as charged. CAIRA: Yeah, I do do that. CHRISTINE: I keep mine in a clear bottle with a spout next to the stove. Yes. CAIRA: Fine. I'll change, I guess. MICHAEL: But also you want try to avoid decanting the oil in a clear glass bottle or some carafe- CAIRA: Even if it's pretty? MICHAEL: I know, and I have a beautiful one that I found at an estate sale, and I'm just like, "I guess I just look at you. I don't know what I do with you." But, yeah, like we were saying, dark glass or tin is best, ideally a tight sealing lid. Avoid pour spouts. I mean, restaurants will have them in open, but think about how quickly they're going through that oil. It's not an issue. And it's best to store it in a dark cupboard or pantry away from heat and light. CAIRA: So not directly above your stove. MICHAEL: Mm-hmm. CAIRA: Got it. MICHAEL: Yeah. Yeah. CAIRA: And what about plastic? I mean, even one of the bottles that we recommend... MICHAEL: Graza. Yeah. CAIRA: The Graza, I see it in grocery stores all the time. MICHAEL: And Bertolli too. Yeah. CAIRA: It looks really cute, honestly, but it's in a green plastic bottle. What's the deal with that? MICHAEL: Yeah. So the experts that I spoke to, they overwhelmingly... That it should not be put in plastic, and I think that they're pointing to the fact that some plastics are semi-permeable, so then there's the risk of oxygen getting in. So they really say to stick to glass and tin. I think it's hard because so many of the reasonably priced oils in the grocery store, some of them are in plastic, and so we included them in our lineup because we just felt like we needed to include some of these reasonably-priced oils. I think just using them up quickly is probably best advice. CHRISTINE: Can we spend a beat talking about why you're not supposed to refrigerate your olive oil? I grew up with a bottle of olive oil in the refrigerator, I don't like how it gets chunky, but I would assume that keeping it in the refrigerator would extend the life of the olive oil and keep it from the heat that could accelerate it going rancid. So why not keep it in the refrigerator? MICHAEL: For one thing, it's impractical because then, yeah, like you're saying, you have this congealed oil, so when you go to use it, you're like, "Okay, now I'm waiting for this to thaw and come back to being liquid again. And some people will run it under hot water, which... Probably not a good idea. Also, taking it in and out of the fridge can create condensation, which some experts were saying that that's also obviously bad for it. So you just want to keep it in a cupboard at room temperature. The fridge thing, don't bother. There was also some misinformation circulating many years ago that was like if you put your olive oil in the fridge and it congeals or it solidifies, that's an indication of quality, and it's... No, it's not an indication of quality because each oil will have a different density and they're going to solidify different temperatures. And only a lab test and a taste test can determine the quality of the oil. CAIRA: What's the most surprising thing that you found during your testing? MICHAEL: I think when we made the decision to only include oils that have a harvest date, I thought there would be fewer than there actually were at the grocery store. And some of the big brands like Bertolli is one of them that I was actually really surprised by. CHRISTINE: Which is one of our picks. Right? MICHAEL: Which is one of our picks. Yeah. CHRISTINE: I mean, that's surprising to me. We tasted all these fancier oils... What I would consider more expensive, fancier oils, but Bertolli did well against these other oils. Right? MICHAEL: Yeah, it did, which was surprising. But it has that bold, peppery, really grassy flavor to it, which was appealing. CHRISTINE: So I want to know, if someone is in a grocery store and they don't have access to the oils that we recommend in our guide, they want to buy a nice oil, what are some tips for finding something good? MICHAEL: If you're in a grocery store, like Whole Foods or somewhere, you often want to look not at eye level. So above and below is where a lot of higher priced oils will be, or any product really for that matter. You'll notice if you go to Walmart or wherever, all the white label products are all eye level. That's called the strike zone, and it's all strategically placed for the consumer. So same applies to olive oil. You often find at the bottom, some more interesting oils, not the major brands that are at all the chains. CHRISTINE: That's why my toddlers are always picking the oils on the bottom- MICHAEL: Yes, they have champagne taste. But, yeah, that's a good thing. You can also look online too if you don't have a specialty food store. A lot of specialty food stores, if you have one in your area, will have maybe a better selection. If you live in an area where you don't have access to stores like that, you could go online and just do a little bit of research. A producer that's very transparent online and shares their lab results, wow, that's a pretty... They're not hiding anything. Right? So I think that's a good indication of a quality producer. CHRISTINE: What's one of your favorite mail order brands? Give us the inside scoop! MICHAEL: So one of my favorites is Fat Gold, and they're actually based in California. They're moderately priced. It's just reliably good, and it's so flavorful and robust, and it's one of my faves. And we'll actually be trying some today, so- CHRISTINE: Ooh, I'm very excited. CAIRA: Fat Gold. CAIRA: Okay. Michael, you brought some oils for us to try. MICHAEL: Yes. ROSIE: Let's do it. Let's taste test. Unfortunately, the process is to swirl, sniff, slurp, and then swallow, which is just horrifying. ROSIE: So this is number one? MICHAEL: Yes. This is number one. So, okay. So first, hold it in your hand... And there's a little lid for these sometimes or you could just use your hand. You just want like to swirl it in your hand and just sort of like warm the oil a little bit, just makes it easier to smell. And then- ROSIE: This is quite a picture. We are holding these little tulip glasses and swirling them with our palms over the tops. CHRISTINE: Ooh, it smells delicious. ROSIE: And then you knock your [inaudible 00:26:39]. CHRISTINE: You don't like the smell? I love the smell. I feel like I'm in Italy. ROSIE: Grassy? MICHAEL: Mm-hmm. Very grassy. Yeah. Yeah. ROSIE: It's hay…it's… CHRISTINE: All right. MICHAEL: Yeah. So when you slurp it, you just slurp it and slurp it across your... Be noisy. I know, it's a weird sensation- CHRISTINE: It's so peppery. MICHAEL: Yeah. CHRISTINE: Oh, my God, that's so peppery. ROSIE: We're losing Caira. CAIRA: You guys, I don't think I can do this two more times. ROSIE: I really did not like the experience of it in my mouth, just drinking oil. MICHAEL: Yeah. ROSIE: But the after of it, the way that the flavor diffuses on the palate and it really kicks you in the back of the throat. That's so nice. CAIRA: Yeah. It is very peppery. MICHAEL: Yeah, it's really fruity. And this isn't even the most- ROSIE: I'm getting green apple. MICHAEL: Yeah, green apple, definitely. Yeah. Yeah. ROSIE: So that's number one. This is olive oil number two. CAIRA: We're swirling, we're warming. ROSIE: Let's get the nose in there. CAIRA: Oh, wow. Yeah. CAIRA: I like this one better. It's not as grassy, dirt smelling. ROSIE: Like fruits. Like light fruit. Maybe a little herby. MICHAEL: Yeah, definitely getting herbs on this. Yeah. ROSIE: So swirl, sniff, slurp, swallow. CHRISTINE: I'm slurping. CAIRA: I didn't hear you. CAIRA: Go on. CHRISTINE: That was the... Okay. Okay, this one- MICHAEL: But this one's very bitter. CHRISTINE: Yeah, it's a little bit more bitter- CAIRA: I can handle this one. CHRISTINE: This one isn't doing anything for me. MICHAEL: Oh, really? Maybe because you already hit your- CHRISTINE: Maybe because it already hit me- MICHAEL: Yeah. Yeah, yeah, yeah. CHRISTINE: I don't feel any sensation afterwards. MICHAEL: Oh, really? Slurp it across your tongue. Yeah, yeah, yeah. ROSIE: Oh, my God. Because this is spicy on the tongue and in the back. MICHAEL: It's spicy. This is pepper spicy, like black pepper. ROSIE: Yeah. The other thing to say about this one is it's very thick. In terms of viscosity, it feels- MICHAEL: Yeah, yeah, it has a buttery quality to it. Yeah. CAIRA: But it's not clinging to my mouth- MICHAEL: No. CAIRA: ... feel like the last one was. MICHAEL: Oh, really? Yeah. Yeah. ROSIE: Number one tasted more oily. MICHAEL: Yeah. Yeah. This has a buttery quality to it. Yeah. This is one of my favorites. CHRISTINE: This one is very mild to me. It tastes bitter and I feel a little bit of a burn. MICHAEL: Oh, interesting. Okay. CHRISTINE: But nothing like that first burn. That first burn was like, "Whoa- MICHAEL: Yeah, yeah, yeah. Yeah. Okay. CHRISTINE: Okay. This is number three. CAIRA: Okay. CHRISTINE: And- ROSIE: Cap it and warm it. CHRISTINE: ... we're swirling. We're warming, we're swirling. And I'm going to sniff. Whoa. That's almost like waxy to me. MICHAEL: Yeah. Remember what I was saying earlier? CHRISTINE: Is that a little essence of crayon? I think it's a red crayon. ROSIE: It's funky. MICHAEL: It really... Isn't it wild? It smells like wax and cardboard. Yeah. ROSIE: It smells old. Just like old. CAIRA: Is it safe to say this is the rancid one? ROSIE: I suspect so- MICHAEL: Yeah. ROSIE: Swirl, sniff, slurp and swallow, guys. Oh, it just coats your mouth. MICHAEL: I know. It's a different- ROSIE: I don't like that, Michael. MICHAEL: Different sensation. It's- ROSIE: I don't like it. CHRISTINE: It's like you just played an off note or something. It's like [inaudible 00:29:36]. MICHAEL: Yeah. It doesn't have that burn. It's flat, clings to your mouth. ROSIE: Michael, I don't like that at all. MICHAEL: That's been sitting in my window for a month with a loose lid on it in a clear glass jar. CHRISTINE: In preparation for this day? MICHAEL: In preparation for this day. CAIRA: I think this is what it would taste like if you just drank straight vegetable oil. MICHAEL: Yeah, yeah. It has that... It's lost all of its... Yeah. CHRISTINE: And the lingering flavor is just not pleasant. MICHAEL: Not pleasant. So number one was Fat Gold and it's their oil that's made from Arbequina olives, and the second one was also Fat Gold, but it is from Frantoio olives. And that was the bitter spicy one. I just got this shipment in, so I was like, "Oh, this will be fun." I think it's nice because some of the grocery store brands aren't going to have the type of olive, so I thought it would be interesting for you to try a specific type of olive cultivar. And then the last one was my little jar of gross oil- ROSIE: Clear jar. CHRISTINE: What are some of the... These are not picks. MICHAEL: No. Yeah. CHRISTINE: What are some of the picks that we have in our guide that you really love that you've been using since you did this guide? MICHAEL: Yes. Okay. So for one that's really fruity and buttery, that's really good with fish or a lighter salad dressing, maybe a salad dressing that has fruit in it. I really like the Bono Sicilia PGI Organic Sicilian olive oil. That one's really good. We all really like that one. It's not going to be as pungent and bold as some of the others. If you want something more bold, Bertolli is really... We tested the rich taste one. That's what they call it, the rich taste. So it's just the bold, peppery... There's a blend of a bunch of olives, but that's going to be the more grassy, bold one. But, yeah, those are the two extremes- CHRISTINE: Two ends of the spectrum. MICHAEL: Yeah. CHRISTINE: Okay. MICHAEL: And then also the Graza, that one's also going to be a little more bold and peppery. Yeah. CHRISTINE: Love it. CAIRA: Michael, what's the last thing you've recently bought that you've really loved? MICHAEL: So this is nerdy, but... So I do a lot of sewing, but I just bought these antique buttons. I'm laughing as I'm saying this. I sound like such a dork. But they're portraits of these very fabulous women. They're a 100 years old and they have little portraits, and one of the women is wearing a big jaunty hat. So anyway, I'm going to put them on a shirt that I'm going to make. CHRISTINE: I love it. CAIRA: Where did you find them? MICHAEL: The World Wide Web. ROSIE: WWW. MICHAEL: No, I got them on eBay. ROSIE: Michael, thanks so much for joining us. MICHAEL: Thank you so much. ROSIE: Another great episode with Michael Sullivan. CHRISTINE: I mean, when are we going to have him back again? He's so great. ROSIE: What an absolute delight. CAIRA: Yeah. He better not bring any more olive oil around me. ROSIE: Yeah. To be fair, we don't want to drink any more of his olive oil. CAIRA: No. CAIRA: Lovely man. ROSIE: Lovely man. CAIRA: Please don't ever make me do that, y'all. ROSIE: What are you all taking away from this episode? CHRISTINE: Well, I truly feel that I have now the olive oil walk of shame to do on this show where I need to admit that I've been keeping my olive oil in a clear bottle with a spout near the stove because it's super convenient and I guess I'm going to have to stop doing that when I get home- ROSIE: For shame. CHRISTINE: Yes, for shame. For shame. And I think because of the way I've been storing my oil, I will taste it when I get home to make sure it hasn't gone rancid. CAIRA: Wow. ROSIE: You're brave. CHRISTINE: Yeah. CAIRA: Yeah. I'm just going to assume that my olive oil is bad and I'm just going to buy a new one. No need to taste it. ROSIE: What are you going to get? CAIRA: I think I'm going to get the Bertolli because I've definitely seen that in every grocery store I've ever been to. So- ROSIE: Very accessible. CAIRA: ... I think I've decided that I'm not going to be an olive oil person. It's just I'm happy with whatever works and is cheap. ROSIE: I feel like this conversation validated the fact that I am an olive oil person and will continue to be. I'm taking away that extra virgin is king of the hill, that's what you look for, the designation you look for when you know you want to have something that is that real authentic olive taste. And then the other thing to look for on the bottle, harvest date. CHRISTINE: Yeah. ROSIE: Really trying to ensure that you see a harvest date and that it's within two years that you're consuming it from harvest date. CHRISTINE: And not to be confused with the best buy date. ROSIE: Not to be confused with the best buy date. CHRISTINE: And older is not better here. CHRISTINE: Older is not better. We're not aging like fine wine. CHRISTINE: No, no, no. ROSIE: If you want to find out more about Michael's reporting, you can check out our show notes and our website. That's it for us. Thanks so much for listening. CAIRA: Bye. CHRISTINE: Bye. The Wirecutter Show is executive produced by Rosie Guerin and produced by Abigail Keel, engineering support from Maddy Masiello and Nick Pitman. Today's episode was mixed by Catherine Anderson. Original music by Dan Powell, Marion Lozano, Elisheba Ittoop, and Diane Wong. Wirecutter's deputy publisher is Cliff Levy. Ben Frumin is Wirecutter's editor-in-chief. I'm Christine Cyr Clisset. CAIRA: I'm Caira Blackwell. ROSIE: And I'm Rosie Guerin. CHRISTINE: Thanks for listening. BLOOPER MICHAEL: Yeah. If you're not used to trying it, the reaction was just people choking in public in the store and you're like, "Oh, my gosh. Are you okay?"


New York Times
6 days ago
- New York Times
We Need to Talk About the $75 Tank Air Tank Top
A few testers, myself included, were taken aback by just how tiny the tanks looked out of the box. But don't fret: The fabric has plenty of stretch. Hannah Frye/NYT Wirecutter The Studio Tank and the Half Moon Halter (and a few other basics from Tank Air) are made of the same fabric, a blend of 88% polyester and 12% spandex. That fabric makeup is one of the main gripes that have surfaced in the Tank Air social media discourse, as polyester has a reputation for being cheaper in comparison with natural fibers such as cotton or silk. But in the hand, with just one smooth layer, it feels soft and substantial — as thick as a double-lined tank might feel. It certainly doesn't feel cheap. But that doesn't necessarily mean it's great quality. The fabric composition is 88% polyester 12% spandex (for reference, many leggings range from around 10% to 30% spandex). Hannah Frye/NYT Wirecutter To assess the fabric quality, I brought both tanks into the office of Preeti Gopinath, a textile designer and associate professor of textiles at Parsons School of Design in New York City. After feeling the tops and inspecting both their fabric and finishings, Gopinath said they are made with 'high-quality' polyester and knit in a very tight, compact manner. That tight knit, combined with the thickness of the polyester, is responsible for the tank tops' contouring effect and their ability to hold their shape after multiple wears. The edges and seams are finished neatly, both of which are signs of a well-made garment, she said. Based on her initial inspection, Gopinath said these tank tops have the potential to last quite a while, but she noted that longevity would require proper care. (According to the tag, you should machine-wash the tops on a delicate cycle and lay them flat or hang them to dry.) Functionally, the fabric also fared well against summer heat. Even in the humid New York City weather, this tank kept me relatively cool and dry considering how thick the fabric is. The polyester material effectively pulled sweat from my skin and allowed it to evaporate quickly, preventing the heavy, damp feeling I often experience with my 100% cotton tank tops. The tanks also survived multiple washes (and one accidental trip to the dryer) without pilling or losing their compressive shape. However, like many other articles made of soft fabrics, these tanks attracted lint and fuzz, which required occasional removal between wears. We haven't tested these tops for enough time to speak to their longevity, but they did resist initial wear and tear, feeling as good as new after a few weeks of consistent wear and washing. The compressive, body-hugging fit is comparable to that of an athletic tank top or ultra-comfortable shapewear but with a soft matte finish that gives it a more elevated look. 'It didn't, at all, look athletic-y or Spanx-y — there was none of that sheen that really bothers me,' said Wirecutter deputy director of newsletters and audience Sofia Sokolove. Every tester noted the body-hugging sensation as a win; one described it as 'waist-cinching,' and another deemed it 'shapely.' Some people hope that compressive tops like these can eliminate the need for a bra, and for the most part the Studio Tank delivered in that regard. All of the testers said the Studio Tank supported their chest even without a bra. Some considered the gentle support appropriate for wearing to the office, while others said it was acceptable only for more casual settings. Two panelists tested the white color (which Tank Air calls 'milk' on its website) and while one found it to be slightly see-through when worn without a bra, the other said it was perfectly opaque. The Half Moon Halter, however, didn't provide quite as much support or coverage as the Studio Tank, especially for testers with larger busts. Whether these tanks are fit for bra-less wear is ultimately a personal choice, but our panel did find the fabric to be quite supportive for a tank top, and the Studio Tank didn't reveal too much cleavage. Some people might argue these tops are too plain for the cost, but during testing our panel found their simple style to be a real benefit. Their straightforward design makes them especially easy to integrate into any wardrobe, improving their potential cost-per-wear. We tried them with everything from jeans and slacks to shorts and skirts, and they looked great worn alone (channeling a '90s minimalist vibe) or layered under button-ups and sweaters. Plus, the tanks come in a range of fun colors (something our panel enjoyed), should black or white seem too boring for a simple silhouette. The Studio Tank rode up as I walked. I have a long torso, so this unfortunately is pretty common with slightly cropped tops. But if you too have a long torso, take note. Hannah Frye/NYT Wirecutter The most common complaint testers expressed concerned the slightly cropped length, which falls somewhere between a true crop (which typically hits around the waist) and standard full-length. That crop caused fabric bunching around the waist for some testers and quickly became a nuisance for them to keep pulling down. 'It was a really, really awkward length for me — too long to be a crop top but too short and not stretchy enough on the bottom to fit over my hips,' said editor Hannah Rimm, whose waist is significantly more narrow than her hips. Personally, I found the tanks to be slightly too short for my long torso. They hit just below my belly button, which would be fine if they stayed put, but as I walked, the bunching began. For other testers, like Sofia, the length was just right: 'It hugged in all the right places and hit at exactly the right length,' she said, adding that it was long enough to wear with work-appropriate pants without showing midriff but not so long that it overlaid low-rise jeans or shorts. Whether this tank works for you depends on your body and your preferences, but getting the right size, of course, can help. If you're not sure what size to order, I suggest taking Tank Air up on its offer to help: According to the Studio Tank product page, you can send an email with your bust, waist, and height measurements to info@ and the company can assist in finding the right size for you. We, however, didn't test this service. The straps aren't adjustable, but they are quite stretchy. Hannah Frye/NYT Wirecutter Both tank tops have pre-fixed — but stretchy — straps. In terms of comfort, the Studio Tank fared well with those pre-fixed straps, but the Half Moon Halter less so; multiple testers, especially those with larger busts, wished for an adjustable tie-halter instead of the pre-fixed length. With halter tops, it's generally a bit harder to nail the perfect fit, and adjustability would have helped those testers find the right balance of support for their chest. That said, for some of our testers the lack of adjustable plastic clips on the Studio Tank earned style points. One of the common queries online is whether these tank tops are worth their $75 price tag. The answer depends on a few factors. To understand what goes into making these tops, I spoke with Claire Robertson-Macleod, the founder of Tank Air. She's aware of the consumer skepticism concerning polyester, she said, but she stands by her choice for the sake of performance. 'We tested a bunch of fabrics, including those with natural fibers, but this one was so superior,' she said, explaining that the polyester fabric stood out for its compressive fit, durability over time, and colorfastness. Her goal was to make a tank top that would be in a customer's weekly rotation and stay nice for years to come. If these tank tops do last many years, as Gopinath suspects and as the brand founder says, they may be well worth $75. That's especially true for people who frequently wear tank tops of this style and find themselves regularly replacing old ones that are faded or stretched out. NYT Wirecutter But, quality aside, for an expensive item such as the Tank Air, it's important to consider how often you'll wear a tank top like this. While it may be a wear-anytime staple for many people, it doesn't make sense in everyone's wardrobe. If you rarely wear tank tops like this — spaghetti straps, slightly cropped, body-hugging — it might not be worth spending $75 on. But if you have a graveyard of once-vibrant close-fitting tank tops living in your pajama drawer, it might be time to consider investing in a category you wear so often. And if the piece lasts longer, you could save money in the long run. Personally, as a frequent tank top wearer, I know that if I were to add up the price of my cheaper and shorter-lived tank tops from the past few years, the total would be well over $75. Although this tank isn't quite long enough for me to purchase myself, I wouldn't be opposed to investing in a longer version should one come out someday. It's comfortable, the fabric feels great, and the simple look is a perfectly versatile fit for my wardrobe. So if you're in the same boat, I'd say that the Tank Air Studio Tank is worth considering. While it is undeniably expensive, it could finally help you get off the unsustainable merry-go-round of frequently buying and discarding cheap, short-lived tanks. This article was edited by Hannah Rimm and Maxine Builder. Shapewear has deservedly gotten a bad rap. We were determined to find better options, and—after extensive testing—emerged with seven (actually comfortable) winners. After carefully scrutinizing fit, feel, quality, and style, we found four white tees that are the best suited for a variety of occasions and body types. Timeless and versatile, jeans are a key player in any wardrobe. We found ten pairs that fit a range of body types, tastes, and budgets. What I Cover Hannah Frye is a staff writer reporting on beauty and style for Wirecutter. She was previously an editor at Mindbodygreen. She has been using skin-care items since she was 11 (which, she says, is a fact, not a recommendation). When she isn't making new Pinterest boards or shopping for vintage clothes on eBay, she's testing vegan recipes in her Brooklyn apartment.


New York Times
25-07-2025
- New York Times
12 Gifts to Celebrate Tomato Season
In this edition of The Gift, we're celebrating peak summer with some whimsical tomato gifts. Because why not? Plus: the very best olive oil and what to gift a wiener dog mom. Last year, I found myself soundly defeated by six cherry tomato plants. As a gardening newbie, I'd avoided weightier varieties, thinking they might be harder to prop up. Oh, sweet summer child. By July, my Sungolds and Supersweet 100s had already rapidly outgrown their tall stakes and then seized on the fence behind them in a junglelike thicket. Every few days, they produced so much fruit that I was giving them away in old pho containers to the baristas at my local coffee shop. But even in the midst of that late-season abundance, I still loved catching a whiff of tomato leaves on my hands after pruning the multiplying branches. I know I'm far from alone in finding them irresistible. Just looking at red-orb designs on a bowl or T-shirt can conjure the feeling of dappled summer sun on your forehead, or a languid vacation dinner with fireflies glinting about. In that spirit, here are a few of our favorite knickknacks, clothes, and kitchenstuffs for gifting your favorite tomato-head or anyone you'd just like to treat this summer. For going out, I'm a fan of Staud's iconic beaded bag — the Italian-esque tomato version has a cheeky forkful of spaghetti on the back. This adorable fitted mini linen dress would also be a surefire hit on a sweltering August night. (It's a bit of a double entendre given that 'tomato' is, I recently learned, a synonym for a 'hot number.') And for days at the office, these handy sticky notes, which newsletters editor Haley Jo Lewis calls 'the absolute delight of my desk,' will brighten workday drudgery with a pop of fuchsia. They're a sweet small token to lift a pal out of a 9-5 summertime sadness. Several Wirecutter journalists love this fat heirloom tomato-shaped candle that smells like tomato leaves and, if it was sitting on a farmer's market table, would make you do a double take. Also, these cherry tomato-inspired dinner candles are both regal and eye-catching, and far more of a conversation starter than mere ivory tapers. It'd almost be a shame to actually burn them. For pomodoro decor beyond candles: I love this glass tumbler with an adorable little guy popping up from its center for summer sips on the patio. And this extremely fun throw pillow tossed on a sofa would help anyone beat accusations of a millennial-gray living room. Kids would be overjoyed to get this ridiculously cute plushie. Or for the canines: This hilarious canned tomato-inspired dog toy is squeaky and comes with three small tomato balls inside it. I think either are worth squeezing into what might already be an overstuffed toy collection. Ignacio Mattos, chef-owner of a number of lovely Mediterranean restaurants in New York City, once told me he favors the rich jarred Miracolo di San Gennaro Pomodori from Bronx importer Gustiamo. And our kitchen team also thinks their sundried tomatoes are divine enough to eat straight out of the jar (or sprinkled on pasta). Less on the nose — and quite special — are these hefty, handmade splatterware dinner plates from Puglia. While lacking in round, red imagery, they would contrast beautifully with a tomato salad. As I wrote this newsletter, I found myself pining for my favorite BLT — one made with Japanese milk bread, thick-cut bacon, and fat heirloom slices at peak juiciness. It looks like one tomato in my garden is almost sandwich-ready. I pared it back this year, by the way, to two cherry tomato and two Brandywine plants. I think I've learned my lesson. But ask me again in August. Including a quite cute (and curl-friendly) bucket hat. Your plants deserve to thrive in a confetti resin planter or a glittering disco ball. These exceptionally sharp pruners may be the last set you ever buy. My sister-in-law is especially difficult to shop for, because she doesn't really love anything in particular, except for going out to dinners with friends, hiking, and hanging out with family. She is a career elementary school teacher, married without kids, and has a weenie dog as of five months ago (her first pet ever in her life). — E.S. From gifting expert Hannah Morrill: Going out on a limb here and guessing that your newly minted weenie-loving relative is as weenie-obsessed as my weenie-loving relative. If so, let's start her out with a sweet doggo hair clip that could delight her students, too. If you've got a good picture handy — check your text threads — you could get a pair of custom socks or a pillow made. Wrap it all in Dachshund wrapping paper, and you're set. If you're not ready to go all in on the dog theme, some plush hiking socks are always appreciated, and our favorite Spanish tapas sampler would be lovely for noshing at home before dinner out. Lastly, if you've got the time, rescue memories from the digital graveyard by assembling a photo book of treasured family hangs. (Then schedule an IRL hang, too.) Our present-hunters are here to answer your questions. By completing this form, you agree that we may add your address to our list for the newsletter The Gift. What I Cover I cover a wide range of gift giving, with a specialty in food and drink gifts; I also touch on beauty on occasion. I work to ensure that we consider a diverse range of socio-cultural backgrounds in our guides.