
Kimpton Maa-Lai Bangkok rolls out the rainbow carpet for Pride Film Festival
Happening on June 13-14, this two-day queer cinema event brings together four award-winning flicks that shine a light on LGBTQ+ lives, love and everything in between. In partnership with the Australian Embassy in Thailand, the lineup features powerful stories from Thailand and around the world. Each one is chosen to spark conversation and connection. All films have English subtitles. Here's what's playing:
Malila: The Farewell Flower – June 13, 7pmAn intimate Thai drama exploring queer love, grief, and spirituality through the story of two former lovers reconnecting.
The Miseducation of Cameron Post – 14 June, 3pmA poignant coming-of-age film about a teen girl sent to a conversion therapy centre, where she discovers friendship and self-worth.
God's Own Country – 14 June, 5pmA raw and tender British romance between a young Yorkshire farmer and a Romanian migrant worker.
The Adventures of Priscilla, Queen of the Desert – 14 June, 7.30pmA glittering cult classic that follows two drag queens and a trans woman on a road trip across the Australian outback, serving looks, laughs and liberation.
To make the experience even more intimate and welcoming, all screenings will be held at the cosy Maa-Lai Library on the 30th floor with free entry for those who reserve here in advance. Come as you are and settle in with stunning skyline views, signature snacks and drinks available for purchase. Seats are limited and available on a first-come, first-served basis.
And the extravaganza doesn't stop there. On June 14 from 5pm 'til late, the party climbs to new heights at Bar.Yard with 'Proud & Loud: Queen of the Desert'. This sky-high soiree on the 40th floor turns up the fabulous with a night of unapologetic joy, fierce drag and rainbow realness. Get ready for electrifying solo sets by iconic drag queens Meannie Minaj, ZEPEE and Kandy Zyanide at 9.45pm onwards. Each will bring their own flair before coming together for a grand finale inspired by The Adventures of Priscilla, Queen of the Desert. Come loud, come proud and come ready to slay.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Scotsman
3 hours ago
- Scotsman
Edinburgh Fringe theatre reviews: Chopin's Nocturne You Can't Say That My Marlene Good Morning and Goodbye Hands Up! Baby CEO
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... THEATRE Chopin's Nocturne ★★★★ Summerhall (Venue 27) until 25 August As a teenager, Australian comedian Aidan Jones was a talented pianist. He failed to get into music school, though, so – after spending some time concentrating on MDMA, he jokes – he turned to stand-up. During lockdown, however, he returned to the piano, and particularly to Chopin's Nocturne in E Flat Major. Look it up: you will recognise it. Chopin's Nocturne | Darren Keane It is his love of that famous, beautiful piece – and of the reclusive Polish composer that created it – that powers this charming hour of comedy and classical piano. Advertisement Hide Ad Advertisement Hide Ad At its heart is a music lesson. Jones sits down at an upright piano and entertainingly takes us through the Nocturne, note by note, section by section. The tension of a diminished chord is likened to the anxiety of seeing a drunk man on a train. The sadness of a minor cadence is like being denied a cookie. A major resolve is like coming home. Around this, Jones weaves autobiographical anecdotes, stories about Chopin, and plenty of daft humour. There is a good gag comparing smoking meth to test cricket, a remarkable tale about Chopin's contemporary Hector Berlioz going back on a plan to murder his ex-girlfriend, and a lot of revealing insights into the Polish composer's life and work. Movingly, Jones explains how the dissonant C Flat that threads its way through the piece reflects Chopin's longing for his homeland from the salons of Paris. Jones delivers all this with easy-going Aussie charm and a blokey, bogan chuckle. He plays the piano beautifully, too, and has an infectious capacity for exuberant physical comedy. And, as the show develops, it gains real resonance. When Jones plays Chopin's Nocturne all the way through at the conclusion, it is deeply moving. FERGUS MORGAN THEATRE You Can't Say That ★★★ PBH's Free Fringe @ CC Blooms (Venue 171) until 16 August Meet Zora, an alien from a distant galaxy, stranded for years on Earth, and - frankly - struggling with the ways of humans. Why do we lie, deceive, not own our own abilities and talents? Why, deep down, are we all so sad? The solution: she'll found her own town, conceived from the start as a happier, fairer, more joyful place - if we can only agree on how any of that is actually going to work. Advertisement Hide Ad Advertisement Hide Ad Writer/performer Nina Rubesa's somewhat slight solo show has grand ambitions and big themes, but she struggles to address many of them in a particularly convincing way - despite her easy charm and understated, somewhat offhand perceptiveness. Certain anecdotes seemingly spun on the hoof are gently but genuinely illuminating, while other material could do with more work and delivery practice before it properly hits home. Audience participation - and there's a fair bit - is generally welcoming, though an early dance routine drags on for far too long. You Can't Say That has a simple set-up with bags of potential, and Rubesa is an undeniably captivating performer, but the show still feels somewhat like a work in progress. DAVID KETTLE THEATRE Hi Mum! ★★★ Greenside @ George Street (venue 236) until 16 August Dealing with death and grief looks different for everyone. Hi Mum! explores this through estranged sisters brought together in a funeral home viewing room, their mother lying in a shroud before them. Over 45 minutes, they confront unspoken emotions, grapple with letting go, and reconnect under the shadow of past pain. The cause of their fractured relationship stems from their mother's behaviour - although what she actually did to them is left deliberately vague. While this adds a layer of mystery, it also makes it harder to fully connect emotionally. Still, the differing ways each sister processes grief and the past are compelling to watch. Advertisement Hide Ad Advertisement Hide Ad What Tamara Al-Bassam's script and the performances do effectively is reveal a lingering bond beneath the bickering. There's a shared history and pain that neither can fully articulate, but it's felt. For such heavy subject matter, the piece avoids becoming overly sombre with the inclusion of light and comic moments. While the tonal shifts from sadness to humour to tension can feel jarring, they mirror the emotional turbulence of loss. Performers Mhairi Gilmour and Kirsty Young navigate these changes well. Some of the most poignant moments come from the sisters' tender, intimate interactions with the beautifully hand-carved wooden figure representing their mother. These moments powerfully represent connection and loss. SUZANNE O'BRIEN THEATRE My Marlene ★★ Checkpoint at Assembly Checkpoint (322) until 17 August There's a certain sleight of hand required to stage a biography of Marlene Dietrich. The actress was forged in the studio lights of Hollywood and the smoke-filled cabarets of Weimar Berlin. But this brisk whistle-stop show doesn't peep behind the curtain at the women underneath. Advertisement Hide Ad Advertisement Hide Ad The setting, with its cabaret tables and low lighting, promises sensual intimacy. Tjaša Ferme flirts with her audience, conscripting us into Dietrich's world as 'soldiers' performing for us as wartime entertainment. Brisk brush strokes paint images of her early life, move to Berlin, rise as an actress, before moving to Hollywood with a string of affairs along the way, notably with Joseph von Sternberg whose camera turned her into one of the first stars of the silver screen. But references to exile from Germany, bisexuality, and to her relationship with stardom, are leave a tantalisingly two-dimensional image. Ferme's musical interludes are strong: smoky Weimar jazz slides into Wagner as the shadow of Nazism lengthens. Yet the spell falters in the audience participation, where awkwardly read telegrams stall the momentum. It's an elegant sketch, but a sketch all the same. The woman who once made the world swoon remains, here, an untouchable silhouette in a tailored suit. ALEXANDER COHEN THEATRE Good Morning and Goodbye ★★★ theSpace @ Niddry Street (venue 9) until 19 August Advertisement Hide Ad Advertisement Hide Ad There's a quiet beauty in the everyday. Particularly morning routines like opening the curtains, watering plants, and sipping hot coffee. This gentle, considered piece from Taiwan captures the comfort of being at home, shut away from both torrential rain and outside pressures. Though listed as Theatre, this would be better described as more of a dance piece. Over 30 minutes, we follow a woman's morning routine told entirely through movement and gesture. She does yoga, showers, drinks coffee, and puts on makeup. After each cycle, she's interrupted by a glimpse into another part of her life, and the next routine subtly shifts to reflect it. Lala Sue's movements are fluid and deliberate, and there's a particularly joyful sequence where she dances with her plant, which she clearly and dearly adores. Her soft humming of Fly Me to the Moon, along with sounds of rainfall, creates a calming, cinematic atmosphere. Some moments feel over-explained, particularly when large, printed words like 'meetings', '9–5', or 'work' are used to represent external pressures. These additions feel unnecessary when the choreography already communicates enough and allows for freedom of interpretation. Advertisement Hide Ad Advertisement Hide Ad It's a thoughtful, aesthetically pleasing piece about the repetition of daily life, as a clock ticks away in the background. SUZANNE O'BRIEN THEATRE Hands Up! ★★ theSpace @ Niddry St (Venue 9) until 16 August Essentially an extended sketch with about 15 minutes of plot stretched to three times its natural length, this comedy by writer-director Izzy Higgins runs out of steam early doors but still yields some laughs. Two ludicrously incompetent criminals stage a home invasion and take a couple who have recently split hostage for reasons that no-one is entirely clear about. Higgins has obviously instructed the cast to just have fun with their performances — which sometimes works, sometimes not. Full marks, however, to Leila Biggs for consistently playing it more-or-less straight and providing an entertaining cipher for the audience's confusion. RORY FORD THEATRE Baby CEO ★★ theSpace on the Mile (Venue 39) until 23 August There's a half-decent punchline to this intentionally rambling, barely coherent and entirely autobiographical show from American memoirist and journalist, Sabra Boyd, but it really needs a more experienced actress to make it work. Boyd was trafficked by her own mob boss father — who also stole her identity and set her up as a CEO of some bogus company by the time she was five. Incredibly, this is barely the tip of the iceberg as Boyd breathlessly documents a series of increasingly unlikely misfortunes. Boyd is perfectly likeable but this endlessly complex catalogue of calamity needs a more compelling performer to make it work. RORY FORD


Scottish Sun
5 hours ago
- Scottish Sun
90s soap bombshell hasn't aged a day as she returns to show TWENTY years after quitting
She's hardly changed since her debut at the age of 19 in 1993 TIMELESS BEAUTY 90s soap bombshell hasn't aged a day as she returns to show TWENTY years after quitting A 90s soap bombshell hasn't aged a day as she returned to the the show she was on, twenty years after quitting. The 52-year-old actress is best known for playing Annalise Hartman on the Aussie soap Neighbours 1993 and 1996. Advertisement 4 A 90s soap bombshell hasn't aged a day as she returned to the the show she was on, twenty years after quitting Credit: X 4 The 52-year-old actress is best known for playing Annalise Hartman Credit: Shutterstock Editorial Kimberley Davies starred in Neighbours for three years in the 90s and went on to become a huge sex symbol from that time. The star appeared on various magazines including Loaded, FHM and Maxim. And it looks like the star has barely aged, as she reprised her role as devious Annalise. She's hardly changed since her debut at the age of 19 in 1993. Advertisement In fact, Kimberley looks as glamorous as ever in a short clip shared on her social media. The actress tells fans: 'You might remember me as Annalise Hartman. 'So being definitely brought up a lot of memories, makes me feel really old, I must say. 'But so great to see some familiar faces and everyone's just so lovely and in a way even though I feel old it's kind of like I never left.' Advertisement The star also teased what Neighbours fans might be able to expect from her character on the show, continuing: 'Last time I was here, Annalise was doing docos and she was making a documentary about the history of Ramsay Street, but she's back this time with a different job shall we say... and [she has] a couple of new conflicts due to the new job. Neighbours star hits back after being labelled a nepo-baby - can you guess her 90s rock legend dad? 'And she has a lot going on in her life... so she's got some stories to tell.' Fans of the Aussie soap have been left delighted by the comeback, with one person writing: 'I absolutely loved Annalise's return episode. So many callbacks! So much history!' A second added: 'It's a great coup getting Kimberley back on Neighbours.' Advertisement After her stint in the Australian soap, she appeared in various shows such as Pacific Palisades, Friends and Ally McBeal. Neighbours stars who made it big The long-running Aussie soap has launched the careers of some of Hollywood's biggest stars. Here are some of the Neighbours alums who went on to make it big after starring on the soap... Kylie Minogue Before she hit the big time with her music career, Kylie shot to fame playing Charlene Mitchell on Neighbours. Shortly after her arrival, Kylie began an on and off-screen romance with co-star Jason Donovan, who played Scott Robinson, which gained the couple an army of adoring fans. Jason Donovan After his stint as Scott, singer and actor Jason became an international popstar and had his pick acting of roles. He moved to the U.K., married, had children and has since starred in over a dozen West End show, most notably Joseph and his Technicolour Dreamcoat. Alan Dale New Zealand born actor Alan was one of Neighbours 12 original cast members having made his debut as Jim Robinson on the soap's first episode on 18 March 1985. As the head of the Robinson clan, widower Jim lived at Number 26 Ramsay Street with his children Paul, Julie, Scott and Lucy, and was a real anchor in the community. He stayed with the show for eight years, before his character was killed off in dramatic scenes aired in 1993 but which still reverberate through the soap to this day. Margot Robbie Way before she was Barbie or Harley Quinn, Margot was best known as Ramsay Street resident Donna Freedman. Her notable storylines included her marriage to Ringo Brown and becoming a young widow following his tragic death. After three years she bid farewell to the soap and Australia with a plan to make a name for herself in Hollywood which she did when she bagged the role of Naomi Lapaglia opposite Leonardo DiCaprio in The Wolf of Wall Street. Jesse Spencer Jesse rocked up on Ramsay street in 1994 with the rest of the Kennedy clan. He stayed for five years, literally growing up in front of the camera, but in 2000 felt it was time to spread his wings and head for Hollywood. It was certainly a smart move as he went on to bag leading roles in popular shows like House and Chicago Fire. Russell Crowe New Zealand-native Russell had a brief arc on Neighbours, appearing in four episodes of the soap 1987 as Kenny Larkin, the former cellmate of Street resident Henry Ramsay. The role obviously got him noticed though because he quickly went on to become a fully-fledged Hollywood A-lister, winning the Best Actor Oscar for his standout performance as Roman General Maximus Decimus Meridius in Gladiator. Kimberley has also taken part in reality shows such as Celebrity Circus, I'm A Celebrity Get Me Out Of Here and Dancing with the Stars. She was last on our screens when she took part in Neighbours' 20th anniversary special in 2005. She didn't appeared in the Neighbours 2022 finale which saw some of the show's biggest characters return to Ramsay Street. Advertisement Kimberley was apparently asked by producers, but she declined, according to Private Sydney. But now she's firmly back on the soap, and fans are delighted. The star is married to her husband Jason Harvey. The pair, who tied the knot in 1997, share three kids - Isabella, Josh and Ashton. Advertisement 4 The star appeared on various magazines including Loaded, FHM and Maxim Credit: Rex Features


Time Out
12 hours ago
- Time Out
A cool, gritty Greek taverna has landed in the Shire – here's why you need to check it out
Say yasou to Homer Rogue Taverna – Cronulla 's newest 100-seat Athenian restaurant and wine bar from local legends Harry and Mario Kapoulas (yep, the brothers behind HAM café). Fresh from a culinary journey through Athens (we're sensing parallels to Homer's The Odyssey), they've brought back the Greek capital's culture and flavour to The Shire – minus the Mykonos clichés. Homer is gritty, grungy and gloriously unpolished – hence the 'rogue' in its name. The fitout is deliberately unpretentious; we're talking industrial concrete, mid-century chairs, a graffitied wall and a glorious three-metre wine fridge you're encouraged to explore yourself. The music is a vibe – you might even find a bouzouki player meandering between tables. The food? Made to share. Head chef Kirri Mouat (ex- Icebergs) and chef James Watson have eschewed fine-dining fare in favour of a menu full of Athenian attitude. There's charcoal-roasted chicken souvla, spanakopita, hand-rolled dolmades, saganaki flatbreads and family recipes like Mum's moussaka. Feeling adventurous? Try the koulouri sesame (Greek bagel) with tirokafteri dip, the beef stifado (stew) wrapped in crisp chicken skin to resemble a cigar, or baked manouri cheese in kataifi pastry drizzled with hot honey. Yep, that custom-built wood-fire oven is working overtime. To drink, there's Greek coffee, ouzo and mini Martinis. The wine list has a good balance of Greek and Australian drops, with Greek varietals like savatiano served by the glass or carafe. They've also teamed up with Young Henrys to brew their exclusive Homer's Epic Lager. At Homer, bookings are recommended – but walk-ins are welcome. So, breeze in from the beach, share a few plates, sip on something spirited – and relax. As owner Harry puts it, 'At its heart, it's about people coming together for a good time, good food and good drinks, with an atmosphere that reflects that.' These are the best new restaurants in Sydney.