logo
‘Moh Moh Ke Dhaage resonates with the DU crowd'

‘Moh Moh Ke Dhaage resonates with the DU crowd'

Time of India21-04-2025

Papon performed at SSCBS recently
It was a nostalgic evening for Delhi University alumnus Papon, who recently performed at Shaheed Sukhdev College of Business Studies (SSCBS). 'The students' energy and enthusiasm – they were all in it with me. It's always special to sing for young, vibrant audiences who are there to celebrate and feel the music,' shared Papon. He added that it's the honesty in his music that resonates with the DU crowd. 'They connect with emotions, lyrics that have depth, and tunes that touch the soul. Whether it's a mellow song or a high-energy one, if it's sung from the heart, they respond equally.'
"The students' energy and enthusiasm – they were all in it with me," said Papon
'MY SONGS RESONATE WITH THE STUDENTS'
When asked which of his songs generally get the best response from the DU crowd, he said, 'Moh Moh Ke Dhaage always has a special connection. And surprisingly,
Mujhe Kaise Pata Na Chala
also gets a huge response. These songs speak of a deep emotional space. I think in college, students go through a lot of inner exploration – of love, dreams, identity – and these songs resonate with those feelings. The lyrics and melodies become a mirror to their own journeys.' Any song that surprises him with the crowd's reaction? 'Khumaar – it's always a surprise how that song lights up a fest,' added Papon.
Papon's hit list for SSCBS

Moh Moh Ke Dhaage
• Mujhe Kaise Pata Na Chala
• Khumaar
• Jiyein Kyun
• Kyon

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Monali Thakur Watches Denzel Washington & Jake Gyllenhaal In Broadway's Othello After US Tour
Monali Thakur Watches Denzel Washington & Jake Gyllenhaal In Broadway's Othello After US Tour

News18

time9 hours ago

  • News18

Monali Thakur Watches Denzel Washington & Jake Gyllenhaal In Broadway's Othello After US Tour

Last Updated: Monali Thakur attends Broadway's Othello starring Denzel Washington after her sold-out US tour. Her first Broadway experience was 'inspiring and surreal.' After enthralling audiences across the United States with her soulful voice and nostalgic performances, National Award-winning singer Monali Thakur took time off to immerse herself in the magic of theatre—attending her first-ever Broadway show. And it wasn't just any production. Monali witnessed Shakespeare's Othello brought to life by acting powerhouses Denzel Washington and Jake Gyllenhaal, in what she called an 'inspiring and surreal" experience. The acclaimed Indian singer, known for iconic hits like Moh Moh Ke Dhaage, Zara Zara Touch Me, and Sawaar Loon, recently wrapped up her US tour, performing in cities like Boston, Florida, and New York. From belting out chart-toppers to transporting fans back to the golden days of the '90s, Monali's tour was nothing short of a celebration of timeless music. Her performances drew packed venues and reaffirmed her global fanbase. View this post on Instagram A post shared by Monali Thakur (@monalithakur03) Following her musical spree, Monali decided to embrace another kind of art—this time as an audience member. Taking to Instagram, she shared a glowing review of her Broadway experience along with a selfie at the venue. 'Waited a long time to catch a Broadway!! And was I or was I in luck!! 😍 Somehow managed tickets for Othello in its last few shows… witnessing these incredible actors play it out live with their all was such an inspiring and surreal experience," she wrote. She praised the performances of Denzel Washington, Jake Gyllenhaal, Molly Osborne, and Andrew Burnap, calling them 'dangerously talented." The post, which quickly garnered thousands of likes and comments, resonated with fans who were thrilled to see the singer embrace different facets of art with the same wonder and passion she brings to her music. With her unique blend of classical training, pop sensibilities, and versatility across languages like Hindi, Bengali, Tamil, and Kannada, Monali Thakur remains a rare gem in the Indian music industry. Her work continues to strike a chord with listeners across generations, and her journey—now marked by standing ovations, cultural explorations, and standing-room-only concerts—is a testament to her evolving artistry. From commanding center stage to quietly applauding in the audience, Monali Thakur's love for storytelling—whether through melody or monologue—shines through. As she continues to explore and evolve, one thing remains certain: her voice, and now her perspective, will always carry the power of authenticity and heart. First Published:

RCB wins IPL 2025: Fans of Delhi boy Virat Kohli celebrate on city streets, Delhi Police's X post steals smiles
RCB wins IPL 2025: Fans of Delhi boy Virat Kohli celebrate on city streets, Delhi Police's X post steals smiles

Hindustan Times

time2 days ago

  • Hindustan Times

RCB wins IPL 2025: Fans of Delhi boy Virat Kohli celebrate on city streets, Delhi Police's X post steals smiles

An 18-year-long wait finally ended for the Royal Challengers Bangalore (RCB) team and their poster boy, Virat Kohli at the finale of Indian Premier League (IPL) 2025, on Tuesday. Hardcore fans of Delhi boy took to the streets to revel in the moment of victory and danced their hearts out in excitement. Following the iconic trophy-lifting win last evening, here's how Delhiites pouring their heart out on the streets to celebrate the long-awaited victory with joy and pride. Social media is abuzz with reels reportedly shots in west Delhi and Delhi University's North Campus, capturing the emotions of cricket fans across the city. A post shared by Dusu north campus (@dusu_north_campus___) A post shared by @

Dilli Dark: Film resonates with Africans seeking acceptance in Delhi
Dilli Dark: Film resonates with Africans seeking acceptance in Delhi

Hindustan Times

time3 days ago

  • Hindustan Times

Dilli Dark: Film resonates with Africans seeking acceptance in Delhi

'What New York is for Indians, Delhi is for Nigerians.' Nigerian actor Samuel Abiola Robinson's qualification of the Capital finds an echo in his portrayal of the protagonist of Dilli Dark, a newly released dark comedy that questions the city's attitudes towards race, tolerance, majoritarianism and colonialism. Robinson, last seen in the 2018 Malayalam film Sudani from Nigeria, plays Michael Okeke, who seeks to wriggle free of the stereotype so many Africans in Delhi are plastered with. In one scene an electrician, called in to repair a faulty fridge, flees after he sees a plate of meat, shouting that the African man is a cannibal. Another Nigerian, Ola Jason, 49, knows exactly how that feels. 'Once police came to my house in Malviya Nagar because someone complained that there was a dead baby inside my freezer when in fact it was mutton I had bought from INA Market,' said Jason, who has not yet watched the movie but is aware of the subject. In the movie which released on May 30, Okeke is determined to get an Indian work permit. To pay the rent, he starts dealing in contraband. 'Everybody knows what you guys are famous for,' a customer tells him. Such statements are not just lines in a script for Robinson. 'I have lived in Delhi for five years and every few days, someone asks me where they can procure drugs from in Delhi. This is one reality, and the other side of this story is that so many African nationals are rejected from the workforce here that maybe they do turn to this. This is what the movie depicts,' said the 26-year-old. If finding work is hard in a city like Delhi, finding a house is 'like going to war,' said Jason, who moved to Delhi in 2011, and set up his own casting agency after playing side roles in a few Hindi movies. 'Landlords rejected me even before they met me only because I am Nigerian or they charged me double the rent.' There's more, said Cynthia Oyo, from Nigeria who lived in Delhi for seven years before moving back home. 'They come up with strange rules like no visitors allowed or a strict 8 pm curfew or triple the rent without explanation. Some people I met are such racists that the minute they find out you're African, they impose all kinds of rules,' said Oyo, who has also acted in Dilli Dark. The pressure manifests in different ways. Robinson recalled how his neighbour in Dwarka in Delhi would repeatedly cut the power supply of his rented home. 'They didn't want African people living in their colony,' he said. Large chunks of Dilli Dark are also based on director Dibakar Das Roy's experiences living with Nigerian students while at Delhi University. 'When I came to college in Delhi, there were a string of incidents against Africans. I later worked as a writer in advertising, which is when the impact of how I was treated and the incidents I saw around me came together. But really, it was my time in the US that helped me understand what race was,' said Roy. The 90-minute film was first released at MAMI and toured the festival circuit. It could not find a theatrical release until now. Largely shot in Delhi's southernmost fringes such as Neb Sarai, Mehrauli and Chhatarpur, the film purposely avoids most of the Capital's reliable identifiers – India Gate, Jantar Mantar, Jama Masjid. The only exception Roy makes is for the illuminated Qutub Minar. For the character Okeke, it is a lighthouse in a sea of darkness, a short distance from his apartment in Neb Sarai, the south Delhi neighbourhood home to many of the city's 2,500-odd Nigerians. His other refuge is, in many ways, is Debu, a dark-skinned Bengali who insists he's black and Okeke's brother. 'No you're not,' Okeke clarifies. 'You have no idea.' For 25-year-old Miracle Dike, who hails from Ghana and made Vikaspuri in Delhi her home six months ago, even a trip to the local market daily is not free from challenges. 'I find people staring at me which makes me extremely uncomfortable. They use racial slurs, even the N-word and that just breaks my heart. When I watched Dilli Dark, I could relate to so much,' said Dike. Even in the darkness, Roy stressed, Delhi isn't a city without compassion. The film uses power cuts as a recurrent motif, moments of sudden darkness that let crucial characters out of trouble. That for instance, said Roy, is one of Delhi's many moments of compassion. And there's the great unifier, pointed out Roy, one that's also underlined in his film. 'You want to be an Indian, no?' a teacher in his MBA class tells Okeke. 'Then struggle'.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store