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Forget Drishyam and Andhadhun: This thriller will keep you on the edge of your seat, climax will blow your mind with hidden mystery in every scene, the film is.., leads are…

Forget Drishyam and Andhadhun: This thriller will keep you on the edge of your seat, climax will blow your mind with hidden mystery in every scene, the film is.., leads are…

India.com23-06-2025
Forget Drishyam and Andhadhun: This mind-bending thriller will keep you on the edge of your seat, reality of the villain will shock you, film is.., leads are...
In the ever-evolving world of cinema, many films and series with thrill and suspense come and go every day; however, there are some suspense thriller that not only entertains you but also keep you glued to your seat, thinking about what's coming next. One such example of this is a South Indian film that will definitely resonate with the audience who love thrillers like Drishyam and Andhadhun.
With a unique storyline and mind-blowing climax, this thriller is currently streaming on Prime and is causing a buzz. The film that we are talking about is none other than 'Eleven'. It entails powerful suspense, unpredictable twists and turns, and a gripping mystery that will keep the audience at the edge of their seat.
This film has already earned the title of the best mystery thriller of the year 2025. It is available in Tamil and Telugu languages and was released on 16th May 2025. It is also trending at the top 10 on Prime. Directed and written by Lokesh Ajus. The film features impeccable performers like Navin Chandra, Abhirami, Ravi Varma, Shariff, and Riva
The plot of the film revolves around a man who is wearing a mask and is seen getting out of a car and burning a body that he pulls from the trunk. Right from the first frame of the film, it keeps the audience engaged and launches a chilling narrative around a serial killer. The responsibility of investigating the serial killer falls on a policeman called Arvind. What follows later is that the killer had made twin siblings his victims and killed them.
But in a turn of events, the story takes a twist, and after the interval, the entire narrative of the film gets flipped. The story takes a mind-bending turn, leading to a shocking climax where it is revealed that the hero is the real villain. This unexpected twist proves 'Eleven' as a standout film in the thriller genre.
From the first frame to the last frame of the film, this thriller will keep your eyes glued to the screen and make your mind boggle. So, if you are looking for a film that delivers nerve-wrecking suspense and also provokes you to think, then Eleven should be on your must-watch list.
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‘Kaalidhar Laapata' REVIEW: Abhishek Bachchan anchors a gentle tale of abandonment, healing, and unlikely friendship
‘Kaalidhar Laapata' REVIEW: Abhishek Bachchan anchors a gentle tale of abandonment, healing, and unlikely friendship

Mint

time2 hours ago

  • Mint

‘Kaalidhar Laapata' REVIEW: Abhishek Bachchan anchors a gentle tale of abandonment, healing, and unlikely friendship

Director Madhumita returns to familiar ground with 'Kaalidhar Laapata', a Hindi-language adaptation of her own acclaimed 2019 Tamil film 'K.D.' (Karuppu Durai). At its heart, the story remains a deeply human one: an elderly man, discarded by his family, finds purpose and joy in an unlikely friendship with a child. But this version, starring Abhishek Bachchan as the titular Kaalidhar, shifts the tone in a way that is both emotionally satisfying and gently bittersweet, if a little too restrained for its own good. In the original 'K.D.', the protagonist was a crusty, spirited old man who stormed out of his village nursing both bruised pride and a hunger for experience. His counterpart in 'Kaalidhar Laapata', played by Bachchan, is a quieter figure. After overhearing his family's disturbing plan to abandon him during a trip to the Kumbh Mela—a decision driven by greed and cloaked in religious propriety—Kaalidhar slips away unnoticed. This early betrayal sets the emotional temperature for the rest of the film. While the Tamil KD responded to betrayal with bite and black comedy, Bachchan's Kaalidhar retreats into a softer, sadder world, choosing detachment over confrontation. Abhishek Bachchan's performance is unexpectedly delicate. His Kaalidhar is not a man loudly raging against injustice but one quietly folding into the loneliness of being unwanted. There is a fragility to the way he walks, talks, and smiles—making this one of his more nuanced performances in recent years. The sharp, sardonic humour of the original is replaced here with a quiet longing, a gentle weariness that turns Kaalidhar into a figure you want to protect rather than laugh with. This reimagining won't appeal to everyone, especially those who loved the earthy, irreverent vibe of 'K.D.', but it adds its own emotional weight. Enter Ballu, played with natural charm and spontaneity by child actor Daivik Baghela. The chemistry between Kaalidhar and Ballu is the film's beating heart. Their bond unfolds gradually—starting with stolen food and squabbles over sleeping spots, and blooming into trust and affection. As they travel together across towns and highways to tick off items on Kaalidhar's bucket list (which includes everything from eating jalebis on a train to riding a horse), the film captures moments of joy with simplicity. Their friendship has no grand declarations, but it's in the quiet acts of kindness—Band-Aids on bruises, shared jokes, silent companionship—that we witness something profound. Mohammed Zeeshan Ayyub appears in a small but pivotal role, bringing credibility and warmth to his scenes. The rest of the supporting cast is serviceable, though the scheming siblings and manipulative sister-in-law veer into caricature. The film also avoids any direct confrontation or dramatic reckoning with the family's cruelty, choosing instead to keep the focus on personal healing and emotional growth. Visually, the film doesn't aim for grandeur, but it uses India's varied landscapes—dusty roads, crowded temples, mustard fields—with gentle beauty. Kaalidhar's journey feels less cinematic and more lived-in, like flipping through an old, handmade scrapbook. But for all its tenderness, 'Kaalidhar Laapata' does play it a little too safe. It sands down the rough edges of the original. The rebellious spirit, the biting commentary on ageism and family hypocrisy—all of it is more muted here. The film's emotional impact, while sincere, never quite surprises. Still, Abhishek Bachchan brings an unmistakable warmth to the role. His portrayal of Kaalidhar is steeped in quiet dignity, and his transformation—subtle as it is—feels earned. He may not have the fire of 'Karuppu Durai', but he has a deep well of empathy, and that gives the film its emotional centre. 'Kaalidhar Laapata' may not dazzle, but it gently stirs. It is kind, soft-spoken, and sometimes, that's enough.

4 new South films to watch this week on OTT: Thug Life, Uppu Kappurambu and more
4 new South films to watch this week on OTT: Thug Life, Uppu Kappurambu and more

Pink Villa

time3 hours ago

  • Pink Villa

4 new South films to watch this week on OTT: Thug Life, Uppu Kappurambu and more

South Indian films are surely a dose of fine entertainment for anyone on weekends. If you're confused about what to watch, here's a list of new South movies that you need to watch on OTT. 4 South films to watch on OTT this week 1. Thug Life (Tamil) Cast: Kamal Haasan, Silambarasan, Trisha Krishnan, Aishwarya Lekshmi, Abhirami, Ashok Selvan, Joju George Director: Mani Ratnam Genre: Gangster Action Drama Runtime: 2 hours and 45 minutes Where to watch: Netflix Thug Life is a gangster action drama starring Kamal Haasan and Silambarasan TR in the lead roles. It is available for streaming on Netflix. The Mani Ratnam directorial narrates the tale of Rangaraaya Sakthivel, an aging mafia crime boss who once adopted a young boy, Amaran, after a shootout in Delhi. Years later, he raises his foster son as his own, making him a formidable member of the mafia. With circumstances tying his hands, Sakthivel appoints his adopted son to lead the gang, which eventually leads to animosity between them. As the story progresses, the film develops into a battle of death with father and son going head-to-head until one meets their end. 2. Madras Matinee (Tamil) Cast: Sathyaraj, Kaali Venkat, Roshni Haripriyan, Shelly Nabu Kumar, George Maryan, Sunil Sukhada Director: Karthikeyan Mani Genre: Comedy Drama Runtime: 2 hours and 15 minutes Where to watch: SunNXT Madras Matinee features the story of an aging sci-fi writer who is challenged by his caretaker to write the tale of a common man. Taking up the challenge, the writer reluctantly follows and understands the life of Kannan, an autorickshaw driver. However, the writer soon finds out the depthful drama in an ordinary person's life. What unfolds later becomes the central focus of the story. 3. Paramasivan Fathima (Tamil) Cast: Vimal, Chayadevi, MS Bhaskar, Manoj Kumar, Sriranjani, Athira, Aruldoss, Cool Suresh Director: Esakki Karvannan Genre: Horror Thriller Runtime: 2 hours and 23 minutes Where to watch: Aha Video Paramasivan Fathima is based on the story of a detective who is investigating a mysterious predator in his mountain village. However, as he uncovers buried secrets, he figures out dark truths that have been hidden for generations. 4. Uppu Kappurambu (Telugu) Uppu Kappurambu is a political comedy-drama that takes place in the fictional village of Chitti Jayapuram. After her father's death, a socially anxious Apoorva is appointed as the village head. As soon as she begins her term, Apoorva faces a dilemma as the village cemetery is running out of burial spots. How she manages to overcome the problems, while tackling the issues raised by two influential people in the village, forms the rest of the story.

The mridangam's rhythm gets an electronic makeover
The mridangam's rhythm gets an electronic makeover

The Hindu

time3 hours ago

  • The Hindu

The mridangam's rhythm gets an electronic makeover

The North Axis Project has unveiled its latest track, 'Mridanga'. It is a percussion-driven, bass-infused composition that seamlessly blends Kerala's rich musical heritage with electronic sounds. 'The idea behind the track is to explore the sound of the mridangam, and reimagine it within the modern musical framework,' says Siddharth Bhayani, who spearheads the band. The inspiration, he shares, came during a visit to a South Indian temple, where he was left 'mesmerised by the intricate mridangam rhythm patterns, played during a ritual. It struck me how timeless those beats felt — like it could echo across centuries, and yet move people today,' recalls Siddharth. ''Mridanga' is not just a track, but a dialogue between tradition and innovation.' Traditionally, the mridangam is central to Carnatic music, is deeply expressive. 'We treated the mridangam not just as an instrument, but as a language, translating its vocabulary into new rhythmic structures that could live on a dancefloor or in a cinematic setting. We studied its phrasing, tonal range and rhythmic grammar. Then we broke it down into isolated strokes, unconventional time signatures, ghost notes — and rebuilt it using electronic production tools like granular synthesis, pitch modulation and spatial FX,' elaborates Siddharth. Siddharth's musical influences are rooted in Indian classical traditions and global subcultures. On the Indian side, legends such as A.R. Rahman, Sivamani and Karsh Kale have impacted his approache to fusion. 'They showed me that experimentation can be done without losing cultural depth.' His journey has also been 'shaped by the raw energy of rock, heavy metal and punk rock'. Bands such as Rage Against the Machine and Nirvana influenced his 'early understanding of musical rebellion'. 'That aggressive, no-rules attitude naturally transitioned into my sound design — especially in the North Axis Project,' says Siddharth. On the electronic side, artists such as Acid Pauli, Bonobo and artistes chosen by the Buddha Bar movement have influenced his music. Psytrance has also been a motivating factor. 'The fusion of all these sounds gives North Axis project its unique identity: rooted, rebellious and rhythmically alive,' he states. Siddharth is now working on a theatrical live act that brings together musicians, street performers and electronic elements. He is also working on a new track, inspired by the infectious energy of Nashik dhol tasha. 'There is a raw power in its rhythm, the kind that moves not just the feet, but also the spirit. I am working on weaving the dhol's sound into electronic textures, and in the process will take the energy of the streets to the dancefloors,' he adds. These works follow the trajectory of past North Axis releases such as 'Dhin Na'. They also build on conceptually rich tracks such as 'Haveli', 'Minar' and 'Aangan', whose sounds were inspired by architecture. 'These works explores the acoustic soul of Indian spaces, translating the resonance of courtyards, domes and facades into rhythm and atmosphere,' shares Siddharth, whose background in architecture helps him 'approach sound much like space'.

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