logo
Who is Finland's Eurovision 2025 act Erika Vikman and what are the lyrics of her song ICH KOMME

Who is Finland's Eurovision 2025 act Erika Vikman and what are the lyrics of her song ICH KOMME

Wales Online17-05-2025
Who is Finland's Eurovision 2025 act Erika Vikman and what are the lyrics of her song ICH KOMME
Finland's Erika Vikman managed to make it to the final of the singing competition as one of the second 10 qualifiers for Saturday night's Grand Final
Erika Vikman representing Finland as she performs during the Semi Final Round Two of the 69th Eurovision Song Contest Opening Ceremony at Messe Basel in Basel, Switzerland
(Image: Getty Images )
The 69th Eurovision Song Contest's Grand Final is fast approaching.
26 acts will be competing in this year's final, which will take place at the St. Jakobshalle arena in Basel, Switzerland. Last year, Swiss singer Nemo proved to be the favourite with the public with their song, The Code, in the 2024 competition over in Malmö, Sweden. This year, Erika Vikman will be representing Finland with her song ICH KOMME.

The singer managed to make it to the final of the singing competition as one of the second 10 qualifiers for Saturday night's Grand Final (May 17). For the latest TV and showbiz gossip sign up to our newsletter .

Vikman managed to secure her spot for the final alongside Lithuania, Israel, Armenia, Denmark, Austria, Luxembourg, Latvia, Malta and Greece.
The first 10 qualifiers were Estonia, Albania, Sweden, Iceland, Netherlands, Poland, San Marino, Portugal and Ukraine, who all joined Switzerland and the "big five" nations which are the UK, Italy, Spain, France and Germany, to the final.
Here's everything you need to know about Finland's act and their song.
Article continues below
Who is Erika Vikman?
According to Eurovision's website, Erika Vikman is "one of the brightest stars in the Finish pop world".
She started her career in the entertainment business at a very young age.
It seems she is no stranger to winning competitions as she won the popular Tangomarkkinat festival in Finland in 2016.

From there, she had her big breakthrough hit with two times platinum-selling song Cicciolina in 2020.
Then, in the following year, she released a self-titled debut album which reached the top of the Finnish album charts.
Many more hits soon followed, including the three times platinum hits Syntisten Pöytä and Ruoska, which was a collaboration with Eurovision Song Contest 2023 runner-up, Finnish rapper and songwriter, Käärijä.

Her song, ICH KOMME, which means 'I am coming' in German, and has reached 11 million streams on Spotify.
The lyrics of the song are evidently risque and is billed as a "joyous message of pleasure, ecstasy and a state of trance".
According to the BBC, the song is structured to "mimic the pneumatic realities of lovemaking", and ends with the singer shooting a massive gold microphone into the sky.

Lyrics of ICHE KOMME
The English translation according to Wiwibloggs:
(I'm coming) Night falls, heart beats You fall into me Moon rises, earth arches My gates open (Hey)
I am Erika Welcome You're like a lovely Trance god Make yourself at home Do what you want and When you come I'm coming with you

(I'm coming) (I'm coming) And before you come you scream (I'm coming) (I'm coming) And I echo loudly: I'm coming (I'm coming) (I'm coming) And we come together and we're like (I'm coming) (I'm coming) This is what it's like to fall into an otherworldly trance (Wonderful)
I am Erika Nice to meet you And I'd even dance the wedding dance with you But naked
I am Erika You've got stamina Hit on me again Grab my buttock And when you want some love again Shout Encore And baby I'm coming

(I'm coming) (I'm coming) And again when you come you scream (I'm coming) (I'm coming) And I can't help but cry: I'm coming (I'm coming) (I'm coming) And we come together and we're like (I'm coming) (I'm coming) This is what it's like to fall into an otherworldly trance
Let go and let it happen Baby give yourself and come with me Stars in your eyes and me on top of you Baby you deserve everything good here Let go and let it happen Baby you can still fall in love with yourself Stars in your eyes and me on top of you Baby you deserve everything good here
(I'm coming) (I'm coming) I'm coming (I'm coming) (I'm coming) Falling in love (I'm coming) (I'm coming) Hey baby (I'm coming) (I'm coming) This is what it's like to fall into an otherworldly trance
Article continues below
The Eurovision Song Contest grand final will be available to watch on BBC and BBC iPlayer from 8pm on tonight, May 17.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Edinburgh Book Festival round-up: Mark Haddon
Edinburgh Book Festival round-up: Mark Haddon

Scotsman

time4 hours ago

  • Scotsman

Edinburgh Book Festival round-up: Mark Haddon

Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... The Book Festival has so many facets that it's possible to forget one of the finest pleasures it offers: the chance to listen to great writers talking beautifully and insightfully about writing and about life. One who does this very well is Mark Haddon, still best known for his 2003 novel The Curious Incident of the Dog in the Night-Time, but a writer of many parts: poetry, drama, novels for adults and children and, of course, short stories. Interviewer Chris Power decided to go through his latest book, Dogs and Monsters, story by story, creating a rich and interesting framework for a conversation. Many of the tales in the book have their inspiration in other stories, from Greek myths to HG Wells and Virginia Woolf. Some simply nod to the original while others are more detailed reworkings. But Haddon always find the twist which makes the story his own. Advertisement Hide Ad Advertisement Hide Ad Author Mark Haddon | Getty Images Take the first in the collection which reworks the story of the minotaur: the child born in shame who must be kept secret is no monster, just severely disabled. It took Haddon a long time to find this twist, he said, but when he did the elements of the story clicked into place in a new way. It felt 'psychologically real, not just antique'. The stories range in their settings from Elizabethan England to Haddon's old school to a nuclear bunker in York. And dogs weave their way through many of them, notably in a retelling of the myth of Actaeon, the warrior who is turned into a stag by the goddess Diana, only to savaged by his own hunting dogs. When Haddon realised Ovid names 33 dogs in his version but very few of the human characters, he had a moment of clarity: we have more in common with our forebears than we think. He cheerfully dismissed the idea that 'writers know what they're doing' describing his own creative process as 'thrashing around putting things into this big grab-bag on my back'. But he works every day, either in writing or visual art (he began his career as an illustrator). 'If I haven't made anything, either with words or physically, it's been a wasted day.' Chimamanda Ngozi Adichie, appearing at the McEwan Hall on Tuesday at lunchtime, looked far too chic to have a 'grab bag'. Just off a flight from Lagos, she was greeted by cheers from the crowd like the literary celebrity she is. In a free-flowing conversation with writer and journalist Afua Hirsch, she talked about race, Scottish taxi drivers and the characters in her new novel, Dream Count. Advertisement Hide Ad Advertisement Hide Ad She reflected on her own much quoted line – 'I did not know I was Black until I came to America' – explaining that when she gave that experience to one of her characters, an African woman in the USA becoming aware of her own Blackness, her publisher asked her to remove it because 'no-one thinks like that'. Chimamanda Ngozi Adichie pictured in Berlin earlier this year One of the four women whose journeys she maps in Dream Count is based on the true story of New York chamber maid Nafissatou Diallo who, in 2011, accused Dominique Strauss-Kahn, then head of the IMF, of sexual assault and attempted rape (the case was eventually settled out of court). Adichie followed the story avidly, and wanted to draw attention to how Diallo was treated and 'the assumptions made about women who are poor, Black, African and immigrants'.

Vienna announced as host city for Eurovision song contest 2026
Vienna announced as host city for Eurovision song contest 2026

The Guardian

time10 hours ago

  • The Guardian

Vienna announced as host city for Eurovision song contest 2026

Vienna has been chosen to host the Eurovision song contest 2026, the world's biggest live televised music event, Austria's public broadcaster announced, with the final set for 16 May. Austria's JJ won this year's competition, held in Basel in Switzerland, with his song Wasted Love, which blends techno beats with operatic vocals – making his home country the 2026 host. Vienna, which previously hosted the glitzy TV extravaganza in 1967 and 2015, edged out Innsbruck, the capital of western Tirol province, to stage next year's contest, the public broadcaster ORF announced on Wednesday. The final of Eurovision's 70th edition will be held at the Wiener Stadthalle, Austria's largest indoor arena, with semi-finals set for 12 and 14 May, Eurovision said. Since its launch in 1955, Eurovision has become the ultimate pop platform, catapulting the Swedish group Abba to worldwide fame, as well as boosting the likes of Céline Dion, Cliff Richard and Olivia Newton-John. About 166 million viewers in 37 countries watched this year's contest, with a record 60% of viewers aged 15 to 24 tuning in. The competition got even more views on Instagram and TikTok. The show has often drawn controversy, with pro-Palestinian activists staging protests in Switzerland in May after Eurovision allowed Israel – who was runner-up – to participate in the contest despite the devastating Gaza war. After his win, JJ, whose real name is Johannes Pietsch, in an interview called for Israel to be excluded from next year's competition, sparking a storm of criticism in Austria, a staunch supporter of Israel. JJ, 24, has since sought to defuse the controversy, saying via his record label, Warner, that he was 'sorry if his comments had been misinterpreted'. Austria's far-right Freedom party, which came top in elections for the first time last year but failed to form a government, has described Eurovision as a 'queer, leftwing, woke spectacle' and criticised Vienna for wanting to stage it despite the high costs. Basel put up nearly $40m (£30m) to host the contest. Under the slogan 'Europe, shall we dance?', Vienna – more commonly known for classical music and the baroque splendour of its architecture – pushed to host the contest, citing its experience with big events. It also touted its 'enormous' accommodation capacities, its 'excellent' transport links, and its 'cosmopolitanism', with 2 million people living in the Austrian capital. The the Wiener Stadthalle hosted Eurovision in 2015, after the previous year's edition was won by the drag performer Conchita Wurst. Located in central Vienna, it opened in 1958 and seats 16,000 people in its main hall. When Vienna last hosted the Eurovision contest, the city installed traffic lights showing same-sex and heterosexual couples instead of a single figure – which proved so popular that authorities decided to keep them for good.

Eurovision announces host city for 2026 as fans divided over location choice
Eurovision announces host city for 2026 as fans divided over location choice

Daily Mirror

time13 hours ago

  • Daily Mirror

Eurovision announces host city for 2026 as fans divided over location choice

The Eurovision Song Contest 2026's host city in Austria has been announced following the news last month that both Innsbruck and Vienna were in the running for the role The host city for the Eurovision Song Contest 2026 has been announced. The European Broadcasting Union (EBU), which organises the international contest, shared the news this week alongside confirming the dates for next year. ‌ Austria will welcome the contest for a third time next year following their act JJ's victory in Switzerland back in May with the song Wasted Love. Last month, it was revealed that Innsbruck and Vienna were in the running as host cities. ‌ It's now been announced that Vienna has been chosen by the EBU and Austrian broadcaster ORF to host the 70th edition of Eurovision. It has also been confirmed that the contest will be held in the city from May 12 to 16 next year. ‌ The semi-finals will be held at the Wiener Stadthalle on May 12 and 14, before the venue, which is the largest indoor arena in the country, fronts the grand final on May 16. The opening ceremony will instead be at City Hall on May 10. Vienna, which the EBU has described as a "historical hub for the arts," remains the only city in Austria to have hosted the contest and has done so twice already. It previously had the honour in 1967 and 2015, which was the 60th edition. The EBU has said that the capital city was chosen following a "competitive bid process" that examined facilities at the venue and local infrastructure. Organisers are said to have also examined the ability to accommodate thousands of visitors for the international contest "among other criteria". Martin Green CBE, director of the contest, said: "The EBU is thrilled that Vienna has been selected as the Host City for the Eurovision Song Contest 2026. Vienna's reputation as one of the most musical cities in the world, and its location in the heart of Europe, makes it the perfect Host City for the 70th Eurovision Song Contest. "The city's exceptional Stadthalle was a great venue for the 60th Contest in 2015 and we're very much looking forward to welcoming delegations, artists and fans alike back there next May as the world's largest live music event celebrates 70 glorious years of being United by Music. Together with Host Broadcaster ORF and the city of Vienna we will create a spectacular celebration of music that will reverberate across the world." ‌ Roland Weißmann, director general of host broadcaster ORF, added: "After thorough examination and based on a unanimous jury assessment, ORF concluded that Vienna's offer is not only the most attractive in terms of infrastructure and logistics but also economically. The Contest is a celebration for all of Austria, which we will all be proud of." Whilst Vienna's mayor Michael Ludwig said: "In Vienna, we can be proud that our city has been selected by the EBU and ORF as the most suitable Host City for one of the world's largest events. We submitted a convincing overall package with enormous accommodation capacities, excellent infrastructure, and a lot of experience in hosting international events. Additionally, we placed great emphasis on offering numerous Eurovision Song Contest events in public spaces that can be visited free of charge." ‌ Fans have been sharing their thoughts since the news was announced. Many have suggested that Vienna was the likely choice and most suitable, though some appear to be disappointed that it wasn't somewhere else in Austria. One person wrote on X: "So despite the fact its hosted it twice to Vienna for 2026. Feel for Innsbruck and rest of Austria that their capital seems to win out against them AGAIN." Another said: "Gutted for Innsbruck. Get ready for another cookie cutter contest." Someone replied: "Same, struggling to get excited about this one. It'll be a dull redux of 2015, which was one of the weakest productions of the modern era to begin with." ‌ A number of fans have expressed excitement though and suggested that Vienna was the right choice. One wrote: "Eurovision heading to Vienna in 2026 brings the contest back to a classic stage." Another said: "Vienna will be an amazing host, such a beautiful city with a rich musical history." A third wrote: "Good. Vienna is the only city in the country with the necessary size and infraszructure to handle this. Sorry Innsbruck, this is more than just a bigger concert." Someone wrote: "Vienna seemed to be the only logical option, but Innsbruck would have been a lovely city for the fans to visit." Another said: "Vienna was such an obvious choice that I really do wonder why they waited until today to proclaim it as the host-city. Welcome back to a capital-city, dear #Eurovision Song Contest!"

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store