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Shark Week 2025: How to Watch and Stream the Toothy Programming Event

Shark Week 2025: How to Watch and Stream the Toothy Programming Event

CNET6 days ago
Looking for sharks? You've paddled to the right place. Discovery Channel's Shark Week programming event starts tonight, bringing loads of shark-centric content for those who want to celebrate the iconic top predator. It's the kind of annual tradition that really shines on the right screen.
According to a press release, Shark Week 2025 will include 20 hours of new specials debuting Sunday, July 20, through Saturday, July 26. The first program up is Dancing with Sharks, which involves "an unprecedented underwater dance competition between expert divers and their shark partners," per Discovery.
If you want to pile up your week with specials tied to sharks, here are streaming details for Shark Week 2025. You'll also find a full rundown of programming for the fin-filled extravaganza in its 37th year.
Read more: Netflix Jumped In on the Shark Week Action in July, Landing Two New Hits
How to Stream Shark Week 2025
Shark Week will kick off on Discovery Channel on Sunday, July 20 at 8 p.m. ET. Specials will be available to stream the same day and time on HBO Max and Discovery Plus. Here's the Shark Week 2025 lineup.
Sunday, July 20 -- Dancing with Sharks (8 p.m. ET), Air Jaws: The Hunt for Colossus (9 p.m. ET), Great White Assassins (10 p.m. ET)
Monday, July 21 -- Great White Sex Battle (8 p.m. ET), Jaws vs. Mega Croc (9 p.m. ET), In the Eye of the Storm: Shark Storm (10 p.m. ET)
Tuesday, July 22 -- Great White North Invasion (8 p.m. ET), How to Survive a Shark Attack (9 p.m. ET), Black Mako of the Abyss (10 p.m. ET)
Wednesday, July 23 -- Expedition Unknown: Shark Files (8 p.m. ET), Expedition X: Malpelo Monster Shark (9 p.m. ET), Alien Sharks: Death Down Under (10 p.m. ET)
Thursday, July 24 -- Surviving Jaws (8 p.m. ET), Caught! Sharks Strike Back (9 p.m. ET), Frankenshark (10 p.m. ET)
Friday, July 25 -- Great White Reign of Terror (8 p.m. ET), Florida's Death Beach (9 p.m. ET), Bull Shark Showdown (10 p.m. ET)
Saturday, July 26 -- Attack of the Devil Shark (8 p.m. ET), Battle for Shark Mountain (9 p.m. ET)
CNET/Discovery Plus Discovery Plus Streams Shark Week
Discovery Plus, like Max, lets you stream content from brands like HGTV, Food Network, TLC, ID, Animal Planet, and Discovery Channel. You won't get access to HBO and HBO Max originals like The Penguin and Hacks, but it's cheaper than Max. Ad-supported plans are $6 per month and ad-free plans are $10 per month. See at Discovery Plus
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Taylor Swift and Travis Kelce Fans Name Their Baby Girl After the Superstar Couple: 'In Her Newborn Era'
Taylor Swift and Travis Kelce Fans Name Their Baby Girl After the Superstar Couple: 'In Her Newborn Era'

Yahoo

time18 minutes ago

  • Yahoo

Taylor Swift and Travis Kelce Fans Name Their Baby Girl After the Superstar Couple: 'In Her Newborn Era'

The baby was described as "the youngest Swiftie and newest member of The Kansas City Chiefs Red Kingdom" A couple had a 'Blank Space' on their baby's birth certificate — and they knew exactly what name to go with. A baby girl was recently born at Liberty Hospital in Missouri, and her parents gave her a moniker inspired by Taylor Swift and Travis Kelce: Kelce Taylor. In a social media post on Friday, July 25, Liberty Hospital shared a photo of the baby girl wrapped up and wearing a yellow bow as she was situated on top of a Kelce jersey. Behind her, a sign — which appeared to feature a cartoon of Swift in cowboy boots — highlighted her name, inspired by both the pop star and the football player. 'We are so excited to announce the birth of the youngest Swiftie and newest member of The Kansas City Chiefs Red Kingdom," Liberty Hospital wrote in its caption. 'Kelce Taylor is officially in her newborn era,' the hospital continued. In the comments section, Liberty Hospital added, 'Our nurses say that baby Kelce loves her own special name.' Swift and Kelce, both 35, have been dating since 2023. The Kansas City Chiefs tight end recently shared several photos on Instagram earlier this week, including sweet snaps that featured the "You Belong with Me" musician. In one image, the pair had their arms around each other on a boat, while another showed them on a group trip to Montana. "Had some adventures this offseason, kept it 💯," Kelce captioned the social media post, which also featured appearances from his brother, Jason Kelce; his mother, Donna Kelce; Swift's brother, Austin Swift, and more. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. A source recently told PEOPLE that Kelce's decision to post images of Swift on the social media platform for the first time "wasn't random." "It was intentional, the insider explained. "They've been private in their own way, but this was his way of showing how serious things have become." "They're in a really solid place and more in sync than ever," the source added. Read the original article on People

'Happy Gilmore 2' is absolutely wonderful
'Happy Gilmore 2' is absolutely wonderful

USA Today

time19 minutes ago

  • USA Today

'Happy Gilmore 2' is absolutely wonderful

The legacy sequel has transformed itself into one of the ugliest reanimations in modern Hollywood, the crass puppetry of a once-beloved corpse dancing to the same song-and-dance that made it so cherished in the first place. Shame-soaked nostalgia dollars flutter about like ugly butterflies in a trash garden, destined to put on the same "dead dog and dead pony" show for fearful audiences afraid of any ounce of originality until the unforgiving entertainment machine runs out of caskets to mine and the whole movie world falls off a cliff. And then there's Happy Gilmore 2. Leave it to Adam Sandler, perhaps the most beloved American entertainer this side of Mickey Mouse and Tom Hanks, to putt the golf ball through the most byzantine mini-golf fun house from Hell and nail the shot to keep himself under par. Happy Gilmore 2 is just baked with too much love to reek of what dooms its colleagues. In one way, you could view Happy Gilmore 2 as a triumph of affable stupidity, a sequel so awash in the hallmark Sandler rage-man physical comedy that it manages to feel fresh... if only because Hollywood has practically abandoned the genre entirely for "comedic" superhero movies that smirk at the screen as if any insinuation of comedy at all is some sort of naughty cooke jar-snatching that big daddy corporation didn't see while reading the newspaper... the kind that would make even Wade Wilson blush. Last summer's Deadpool and Wolverine actually owned its identity of being a straight-up comedy as opposed to something dreadful like Thor: Love and Thunder (shutters in Zeus), but even then, it was still a Deadpool and Wolverine movie. Marvel putting out the biggest comedy of the decade so far just feels wrong, even if the movie was indeed funny. Yes, a Happy Gilmore Netflix movie in 2025 replete with countless cameos from golf professionals, Sandler regulars, podcast hosts and sportscasters plays to the broadest audience possible. The humor is wack-a-mole wide, the callbacks to the original so plentiful and obvious that you can almost count this as a double-bill on Letterboxd with just one sit on the couch. However, everything feels hand-stitched, as if an entire community of people who love Happy got together and crafted a big quilt to wrap themselves in nearly 30 years later. The warmth radiates from the screen. Unlike a big-budget Hollywood legacy blockbuster where nostalgia cuts the checks and the corporate "reverence" for what came before feels AI-generated to appeal to the most shameless part of our brains' art-processors, Happy Gilmore 2 feels pleasantly overstuffed out of adoration. Sure, most of the film is flatly ridiculous, the lowest-hanging fruit basket being passed around for everyone to take one and pass it down. Characters punch and choke each other out of sheer glee; another drinks hand sanitizer to get a buzz. One man on a beach thinks he's watching a Happy Gilmore golf match on television, but in reality, it's just a rock in a makeshift box. One character goes to the bathroom in a mailbox. Like all of Sandler's movies, the cheap joke is the best joke, and the school cafeteria belly laughter is real and wonderful. Think about the star for a moment and where he is now. After years and years of pushing it away, Sandler's recent forays into auteurism have fulfilled the tantalizing promise of Punch-Drunk Love and Funny People. Even in his screwiest of comedies, he showed off the volcanic range and crestfallen heart of a truly generational actor. Uncut Gems in particular felt like an answered prayer. Watching the Sandman getting sandbagged down with heartless 2010s Netflix comedies made you question if he had finally just settled. The grand pleasure is that Happy Gilmore 2 shows that even a new Sandler Netflix comedy can make you scream-laugh to the point of waking up your dog and bothering your neighbors. By plowing shamelessly into the original film beat-for-beat but still awakening something oddly profound on the passage of time with how so many of the 1996 film's actors have departed from this golf course for the other, Happy Gilmore 2 plays as both a Happy Madison fan convention smorgasbord and a group hug for the past, present and future. Happy Gilmore 2 also arrives like a godsend in a world where studio comedies have fallen to the wayside. Consider that modern comedy has mainly shifted into other genres and into the indie space, where witty banter and situational ironies tend to rule the day. They're incredibly funny, but the other side of the spectrum, the kind that studios used to pump out in the summer with the Sandlers of the world for mass appeal, have nearly gone extinct. Perhaps that makes a big, doofy Happy Gilmore sequel all the more commendable with its themes of mourning the people we've lost and saving the traditions we care about while we have them. The film's villain is a tech-bro who wants to turn golf into a glitzy rizz-fest with color-run fireworks and brash stunts to appeal to the TikTokers and Twitch streamers who don't have time for the love of the game. As much as you absolutely cannot read any supremely deep text in a movie where a honey-drenched Travis Kelce gets attacked by a bear in Bad Bunny's "happy place" dream, you feel the Sandler-dad wisdom trying to slap around the young'uns a bit to appreciate the old ways and cherish the familial bonds that keep them aflame. Happy Gilmore 2 is the funniest movie of the year so far by default, if only because no other movies really try to go for laugh-a-minute comedy like this any longer. The new Naked Gun movie will surely challenge it, but why can't the audiences of today get their own Happy Gilmores and Frank Drebins to cherish anew? It's an unfortunate irony that the surest bet at getting a major comedy project off the ground in 2025 is to dust off an old character and put a new shine on them to appeal to nostalgic business sense. No, Happy Gilmore 2 can't stand shoulder-to-shoulder with its predecessor because that's outright impossible. However, it can bundle in the laughter in equal measure and mess around so much with the very nature of a legacy sequel that some of its most shameless callbacks feel inspired, almost a parody of its serious brethren. Yes, there is infinitely more integrity with Chubbs Peterson having a son who works at a mini-golf course who also has a fake hand than whatever the Mission: Impossible – The Final Reckoning hook was with Shea Whigham being Jon Voight's kid out of nowhere. Those two movies mirror each other. Tom Cruise's sacrifice-for-the-movies adrenaline and Christopher McQuarrie's James Cameron/Brian De Palma-tinged set-piece excellence go blow-for-blow with Sandler's ageless comedic timing and immaculate facial expressions and his and co-writer Tim Herlihy's masterful ability to mine nonstop gags out of the most ludicrous visuals. Watching Cruise's underwater submarine ballet in the latest Mission: Impossible is incredible; watching golfer John Daly try to drink booze out of an antique cuckoo clock is, too. Where Happy Gilmore 2 succeeds and the latest Mission: Impossible fails all has to do with the approach. The latter is bound to sincerity in its most cringey throwbacks because it's downright, well, impossible to wink a bit at the audience at how silly this all is. A Sandler comedy has the freedom to have its nostalgia cake and throw it across the room to instigate a food fight. During a scene at a graveyard, headstones of characters long gone from the original start popping up in spades. A few of those would have induced eye-rolls; a bunch of those, even of the most random side characters, makes for great meta-humor. Comedies give you the ability to check yourself a bit, as the wedgie-giving ombudsman comes in to readily acknowledge a lot of this is looney tunes. A streak of sadness dyes the current, as the reason Happy falls off the golfing map is the kind of shock revelation a Happy Madison production probably doesn't aim for 10 years ago. The world kept spinning while Gilmore was swatting golf balls with a hockey goon's might, and it wasn't always kind to our favorite golfer like we might have hoped. Dad-Sandler has always been the most sentimental version of himself, and his kids aging right in front of his eyes and starting to leave the nest seems to weigh on him and his renewed take on Gilmore. This and Wes Anderson's excellent The Phoenician Scheme both dive into similar subject matter with equal gusto, of a father reckoning with his children and his place in providing for them. There's a world-weariness to Happy this time around in the way Sandler carries him that both compels the film's most jarring narrative choice and grounds some of the film's far, far sillier antics. That approach gives Sandler's performance added gravitas and the entire film around him a paternal watchfulness that would've played as unearned earlier in his filmography. There is no doubting Sandler's commitment to the project as you might could have in the past; he's all in, and so is everyone around him. The older Sandler has gotten, the more his traveling-theater approach to making movies has taken on new meaning. Even in his biggest comedic misfires, the community Sandler keeps with him on his Happy Madison projects has always endeared. He takes care of his own, and that love shows through here more so than in any other project he's ever worked on. The rampant cameos would be gratuitous if the people staffing them didn't seem so genuinely thrilled to be there. Christopher McDonald's Shooter McGavin getting dragged back into the fold would feel forced if McDonald didn't treat the role like it was the true opportunity of a lifetime. There's no way in heck Verne Lundquist wears that blazer in the film's third act if he's not tickled to be back in this world. Heck, all of the brand-name golfers in the cast seem to relish the chance to act with Sandler and actually buy into the material. Do you know how much of a comedic achievement it is that three of the funniest people in this movie are Daly, Scottie Scheffler and Will Zalatoris? Daly plays with the kind of comedic fire that we sometimes praise to the extent of pushing them into awards talk; he's really that inspired with his fearlessness to be as zany as possible. Sure, Happy Gilmore 2 is still a legacy sequel at its core, replete with brand endorsements and adorned with Super Bowl-commercial rascality. However, it's the rare legacy sequel that feels purposeful and human-driven. The film reaches for real profundity, as much as you can find in a Happy Madison movie. It's a movie with a good soul, as affably crude and dingy as Sandler's landmark works and operating with the same level of zeal. Does all of it work as well as it could? Nah. Does every joke land? Probably not. Is it messy? Most certainly; all of Sandler's comedies have been to a degree. However, it's still so much better than so many other films like it. The world is a better place when Sandler is making comedies like this. Hubie Halloween felt like a nice change of pace, and Happy Gilmore 2 feels like the grand return to that high-wire fire hydrant style of Sandler funny business. It's painfully fully and surprisingly wistful for its place in time. We need Sandler to keep tapping into his dramatic potential; it's why his decision to work with Noah Baumbach again on Jay Kelly is so encouraging. However, we also need Sandler firmly planting his feet in the comedic worlds where he's the smartest idiot in the room with a heart of gold, and we all love him for it. Watching Sandler succeed with everyone cheering him on as those signature Happy Gilmore needle drops hit might make you just a wee bit misty... and not because it's an uncaring algorithm programming "Nostalgic Feelz" for the most basic audience possible. When it's earned and it's real, there's nothing like going back to your happy place with the people you love.

TikTok-famous PR strategist accurately predicts outcome of Coldplay CEO fiasco
TikTok-famous PR strategist accurately predicts outcome of Coldplay CEO fiasco

Fox News

time19 minutes ago

  • Fox News

TikTok-famous PR strategist accurately predicts outcome of Coldplay CEO fiasco

In the wake of a Jumbotron capturing Astronomer CEO Andy Byron in a compromising moment with the company human resources head Kristin Cabot at a Coldplay concert earlier this week, TikTok-renowned reputation and crisis strategist Molly McPherson offered her insights on the ensuing PR debacle, while accurately predicting Byron's resignation. In a now-viral social media clip, the musical pair could be seen on the concert's "kiss cam" covering their faces and ducking behind stadium seats. Coldplay lead singer Chris Martin called out the awkward response in front of the crowd, joking the two were either "having an affair" or "just very shy." ASTRONOMER CEO RESIGNS AFTER EMBARRASSING COLDPLAY CONCERT JUMBOTRON INCIDENT McPherson, who built a TikTok following of nearly 600,000 users by hypothesizing about celebrity PR responses to similar media woes, weighed in on the fiasco, and Astronomer's initial response to the situation. Days after the incident, the company released a statement reinforcing its values and announcing it had launched a "formal investigation." "Astronomer finally comes out with their statement," McPherson said in a TikTok video posted Friday. "If I were running crisis management on the inside here, I would not have released a statement. … I would not have done that, and here's the reason why: Even though Chris Martin exposed the CEO and the chief people officer, it was still a private matter." WOMAN WHO EXPOSED TECH CEO'S ALLEGED AFFAIR AT COLDPLAY CONCERT STANDS BY POSTING VIRAL VIDEO She added there was "nothing special" about the statement, which shared vague details about the company's focus on "accountability." "By waiting so long, it creates this vacuum, of course, and that's why everything went viral," McPherson said. "There was so much collateral damage by that point, not to mention all [of the] employees [and] investors. … But also, don't forget, the CEO is in charge. There's a power hierarchy." Noting stories are more likely to go viral in July and August, McPherson said the incident happened at the "worst time of year." "You cannot control the public, and you cannot control memes — which, by the way, meme culture [is] peak humor. This was good," she said. "Not only did the story go viral, not only was it video, not only was it Coldplay, but [there was] also the fake CEO statement, which a lot of PR types out there definitely knew was fake. A lot of journalists knew it as well." COLDPLAY KISS CAM TRIGGERS 'FORMAL INVESTIGATION' INTO ASTRONOMER CEO ANDY BYRON AND HR HEAD KRISTIN CABOT Hours after the video reached the internet, a fake apology statement, which claimed to be issued by Byron, was posted online. The statement, which Astronomer confirmed was not authentic, ended with song lyrics from Coldplay's "Fix You," "Lights will guide you home, and ignite your bones, and I will try to fix you." CLICK HERE TO GET THE FOX NEWS APP McPherson said there were clear "winners and losers" in the spectacle, noting the company would likely come out unscathed. "[The] winners [were] Chris Martin and Astronomer … and also, eventually an ex-wife," she said. "[The] loser [was] Andy Byron. He'll be out by the end of next week, definitely. From a corporate reputation [perspective] … it's all fine." One day after McPherson shared her thoughts, Byron tendered his resignation and the board of directors accepted.

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