
'Squid Game 3' REVIEW: Lee Jung-jae, Lee Byung-hun shine in a season that fails to level up
'Squid Game' once felt like a lightning bolt — sharp, shocking, and unforgettable. But by Season 3, the spark is all but gone. While fans may still show up for Lee Jung-jae's brooding return as Seong Gi-hun, what they'll find is a tired retread of ideas that no longer shock, surprise, or even fully engage.
This season feels like déjà vu, but without the tension or originality that made the first season so compelling.
Gi-hun's story picks up from where season two stopped and he once again tries to help the people that have entered the deadly game, haunted yet determined. Hwang Jun-ho (Wi Ha-joon), the determined detective from Season 1, is also back, still on the trail of the mysterious people behind the games and for his brother (who he doesn't know is the Front Man).
But what once felt urgent and dangerous now feels strangely empty. The stakes are high — as always — but the show no longer builds them with the same suspense or emotional depth. There's a lot of noise, but very little to say that hasn't already been said.
One of the biggest issues is repetition. The series is locked in a loop, both in structure and theme. We're reminded once again of capitalism's cruelty — the poor struggling for scraps while the rich look on in sadistic amusement — but the metaphor, while still relevant, lacks new insight. It feels like we're watching a dull echo of Season 1's biting message.
The games themselves, once the standout of the show thanks to their elaborate sets and clever twists, now feel rushed and uninspired. The final game especially suffers, relying on digital effects instead of the striking physical design that once defined the series. It's as if the soul has been sucked out of the spectacle, leaving behind only a digital shell.
What is even worse is that the show slowly kills off every character in the saddest way possible. But, of course, this does not come as a surprise to anyone. Each and every fan favourite character, from trans soldier Hyun-ju (Park Sung-hoon) to pregnant Jun-hee (Jo Yu-ri), no one is spared.
Jun-ho's investigation is another disappointment. What should have been a thrilling parallel plotline is instead left directionless.
His search yields little, dragging down the pace and offering barely any progress from where he started back in Season 1. This could have been a chance to open up the world of Squid Game, to deepen our understanding of how and why it all exists — but it doesn't.
That said, it's not a complete failure. Lee Jung-jae is still magnetic, and his performance brings some much-needed weight to an otherwise flimsy season. His grief and inner conflict are deeply felt, even when the writing around him doesn't give much to work with. Brief emotional moments flicker here and there, hinting at the greatness this show once achieved.
Needless to say, the entire cast put their best foot forward at every chance they got.
And yes, the final episode has a surprise appearance that's likely to spark online chatter. But is it enough to redeem the once acclaimed show? Not quite.
If it leads to another spin-off or sequel, one can only hope it brings with it a fresh vision and tighter storytelling.
In the end, Season 3 of 'Squid Game' isn't the worst TV has to offer — but it's far from its best. For longtime fans, there may still be value in watching it through. But for most, it might be time to step away from the game.
Final Verdict: A visually dim, narratively drained return that leans too heavily on past success.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Mint
4 hours ago
- Mint
What's new on Netflix this week (June 27): Squid Game 3, Tom Cruise dominate the drop
Had a long week and just want to chill at home? Well, Netflix is bringing a powerhouse lineup to keep you thoroughly entertained. The lineup includes audience-favourite shows and five adrenaline-pumping instalments of Mission: Impossible films. Here's your ultimate guide to this week's must-watch content dropping between June 27 and July 3, 2025. One of Netflix's most-watched series has returned with its third and final season. Stakes are higher than ever as the Gi-hun comes back to take down the Games from the inside. However, the deeper he veers, the more secrets he uncovers. Expect twists, betrayals and a potentially game-changing conclusion! The fantasy show based on Neil Gaiman's cult comic, the final volume, brings Morpheus face-to-face with the Furies and a new Dream King. Fans of the first season will not want to miss the climactic arc of this show. Directed by Jamie Childs, the show is reportedly being pulled off due to allegations against Gaiman. Hollywood's sweetheart Tom Cruise will likely be dominating the charts of new titles with the first five instalments of his iconic franchise Mission: Impossible arriving on Netflix. From the original to Mission: Impossible – Rogue Nation, Cruise's action-packed films will certainly keep you entertained. Yellowjackets will be coming with a brand-new season, which picks up two months after Jackie's death. The new season will show survivors facing a harsh winter while tensions escalate within the group. Amid the tense situation, Lottie will emerge as a spiritual leader. The dystopian political thriller, directed by James McTeigue, will be available on Netflix this week. Based on a graphic novel by Alan Moore and David Lloyd, the storyline is set in a totalitarian future Britain. It follows the journey of a masked vigilante known as V, who seeks to overthrow the oppressive government. Here are some of the other notable titles releasing this week on Netflix: Pokémon Horizons: Season 2 – June 27 Mom: Seasons 1–8 – July 1 Mr. Robot: Seasons 1–4 – July 3 Tour de France: Unchained: Season 3 – July 2 Squid Game: Season 3 is the week's biggest release of this week. Yes. Season 2 will be its final chapter, reportedly due to behind-the-scenes controversy. Pokémon Horizons: Season 2 continues the animated adventures for younger audiences, and PAW Patrol: Seasons 2 and 3 are also available now.


News18
4 hours ago
- News18
Squid Game Season 3 Review: A Bleak, Brutal Farewell That Loses More Than It Wins
Last Updated: Squid Game 3 Review: Netflix's Squid Game 3 closes the chapter with more tragedy and gore, but less soul and surprise. Squid Game Season 3 Review: After the breakout global success of its first season, Squid Game returns for a third and final outing on Netflix, closing the door on one of the most talked-about dystopian thrillers of the decade. With a bigger canvas, more twisted games and a heavier emotional load, Season 3 attempts to wrap up multiple threads including the long arc of protagonist Gi-hun (Lee Jung-jae), the mystery of the masked Front Man and the inner workings of the organisation behind the games. The result is a grim, at times exhausting, but undeniably impactful finale that asks viewers whether some games should never have been played at all. Picking up immediately after the failed rebellion in Season 2, Season 3 thrusts Gi-hun back into the nightmarish arena, this time emotionally broken and physically spent. He's no longer the scrappy survivor but a haunted man on a near-suicidal mission to destroy the system from within. His earlier efforts to inspire the players to rise up have failed, and now the games resume as ruthlessly as ever, beginning with a shudder-inducing version of hide-and-seek and escalating to a vertigo-triggering 'Sky Squid Game." Meanwhile, a subplot follows a rogue staffer, a former player-turned-guard, who infiltrates the organisation with a personal vendetta. Outside the island, the long-missing police officer Jun-ho is still hunting for proof of the game's existence, confronting not only the physical barriers of the island but the emotional ones with his estranged brother, the Front Man (Lee Byung-hun). What's compelling is how the show weaves these three storylines into one chaotic storm. All converge toward the final game, culminating in a disturbing, unforgettable ending that both honours and dismantles the mythology of Squid Game. Lee Jung-jae's Gi-hun has become a shadow of the man we met in Season 1 and that's the point. His arc, steeped in grief and disillusionment, is portrayed with haunting restraint. The performance is stripped of charisma, leaving behind a broken man barely holding onto purpose. Among the standout new additions, Kang Ae-shim shines as Jang Geum-ja, whose quiet dignity and heartbreak culminate in one of the series' most affecting moments. Jo Yu-ri (Jun-hee), playing a pregnant contestant, and Park Sung-hoon (Hyun-ju), a transgender former soldier, both bring emotional heft to a season otherwise consumed by bleakness. Roh Jae-won's sadistic Nam-gyu and Im Si-wan's morally slippery Myung-gi are compelling antagonists, even if their motivations feel overly telegraphed. Hwang Dong-hyuk once again proves adept at orchestrating psychological warfare masked as childhood play. The production design continues to dazzle, surreal pastels clashing with life-or-death tension. Yet, as stunning as it looks, Season 3 suffers from pacing issues. The episodes are bloated with filler dialogue, excessive foreshadowing and predictable twists that sap the urgency built so carefully in earlier seasons. The tone, too, shifts into unrelenting nihilism. There's little reprieve, little hope just wave after wave of gut-wrenching choices and grisly outcomes. Even the signature games including 'Sky Squid Game," a vertigo-inducing contest played on towering columns, begin to feel like macabre spectacle for spectacle's sake. Where Season 1 balanced moral ambiguity with razor-sharp tension and occasional empathy, and Season 2 faltered with a sluggish plot and undercooked expansion, Season 3 attempts to tie everything together. Unfortunately, it loses sight of what once made the series tick which is emotionally rich characters faced with impossible decisions. Season 3's character development feels more strategic than sincere. We're told who to root for and who to fear, robbing the narrative of surprise. The show's early capacity to shock with both violence and vulnerability now leans heavily into the former. Ah yes, the VIPs are back in their gold-plated masks with atrocious dialogue, as cartoonish as ever. Whether this is intentional parody or a missed tonal cue is still up for debate. Either way, their presence remains Squid Game's most jarring flaw. In a series grounded in human desperation, these exaggerated caricatures feel like a parody within a tragedy. Visually, Squid Game is still exceptional. From its sterile dormitories to the nightmarish playgrounds, every frame is deliberate. The colour palette remains psychologically dissonant. The writing, however, stumbles. While the themes capitalism, democracy's failures, exploitation remain potent, they're now delivered with the subtlety of a sledgehammer. Lines like 'We're going to need you to die" are played straight, lacking the nuance and grim irony of earlier seasons. The pacing is a particular weak point. With a runtime bloated across fewer episodes, there's an odd rhythm of long stretches of exposition followed by condensed violence. It's emotionally exhausting, but not always narratively satisfying. There are moments of brilliance in Squid Game 3, twists that shock, deaths that sting, monologues that momentarily revive its social critique. A particularly horrifying sequence involving a baby reveals Hwang's enduring skill in provoking moral discomfort. And the final twist? It's cruel, calculated and classic Squid Game. Yet the magic is dimmed. The series, once groundbreaking, now teeters dangerously close to becoming the very thing it once critiqued, a spectacle of suffering. When even Gi-hun's once unshakable humanity is lost in the chaos, it becomes harder to find an emotional entry point. This isn't to say Squid Game 3 is a bad season, it's not. It's competently made, strikingly acted and thematically coherent. But it is a tired one. A finale that reinforces the message of the show but doesn't evolve it. Squid Game ends not with a bang, but with a deep, unsettling sigh. For all its visual bravado and moral complexity, Season 3 is less a triumphant finale and more a slow, painful surrender. Still, it deserves credit for staying true to its bleak worldview and in a world of endless reboots, there's something powerful in closing the book, even if the ending doesn't quite land. First Published: June 27, 2025, 22:08 IST


Mint
4 hours ago
- Mint
'Squid Game 3' REVIEW: Lee Jung-jae, Lee Byung-hun shine in a season that fails to level up
'Squid Game' once felt like a lightning bolt — sharp, shocking, and unforgettable. But by Season 3, the spark is all but gone. While fans may still show up for Lee Jung-jae's brooding return as Seong Gi-hun, what they'll find is a tired retread of ideas that no longer shock, surprise, or even fully engage. This season feels like déjà vu, but without the tension or originality that made the first season so compelling. Gi-hun's story picks up from where season two stopped and he once again tries to help the people that have entered the deadly game, haunted yet determined. Hwang Jun-ho (Wi Ha-joon), the determined detective from Season 1, is also back, still on the trail of the mysterious people behind the games and for his brother (who he doesn't know is the Front Man). But what once felt urgent and dangerous now feels strangely empty. The stakes are high — as always — but the show no longer builds them with the same suspense or emotional depth. There's a lot of noise, but very little to say that hasn't already been said. One of the biggest issues is repetition. The series is locked in a loop, both in structure and theme. We're reminded once again of capitalism's cruelty — the poor struggling for scraps while the rich look on in sadistic amusement — but the metaphor, while still relevant, lacks new insight. It feels like we're watching a dull echo of Season 1's biting message. The games themselves, once the standout of the show thanks to their elaborate sets and clever twists, now feel rushed and uninspired. The final game especially suffers, relying on digital effects instead of the striking physical design that once defined the series. It's as if the soul has been sucked out of the spectacle, leaving behind only a digital shell. What is even worse is that the show slowly kills off every character in the saddest way possible. But, of course, this does not come as a surprise to anyone. Each and every fan favourite character, from trans soldier Hyun-ju (Park Sung-hoon) to pregnant Jun-hee (Jo Yu-ri), no one is spared. Jun-ho's investigation is another disappointment. What should have been a thrilling parallel plotline is instead left directionless. His search yields little, dragging down the pace and offering barely any progress from where he started back in Season 1. This could have been a chance to open up the world of Squid Game, to deepen our understanding of how and why it all exists — but it doesn't. That said, it's not a complete failure. Lee Jung-jae is still magnetic, and his performance brings some much-needed weight to an otherwise flimsy season. His grief and inner conflict are deeply felt, even when the writing around him doesn't give much to work with. Brief emotional moments flicker here and there, hinting at the greatness this show once achieved. Needless to say, the entire cast put their best foot forward at every chance they got. And yes, the final episode has a surprise appearance that's likely to spark online chatter. But is it enough to redeem the once acclaimed show? Not quite. If it leads to another spin-off or sequel, one can only hope it brings with it a fresh vision and tighter storytelling. In the end, Season 3 of 'Squid Game' isn't the worst TV has to offer — but it's far from its best. For longtime fans, there may still be value in watching it through. But for most, it might be time to step away from the game. Final Verdict: A visually dim, narratively drained return that leans too heavily on past success.