"I'm Done Being A Polite Pop Star": 16 Singers Who Aired Their Record Label's Dirty Secrets In Public
Thanks to platforms like TikTok and Spotify, artists don't necessarily need a splashy record deal to make a popular hit. However, for artists who are signed, the label is still the big boss controlling a lot of their career. A recording contract comes with a lot of pros, but there can also be a fair number of cons.
Here are 16 times singers called out their record labels or the music industry:
1.Accepting the Best New Artist award at the 2025 Grammys, Chappell Roan said, "I told myself that if I ever won a Grammy and got to stand up here before the most powerful people in music, I would demand that labels in the industry profiting millions of dollars off of artists would offer a livable wage and health care, especially developing artists. I got signed so young, I got signed as a minor. When I got dropped, I had zero job experience under my belt, and like most people, I had…quite a difficult time finding a job in the pandemic and [could not] afford insurance. It was devastating to feel so committed to my art and feel so betrayed by the system and dehumanized. If my label had prioritized it, I could have been provided care for a company I was giving everything to."
You can watch her full speech below:
2.In 1995, TLC filed for Chapter 11 bankruptcy on the heels of their successful album CrazySexyCool. At the 1996 Grammys, member Chili said, "We're not gonna sugarcoat anything anymore. We've been quiet long enough...We are the biggest-selling female group ever — 10 million albums worldwide. We have worked very hard. We have been in this business for five years, and we are broke as broke can be."
You can watch the full clip below:
3.Appearing on the podcast We Need to Talk in 2025, Cher Lloyd alleged she could tell "the craziest stories" of what's been said to her or been taken away from her because she "refused to go and hook up with people." She said, "I remember, once, while I lived in the US and I was promoting my album in the US, I walked into the record label at the time, and they hadn't given me a promotional budget to promote this album. We spent millions on this album, but there's no budget to go get people to hear it? So I walk in, and I say, 'Look, I really need some cash to try and push this record.' Basically told no, but what I needed to do to make this record take off is hit some of the clubs and find out where [Justin] Bieber is, and I should go try to get with him."
Here's the full interview, with this part starting at the 1:08:29 mark:
4.Per HuffPost, in a 2024 Instagram Live, M.I.A. reportedly alleged that, after she signed to Roc Nation, "The first thing [Jay-Z] asked me to do was get plastic surgery." She said, "What women do you know who hasn't had plastic surgery around [Jay-Z]? All of them have. I'm the only one who didn't..." She also alleged Azealia Banks advised her to bleach her skin. She said, "I'm not going to bleach my skin, no I'm not going to get a fucking nose job, no I'm not going to get fucking filler."
5.In 2020, Megan Thee Stallion sued her then-record label, alleging her contract was "not only entirely unconscionable, but ridiculously so" and enabled the label to "literally do nothing, while at the same time taking for themselves the vast majority of [her] income from all sources." In an Instagram Live, she reportedly said, "1501 don't want me to put out no music. All I did was ask to renegotiate my contract, then it became a whole big thing."
6.In 1993, Prince changed his stage name to the "Love Symbol," which he described as "an unpronounceable symbol whose meaning has not been identified," as a rebellion against his label. In a press release at the time, he said, "Warner Bros. took the [Prince] name, trademarked it, and used it as the main marketing tool to promote all of the music I wrote. The company owns the name Prince and all related music marketed under Prince. I became merely a pawn used to produce more money for Warner Bros."
Warner Bros. senior VP of creative services-turned-general manager Jeff Gold told Variety, "[Prince] was making noise about wanting his masters back, and [Warner chief Mo Ostin's] response was essentially, 'You should have thought that before you renegotiated your contract.' So Mo comes in one day and says, 'Prince has changed his name.'"
7.In 2018, Little Mix member Jade Thirlwall alleged to ASOS Magazine, that, during a radio event with lots of VIPs in attendance, "Someone from our US record label alleged, 'Go and flirt with all those important men.' I was like, 'Why have I got to go in and flirt to get my song on the radio?'"
8.In 2019, Scooter Braun purchased Taylor Swift's masters from Big Machine Records founder Scott Borchetta for $300 million. Taylor called out the deal in a Tumblr post, writing, "For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and 'earn' one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future."
In response, Scott Borchetta made a post titled "So, It's Time For Some Truth" on the Big Machine website. He wrote that Taylor's father, Scott Swift, was a shareholder in the label and was therefore "made aware of the pending deal with Ithaca Holdings and had 3 days to go over all of the details of the proposed transaction." He claimed the "transaction passed with a majority vote and 3 of the 5 shareholders voting 'yes' with 92% of the shareholder's vote."
In November 2020, Taylor became eligible to rerecord her first five albums. Of course, she famously decided to rerecord and release her "Taylor's Versions," leading to her highly successful The Eras Tour.
9.Per Pitchfork, in a since-deleted tweet from 2020, SZA reportedly told fans who were waiting for her to release new music, "At this point y'all gotta ask punch [Top Dawg Entertainment president Terrence 'Punch' Henderson]." She also alleged that their working relationship had "BEEN hostile."
10.In 2021, Raye tweeted, "I have been on a 4 ALBUM RECORD DEAL since 2014 !!! And haven't been allowed to put out one album. ALL I CARE ABOUT is the music. Im sick of being slept on and I'm sick of being in pain about it this is not business to me this so personal." She added, "Imagine this pain I have been signed to a major label since 2014...and I have had albums on albums of music sat in folders collecting dust, songs I am now giving away to A list artists because I am still awaiting confirmation that I am good enough to release an album."
11.In a since-deleted TikTok from 2022, Halsey alleged, "Basically, I have a song I love that I wanna release ASAP, but my record label won't let me...My record company is saying that I can't release it unless they can fake a viral moment on TikTok."
12.Similarly, in a 2022 TikTok video, Gavin DeGraw sang this to the tune of his 2004 hit "I Don't Want to Be": "I don't want to be on TikTok, but my label told me that I have to."
13.Also in 2022, in a since-deleted TikTok, FKA Twigs reportedly alleged, "It's true all record labels ask for are TikToks, and I got told off today for not making enough effort."
14.In 2023, Fifth Harmony member Ally Brooke told the Zach Sang Show, "We literally have billions of streams, but unfortunately, we don't get anything off of streams. But, thank God for [the non-profit collective rights management organization] SoundExchange. SoundExchange is amazing, and that, we get about, like, $5,000 a month. But that [has] gone away now, and we're not sure why."
Here's the full clip:
15.Also in 2023, Ally's former Fifth Harmony bandmate Lauren Jauregui alleged to the Zach Sang Show that she didn't receive substantial royalties from the band's music. She said, "It's not gonna pay my rent."
Here's the full clip:
16.And finally, in 2023, Kesha settled her lawsuit with Dr. Luke and fulfilled her contractual obligations to her previous label. Then, in 2024, she launched her own label, Kesha Records. She told Elle, "The music industry should be fucking terrified of me. Because I'm about to make some major moves and shift this shit. I really want to dismantle it piece by piece and shine light into every corner. I hope my legacy is making sure it never happens to anybody ever again."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

USA Today
13 minutes ago
- USA Today
Diddy trial updates: Sean Combs' alleged sex trafficking probed in resurfaced messages
Diddy trial updates: Sean Combs' alleged sex trafficking probed in resurfaced messages Show Caption Hide Caption Juror dismissed in Diddy trial over questions about truthfulness The judge in Sean "Diddy" Combs' sex crimes trial dismissed a juror after prosecutors questioned his honesty about where he lives. This story contains graphic descriptions that some readers may find disturbing. Prosecutors in Sean "Diddy" Combs' criminal trial are pulling back the curtain on the music mogul's alleged sex-trafficking enterprise thanks to unearthed personal messages and revealing testimony from Combs' former staffers. The Grammy-winning rapper's sweeping federal sex-crimes case resumed in Manhattan court on June 17 after jurors were shown past communications between Combs and his former chief of staff Kristina "KK" Khorram, a woman he called his "right hand" throughout her employment. Some messages allegedly showed Combs talking about a male escort and a drug dealer. Other texts from Combs' former girlfriend Casandra "Cassie" Ventura Fine alluded to the elaborate planning that went into Combs' "freak off" sex parties. Before the prosecution is scheduled to rest its case on June 18, ahead of the Juneteenth holiday the following day, U.S. attorneys plan on calling two to three more witnesses. One of them includes Combs' former assistant Brendan Paul. Combs, 55, was arrested in September and charged with sex trafficking, racketeering and transportation to engage in prostitution. He has pleaded not guilty. Diddy on trial newsletter: Step inside the courtroom as music mogul faces sex-crimes charges. The disgraced music mogul remains in custody, and, despite repeated attempts at bail, has remained confined to the Special Housing Unit in Brooklyn's Metropolitan Detention Center. He has been in jail since his arrest on Sept. 16, 2024. Discover WITNESS: Access our exclusive collection of true crime stories, podcasts, videos and more Combs is facing federal sex-crimes and trafficking charges in a sprawling case that has eroded his status as a power player and kingmaker in the entertainment industry. He was arrested in September 2024 and later charged with racketeering, sex trafficking and transportation to engage in prostitution. The rapper has pleaded not guilty to the five counts against him. Racketeering is the participation in an illegal scheme under the Racketeer Influenced and Corrupt Organizations Statute, or RICO, as a way for the U.S. government to prosecute organizations that contribute to criminal activity. Using RICO law, which is typically aimed at targeting multi-person criminal organizations, prosecutors allege that Combs coerced victims, some of whom they say were sex workers, through intimidation and narcotics to participate in "freak offs" — sometimes dayslong sex performances that federal prosecutors allege they have video of. The trial will not be televised, as cameras are typically not allowed in federal criminal trial proceedings. USA TODAY will be reporting live from the courtroom. Sign up for our newsletter for more updates. Contributing: USA TODAY staff If you are a survivor of sexual assault, RAINN offers support through the National Sexual Assault Hotline at (4673) and and en Español If you or someone you know is a victim of domestic violence, call the National Domestic Violence Hotline at 800-799-7233 or text "START" to 88788.


Newsweek
35 minutes ago
- Newsweek
Internet Can't Cope With Reason Dog Is Obsessed With Wall Behind Couch
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A dog's perplexing standoff with his own shadow has led to plenty of amusement among viewers online after a TikTok video captured the moment he locked eyes with the wall behind his owner's couch—and refused to look away. The clip, originally posted on April 7 by @nikigilbert79, features Charlie, a brown Labrador, standing upright on a couch and staring intently at the wall, unaware that the figure captivating his attention is his own silhouette. The post has since drawn over 4.7 million views and more than 520,000 likes, prompting a flood of lighthearted reactions in the comments. Viewers were able to see Charlie standing upright on the couch, his snout just inches from the wall, eyes locked with intense focus. His shadow, cast clearly in front of him, moved subtly with each twitch of his head, a silent and unknowing dance partner. With a combination of confusion and curiosity, Charlie repeatedly nudged his snout toward the wall, each time pulling back with a bewildered expression, as if hoping to finally make sense of the flickering figure before him. For many TikTok viewers, the video struck a universal chord of humor. The straightforward, seemingly trivial moment—a dog misunderstanding the basic principles of light and shadow—turned into a comically relatable spectacle. "Remember when LittleFoot thought his shadow was his mom," one viewer said. "Not a single thought behind those eyes," another added. "That's hilarious, how long did that last," a third viewer shared. "Don't let him get ahold of a mirror," one comment read. While plenty of viewers poked fun at the viral moment, several warned that Charlie's growing obsession with his own shadow should not be encouraged. "That's a bad thing to encourage," one viewer said. "Might seem cute in the moment but you're just allowing a possible shadow chasing obsession to start." "Try to distract him away from that," another added. "I've heard that they can get super obsessive with shadows and can end up being a really bad thing." "Actually just found out today that this isn't something good," a different viewer shared in much agreement. "Could create an OCD obsession which can lead to constant stress." Newsweek reached out to @nikigilbert79 for more information via email. Stock image: A chocolate-shaded Labrador lays outdoors in the evening sun. Stock image: A chocolate-shaded Labrador lays outdoors in the evening sun. Getty Images Do you have funny and adorable videos or pictures of your pet you want to share? Send them to life@ with some details about your best friend, and they could appear in our Pet of the Week lineup.
Yahoo
2 hours ago
- Yahoo
Wait. The TikTokers don't love you like I love you - Yeah Yeah Yeahs thrill at Manchester Apollo
Yeah Yeah Yeahs. Manchester Apollo. Monday June 16, 2025. What do you do when your most famous song has been completely bastardised by a TikTok dance craze? If you're the Yeah Yeah Yeahs you strip it back entirely and add a string quartet. READ MORE: 45 of Parklife 2025's most fashionable festival-goers READ MORE: Chris Brown brings surprise star guest out at Co-op Live gig in Manchester It could easily have been business as usual for the New York trio - now 25 years into their journey as one of the most revered indie darlings of the 21st century. An electric live band, their pretentious, cerebral art-rock speaks for a generation. So when they announced a short tour to celebrate their many years together, it sold out in minutes. More recently, they have found fame with a new audience much younger than the Millennials who grew up hearing Y Control and Zero blasting out of the speakers at 5th Ave and 42s. That's because their glorious ballad Maps has become part of a viral dance trend that propelled the song to the top of the TikTop Billboard Top 50 chart - 21 years after its release. But it's the die hard fans rather than the TikTokers who fill the seats of Manchester Apollo tonight. After a test run in California, Manchester is the first stop on a tour of 'beautiful iconic theatres' and one of only two UK dates. The Hidden In Pieces tour is intended to display YYY's softer, more mature side with the band working alongside a string quartet to show off a selection of rarities and B-Sides. And from the opening chords of lovesong Blacktop, it's clear this is going to be something pretty special. Frontwoman Karen O's pure, delicate vocal rings out above a reverberating synth - setting the tone for a show filled with delicate and heartfelt moments of beauty. O is usually one of the most energetic performers around. But she spends much of this set gently pottering about the stage in a red jumpsuit, gold boots and a blue diamond encrusted cape. During some of it, she's even sitting down - unheard of at a normal YYY's gig. The last time they visited Manchester, O spat water into the air, growled, roared, rolled around and hurtled about the stage. That's her shtick. Tonight she is a different beast. Older, wiser, more relaxed - much like her audience (I can't have been the only one to delight in the prospect of a seated gig on a weeknight). 'Are you ready to get comfy and cosy with the Yeah Yeah Yeahs tonight?' she asks. 'This is new for us. It's just you and us tonight.' Promising some 'deep cuts' from their back catalogue, O launches into Mystery Girl - a very early song from their first EP. Then there's an acoustic guitar version of the anthemic Gold Lion which doesn't stray too far from the source, but slows the tempo down and adds a double bass. Let Me Know - a B-side O admits is only really for true fans, follows with a searing string quartet intro. A cover of Bjork's Hyperballad doesn't quite work and it takes me a little while to recognise the bonkers lyrics of that masterpiece above a busy arrangement and overly loud synth. And IsIs - a gloriously chaotic racket in its recorded form - honestly sounds a bit of a mess here. But overall the orchestral arrangements in this show throw new light and shade on YYY's raw, exposing lyrics. As O, guitarist Nick Zinner and drummer Brian Chase power into fan favourite Cheated Hearts, the energy ramps up and you can feel they are on safer ground. Warrior lends itself well to this more acoustic sound and really allows O to show off both the vulnerability and explosive power of her unique voice. A new arrangement of Runaway sounds lovely and achieves the Lynchian vibe the band may have hoped to display when they cited the late great director in their press for this tour. It sounds huge and dramatic with strings adding an ethereal, Mica Levi-like eeriness. O has always been an emotionally raw performer - you need only look at the famously heart-wrenching video for Maps to glean that. But this evening's performance is bolder still. 'I'm not really sure why we're doing this,' she admits 'We just really wanted to. 'We just wanted to sing these songs really vulnerable for you. It's really special to be here doing this with you.' This is a bold, experimental show which at times feels more akin to something you would find at Manchester International Festival rather than the Apollo on a Monday night. There are also moments of huge charm and emotion. The short pretty Mars - which O dedicates to her son Django - is an ode to childhood wonder and wisdom. While Maps - an already sorrowful song - is elevated with an utterly beautiful string quartet interlude. 'Those strings man,' gasps a visibly moved O. An acoustic, almost Country version of Spitting off the Edge of the World leads us into songs it would be impossible not to include - Modern Romance, Y Control. An encore in which O dons light-up trainers and blasts out Burning and Zero in her more usual energetic style brings the show to a thrilling end, and all before 10pm - something that disappoints the girls in front of me who have just returned to their seats with fresh pints. As a Millennial of a certain age, I admit that the nostalgia linked to YYYs might not make me the most impartial of reviewers. I love this band. I have a Stan Chow poster of Karen O on my living room wall. I am an early noughties cliché. But even I am not impervious to their mistakes. At some points tonight, the heady mix of strings, synth and fuzzy guitars sounds a mess. But mostly, it's a spectacular show. And unlike some of their peers from the New York indie sleaze era, Yeah Yeah Yeahs are always developing. This might be a gig for true fans, but the TikTokers are missing out on something truly beautiful.