
Retro Korea: Must-watch series that capture nation in transition
These binge-worthy series, set against the backdrops of the 1960s through 1990s, offer a mix of genres — from political thrillers to heartfelt coming-of-age tales.
This weekend, delve into the series that authentically capture the struggles and dreams of everyday Koreans during decades of seismic change.
'Twenty-Five Twenty-One' on Netflix, Tving
Set during the Asian financial crisis and the years following the IMF bailout of Korea in the late 1990s, "Twenty-Five Twenty-One" follows the journey of Hee-do (Kim Tae-ri) and Yi-jin (Nam Joo-hyuk) as they navigate love and ambitions. Anchored by poignant performances and an emotionally stirring script, the series resonated deeply with viewers during the pandemic, offering solace and hope amid uncertainty.
The show's compelling mystery — who does Hee-do eventually marry? — kept fans engaged week after week, while its beautiful mise-en-scenes and nostalgic production design made it a standout.
'Boyhood' on Coupang Play
One of Coupang Play's breakout hits, "Boyhood" chronicles the rise of Jang Byung-tae (Im Si-wan), who relocates to South Chungcheong Province and is unexpectedly mistaken for a fearsome fighter.
Set in the late 1980s, this nostalgic coming-of-age dramedy weaves together a number of period details, from its nostalgic countryside setting to its retro-inspired soundtrack sung by contemporary Korean singer-songwriters.
"Boyhood" struck a chord with audiences, marking a whopping 2,914 percent spike in viewership by its finale. With its sharp comedic beats, the series delivers a charming underdog tale packed with laughs and cultural authenticity.
'Uncle Samsik' on Disney+
Taking a darker, more politically charged turn compared to previous works, "Uncle Samsik" plunges into the volatile 1960s, a period marked by ideological upheaval and national reconstruction. Featuring "Parasite" star Song Kang-ho in his highly anticipated K-drama debut, the series centers on the enigmatic political fixer Uncle Samsik (Song), a man with unrelenting ambition.
One of Disney+'s most ambitious Korean originals to date, "Uncle Samsik" meticulously recreates post-war Seoul. With its high production value and powerhouse performances, the political saga will make your weekend fly by.
yoonseo.3348@heraldcorp.com
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
11 hours ago
- Korea Herald
Korean, Vietnamese content industry leaders forge deeper ties
Korean and Vietnamese entertainment executives and government officials have vowed to expand cooperation, citing the growing appetite for K-content in Vietnam and the shared ambition to strengthen respective countries' creative industries. At the Korea-Vietnam Cultural Industry Cooperation Roundtable held in Seoul on Monday, Culture, Sports and Tourism Minister Chae Hwi-young noted that "now is the time to elevate bilateral cultural exchanges to the next level.' Chae outlined Korea's blueprint for cultural industry growth, which includes expanded policy financing, tax incentives, and research and development in cultural technology, alongside an AI-driven innovation strategy spanning content creation, production and distribution. Vietnam's Minister of Culture, Sports and Tourism Nguyen Van Hung expressed his country's willingness to 'actively learn from Korea's advanced cultural industry' and hoped the two nations would 'share more valuable experiences based on mutual trust and cultural commonalities.' The roundtable also brought together the two countries' leading content companies. From Korea, executives from HYBE, Krafton and Carriesoft presented success cases in music, gaming and animation, respectively, while BHD CEO Ngo Bich Hanh, VAC founder Dinh Ba Thanh and YeaH1 CEO Le Phuong Thao offered insights into industry trends and challenges in Vietnam. Youth-driven market in Vietnam For Sohn Ki-won, CEO of Kim Jonghak Production, the company behind many popular Korean shows, Vietnam's demographic profile is a key reason for targeting the market. 'Vietnam is a young country with great growth potential,' she said, noting that the average age is around 33, with 40 percent of the population living in urban areas and a high proportion of content-consuming 20- and 30-somethings. Sohn pointed to Vietnam's high receptivity to Korean culture — from K-pop to Korean food — and its government's commitment to digital infrastructure development as fertile ground for collaboration. 'Coupled with Korea's own AI industry growth policies, we see the potential for sustainable cultural industry growth through cooperation,' she said. Kim Jonghak Production is exploring both remake proposals using its existing intellectual property and joint planning of original projects, including casting Vietnamese actors in Korean TV shows and co-producing Vietnamese shows. While there is no fixed release date, Son said romantic comedies and family dramas are genres that resonate strongly with Vietnamese audiences. Anticipated challenges include cultural and production differences. 'Despite our cultural affinity, there are differences in sentiment, storytelling and social taboos,' Sohn said, adding that language, time zones and decision-making pace could also slow processes. 'We need to address these from the early planning stage and proceed step-by-step.' From remakes to co-production BHD Vice President Ngo Bich Hanh highlighted her company's long history of bringing Korean content to Vietnam. In 1997, BHD became the first company to license a Korean show from KBS for broadcast on national TV. Since then, it has distributed numerous Korean films and produced remakes of major titles such as "Descendants of the Sun" and "Good Doctor." This year marks a shift toward deeper collaboration. BHD, together with Film and TV Asia, has signed a memorandum of understanding to co-produce an original Vietnam-Korea film, set to begin filming in Vietnam in March 2026 with release targeted for the end of that year. Ngo emphasized the need for institutional support. 'We hope Korea's government organizations will provide more incentives for international co-productions and location filming. Cinema is facing difficulties worldwide, so additional funding and location support will be crucial to staying strong and promoting Vietnamese and Korean culture together," she said.


Korea Herald
12 hours ago
- Korea Herald
'Golden' from 'KPop Demon Hunters' tops music charts in US, UK
Song from Netflix film reaches No. 1 on Billboard's Hot 100, becoming 9th associated with Korean pop to reach highest spot The hype around Netflix's "KPop Demon Hunters" shows no sign of abating, with a song from its soundtrack emerging as the summer's biggest pop hit since its release in June. "Golden" has climbed to No. 1 on Billboard's Hot 100 singles chart, beating out Alex Warren's "Ordinary" for the top spot, according to Billboard on Monday. This marks the ninth song associated with Korean pop to reach the highest spot on the chart, joining "Seven" by Jungkook and "Like Crazy" by Jimin, both of BTS, in 2023, among them. Sung by the fictional girl group Huntrix — voiced by Ejae, Audrey Nuna and Rei Ami — it is also the first such song by female vocalists, according to Billboard. The Billboard Hot 100 ranks the most popular songs in the US based on streaming, radio airplay and sales data. After debuting at No. 81 early last month, the hit song has steadily risen through the ranks, climbing to No. 23, then No. 6, No. 4 and No. 2, before finally reaching the highest spot. The track is also the first No. 1 on the Billboard Indonesia Hot 100 chart by any fictional act since the ensemble No. 1 "We Don't Talk About Bruno," which reigned for five weeks in February-March 2022, Billboard added. Earlier this month, "Golden" climbed to No. 1 on the British Official Singles Chart Top 100, which ranks the UK's biggest songs of the week, based on audio and video streams, downloads, CDs and vinyl, compiled by Official Charts Co. It marked the first K-pop act to reach the top position since Psy topped the chart with "Gangnam Style" in 2012. "It represents another landmark moment for the globally dominating South Korean genre," Martin Talbot, chief executive officer of Official Charts, commented in an article published on the company's website on Aug. 1.


Korea Herald
14 hours ago
- Korea Herald
‘Winning Grammy will be a message to every Asian American girl who's ever felt impostor syndrome,' says ‘Golden' songwriter Ejae
From failed K-pop debut to Netflix hit, Ejae's journey shows resilience can rewrite the script Everyone has a dream. Some see it through. Others are forced to let go. For 33-year-old Korean American singer-songwriter Ejae, born Kim Eun-jae, the dream was to debut as a K-pop idol after spending 10 years training at SM Entertainment. But the call never came. Neither in a group nor as a soloist did the powerhouse label see her fit to debut. Instead of turning her back on music, Ejae found another path — one that would lead her to co-write 'Golden,' the soaring anthem from Netflix's megahit 'KPop Demon Hunters,' released in June. The song has made history, reaching No. 1 on the Billboard Hot 100 and topping both the Billboard Global 200 and Global Excl. US charts — a rare feat for a song from an animated film soundtrack. It also claimed No. 1 on the UK Official Singles Chart, becoming the first K-pop track to do so since Psy's 'Gangnam Style' in 2012. Netflix has also reportedly submitted 'Golden' for awards consideration. Ejae's next goal is no longer about becoming a famous singer. It is about winning a Grammy — an achievement she says would carry a meaning far beyond her own career. 'It wouldn't just be a personal milestone,' she said. 'It would be a message to every Asian American girl who's ever felt impostor syndrome in this industry,' she said in an email interview with The Korea Herald. From trainee to songwriter Ejae describes her years at SM Entertainment as 'incredible' and 'character-defining,' instilling in her a work ethic and perseverance that would later sustain her. Learning dance and performance at such a high level also proved invaluable when she began writing for K-pop idols. 'As a trainee, I learned to think about how a song might translate into choreography or a music video,' she said. 'That perspective has shaped my songwriting ever since.' In 2011, Ejae left SM Entertainment to study at New York University's Tisch School of the Arts. Around that time, she discovered the underground SoundCloud scene, drawing inspiration from artists like Ta-ku, Sango and Shlohmo. Making beats became both a creative outlet and a way to cope with the depression that followed her trainee years. Her pivot to songwriting came unexpectedly. 'Some producers in Korea asked me to topline on tracks for fun,' she recalled, explaining how she started by contributing melodies. 'My first song ended up being picked up by a well-known artist. That's when I realized writing wasn't just something I enjoyed — it was something I needed. It became my therapy.' Ejae's trainee period at SM Entertainment ended about two years after she graduated. Her passion crystallized in 2017 when she attended her first SM Entertainment songwriting camp. On the very first day, she penned what would become Red Velvet's hit 'Psycho,' a song born from an argument with her then-long-distance fiance. Released in 2019, the track's success opened new doors and, eventually, led her to the opportunity that would change everything: 'KPop Demon Hunters.' Becoming Rumi and finding 'Golden' Ejae entered the project through composer Daniel Rojas, joining early in the creative process. Together, they wrote some of the first songs that set the tone for the soundtrack. Because she recorded most of the initial demos, the directors invited her to become the singing voice of the film's lead character, Rumi. 'Having been part of the project from the start, I felt deeply connected to her,' she said. 'As a former K-pop trainee, I related to her perfectionism, her struggle to hide her flaws and her drive to chase her dream.' 'Golden,' co-written with Mark Sonnenblick under the guidance of music director Ian Eisendrath, is a pivotal moment in the film. The song reflects each character's struggles, while carrying a message of perseverance. 'There's a bittersweet layer,' Ejae explained. 'Rumi's lyrics reflect her desperation to fix her patterns. It's like her personal pep talk — telling herself not to give up and that she can reach her dreams.' In crafting the song, Ejae also had to meet a personal challenge: hitting Rumi's high notes to showcase her 'crazy vocal skills.' The result is both technically impressive and emotionally resonant, a combination that has resonated with audiences far beyond the film. Beyond 'Golden,' Ejae is especially proud of 'Hunter's Mantra,' the film's opening number that fuses traditional Korean genres like pansori and Arirang with modern pop sensibilities. Pansori is a traditional Korean musical storytelling performance that combines singing, narration and dramatic expression. 'I wanted to bring Korea's rich traditional sounds into the music with my own twist,' she said. 'It's part of who I am.' Chasing Grammy gold For Ejae, the Grammy dream is not just about recognition — it is about representation. 'As an Asian American, specifically a Korean American woman, I don't really see enough people who look like me in the pop and K-pop industry,' she said. 'That's why winning an award for a song about hope and chasing your dreams would be incredibly serendipitous.' As someone who once doubted her skill and talent, fearing that she would be exposed as a fraud, Ejae has message for others who find themselves feeling the same way. 'Your voice matters. Your stories are worth telling. Don't give up,' Ejae says. 'If this song ('Golden') can spark even a little hope in someone to keep going, then that, to me, is the greatest honor.'