logo
Olivier Awards: Adrien Brody gets first nomination days after Oscar win

Olivier Awards: Adrien Brody gets first nomination days after Oscar win

Sky News04-03-2025

Nominations for the Olivier Awards, British theatre's most prestigious honours, have been announced.
Following his second Oscar win at the weekend, Adrien Brody is nominated for best actor, for his performance in The Fear Of 13 - a play based on the real-life story of a man who spent 22 years on death row for a rape and murder that he did not commit.
Fellow US stars Billy Crudup and John Lithgow are up against him in the category, along with UK stars Paapa Essiedu and Mark Strong.
Brody, Crudup, Essiedu and Lithgow are all first-time nominees.
In the best actress category, The Crown star Lesley Manville is up against Meera Syal, Indira Varma, Heather Agyepong and Rosie Sheehy.
Manville and Varma both nominated for playing the same role in different productions of the Greek mythology classic Oedipus
Fiddler On The Roof is this year's most nominated production, with 13 nods.
It's up for best musical revival, with old favourites including Oliver!, Hello Dolly and Starlight Express.
In the musical theatre performing categories, John Dagleish is up for best actor for his role in The Curious Case Of Benjamin Button, a decade after his last win.
He's up against Myles Frost, Simon Lipkin, Jamie Muscato and Adam Dannheisser.
Four-time Olivier winner Imelda Staunton is up for best actress in a musical for her role in Hello Dolly!, her 14th Olivier nomination and her eighth in the category.
She's competing against Lara Pulver, Chumisa Dornford-May, Lauren Drew and Clare Foster.
Best new play includes Brody's The Fear Of 13, along with Kyoto, Shifters, Giant and The Years.
Giant and The Years are tied for most nominated play this year with five apiece.
Gina McKee is nominated for best actress in a supporting role, alongside Romola Garai who is double nominated in the same category for her roles in Giant and The Years.
Actress Sharon D Clarke makes up the category.
And in best supporting actor, Ben Whishaw will be battling it out against Jorge Bosch, Tom Edden, and Elliot Levey.
Sunset Boulevard was the big winner at last year's Olivier Awards, taking home seven gongs and equalling the record for the most prizes for a musical at the ceremony.
The 2025 Olivier Awards will take place on Sunday 6 April at the Royal Albert Hall, hosted by Beverley Knight and Billy Porter.
Full list of nominations:
Mastercard Best New Musical
The Curious Case Of Benjamin Button, music & lyrics by Darren Clark, book & lyrics by Jethro Compton at Ambassadors Theatre
MJ The Musical, book by Lynn Nottage at Prince Edward Theatre
Natasha, Pierre & The Great Comet Of 1812, music, lyrics & book by Dave Malloy at Donmar Warehouse
Why Am I So Single?, music, lyrics & book by Toby Marlow & Lucy Moss at Garrick Theatre
Blue-i Theatre Technology Award for Best Set Design
Jon Bausor for Set Design, Toby Olié & Daisy Beattie for Puppetry Design and Satoshi Kuriyama for Projection Design for Spirited Away at London Coliseum
Frankie Bradshaw for Set Design for Ballet Shoes at National Theatre - Olivier
Es Devlin for Set Design for Coriolanus at National Theatre - Olivier
Tom Scutt for Set Design for Fiddler On The Roof at Regent's Park Open Air Theatre
White Light Award for Best Lighting Design
Paule Constable & Ben Jacobs for Oliver! at Gielgud Theatre
Howard Hudson for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Howard Hudson for Starlight Express at Troubadour Wembley Park Theatre
Aideen Malone for Fiddler On The Roof at Regent's Park Open Air Theatre
TAIT Award for Best New Opera Production
Duke Bluebeard's Castle by English National Opera at London Coliseum
Festen by The Royal Opera at Royal Opera House
L'Olimpiade by Irish National Opera & The Royal Opera at Royal Opera House
The Tales Of Hoffmann by The Royal Opera at Royal Opera House
Outstanding Achievement in Opera
Aigul Akhmetshina for her performance in Carmen at Royal Opera House
Allan Clayton for his performance in Festen at Royal Opera House
Jung Young-doo for his direction of Lear at Barbican Theatre
Best Family Show
Brainiac Live at Marylebone Theatre
Maddie Moate's Very Curious Christmas at Apollo Theatre
The Nutcracker at Polka Theatre
Rough Magic at Shakespeare's Globe - Sam Wanamaker Playhouse
Best New Production in Affiliate Theatre
Animal Farm at Theatre Royal Stratford East by George Orwell, adapted by Tatty Hennessy
Boys On The Verge Of Tears by Sam Grabiner at Soho Theatre
English by Sanaz Toossi at Kiln Theatre
Now, I See by Lanre Malaolu at Theatre Royal Stratford East
What We Talk About When We Talk About Anne Frank by Nathan Englander at Marylebone Theatre
Best New Dance Production
Assembly Hall by Kidd Pivot, Crystal Pite & Jonathon Young at Sadler's Wells
Frontiers: Choreographers Of Canada - Pite/Kudelka/Portner by The National Ballet Of Canada at Sadler's Wells
Theatre Of Dreams by Hofesh Shechter Company at Sadler's Wells
An Untitled Love by A.I.M by Kyle Abraham at Sadler's Wells
Outstanding Achievement in Dance
Sarah Chun for her performance in Three Short Ballets at Royal Opera House - Linbury Theatre
Tom Visser for his lighting design of Angels' Atlas as part of Frontiers: Choreographers Of Canada - Pite/Kudelka/Portner at Sadler's Wells
Eva Yerbabuena for her performance in Yerbagüena at Sadler's Wells
Best Actor in a Supporting Role
Jorge Bosch for Kyoto at @sohoplace
Tom Edden for Waiting For Godot at Theatre Royal Haymarket
Elliot Levey for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Ben Whishaw for Bluets at Jerwood Theatre Downstairs at Royal Court Theatre
Best Actress in a Supporting Role
Sharon D Clarke for The Importance Of Being Earnest at National Theatre - Lyttelton
Romola Garai for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Romola Garai for The Years at Almeida Theatre & Harold Pinter Theatre
Gina McKee for The Years at Almeida Theatre & Harold Pinter Theatre
Gillian Lynne Award for Best Theatre Choreographer
Matthew Bourne for Oliver! at Gielgud Theatre
Julia Cheng for Fiddler On The Roof at Regent's Park Open Air Theatre
Hofesh Shechter for Oedipus at The Old Vic
Christopher Wheeldon for MJ The Musical at Prince Edward Theatre
Best Costume Design
Hugh Durrant for Robin Hood at The London Palladium
Sachiko Nakahara for Spirited Away at London Coliseum
Tom Scutt for Fiddler On The Roof at Regent's Park Open Air Theatre
Gabriella Slade for Starlight Express at Troubadour Wembley Park Theatre
d&b audiotechnik Award for Best Sound Design
Nick Lidster for Fiddler On The Roof at Regent's Park Open Air Theatre
Christopher Shutt for Oedipus at The Old Vic
Thijs van Vuure for The Years at Almeida Theatre & Harold Pinter Theatre
Koichi Yamamoto for Spirited Away at London Coliseum
Outstanding Musical Contribution
Mark Aspinall for Musical Supervision & Additional Orchestrations for Fiddler On The Roof at Regent's Park Open Air Theatre
Darren Clark for Music Supervision, Orchestrations & Arrangements and Mark Aspinall for Musical Direction, Music Supervision, Orchestrations & Arrangements for The Curious Case Of Benjamin Button at Ambassadors Theatre
Dave Malloy for Orchestrations and Nicholas Skilbeck for Musical Supervision for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Asaf Zohar for Compositions and Gavin Sutherland for Dance Arrangements & Orchestration for Ballet Shoes at National Theatre - Olivier
Best Actress in a Supporting Role in a Musical
Liv Andrusier for Fiddler On The Roof at Regent's Park Open Air Theatre
Amy Di Bartolomeo for The Devil Wears Prada at Dominion Theatre
Beverley Klein for Fiddler On The Roof at Regent's Park Open Air Theatre
Maimuna Memon for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Best Actor in a Supporting Role in a Musical
Andy Nyman for Hello, Dolly! at The London Palladium
Raphael Papo for Fiddler On The Roof at Regent's Park Open Air Theatre
Layton Williams for Titanique at Criterion Theatre
Tom Xander for Mean Girls at Savoy Theatre
Noël Coward Award for Best New Entertainment or Comedy Play
Ballet Shoes adapted by Kendall Feaver at National Theatre - Olivier
Inside No 9 Stage/Fright by Steve Pemberton & Reece Shearsmith at Wyndham's Theatre
Spirited Away adapted by John Caird & co-adapted by Maoko Imai at London Coliseum
Titanique by Tye Blue, Marla Mindelle & Constantine Rousouli at Criterion Theatre
Sir Peter Hall Award for Best Director
Eline Arbo for The Years at Almeida Theatre & Harold Pinter Theatre
Jordan Fein for Fiddler On The Roof at Regent's Park Open Air Theatre
Nicholas Hytner for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Robert Icke for Oedipus at Wyndham's Theatre
Best Actress
Heather Agyepong for Shifters at Duke of York's Theatre
Lesley Manville for Oedipus at Wyndham's Theatre
Rosie Sheehy for Machinal at The Old Vic
Meera Syal for A Tupperware Of Ashes at National Theatre - Dorfman
Indira Varma for Oedipus at The Old Vic
Best Actor
Adrien Brody for The Fear Of 13 at Donmar Warehouse
Billy Crudup for Harry Clarke at Ambassadors Theatre
Paapa Essiedu for Death Of England: Delroy at @sohoplace
John Lithgow for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Mark Strong for Oedipus at Wyndham's Theatre
Cunard Best Revival
The Importance Of Being Earnest by Oscar Wilde at National Theatre - Lyttelton
Machinal by Sophie Treadwell at The Old Vic
Oedipus by Robert Icke at Wyndham's Theatre
Waiting For Godot by Samuel Beckett at Theatre Royal Haymarket
Piper-Heidsieck Award for Best Musical Revival
Fiddler On The Roof, music by Jerry Bock, lyrics by Sheldon Harnick, book by Joseph Stein at Regent's Park Open Air Theatre
Hello, Dolly!, music & lyrics by Jerry Herman, book by Michael Stewart at The London Palladium
Oliver!, book, music & lyrics by Lionel Bart, new material & revisions by Cameron Mackintosh at Gielgud Theatre
Starlight Express, music by Andrew Lloyd Webber, lyrics by Richard Stilgoe at Troubadour Wembley Park Theatre
Best Actor in a Musical
John Dagleish for The Curious Case Of Benjamin Button at Ambassadors Theatre
Adam Dannheisser for Fiddler On The Roof at Regent's Park Open Air Theatre
Myles Frost for MJ The Musical at Prince Edward Theatre
Simon Lipkin for Oliver! at Gielgud Theatre
Jamie Muscato for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Best Actress in a Musical
Chumisa Dornford-May for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Lauren Drew for Titanique at Criterion Theatre
Clare Foster for The Curious Case Of Benjamin Button at Ambassadors Theatre
Lara Pulver for Fiddler On The Roof at Regent's Park Open Air Theatre
Imelda Staunton for Hello, Dolly! at The London Palladium
The Londoner Award for Best New Play
The Fear Of 13 by Lindsey Ferrentino at Donmar Warehouse
Giant by Mark Rosenblatt at Jerwood Theatre Downstairs at Royal Court Theatre
Kyoto by Joe Murphy & Joe Robertson at @sohoplace
Shifters by Benedict Lombe at Duke of York's Theatre

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Another Coronation Street character injured in alleyway horror
Another Coronation Street character injured in alleyway horror

Metro

time19 hours ago

  • Metro

Another Coronation Street character injured in alleyway horror

Kit Green (Jacob Roberts) makes a worrying discovery in Coronation Street soon as he finds his biological son Brody (Ryan Mulvey) alone and in a bad way. Kit discovered his potential connection to Brody a few weeks ago thanks to a comment from Lou (Farrel Hegarty). Lou denied the claim when Kit asked, adamant it was Mick (Joe Layton). Her reaction to Kit's confrontation was largely down to knowing what Mick is capable of. Once Kit planted a seed of doubt in Mick's mind about how loyal Lou is, he went off on a violent rampage, which ultimately resulted in Craig's (Colson Smith) death. In upcoming episodes, Sarah (Tina O'Brien) invites Kit to the Platt family BBQ. He says no, unable to make small talk with Sarah's relatives while dealing with so much drama. After asking Lou to take a DNA test, Kit spots Brody attempting to steal wine from a delivery van. He stops Brody from committing the crime and sends him on his way. Later though, Kit, Sarah and Bernie (Jane Hazlegrove) leave and find Brody injured in an alley with a broken bottle of whisky beside him. More Trending Trouble for Kit will continue in the week, as he's asked to prepare a speech ready for Craig's memorial. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Want to be the first to hear shocking EastEnders spoilers? Who's leaving Coronation Street? The latest gossip from Emmerdale? Join 10,000 soaps fans on Metro's WhatsApp Soaps community and get access to spoiler galleries, must-watch videos, and exclusive interviews. Simply click on this link, select 'Join Chat' and you're in! Don't forget to turn on notifications so you can see when we've just dropped the latest spoilers! When the day of the event arrives, Sarah realises that Kit has left the flat very early. As the memorial gets underway, Bernie and Lisa (Vicky Myers) grow increasingly concerned at the fact Kit hasn't turned up. Lisa is forced to step in instead, but what has happened to Kit? View More » MORE: All Coronation Street spoilers for next week as fan-favourite vanishes MORE: Coronation Street legend gets final send off in heartbreaking memorial scenes MORE: Betsy targeted by dangerous Coronation Street character in unnerving showdown

EXCLUSIVE Rise of the TikTok Organist: How a vicar's daughter bewitched royalty and sold out the Royal Albert Hall in hours - as her viral organ performances see her branded the 'Taylor Swift of classical music'
EXCLUSIVE Rise of the TikTok Organist: How a vicar's daughter bewitched royalty and sold out the Royal Albert Hall in hours - as her viral organ performances see her branded the 'Taylor Swift of classical music'

Daily Mail​

time3 days ago

  • Daily Mail​

EXCLUSIVE Rise of the TikTok Organist: How a vicar's daughter bewitched royalty and sold out the Royal Albert Hall in hours - as her viral organ performances see her branded the 'Taylor Swift of classical music'

She has been dubbed the ' TikTok Organist' and received widespread praise for her accessible, charismatic and playful videos about her favourite instrument. Now, Anna Lapwood - who is seen as classic music's answer to Taylor Swift - has been handed her biggest role yet as the Royal Albert Hall's first official organist. Aged just 29, she has racked up more than two million social media followers and is fast becoming a trailblazer for young women in a field traditionally populated by men. Buckinghamshire-born Miss Lapwood first performed at the iconic London venue as a teenager in 2012 when she was a member of the National Youth Orchestra. The BBC and Classic FM presenter attended Oxford High School and then Magdalen College, Oxford, where she was its first female organ scholar and then joined Pembroke College, Cambridge in 2016 where she became director of music. In June last year Miss Lapwood – who uses the hashtag #PlayLikeAGirl - was made an MBE for services to music in the New Year Honours, urging Princess Anne upon receiving the award that she should take up the organ and play at Windsor Castle. She stepped down from Pembroke in February to focus on her career as a concert organist, and was named last month on the Sunday Times' Young Power List, celebrating the most powerful 30 people under 30 in the UK. Miss Lapwood had been a Royal Albert Hall associate artist from 2022, and her latest headline performance at the venue on May 15 sold out in under 24 hours. Anna Lapwood regularly posts videos on TikTok of her practicising and playing to huge crowds Anna Lapwood has played the music from films such as Interstellar and Top Gun on the organ In four-star reviews for the show, the Guardian said she was 'charismatic enough to sell out a midweek gig and have a packed hall eating out of her hand', while the Times told how she 'mixed the music with an almost Adele-like level of personal chat'. She was also a soloist during the 2021 BBC Proms season, and has since headlined the venue - as well as teaching Benedict Cumberbatch and Tom Cruise about its famous organ. Miss Lapwood can also play the piano, violin, viola and the harp. Now, the venue has created a new role for her as the first 'Organist of the Royal Albert Hall' with the aim of increasing national access to organ and choral music. She will be headlining auditorium concerts and making guest appearances with artists, while also trying to increase accessibility to the organ by holding open sessions. The venue's organ was the biggest musical instrument in the world when it was unveiled 154 years ago, described by its builder Henry Willis as 'The Voice of Jupiter'. It was played at the Hall's opening ceremony in 1871, where its wind system was powered by two steam engines. Musicians who have performed on it include Camille Saint-Saëns, Anton Bruckner, Pink Floyd's Richard Wright, and the rock band Muse. Miss Lapwood - who has played with artists such as Bonobo, Aurora, Raye and Florence and the Machine - was described by Harper's Bazaar as 'classical music's Taylor Swift'. The publication added: 'Like Swift, Lapwood is a once-in-a-generation talent: she's irreverent, charismatic, a born performer and a whip-smart communicator. Dispel all your preconceptions about what an organ recital might ordinarily entail.' The New York Times has called her 'the world's most visible organist'. Miss Lapwood, who opened the Baftas in 2019 at the Royal Festival Hall, has also just released a new album called Firedove which includes original compositions - and has curated an all-night BBC Prom taking place in August. Speaking about her new role, she said: 'I feel very lucky to have been allowed access to the incredible instrument at the Royal Albert Hall over the last few years and it has taught me so much, so I'm incredibly excited to be continuing my partnership with the Hall as its official organist.' She added that she was looking forward to opening up access to the instrument to more organists, starting with the launch of a new organ scholarship. It comes after Miss Lapwood discovered the organ aged 15 when it was brought to her attention by her mother, a paediatric nurse. Back in June last year, Miss Lapwood - whose father was a Church of England priest - revealed she had told the Princess Royal to take up the organ and play at Windsor Castle. She said at the time: 'I said 'Have you ever had to go on the organ?' and she said 'No, I haven't, I think it's a bit late'. And I was like 'Oh, I think you can I think you could do it, you should do it'.' Miss Lapwood also said that they had talked about the importance of making women feel comfortable in music, adding that the organ was a 'previously male-dominated world'. In September 2022, she famously had an impromptu duet with a passing security guard at London Bridge station in the days after Queen Elizabeth II died. Miss Lapwood stopped to play the organ at the station when she was approached by a security guard called Marcella, who revealed she was a classically trained singer. The pair performed the national anthem, God Save The King, and then at the request of Marcella, Miss Lapwood launched into a rendition of Lascia ch'io pianga by Handel. In January 2021 Miss Lapwood hit the headlines for her humorous reaction to being put on hold to the same movement of a Mozart symphony for over an hour, when she started playing along Miss Lapwood posted a clip of her duet with Marcella on X and the video quickly went viral, racking up over three million views. And back in January 2021 she hit the headlines for her humorous reaction to being put on hold to the same movement of a Mozart symphony for over an hour. Miss Lapwood found herself listening to the same segment of the piece whilst stuck on hold to Energy for 70 minutes - so she started playing along with her electronic pipe organ at home. Speaking to Classic FM in 2019, she said: 'When I took up the organ, I really had no idea what world I was getting into. 'I feel there's a responsibility to help provide the opportunity for young girls to realise they could be an organist too. I think the reason they don't take it up is because they don't even think about it. 'They don't see visible female role models playing the organ. It tends to be seen as either something for a certain kind of man or a little old lady, and that's not something a little girl is going to aspire to be.'

Satire is nothing without contempt
Satire is nothing without contempt

Spectator

time3 days ago

  • Spectator

Satire is nothing without contempt

On 30 April, the solicitors Mishcon de Reya asked me to join a panel commemorating the 25th anniversary of the High Court trial in which David Irving unsuccessfully sued Deborah Lipstadt for calling him a Holocaust denier. Deborah was there, alongside her lawyer, Anthony Julius. Irving's anti-Semitism had a particular purpose. Postwar, the chief obstacle to restoring the ideas of Adolf Hitler was what happened to the Jews. If their genocide could be denied, fascism could be rehabilitated. For the occasion, I prepared a list of the 16 principal characteristics of fascism which I take to be: 1) Exploitation of historic grievances 2) Frequent resort to states of emergency 3) Rule by executive order rather than by assembly 4) Disempowering of the judiciary 5) Attacks on the media 6) Threats to annex territory 7) Constant blaming of an enemy within 8) Insistence that the leader is above the law 9) Assaults on higher education and universities 10) Withdrawal from international organisations 11) Extreme nationalism 12) Elevation of the heterosexual family 13) Obsession with birth rates 14) Impassioned denial of historical truth 15) Persecution of particular racial groups and 16) Attacks on cultural institutions. With Donald Trump planning to turn the Kennedy Center in D.C. into his very own Bayreuth, we can surely say he is returning a full score card. Theatre is normally the most uneven of art forms. You must sit through a few bad plays to discover a good one. But, for me, 2025 has been unusual. Everything I have seen is good. I had already caught Mark Rosenblatt's Giant before I saw Howard Brenton's lovely play about Churchill and Stalin. Then came Kyoto, centred on the 1997 climate conference; An Interrogation, by a new writer, Jamie Armitage; the brilliantly directed opera of Festen; and Robert Icke's Manhunt, an evening investigating Raoul Moat. Most original of all, Self Esteem staged her new album A Complicated Woman at the Duke of York's, in an evening which blazed with energy and warmth.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store