
Come In From The Cold: Winter School Holidays At Stardome
This Takurua (Winter), Stardome Observatory & Planetarium is the go-to destination for out-of-this-world fun! From 28 June to 13 July, families are invited to come in from the cold and blast off into a season of spacey school holiday adventures — all inside the warmth of Stardome's iconic 360-degree indoor dome planetarium.
With daily dinosaur screenings, magical Matariki shows, and a line-up of classic sci-fi films the whole whānau will love, Stardome's holiday programme promises to spark curiosity, imagination and intergalactic fun — rain or shine.
DAILY DINOSAURS
Get ready to stomp through time with T.REX and Dinosaurs of Antarctica — two thrilling shows roaring onto the dome this school holidays. At least one dinosaur show screens daily, offering a prehistoric journey for dino-enthusiasts of all ages. Check the website for daily screening times.
MAGICAL MATARIKI
Celebrate the Māori New Year under the stars. Stardome's Matariki shows continue through the holidays with extra afternoon sessions added. Learn the stories of the Matariki star cluster, reflect on the year that's been, and look ahead to the future — together. Visit the website for full Matariki schedule.
STARDOME FAVOURITES
Stardome's best-loved planetarium films will continue to screen over the holidays. Perfect for curious young minds, these films are fun, educational, and full of cosmic wonder.
Includes: Perfect Little Planet, 3-2-1 Liftoff!, Looking Up, We Are Guardians, Our Sky Tonight, The Great Solar System Adventure. See website for session times and dates.
FAMILY-FRIENDLY SCI-FI MOVIES
Sit back, relax, and enjoy cult classics and cosmic capers on the big dome screen — perfect for older kids and nostalgic grown-ups alike.
All screenings at 4PM
TICKETING & INFO
School Holiday Shows: $12 flat rate (including Saturdays)
Sunday Saver: $12 adult, $10 child
Annual Pass Holders: Free entry to all school holiday shows
Children 14 and under must be accompanied by an adult.
Bookings are highly recommended as shows often sell out. All sessions are subject to availability.
Visit www.stardome.org.nz for full schedule and bookings.
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NZ Herald
5 days ago
- NZ Herald
Their last love token was a dinosaur carefully rebuilt from its excavated bones
As a team, they combined his meticulous scientific approach to fossil restoration with her artistic touch. Fossils were glued together and mounted on metal structures to conjure, for example, the terrifying might of a T. rex or the elongated neck of a sauropod. Now, amid what was perhaps the couple's most ambitious project, April noticed a sharp pain in her lower back. The doctors said she was really sick, gallbladder issues. James said he and his wife persevered by focusing on what might be their last great collaboration. As her husband gently airbrushed dirt from triceratops vertebrae like a dental hygienist removing plaque, she wrote poetry about dinosaurs and produced an illustrated children's book about the triceratops, which she nicknamed Buddy. Barry James in his barn at his home in Sunbury. Photo / Caroline Gutman, The New York Times Before she met James, April had held an eclectic assortment of jobs — raceway trophy girl, sandwich shop owner, and the impresario of a fibreglass business that outfitted racing boats and skateboards. With James, she had committed to recreating prehistory, though now she was too sick to help with the bones as in years past. Completing a dinosaur skeleton can take years, and April would not live to see the triceratops in full form. She died on February 7, 2024, before James could even piece together the dinosaur's facial bones and trademark frill. During bereavement, James stopped working on the triceratops. It would be difficult to continue until his grief subsided. But surrounded by the bones one day, an idea started to form — an unconventional way for him to honour April's memory. Nearly a year later, I arranged to meet Barry at his workshop in Pennsylvania, a renovated dairy barn. It was a chilly day in March and the wind roared through the wooden panels of the workshop, where Barry had hung pterodactyl bones and John Lennon quotes. The adjoining house was hidden on a hillside surrounded by forests and guarded by a pet graveyard dotted with scrap-metal sculptures that April had assembled to memorialise some 50 pets. Friends had gathered that day to support Barry — and to reminisce about his wife. 'She had this creativity,' Dianne Fantaskey, one of April's closest friends, said in an interview that day. 'She would be up until 3 or 4 in the morning writing notes and poetry. She was very prolific.' 'They were a definite team,' added Fantaskey, who said the couple never took a holiday even as April's physical pain increased over the years. 'I really believe she sort of sacrificed herself for him and his business.' Barry James holds a picture of his wife, April, holding the giant femur of a dinosaur, quite likely a sauropod, at his home in Sunbury. Photo / Caroline Gutman, The New York Times Before we could talk about the dinosaur, James gave a house tour that started with a picture of his wife conversing with Yoko Ono. 'They constantly exchanged poems back and forth,' he said. Down the hallway was a door that hadn't been opened in months. It was April's art studio, filled with drawings that she had started but never completed and a library of papers that contained her writing. For once, Barry was speechless, allowing Pookie, his dog, to inspect the room before ushering her out. Then we climbed the stairs to a secret room hidden behind a bookshelf, where the couple stored a collection of historical artifacts sourced from flea markets and auction houses. The hoard included a musket from the Revolutionary War, an old Viking knife and a 1923 telephone from the United States Capitol Building. 'We were going to put a museum up here,' James said, explaining that he wanted to mix the historical objects and fossil replicas to educate students. But he said the town baulked. James shrugged and continued down the hallway to his workshop. The door opened to the jet-black frill of the triceratops skull, recently completed. Apprentices had helped to fill the few gaps between its bones with chicken wire, modelling clay and plaster — helping to reassemble the fossil as April once did. The skeleton and its hundreds of teeth were glued together using an adhesive similar to the kind used with model planes. James has always taken a careful approach to restoring fossils, but he wanted to ensure this specimen — all 9 feet and 7 inches (3m) of Buddy — would have an unimpeachable record of repair. Dinosaur fossil pieces being prepared in Barry James' barn. Photo / Caroline Gutman, The New York Times 'You can have all the bones you want, but what's the point if you can't put it together right?' James said. 'It's like putting a jigsaw puzzle together, only it's about 10,000 pieces.' The paleontologist promised he would eventually piece it all together. For now, April was on his mind. When the couple started their business in the late 1980s, the Jurassic Park films had yet to turn dinosaurs into full-blown celebrities. James was a talent scout in leather breeches, roaming the boneyards of the Hell Creek Formation in Montana and adjoining states, searching for the prehistoric version of a triple threat: rare pathology, a near-complete skeleton and a good backstory on the discovery. As it became clear that billionaires would spend upward of US$30m on a single specimen, the industry became more competitive. 'A simple dinosaur bone in 2000 was selling for US$3000 — cleaned and mounted,' James said. 'Now it's US$25,000 to US$35,000. I think what has happened is that a lot of wealthy people realised they could have a triceratops skull in their living rooms.' Over time, James decided to switch completely to a less glamorous part of the business — the precise reconstruction of beasts that walked the Earth 60 million years ago. His training was increasingly valuable in an industry that relies on the accuracy of scientific reports on the completeness and pathology of specimens. Barry James places his hand on a fossilised triceratops. Photo / Caroline Gutman, The New York Times 'What makes anyone trustworthy?' said Pfister, the business owner who gave James the triceratops to assemble. 'It's if they actually do what they say they're going to do. I trust Barry to do the honest thing and represent what he has.' By the time a doctor fully examined April in January 2024, it was too late. Her gallbladder had ruptured, flooding her body with a toxic bile that slowly caused organ failure. When she died a month later, James was distraught. He was a 74-year-old hippie in a cowboy hat, ambling through the workshop filled with hundreds of triceratops bones awaiting treatment. That is when inspiration hit. His grief might subside if he could rename the triceratops after his dead wife. Barry already had a dinosaur named after himself, a Camptosaurus. He called up the dinosaur's owner, Pfister, and said it was a non-negotiable part of the deal in which James is to receive roughly half of the proceeds. 'That's the one thing,' James said. 'No matter what museum and no matter what price, even if a collector is offering US$100m to name it after his son or daughter, I am not selling. I want this triceratops to remain named April.' James said he already had collectors in places like Saudi Arabia and Abu Dhabi willing to spend US$25m on the dinosaur. But he was concerned that he will not be able to legally enforce his desire to retain April's name in perpetuity. A fossilised triceratops at the home of Barry James. Photo / Caroline Gutman, The New York Times Though it's been almost two years now, James denies he's delaying the triceratops' completion because it would mean saying goodbye again to April. But it is true, he acknowledged, that the dinosaur now serves, as April once did, as a compelling reason to get up in the morning. 'If I didn't name it after April, I probably would have given up on it already,' he admitted. 'Because it is so devastating not having her here. I'm 74 and we were together for 37 years. That's almost half my lifetime. 'Now I'm paying bills, which I have no clue how to do. I don't know how to get on the computer,' he continued. 'And when I hang up the phone, I'm left with all these pictures of her, which make me realise that life wasn't possible without her.' In truth, he said, drawing me into his endeavour might help preserve her memory. 'Once you have the article out there, I don't think anyone will change her name,' James confided. But he knows the day will come when April the Triceratops needs to leave the workshop, perhaps to stand on someone else's property or in a museum. 'The kids won't care about April or Barry,' he said, cracking a smile. 'They'll just care if the dinosaur looks cool or scary.' This article originally appeared in The New York Times. Written by: Zachary Small Photographs by: Caroline Gutman ©2025 THE NEW YORK TIMES

RNZ News
29-07-2025
- RNZ News
'Beautiful' Delta Aquariids Meteor Shower set to peak overnight
Photo: 123RF A "beautiful" meteor shower is set to light up the skies over Aotearoa overnight. The Delta Aquariids Meteor Shower is fast, faint shooting stars from the Aquarius constellation . Auckland's Stardome Observatory and Planetarium says the annual event "is a reliable and beautiful meteor shower best viewed from here in the Southern Hemisphere". Astronomer Josh Aoraki told Morning Report at their peak you may see about 20 meteors per hour. "Which would be really gorgeous if you imagine star gazing with that up in the sky." The best time to see it will be about 2am, so you'll have to set an early alarm if you're keen to see it. "It's one of the more reliable ones, so usually we have a pretty constant rate of shooting stars every year. "We don't have a huge amount here so if we do get clear skies it's definitely worth a look." Did you see the meteor shower? Send us your photos and videos iwitness@ You won't need any eqiupment to see it but you'll need to be looking to the north-east about half way up the sky and it'll be best if you're away from city lights. Sign up for Ngā Pitopito Kōrero , a daily newsletter curated by our editors and delivered straight to your inbox every weekday.


Otago Daily Times
29-07-2025
- Otago Daily Times
Gore photographer's shot recognised
Bob Smith's photo of Boston George Setefano, 17, performing kapa haka at last year's Matariki celebrations in Waimumu, has been selected as part of the Four Nations Photographic Challenge. Photo: Bob Smith A photo of a Blue Mountain College head boy doing kapa haka during last year's Matariki celebrations has been chosen as part of an international photography competition. Bob Smith's photograph of Boston George Setefano (Ngāti Porou) has been chosen, alongside 80 other images from New Zealand, for the Four Nations Photographic Challenge. The black-and-white photograph was taken in Waimumu in 2024, and Mr Smith said he was beyond surprised to have been selected. "I couldn't believe my eyes when the announcement came out," he said. The life member of the Gore Camera Club said he had entered in previous years, but never heard anything back. "Eyer in with the pretty top photographers in the country," he said. Glenda Rees, also from Gore, has a shot selected as well. Blue Mountain teacher Arrhae Gawky Eales, who runs the kapa haka group Boston is the CAI (leader) of, said it was a privilege to see this photo of him. "I think I could write a book on this young man," she said. "Boston has helped lead the way for young Māori to be proud to be Māori." The cultural group is called Te Atka Kapa Haka Abhor, and is part of Te Atka Māori Charitable Trust. Mr Smith said the photos are sent to an independent association to be judged and the winners will be announced in September. The competition includes photographers from New Zealand, Australia, South Africa and Canada, and the Photographic Society of New Zealand is this year's host.