Sydney Sweeney Measurements, Career & Personal Life in 2025
Sydney Bernice Sweeney has rapidly become one of Hollywood's most admired young actresses, known for her captivating performances and growing influence behind the scenes. Central to her appeal is not only her talent but also her confident embrace of her natural look, making Sydney Sweeney measurements a topic of interest among fans and media alike.
Born on September 12, 1997, in Spokane, Washington, Sydney stands at 5 feet 3½ inches (161 cm) tall. Her body measurements are 35-24-34 inches, and she weighs approximately 54 kg (119 lbs), with a US dress size of 6. Sydney proudly promotes body positivity, encouraging fans to embrace authenticity rather than conforming to unrealistic beauty standards.
Sydney's breakthrough role came with the HBO series Euphoria , where she played Cassie Howard—a deeply emotional and complex character. This role earned her a Primetime Emmy nomination and showcased her immense acting range. She further expanded her portfolio with roles in The White Lotus , Madame Web , and Anyone But You , the latter also marking her debut as an executive producer.
In 2020, Sydney launched Fifty-Fifty Films, her own production company, demonstrating her ambition to shape her projects creatively and professionally. Upcoming films such as the biopic Scandalous! and the thriller The Housemaid will see her both star and produce, highlighting her evolving role in the industry.
Sydney's family remains a strong support system. Her parents, both lawyers, moved to Los Angeles to support her journey. After ending her engagement with Jonathan Davino in 2025, Sydney has focused on her career and creative ventures. She also shares a close friendship with Zendaya, with whom she often publicly supports and collaborates.
Outside of acting, Sydney enjoys hobbies like photography, antique collecting, cooking, and interior design. Her passion for comfort food has even inspired her dream of opening a food cart or small eatery in the future.
With an estimated net worth exceeding $12 million in 2025, Sydney Sweeney's combination of talent, business savvy, and authenticity cements her status as a rising star to watch.
TIME BUSINESS NEWS
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
'I've never seen that': James Hird takes blowtorch to Swans after shambolic scenes
Essendon great James Hird has taken a blowtorch to the Swans and says one shambolic play in Saturday night's huge loss to Adelaide sums up Sydney's struggles in the AFL this season. Crows star Wayne Milera probably echoed the thoughts of many fans when he described the Swans as a "rabble" after his side's thumping 90-point victory at the SCG. And Hird pointed to Sydney's lack of class up forward, their lacklustre ball movement and inadequate distribution of the footy as major issues for first-year head coach Dean Cox to try and fix. "I think their biggest issue is they haven't got a forward line," Hird said on Nine's Footy Furnace. "They haven't got a forward line that can take a contested mark and their ball movement has gone off which was their one-wood last year. Their congested side of things is not where it needs to be, they rely on too few around the middle of the ground." The Swans have been one of the most consistent sides in the AFL over the last decade and went down to Brisbane in last year's grand final after finishing the regular season on top of the ladder. But Sydney's lofty standards have slipped in 2025 as the injuries have racked up, with Cox admitting Saturday night's performance against Adelaide was "unacceptable and embarrassing". Hird agrees and says the Swans' effort areas and failure to execute the fundamentals is a major concern. "And I think the one thing I've loved about the Swans over the last 10 years is their standards. Everything was done - not perfectly - there were some mistakes but not too many," he added. The Essendon great singled out a second quarter goal for the Crows where two Sydney players just needed to scramble the ball through the posts and concede a behind. Instead, they were caught dawdling and allowed Adelaide forward Riley Thilthorpe to toe the ball through the sticks for a goal, in a moment Hird said was indicative of the Swans' struggles this year. "I've never seen a Swans backline let a goal like that go through and it might be unlucky... but I just can't believe that ball went through and I just think it's just symbolic of where the Swans are at," Hird added. "Yes, it's not a massive thing, it's not a game plan thing but I've never seen a Swans group of players in the last 10 years let that happen." Hird and three-time premiership winning Geelong great Jimmy Bartel were also shocked to hear that Milera and the Crows apologised for referring to the Swans as a "rabble". The AFL greats insisted that such criticism was fully warranted after the 90-point hiding. "So what's the cut-off point, 100? You got belted by 90 points," Bartel said. "You were a rabble. We've been a rabble before when we've been belted. Adelaide CEO Tim Silvers reportedly called Swans counterpart Tom Harley to apologise for Milera's comments and Crows teammates insist he meant no harm. RELATED: Pies' move set to force rivals into rethink as Ginnivan predicts change Calls for Kane Cornes to be sanctioned over Luke Beveridge incident AFL world gutted over heartbreaking news about West Coast hero But Hird agreed with Bartel that the criticism was warranted after Saturday night's game and took no issues with the situation. "It seems to me as if they were a rabble and you know when players are back-chatting each other and talking on the ground, you really love it when the opposition is doing it," Hird added. "But at the end of the day they were a mess, they really were a mess on Saturday night."


Time Magazine
3 hours ago
- Time Magazine
The Chilling True Story Behind HBO's The Mortician
HBO's The Mortician, a documentary series premiering June 1, examines the startling true story of a cremator who went to prison for mishandling human remains. In the 1980s, David Sconce ran a cremation business that deliberately mixed up human remains and robbed families of their loved ones' valuables. Sconce, who was in and out of prison after pleading guilty to his crimes in 1989, even speaks in the three-part series. The episodes, premiering weekly, detail the unethical ways that David Sconce increased the cremation business for his family's funeral home, Lamb Funeral Home in Pasadena, California. In the series, Sconce's former employees reveal the terrifying things that they saw while working for him and customers talk about how traumatic it was to receive incorrect remains from Sconce's business. And current morticians weigh in on the correct ways to take care of human remains. Director Joshua Rofé says viewers may be able to relate the cremation scandal to other scandals they see in the news about companies cutting corners in order to make as much profit as possible in exchange for as little work as possible. But in the funeral industry, he says, 'it's pretty damn gruesome.' Here's a look at the most surprising moments in The Mortician. How David Sconce got caught Pasadena-area funeral home directors became suspicious of Sconce when he was completing more cremations than his competitors—and at lower prices. That's because, as former employees explain in the series, Sconce's team would cremate multiple bodies at a time—breaking a collarbone, arm, or leg to squeeze as many bodies into the oven as possible. When his operation moved further out into the California desert, production ramped up, cremating 150-200 bodies at a time. A soldier who liberated Auschwitz happened to live near Sconce's operation in the desert and phoned 911 because he smelled burning flesh, a smell he said he'd never forget after World War II. That's when Sconce got busted. In 1989, Sconce pled guilty to mishandling human remains and mining the corpses' teeth for gold fillings at Lamb Funeral Home. He served a couple of years in prison, and then was sent back in 2013 for violating his lifetime probation by being in possession of a firearm. He was released on parole in 2023. Funeral directors stress in the series that Sconce was a bad apple. They say the Sconce scandal led to more rules and regulations regarding cremations, including laws requiring unannounced inspections of crematories. Taking dental gold or silver is a felony now. How David Sconce carried out the illegal cremation business People who carried out cremations for Sconce recall the red flags they noticed while working for him. Former employees described stripping clothes off of bodies to sell and cutting off body parts to get jewelry to sell. There were running competitions among the employees to see who could fit the most bodies in the oven. Andre Augustine, who worked for Sconce, claims that Sconce's former employees didn't know which remains to put in which box. Clients would get the remains of not only their loved one, but also the remains of other bodies. Sconce's ex-wife Barbara Hunt says her husband was secretive about the cremation business, and claims that she only learned what he was doing from news coverage. But, she recalls, once she saw Sconce sitting on the floor of the garage cracking teeth with a hammer and putting the gold in a styrofoam cup that said 'Au,' the chemical symbol for gold. 'He sold the gold,' Hunt says. 'I just sat there thinking, what world am I in?' Why David Sconce has no regrets Sconce openly talks about cremating multiple bodies at once in the series with no sense of shame. As the series shows, he used to drive a corvette with the license plate 'I BRN 4U.' He argues that because crematories can never clean the ovens of every speck of ash before they put another body into the oven, it justifies what he did. 'Comingling of ash is not a big deal. I don't put any value in anybody after they're gone and dead. They shouldn't when I'm gone and dead. That's not a person anymore.' He said that most families signed up for Sconce to scatter their cremated relatives at sea, with no relatives in attendance, so he doesn't see why anyone would care if the ashes he scattered at sea came from one body or multiple bodies. When asked how he felt about delivering families the cremated remains of multiple people, he said, 'There's no difference in anybody's cremated ash…people just got to be more in control of their emotions. That's not your loved one anymore, and it never has been. Love them when they're here. Period.' Rofé argues that there's more to Sconce's motivation, telling TIME, 'It was about money.' He recalls a moment during the filming when he was alone with Sconce in a motel room and Sconce asked him what Rofé would do if someone gave him so much money to do a documentary that would make Sconce look bad. 'There was a look in his eye unlike any that I'd seen before,' he says. 'It was just scary.' Giving Sconce a voice in the documentary seemed like the right choice to Rofé, who says it's important to not avoid stories about people who have commited crimes. 'If we were to all walk around pretending that everything in this world is hunky dory, we would be doing a great disservice to humanity,' he says. 'But taking a good, hard look at people like this is vital.'
Yahoo
4 hours ago
- Yahoo
TV Ratings: ‘Squid Game' Rules, But Broadcast Series Make Strong Showing in Multiplatform Rankings
With streaming now the platform of choice for the largest share of TV viewers in the U.S., it would seem logical that a streaming show would top the ratings rather than a traditional network show. As it turns out, that's correct: Netflix's Squid Game is, by a sizable margin, the most-watched series of the 2024-25 season. But in Nielsen's multiplatform ratings, which measure viewing over five weeks and across all outlets, a number of broadcast series are still commanding large audiences. More from The Hollywood Reporter 'Squid Game' Final Season Trailer Restarts the Games After Failed Rebellion Streaming Ratings: 'White Lotus' Hits No. 1 Ahead of Season 3 Finale Streaming Is Now Just As Crowded With Ads As Old School TV Of the top 20 shows through March 15 (the most recent date for which the 35-day ratings are complete), eight originate on broadcast networks — six from CBS and two from ABC. All of them average at least 11.5 million viewers per episode across their network showings and streaming over five weeks. CBS' Tracker is the top network show and fourth overall with 17.6 million viewers via CBS and Paramount+. Squid Game, whose second season premiered in late December, racked up 27.1 million viewers in the 35-day window. Netflix's Adolescence (19 million) and Prime Video's Reacher (18.1 million) rank second and third, and two other network series, first-year breakouts Matlock (CBS) and High Potential (ABC), are tied for fifth overall at 16.1 million viewers. This season is the first in which Nielsen has released multiplatform data showing how outlets compare. In the broadcast landscape alone, CBS leads the pack (as it does in linear ratings) with 9.1 million viewers in primetime. NBC is second at 7.2 million viewers, followed by ABC (6.9 million) and Fox (4.3 million). ABC has the biggest gain from Nielsen's linear ratings (which are measured over seven days), rising by 61 percent with streaming and the longer window. CBS improves by 59 percent with the longer multiplatform measure, while NBC grows by 41 percent and Fox, whose shows stream on Hulu but which doesn't have its own platform, adds 12 percent. The top 20 shows (including ties) for all platforms and just on broadcast in Nielsen's 35-day multiplatform ratings are below. Sports and specials are excluded. Best of The Hollywood Reporter 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise 'Yellowstone' and the Sprawling Dutton Family Tree, Explained