logo
'Sullivan's Crossing' Season 3: Chad Michael Murray, Morgan Kohan have a hard goodbye as Cal faces his monster

'Sullivan's Crossing' Season 3: Chad Michael Murray, Morgan Kohan have a hard goodbye as Cal faces his monster

Yahoo19-05-2025
As we continue to learn more about Cal's (Chad Michael Murray) family in Sullivan's Crossing Season 3, things are getting even more emotional with him and Maggie (Morgan Kohan) at his parents home. Earlier in the season we found out that Cal's dad Jed (John Ralston) was diagnosed with prostate cancer, with last week's episode ending as it's revealed the cancer spread as is terminal.
While Cal tries to manage his feelings about his dad illness, while still being upset about how he, and his siblings, were treated as kids, Maggie is there for support. But while they're gone, the threat of Glenn's (Dean Armstrong) development next to the crossing becomes more severe.Picking up right where we left off, Maggie is trying to comfort Cal. He's hurt that his parents kept the information about his dad's health from him, and he starts to think that if he had come home sooner things would be different.
The next morning Cal's mom Marissa (Torri Higginson) asks Maggie if she thinks Jed is doing the right thing by not accepting treatment. Maggie says that while treatment may buy him more time, she's not sure how much time that will actually be.
Marissa goes on to say that she's worried about Cal taking on this news, given how angry he's been at his father for so long, while admitting that she relied on Cal a lot as she tried to manage Jed's condition, with Cal taking on more responsibility than any child should have to. But she stresses to Maggie that she hopes Cal remembers the good days they had too.
While Cal is chopping wood on the property, he has another flashback to his youth. His mom yelling at his dad yelling about how their kids need "stability" and a "proper home."
As Maggie goes over to him, Cal admits he's having a hard time processing his feelings, but Maggie suggests they get away from the house, taking him for a hot air balloon ride. It works, with Cal feeling like he's "disconnected" to everything happening below him.
When they get back to Marissa and Jed's home, Cal talks to his mom, who says his father promised her not to tell him anything about his cancer.
"You're always letting him tell you what to do, putting him first," Cal responds. "We were just kids. We needed you too."
"I wanted you to have a father in your life Cal, even if that meant having one that wasn't perfect. He loved you. Did you really want me to turn my back on him when he needed us?" Marissa says. "I wish things could have been different for all of us."
But then Cal realizes that he never thought about how hard the situation was for his mom.
"The person it's hardest on is your father. Remember that," Marissa stresses to her son.
Meanwhile, Jed tells Maggie how grateful he is that Cal has her, and he can leave this world knowing he's OK.
"It really broke my heart, you know, when he moved away," Jed says. "And I never understood why he did that. Until now."
"It just tears me up knowing that I'm the reason he's going to carry around all that anger for the rest of his life."
After that conversation, Maggie wants Cal to reconcile with his dad, but as he starts crying, Cal opens up about not being able to say goodbye, after losing his late wife Lynne.
"I don't think I can do that again," Cal says. But Maggie responds by saying that if he doesn't make space for a proper goodbye with his dad, he'll regret it.
Sitting by his father's bedside, Cal picks up a wooden duck his dad carved when he was young. We see a flashback of Cal coming out of his tent at night, he couldn't fall asleep, and his Jed picks him up in a piggyback, and they howl together to keep the monsters away.
Back to the present day, Cal brings up that moment to his dad, but also tells him that he wasn't there for him and his siblings because he wouldn't take the medication. Jed says the medication made him feel "disconnected from the world" and from his kids.
"I wish things could have been different, I thought I made the right choice," Jed says. "Maybe I was wrong. Maybe you would have been better off without me."
"You know, I don't think I've ever understood until right now, that the monster you were always so afraid of was me."
"I guess I wasn't the only one running from monsters was I," Cal says in response.
After his conversation with his dad, Cal apologizes to his mom for judging her, and at dinner Cal's parents announce that they're going on one last adventure, driving the school bus to the Grand Canyon.
As they're about to leave, Jed tells Cal to live life to the fullest, and hopefully he'll tell his kids stories about the good times they had together. Then Jed gives his son something top open after they're gone, it's a wood carving of a man with a little boy on his back, just like when Cal was a kid.
Back at the Crossing, Jacob (Joel Oulette) and Frank (Tom Jackson) head out together to collect lichen samples, and Jacob talks about how he came to Nova Scotia because he was hoping to get to know him and Edna (Andrea Menard) better.
Jacob spots a boreal felt, a rare species of lichen, but it looks like it's dying, because it's particularly sensitive to environmental toxins. That's when Frank brings Jacob over to see the the nearby construction site for Glenn's (Dean Armstrong) development. That means this could be the key to shut down the resort project.
Sully (Scott Patterson), Jacob and Frank go to the Nova Scotia Environmental Agency with the lichen sample and an inspector is set to visit Glenn the next morning. But the inspection comes up clean, with Glenn telling Sully's he's gone too far and he should watch his back.
Meanwhile for Rob (Reid Price), finding a new diner space is proving difficult, and he tells Sydney (Lindura) that he may have to move. When Sydney tells Sully and Edna about Rob's possible move, Sully has an idea for an available space.
Sully brings Rob and Sydney to a lodge his great-great-grandfather initially built as a social hall, but it's been abandoned for years. Sully planned to fix it up, but never got around to it. He also explains to Rob that Glenn bought land next to the Crossing, which he's developing into a resort, so having a restaurant with a "talented chef" on the property will giving the Crossing the attention for guests that they need.
Unfortunately, we'll have to wait and see if Sully's new spat with Glenn poses more problems for the Crossing.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

JoAnna Garcia Swisher Reveals 'Sweet Magnolias' Season 5 'Has the Most Romance,' Plus Her Thoughts on a Baby for Maddie and Cal (Exclusive)
JoAnna Garcia Swisher Reveals 'Sweet Magnolias' Season 5 'Has the Most Romance,' Plus Her Thoughts on a Baby for Maddie and Cal (Exclusive)

Yahoo

time3 days ago

  • Yahoo

JoAnna Garcia Swisher Reveals 'Sweet Magnolias' Season 5 'Has the Most Romance,' Plus Her Thoughts on a Baby for Maddie and Cal (Exclusive)

JoAnna Garcia Swisher Reveals 'Sweet Magnolias' Season 5 'Has the Most Romance,' Plus Her Thoughts on a Baby for Maddie and Cal (Exclusive) originally appeared on Parade. While the titular Magnolias in Sweet Magnolias made their way to New York City in the upcoming season, they didn't trade their margaritas for cosmos à la Carrie Bradshaw. "We drank tequila all the way through Manhattan," star JoAnna Garcia Swisher laughed in an exclusive new interview with Parade. While they're back in Serenity now, and are heading to another destination at the end of Season 5, the beloved Netflix series shot in the Big Apple at the beginning of the summer. "I'm not gonna lie, Maddie liked NYC," the actress admitted. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 Season 4 of Sweet Magnolias ended with Swisher's character, Maddie, deciding to accept a job offer from a publishing house in New York. After everything Maddie has gone through, Swisher says she relishes the opportunity "to be able to step into a moment for Maddie where she kind of did choose herself a little bit and see where that leads her." "[The Magnolias] have a lot of fun. We covered a lot of ground in Manhattan, and I think it's in Magnolia style with a lot of gratitude, a lot of just taking it all in," Swisher shared. "I love the way that the Magnolias look at the world, and look at their friendship, and look at the idea that we can have it all and we deserve to believe in ourselves in that way." Related: Swisher revealed that Sweet Magnolias fans can look forward to a new batch packed with romance and drama. "This season, in particular, has the most romance, I think, that we've ever had on our show in all five seasons," adding, "It's hard to even believe, but the most drama, too." Could a baby be in Cal and Maddie's future? Swisher doesn't know, but mysteriously teased, "This season is filled with new possibilities and new beginnings.". I don't mean to be so cagey about it, but I am excited to see how people feel about the idea of Cal and Maddie expanding their family after they watch the season. So I'm interested to see what fans will be rooting for after that." Related: Swisher, who made her directorial debut in Season 4 of Sweet Magnolias, is back in the director's chair this season, helming two episodes. Directing and acting are just two of the many hats that the Reba alum wears—she's also an executive producer. On Aug. 2, Swisher's production company, Rolling Clover, debuted its first cable series, Providence Falls, with Hallmark Media. The three-part event, starring The Bold Type's Katie Stevens, Tracker's Lachlan Quarmby and Spinning Out's Evan Roderick, is based on JudeDeveraux and Tara Sheets' book series of the same name. Funnily enough, Swisher read the first book while she was working in Ireland for Hallmark. "It felt very full circle in that way. Everything felt very meant to be about all of this," she said. "It's definitely a pinch-me moment in my life. Just even seeing the movies come together has been a dream come true. But now the thought of being able to share them with the world, it feels very special." And there are many other exciting projects on the horizon for Swisher. The co-founder of The Happy Place teased, "We have a very cool crime-solving procedural that we are developing right now. We have a little bit of a dark romance, we're looking in the world of fantasy. We are just excited about bringing stories to life and adapting novels and really anything that will resonate with people, that will make people feel inspired, that they can see themselves in. We want people to connect with the stories that we tell, and that's very much from every starting point of any project that we've taken on. But we have some exciting things that we're going to be rolling out." Part 2 of Providence Falls premieres Aug. 9 at 8 p.m. ET on Hallmark Channel, followed by Part 3 on Aug. 16. Next, JoAnna Garcia Swisher Reveals 'Sweet Magnolias' Season 5 'Has the Most Romance,' Plus Her Thoughts on a Baby for Maddie and Cal (Exclusive) first appeared on Parade on Aug 6, 2025 This story was originally reported by Parade on Aug 6, 2025, where it first appeared. Solve the daily Crossword

Venus Williams, Irina Shayk, Tilda Swinton grace star-studded 2026 Perelli calendar
Venus Williams, Irina Shayk, Tilda Swinton grace star-studded 2026 Perelli calendar

USA Today

time4 days ago

  • USA Today

Venus Williams, Irina Shayk, Tilda Swinton grace star-studded 2026 Perelli calendar

Tennis star Venus Williams, singer FKA Twigs, supermodel Irina Shayk, "Game of Thrones" actress Gwendoline Christie and Oscar winner Tilda Swinton are among the stars featured in Pirelli's 2026 calendar. The photographer for the 52nd edition of the calendar – known as The Cal – is London-based creative Sølve Sundsbø and photos were taken in England's Norfolk and Essex as well as New York City. In behind-the-scenes images that offer a preview of the star-studded spread, the forthcoming Cal models pose artistically among backgrounds that blend aquatics, the floral world and sky. The full slate of images are set to be released later this year. "For the 2026 Calendar, I want to capture emotions, instincts and states of mind that's central to human life so: longing for freedom, curiosity, thirst of knowledge, I guess you can call it," Sundsbø said in a press release. "Some kind of mystery, imagination, passions, the desire for emancipation, the connection with nature and our relationship with time and space." Padma Lakshmi, John Boyega, Hunter Schafer star in Pirelli's 2025 calendar: See the photos Other calendar stars in the 2026 edition include '90s supermodel Eva Herzigová, ex-Vampire's Wife designer Susie Cave, "Blink Twice" star Adria Arjona, groundbreaking model Du Juan, Italian actress Luisa Ranieri and Oscar nominee Isabella Rossellini who recently starred in "Conclave." Former "Top Chef" host Padma Lakshmi, "Queen & Slim" leading lady Jodie Turner-Smith, "Bridgerton" star Simone Ashley, "Star Wars" actor John Boyega and "Euphoria" breakout talent Hunter Schafer appeared in last year's calendar. Idris Elba, Bella and Gigi Hadid, Kristen Stewart, Rosalía, Emma Watson, Cher and Iggy Pop are among other famous faces who appeared on The Cal in recent years. The Cal "was born as an exclusive project" of the group's British subsidiary as they sought a marketing strategy to differentiate the brand from its competition in 1964, according to the company. The calendar was conceptualized as a gift to the tire maker's clients. The Cal's six-decade history features defining moments including noted British fashion photographer Terence Donovan photographing only Black models, including then-teen talent Naomi Campbell before she became a modeling superstar, in 1987. Former Chanel creative director Karl Lagerfeld – who died in 2019 – helmed the 2011 calendar and legendary portrait photographer Annie Leibovitz was behind the lens of the 2000 and 2016 editions. Per Perelli, the calendar aims to "mark the passing of time with images by the most highly acclaimed photographers of the moment – capturing and interpreting contemporary culture and often anticipating new trends."

Jessie Buckley Goes Where Few Actresses Dare
Jessie Buckley Goes Where Few Actresses Dare

New York Times

time05-08-2025

  • New York Times

Jessie Buckley Goes Where Few Actresses Dare

THE NIGHT BEFORE I saw the movie 'Hamnet' in May, I dreamed that I lost the baby I was carrying at the very end of my pregnancy. It was harrowing but not totally surprising. I was in fact pregnant, and the film, which will be released in November and which I'd been planning to see for weeks, is about the death of a child. Based on the Northern Irish writer Maggie O'Farrell's 2020 novel of the same name, it's a fictionalized account of how William Shakespeare and his wife — who in this version is Agnes, an herbalist said to be the daughter of a forest witch — grapple with the loss of their son, Hamnet, to the plague. As its star, the Irish actress Jessie Buckley, later said to me, it's 'a pretty brutal one to watch while you're pregnant.' When we dream, our bodies experience the emotions of our unconscious selves almost as acutely as if we were awake. It's a nightly suspension of disbelief that allows even the least imaginative person to act out fictional scenes with startling intensity. But the real trick, of course, is to pull off this illusion while awake: to perform an event you've never experienced with the immediacy of real life. For an actor, that requires craft. To maintain the fantasy, they must pretend they're not being watched, whether by cameras or audiences, but they must also — or at least, the very best actors do — compel their viewers to feel what they are feeling, no matter how much those witnesses might rather turn away. In 'Hamnet,' when Agnes realizes that, despite all her efforts, her son is no longer breathing, she releases a wrenching, full-bodied scream, filmed from the side so that we can see the sound erupting from her mouth, then dissolving into silence, her lips still straining, as if her grief is ultimately unutterable. Buckley's performance of loss, here and in the rest of the film, seems to draw from some dark place where every parent's worst nightmare has pooled. Her scream is both unfathomable and instantly recognizable, a reminder of the potential for tragedy that lies just beneath the surface of life. More than any other quality, it's this ability — to peel back that veneer and enter the places we'd rather not go — that has earned Buckley a reputation for playing complicated roles with devastating power. Chloé Zhao, the director of 'Hamnet,' says that as soon as she read the book, which she adapted with O'Farrell, she knew the role had to be Buckley's. Few other actresses of her generation can gain access to such a wide spectrum of emotions, or seem as willing to risk being disliked for exploring the tougher ones. 'She has no fear in terms of how she's perceived,' says Paul Mescal, 29, who plays Shakespeare in the film. 'She's never trying to hide or draw lines.' In 'Hamnet,' she is part earth mother, tending bees with muddy fingernails and giving birth in the roots of a tree, and part practical parent and partner, revealing with barely perceptible gestures — a searching stare, a terse response — the tug between her own mourning, the small daily tasks of child rearing and her anger at her husband's seeming absence after their son's death. Want all of The Times? Subscribe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store