Kate Middleton Is 'Feeling Closer to 100 Percent' One Year After Publicly Announcing Cancer Diagnosis
Following major abdominal surgery in January 2024, the Princess of Wales announced last March 22 that she had been diagnosed with cancer, detected after the surgery. Kate was largely away from public life for most of 2024 save for a handful of appearances, and announced on September 9 that her chemotherapy treatment had ended before revealing on January 14 of this year that she was in remission. (Shockingly, her father-in-law King Charles was also diagnosed with cancer following a January procedure; his treatment continues. Neither Kate nor Charles' types or stages of cancer have ever been publicly disclosed.)
Now into 2025, Kate is more and more returning to royal duty, and royal biographer Sally Bedell Smith told People that 'She has been very good at managing expectations, and it's wise for her to downplay it a bit because when she does more than people anticipated, it has a greater impact.'
'It's evident that she is feeling closer to 100 percent than one would have thought at this stage,' Bedell Smith added.
Kate has undertaken several royal engagements already in 2025, both solo and with husband Prince William. The couple visited Wales last month ahead of St. David's Day, and over the weekend attended a Six Nations rugby match, where the pair—married for nearly 14 years—cheered for opposing teams. On Monday, Kate stepped out without William to attend the Irish Guards' St. Patrick's Day parade as the regiment's Colonel-in-Chief.
'She's making her outings more meaningful in a way that had never been done before,' royal historian Amanda Foreman told People. 'And she's ahead of the curve—creating the meaningful moment rather than the Instagrammable moment.'
'She is the MVP of the royal family, and no one knew when she was going to come back,' Foreman added.
Though Kate is in remission, one can't go through a health scare like the Princess of Wales did in 2024 and not be changed. One year on from telling the world about her diagnosis—timed so that it would be in the best interest of kids Prince George, Princess Charlotte, and Prince Louis—royal biographer Ingrid Seward said that 'It takes time to feel comfortable and do things your way without always worrying.'
Bethan Holt, who is fashion director at The Telegraph, told People of the Princess of Wales, 'She has an inner steel about what she wants and a drive that will be reflected in what she does and what she wears,' and Foreman added, 'She is staying on message and is projecting this very mature image, a restrained elegance.'
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With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
BAYEUX, France -- For centuries, the storytelling masterpiece has been a source of wonder and fascination. In vivid and gruesome detail, the 70-meter (230-foot) embroidered cloth recounts how a fierce duke from France conquered England in 1066, reshaping British and European history. The Bayeux Tapestry, with its scenes of sword-wielding knights in ferocious combat and King Harold of England's famous death, pierced by an arrow to an eye, has since the 11th century served as a sobering parable of military might, vengeance, betrayal and the complexity of Anglo-French relations, long seeped with blood and rivalry but also affection and cooperation. Now, the medieval forerunner of today's comic strips, commissioned as propaganda for the Normandy duke William known as 'the Conqueror' after he took the English throne from Harold, is being readied for a new narrative mission. Next year, the fragile artistic and historic treasure will be gingerly transported from its museum in Bayeux, Normandy, to star in a blockbuster exhibition in London's British Museum, from September 2026 to July 2027. Its first U.K. outing in almost 1,000 years will testify to the warming latest chapter in ties across the English Channel that chilled with the U.K.'s acrimonous departure from the European Union in 2020. The loan was announced in July when French President Emmanuel Macron became the first EU head of state to pay a state visit to the U.K. since Brexit. Bayeux Museum curator Antoine Verney says the cross-Channel trip will be a home-coming of sorts for the tapestry, because historians widely believe that it was embroidered in England, using woolen threads on linen canvas, and because William's victory at the Battle of Hastings was such a major juncture in English history, seared into the U.K.'s collective consciousness. 'For the British, the date — the only date — that all of them know is 1066,' Verney said in an interview with The Associated Press. Moving an artwork so unwieldy — made from nine pieces of linen fabric stitched together and showing 626 characters, 37 buildings, 41 ships and 202 horses and mules in a total of 58 scenes — is further complicated by its great age and the wear-and-tear of time. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney, the curator. Believed to have been commissioned by Bishop Odo, William the Conqueror's half-brother, to decorate a new cathedral in Bayeux in 1077, the treasure is thought to have remained there, mostly stored in a wooden chest and almost unknown, for seven centuries, surviving the French Revolution, fires and other perils. Since then, only twice is the embroidery known to have been exhibited outside of the Normandy city: Napoleon Bonaparte had it shown off in Paris' Louvre Museum from late 1803 to early 1804. During World War II, it was displayed again in the Louvre in late 1944, after Allied forces that had landed in Normandy on D-Day, June 6th, of that year had fought onward to Paris and liberated it. The work, seen by more than 15 million visitors in its Bayeux museum since 1983, 'has the unique characteristic of being both monumental and very fragile,' Verney said. 'The textile fibers are 900 years old. So they have naturally degraded simply due to age. But at the same time, this is a work that has already traveled extensively and been handled a great deal.' During the treasure's stay in the U.K., its museum in Bayeux will be getting a major facelift costing tens of millions of euros (dollars). The doors will close to visitors from Sept. 1 this year, with reopening planned for October 2027, when the embroidery will be re-housed in a new building, encased on an inclined 70-meter long table that Verney said will totally transform the viewing experience. How, exactly, the treasure will be transported to the U.K. isn't yet clear. 'The studies required to allow its transfer to London and its exhibition at the British Museum are not finished, are under discussion, and are being carried out between the two governments,' Verney said. But he expressed confidence that it will be in safe hands. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he asked. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.'
San Francisco Chronicle
7 hours ago
- San Francisco Chronicle
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
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New York Post
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- New York Post
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