Madonna, 66, puts on a very leggy display in sexy white lingerie dress as she models a range of quirky looks in her lavish bathroom
And Madonna didn't hold back as she posed up a storm in a range of quirky outfits while putting on causal fashion show in her lavish bathroom in Instagram snaps on Wednesday.
The pop legend, 66, put on a very leggy display as she perched on the back of a couch in a sexy white lingerie dress.
Adorned with white lace and jewel detailing, the singer paired the satin dress with black opaque tights and pointed white heels.
She added a large rimmed black sunhat as she captioned the collection: 'Life in my bathroom lately!'
In another snap she opted for a black mini dress with black lace detailing and blacked out stylish shades.
Modelling a range of quirky looks, she also wore for a baggy colourful grey hoody in another snap and a blue shirt co-ord and cap in another.
Her tights were stitched with the words 'Mom, I am a rich man', before she also slipped into an oversize T-shirt which read 'War is over! If you want it'.
Acting as a back drop for the snaps, her lavish bathroom was complete with all white furnishings, a couch and bath, as her clothes could be seen strewn everywhere.
Her latest post comes after the star set pulses racing as she posed for a series of sizzling snaps on a bed with a small bunch of white flowers last week to mark the start of Pride.
Showing off her sensational figure, she left little to the imagination in a white tank top and lace underwear.
Madonna teamed the look with tan stockings and styled her golden locks into a bouncy blowout as she gave her followers a treat for their eyes.
She captioned the sexy snaps: : 'Love the Skin you're in. Happy Pride,' along with the Pride flag and a blue heart emoji.
She also added the hashtag, Veronica Electronica, in reference to the remix album which is set to be released on July 25.
Acting as a back drop for the snaps, her lavish bathroom was complete with all white furnishings, a couch and bath, as her clothes could be seen strewn everywhere
In another snap she kept it comfy in an oversized grey multi-colour printed zip up hoody
Getting glammed up she wore a white silk corset and black mesh dress which she paired with black rimmed glasses
The long-awaited remix album is the accompaniment to her 1998 record, Ray of Light.
Madonna also recently took to Instagram with a series of photos commemorating the 94th birthday celebration for her father Silvio Ciccone.
The Express Yourself artist thanked her dad for passing down what she described as a 'zero F**** mentality!' that helped her conquer the world of entertainment.
'Happy Birthday to my Father,' the 66-year-old pop superstar said in the caption of a post to more than 19.9 million followers on the social media platform.
The pop icon said of her father: 'He has survived many wars and many losses in his life and he still has a sense of humor and a strong desire to get out of bed every morning and make the most of his day.'
The Grammy-winning singer, whose full name is Madonna Louise Veronica Ciccone, hailed her father for his consistency over the years and strong work ethic as he approaches 100.
'Whenever people ask my father when he's going to retire, his answer is always the same: "I'm going to go until the wheels fall off"' the Like A Prayer vocalist said.
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In the Six Bells Countryside Inn, if I squinted – and certainly after a gin cocktail – I was convinced it could almost be a pub in the Cotswolds. It has deep red upholstered banquettes, exposed beams and a cosy wooden bar, cast in muted light from ruffled lampshades (though, alas, no beer taps). There are Kendal Mint Cakes on offer in its 11 guest rooms, with beds bedecked in patchwork quilts from West Dorset. The whole vibe is tongue-in-cheek twee (hence very British) with florals, frills and hand-painted frescos. What makes this perhaps surprising is that the Six Bells is a hotly anticipated new opening in the rural town of Rosendale, two hours' drive upstate from New York City. But what makes it genuinely bizarre is that it sprung from the imagination of Audrey Gelman. If you've heard of Gelman, you probably know her as co-founder of the Wing. The chain of women's co-working spaces epitomised a particular brand of 2016-era 'girl boss' feminism with an aesthetic that defined millennials for years to come. It was a dizzying success, once valued at $365 million with a waiting list 9,000 names long. That is, until the self-styled 'women's utopia' was accused of being less than utopic for some members of staff. Gelman resigned as CEO in 2020, apologised and withdrew to a 68-acre farmhouse in upstate New York. But the media's fascination with Gelman started long before that, from her years as a political operator (she left college to work on Hilary Clinton's 2008 bid for the Democratic presidential nomination) to her cameos in Girls. The seminal TV show's creator Lena Dunham is a childhood best friend and Gelman was the rumoured real-life inspiration for the highly strung Marnie, 'only successful'. While not a household name – unless you read the pages of New York Magazine – she seemingly has a mainline into the zeitgeist. So what's behind the pivot to country kitsch? We met in the bar of the Six Bells, where she's spent most of the last two months in preparation for the hotel's launch. We drank a fresh lambrusco, chatting about how the sparkling red wine is in vogue again after years of exile, and I couldn't help but think it was an on-point choice for an entrepreneur herself in the midst of a low-key comeback. I asked Gelman about her apparent Anglophilia and it turns out this 'Jewish gal from the Upper West Side' (her words) has a penchant for British murder mysteries. Indeed, she can gamely swap notes on Agatha Christie adaptations (her favourite being Joan Hickson as Miss Marple) and, while in England, went on a location tour for Midsomer Murders, on which she visited Beckonscott Model Village and discovered her brand's namesake. The Six Bells, a 17th-century, thatched pub in Oxfordshire, features on several of the series' episodes (Gelman can name them). 'There's a reason they call [the genre cosy crime],' she said. 'The world is overwhelming and I wanted to create that kind of escapism that felt a little bit evocative of mysteries of the past.' While she found style inspiration in design from this side of the pond – 'obviously British maximalism and pattern and eccentricity' – the Six Bells isn't an immersive recreation of any specific time or place. The design is a mash-up of folk arts and crafts, from American Gothic to William Morris. And it works. In 2021, Gelman opened the Six Bells 'country store' in Brooklyn's chic Cobble Hill neighbourhood – it sells many of the homewares available in the hotel today – tapping into the pandemic-era embrace of a nostalgic maximalism, when cottagecore was trending and fashion brand Batsheva made Laura Ashley newly relevant. Gelman prefers a term coined by a friend – 'cottage hardcore' – because rather than the 'ultra-feminine woman in a nightgown in a meadow' vibe, the hotel offers 'something a little weirder, a little spookier even.' She and her son recently 'discovered' a ghost in the basement of the building and they're now on a research project to find who is haunting the hotel. 'A good ghost,' Gelman assured me, in earshot of her son sitting nearby. Gelman's sense of whimsy is on full display in the fictional backstory she created for the brand. Both the shop and inn exist in the make-believe 'civil parish' of Barrow's Green, home to an entire cast of characters, such as Ursula Lumley 'the town gossip' and Amalia Blackwood 'the parlour maid.' The village map is hand-painted on the ceiling of the hotel's reception. Each room plays a part in this lore. Gable's Hollow, where I stayed, tucked away on the third floor of the handsome 19th-century Federalist building, with its floral wallpaper and sumptuous toffee-coloured drapes, was apparently inspired by 'Barrow's Green in the autumn, when the maples turn and a debate breaks out in the village over whether the harvest festivities are slightly too occult in nature.' I learnt this from a booklet waiting for me on the berry-print quilt of my four-poster, king-size bed, which was accompanied by a 'field guide' with instructions on how to take home what took my fancy, because, yes, almost the entire hotel is also shoppable, from the calico bed sets to the sponge-ware ceramics in which my chicken pie was served later. The gift shop offers further opportunities for what's best described as gentle commerce, in the shape of ditsy nightgowns, beeswax candles and egg-white facial soap bars (apparently once popular in Sweden). Gelman described the process as like Soho House but backwards; she started with goods and expanded into hospitality. Gelman wasn't a hands-off founder, either. As well as 'all sorts of unglamorous things such as heating and plumbing', she 'got very comfortable driving a truck' as she crossed the American Midwest to scour estate sales for antique finds such as the many oil paintings that grace the walls of the hotel. This sort of treasure hunting is in her bones, having grown up visiting her grandfather in the Hudson Valley and tagging along with him to auctions and thrift stores. She now lives in the barn he built, having fulfilled a lifelong dream to buy it back, only to find that the owners hadn't sold his many knick-knacks. Perhaps that's why the Six Bells works. Gelman has always had a nose for the millennial mood, and in these times of digital myopia, AI and the fractured state of politics, perhaps what we want is a nostalgic and tactile fantasy-land to escape to for a few days.
